Songs like "A Flair for the Dramatic..." by Jeanine Tesori
Based on a tempo of (+/- 10%) and a similar genre
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Paul Sanchez
Feel Like a Lady - Michael Cerveris, Vat...
138 bpm • F min • 04:14 • -8.01db
0% Popularity • 52% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 52% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Jeanine Tesori
"A Flair for the Dramatic..."
138 bpm • F# Maj • 02:42 • -19.99db
18% Popularity • 68% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 68% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Stephen Sondheim
"Take a Look, Lee."
138 bpm • E Maj • 05:27 • -16.51db
16% Popularity • 55% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 55% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Ragtime Orchestra
Coalhouse Demands
138 bpm • C min • 03:56 • -8.57db
18% Popularity • 62% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 62% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Jared Gertner
Life Story (Reprise)
138 bpm • G Maj • 01:57 • -17.72db
16% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Bonnie Milligan
Better
139 bpm • C Maj • 04:05 • -5.44db
37% Popularity • 50% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 50% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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Roger Bart
Man About Town
137 bpm • F Maj • 01:48 • -8.75db
22% Popularity • 52% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 52% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Jeanine Tesori
Ring of Keys
138 bpm • A Maj • 03:07 • -12db
38% Popularity • 45% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 45% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Anthony Barrile
Cousin Kevin
137 bpm • B min • 03:34 • -12.65db
20% Popularity • 30% Danceability • 43% Energy • 59% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 30% Danceability • 43% Energy • 59% Liveness
0% Instrumentalness • 14% Positiveness
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Lauren Lopez
The Night Belongs to Us
139 bpm • A Maj • 03:02 • -6.9db
25% Popularity • 44% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 44% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Taylor Trensch
The Seven Deadly Virtues
137 bpm • C# Maj • 01:39 • -10.93db
17% Popularity • 74% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 74% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Maury Yeston
The Launching: The 1st Class Roster
139 bpm • G min • 02:34 • -18.64db
23% Popularity • 54% Danceability • 15% Energy • 78% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 54% Danceability • 15% Energy • 78% Liveness
0% Instrumentalness • 56% Positiveness
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Paul Sanchez
School Song/Fight Song - Michael Cerveri...
140 bpm • A# Maj • 03:18 • -6.16db
0% Popularity • 49% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 49% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Jeanine Tesori
"Just Had a Good Talk with Dad..."
137 bpm • C Maj • 01:50 • -19.32db
21% Popularity • 60% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 60% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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Peter Friedman
Success
136 bpm • A# Maj • 05:25 • -11.56db
20% Popularity • 52% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 52% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Brandon Sturiale
Change
136 bpm • D Maj • 03:47 • -8.26db
0% Popularity • 57% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 34% Positiveness
0% Popularity • 57% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 34% Positiveness
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Benjamin Pajak
Gary, Indiana
136 bpm • C# Maj • 01:15 • -10.29db
18% Popularity • 55% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
18% Popularity • 55% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Julia Murney
Lucky
140 bpm • A# Maj • 02:33 • -11.07db
8% Popularity • 42% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 42% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Marcia Mitzman
Do You Think It's Alright
136 bpm • G# Maj • 01:08 • -11.89db
20% Popularity • 63% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
20% Popularity • 63% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Jeanine Tesori
Luck of the Draw
136 bpm • D Maj • 05:04 • -11.83db
11% Popularity • 76% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 76% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Peter Friedman
Gliding
136 bpm • F# Maj • 03:51 • -13.73db
19% Popularity • 39% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 39% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Jennifer Damiano
Hey #3 / Perfect for You - Reprise
136 bpm • E min • 02:23 • -13.98db
29% Popularity • 45% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 45% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Brian D'Arcy James
To Thine Own Self - Reprise
135 bpm • E min • 01:50 • -13.56db
32% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Baby June Baby Louise
Tomorrow's Mother's Day - Bonus Track
135 bpm • G Maj • 01:17 • -6.16db
10% Popularity • 55% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
10% Popularity • 55% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
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Victoria Clark
Great Adventure
141 bpm • A Maj • 03:02 • -8.56db
33% Popularity • 65% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 65% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Jeanine Tesori
Raincoat of Love
135 bpm • B min • 02:01 • -8.89db
28% Popularity • 57% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 57% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
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Rose Hemingway
Happy To Keep His Dinner Warm (Reprise)
141 bpm • A Maj • 01:00 • -13.25db
17% Popularity • 40% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 40% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Tom Hewitt
I Can Make You a Man (Reprise)
141 bpm • A# Maj • 01:57 • -6.56db
15% Popularity • 48% Danceability • 54% Energy • 37% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 48% Danceability • 54% Energy • 37% Liveness
0% Instrumentalness • 56% Positiveness
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Kevin Chamberlin
Horton Sits On The Egg / Act I Finale - ...
135 bpm • F Maj • 02:21 • -10.48db
30% Popularity • 52% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 52% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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Peter Bartlett
A Romantic Atmosphere
142 bpm • G Maj • 04:50 • -10.65db
18% Popularity • 51% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 51% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Alix Korey
The Rumor
142 bpm • C Maj • 02:18 • -8.1db
21% Popularity • 69% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 69% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Jeanine Tesori
Flying Away (Finale)
141 bpm • A Maj • 03:34 • -10.9db
28% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Hunter Foster
The Space Between
134 bpm • G Maj • 02:27 • -9.99db
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Sierra Boggess
Soldier On
142 bpm • F Maj • 02:19 • -7.69db
8% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Rebecca Naomi Jones
Out Of My Dreams
134 bpm • C Maj • 03:23 • -11.39db
16% Popularity • 39% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 39% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Zachary Levi
Three Letters
134 bpm • A min • 02:56 • -11db
24% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Jake Gyllenhaal
The Dog Song
142 bpm • E min • 03:35 • -11.76db
16% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Emily Skeggs
Maybe in Florence
142 bpm • A Maj • 04:19 • -8.7db
1% Popularity • 48% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
1% Popularity • 48% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Marin Mazzie
Atlantic City
134 bpm • C Maj • 05:35 • -11.55db
18% Popularity • 46% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 46% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Jeanine Tesori
Raise Me Up
143 bpm • F Maj • 06:42 • -8.26db
8% Popularity • 46% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 46% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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‘Into The Woods’ 2022 Broadway Cast
First Midnight
133 bpm • A# min • 01:11 • -7.32db
34% Popularity • 66% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 66% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Hunter Foster
Look at the Sky
144 bpm • F# Maj • 03:14 • -8.94db
28% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
All About Ruprecht
132 bpm • G Maj • 03:51 • -15.53db
14% Popularity • 66% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 66% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Loser's Lounge
25 O'clock
144 bpm • A min • 04:43 • -6.61db
0% Popularity • 30% Danceability • 89% Energy • 90% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 30% Danceability • 89% Energy • 90% Liveness
0% Instrumentalness • 42% Positiveness
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Peter Friedman
Buffalo Nickel Photoplay, Inc.
143 bpm • A# Maj • 02:32 • -9.33db
17% Popularity • 64% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 64% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Jeanine Tesori
Days and Days
133 bpm • C# Maj • 03:28 • -12.89db
29% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Gavin Creel
Any Moment
144 bpm • F min • 02:07 • -17.41db
31% Popularity • 50% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 50% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Michael Cerveris
Amazing Journey
144 bpm • D Maj • 03:12 • -10.12db
22% Popularity • 64% Danceability • 64% Energy • 73% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 64% Danceability • 64% Energy • 73% Liveness
0% Instrumentalness • 38% Positiveness
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Gwen Verdon
I Know a Girl
132 bpm • C Maj • 02:04 • -19.33db
23% Popularity • 68% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 68% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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'[title of show]' Original Cast
(Title of Show)
132 bpm • C# Maj • 04:58 • -7.78db
10% Popularity • 65% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 65% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Bryce Pinkham
Poison in My Pocket - Reprise
131 bpm • C# Maj • 00:55 • -13.28db
20% Popularity • 79% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 79% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Jeanine Tesori
Helen's Etude
132 bpm • G# Maj • 03:39 • -16.77db
22% Popularity • 52% Danceability • 12% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 52% Danceability • 12% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
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Ryan Silverman
Very Well-Connected
131 bpm • C Maj • 02:11 • -10.81db
8% Popularity • 76% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 76% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Mindi Dickstein
Five Forever
131 bpm • E Maj • 02:38 • -8.05db
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Rose
Who Needs Him? - Bonus Track
131 bpm • G Maj • 01:16 • -5.7db
12% Popularity • 42% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 42% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Heidi Blickenstaff
What Kind of Girl Is She?
131 bpm • B Maj • 01:50 • -15.16db
19% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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2021 London Cast of Cabaret
It Couldn't Please Me More
131 bpm • A# Maj • 03:31 • -15.01db
27% Popularity • 41% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 41% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 39% Positiveness
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Jeanine Tesori
Party Dress
144 bpm • G# Maj • 02:20 • -16.97db
21% Popularity • 60% Danceability • 16% Energy • 45% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 60% Danceability • 16% Energy • 45% Liveness
0% Instrumentalness • 29% Positiveness
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Paul Sanchez
Slam Bam Thank Me Ma'am - Michael Cerver...
131 bpm • F Maj • 02:57 • -6.08db
0% Popularity • 80% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 80% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Tommy Hollis
Look What You've Done
131 bpm • F# min • 06:01 • -11.6db
16% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Tom Alan Robbins
Ya Never Know
146 bpm • A# Maj • 03:02 • -7.92db
30% Popularity • 56% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 56% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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'[title of show]' Original Cast
Filling out the Form
131 bpm • G# Maj • 01:52 • -10.89db
13% Popularity • 60% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 60% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Charles Strouse
Introductory Remarks (Bonus Track)
131 bpm • C Maj • 01:57 • -23.41db
16% Popularity • 65% Danceability • 18% Energy • 14% Liveness
6% Instrumentalness • 96% Positiveness
16% Popularity • 65% Danceability • 18% Energy • 14% Liveness
6% Instrumentalness • 96% Positiveness
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Harry Haden-Paton
You Did It
146 bpm • C Maj • 04:42 • -8.77db
14% Popularity • 52% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 52% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Tammy Blanchard
Finch Is In Love
130 bpm • C min • 00:58 • -15.26db
15% Popularity • 49% Danceability • 15% Energy • 43% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 49% Danceability • 15% Energy • 43% Liveness
0% Instrumentalness • 19% Positiveness
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Paul Sanchez
JoAnn - Michael Cerveris & Craig Klein
130 bpm • F Maj • 03:56 • -7.71db
0% Popularity • 57% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 57% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Jeanine Tesori
On My Way
130 bpm • G Maj • 04:18 • -8.24db
25% Popularity • 47% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 47% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Rose
Seattle to Los Angeles
130 bpm • C Maj • 01:32 • -3.32db
16% Popularity • 56% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 56% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Two Kinsmen
130 bpm • D Maj • 01:32 • -8.93db
17% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Michael Cerveris
Sensation
147 bpm • G Maj • 04:14 • -13.13db
22% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Tammy Blanchard
Closed for Renovation
146 bpm • A# Maj • 01:25 • -9.09db
29% Popularity • 78% Danceability • 68% Energy • 41% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 78% Danceability • 68% Energy • 41% Liveness
0% Instrumentalness • 94% Positiveness
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Paul Sanchez
Kajun's Pub - Michael Cerveris
130 bpm • D Maj • 04:18 • -4.17db
0% Popularity • 43% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 43% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Gavin Creel
Hello, Little Girl
130 bpm • A# min • 02:41 • -13db
34% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Jeanine Tesori
"It Was Great to Have You Home..."
130 bpm • B min • 00:51 • -14.29db
20% Popularity • 47% Danceability • 27% Energy • 50% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 47% Danceability • 27% Energy • 50% Liveness
0% Instrumentalness • 56% Positiveness
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Gwen Verdon
Me and My Baby
147 bpm • F min • 01:26 • -19.16db
15% Popularity • 42% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 42% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Eddie Korbich
Lida Rose / Will I Ever Tell You
129 bpm • F Maj • 03:48 • -12.71db
18% Popularity • 37% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 37% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 27% Positiveness
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Michael McGrath
Perspective
148 bpm • D Maj • 02:44 • -9.42db
22% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
Ruffhousin' Mit Shuffhausen
148 bpm • A# Maj • 04:48 • -15.2db
13% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Michael Cerveris
I'm Free/Pinball Wizard (reprise)
129 bpm • C# min • 03:54 • -11.38db
18% Popularity • 34% Danceability • 75% Energy • 73% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 34% Danceability • 75% Energy • 73% Liveness
0% Instrumentalness • 32% Positiveness
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John Behlmann
This Thing
149 bpm • C Maj • 03:15 • -7.26db
14% Popularity • 43% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 43% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Stephanie J. Block
Trina's Song / March of the Falsettos / ...
128 bpm • B Maj • 06:44 • -9.28db
37% Popularity • 52% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 52% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Mindi Dickstein
Our Finest Dreams
149 bpm • C# Maj • 03:38 • -8.01db
27% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Paul Alexander Nolan
She Thinks I'm Old
149 bpm • F min • 02:25 • -10.52db
20% Popularity • 58% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 58% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Megan Hilty, Marc Kudisch and Ensemble
Cowgirl's Revenge
128 bpm • C# Maj • 02:03 • -7.72db
27% Popularity • 68% Danceability • 59% Energy • 79% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 68% Danceability • 59% Energy • 79% Liveness
0% Instrumentalness • 86% Positiveness
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Soundtrack/Cast Album
Act I Finale
128 bpm • B Maj • 01:08 • -11.07db
31% Popularity • 36% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 36% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Hunter Foster
Follow Your Heart
149 bpm • D# Maj • 04:47 • -17.16db
31% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Christopher J. Hanke
The Company Way (Reprise)
128 bpm • A min • 01:39 • -9.65db
17% Popularity • 80% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 80% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
► Preview
Jeanine Tesori
"Read a Book..."
128 bpm • D Maj • 01:00 • -19.9db
20% Popularity • 60% Danceability • 18% Energy • 62% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 60% Danceability • 18% Energy • 62% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
The Wild Party Ensemble
By Now the Room Was Moving
149 bpm • F min • 01:17 • -7db
18% Popularity • 57% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 57% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Jane Krakowski
I Resolve
128 bpm • A# Maj • 02:16 • -8.01db
25% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Michael Cerveris
Welcome
128 bpm • F# Maj • 03:19 • -14.39db
15% Popularity • 48% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 48% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Brian Stokes Mitchell
His Name Was Coalhouse Walker
127 bpm • A# Maj • 02:38 • -13.65db
20% Popularity • 56% Danceability • 32% Energy • 86% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 56% Danceability • 32% Energy • 86% Liveness
0% Instrumentalness • 38% Positiveness
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Georgia Engel
I Remember Love
127 bpm • G Maj • 02:41 • -11.45db
19% Popularity • 65% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 65% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Jennifer Damiano
Superboy and the Invisible Girl
127 bpm • D Maj • 02:08 • -6.77db
41% Popularity • 62% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 62% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Michael Lanning
God's Arms Are Always Open
126 bpm • G Maj • 04:55 • -9.87db
28% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Andrew Durand
Holy Shit
126 bpm • C Maj • 01:20 • -6.53db
28% Popularity • 78% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 78% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
► Preview
Michael Cerveris
Amazing Journey (reprise)
150 bpm • D Maj • 01:04 • -10.24db
19% Popularity • 38% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 38% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Dirty Rotten Scoundrels Original Broadway Cast
Like Zis / Like Zat
126 bpm • C min • 03:21 • -16.1db
13% Popularity • 58% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 58% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
