Songs like A Girl Does by Mitch Rossell
Based on a tempo of (+/- 10%) and a similar genre
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Mitch Rossell
A Girl Does
113 bpm • E Maj • 03:24 • -4.42db
29% Popularity • 61% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 61% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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Steven Lee Olsen
Outta Yours
112 bpm • E Maj • 02:58 • -5db
60% Popularity • 59% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
60% Popularity • 59% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Noah Thompson
Stay
114 bpm • F# min • 03:45 • -6.49db
49% Popularity • 59% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
49% Popularity • 59% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jeremy McComb
Back Before I Knew Ya
114 bpm • F Maj • 02:42 • -4.5db
28% Popularity • 62% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 62% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Smithfield
Life & Living
114 bpm • D Maj • 03:46 • -5db
40% Popularity • 62% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 62% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Ray Fulcher
Anything Like You Dance - Stripped
114 bpm • B Maj • 03:19 • -3.86db
31% Popularity • 76% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 76% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Mitch Rossell
All About Me
113 bpm • F Maj • 03:34 • -6.63db
19% Popularity • 58% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 58% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Brandon Lay
Break Down On Me
114 bpm • D# Maj • 02:54 • -8.62db
41% Popularity • 68% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 68% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Drake Milligan
Hearts Don't Break Even
112 bpm • D Maj • 03:02 • -6.58db
35% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Mark Jones & Twenty Paces
I Wanna Dance with Somebody
114 bpm • B Maj • 03:11 • -7.3db
39% Popularity • 71% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 71% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Thomas Rhett
Things Dads Do
112 bpm • E Maj • 04:09 • -7.31db
38% Popularity • 42% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 42% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Ray Fulcher
Anything Like You Dance
114 bpm • B Maj • 03:18 • -5.46db
40% Popularity • 69% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 69% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Tyler Braden
What I See
115 bpm • E Maj • 03:52 • -6.88db
42% Popularity • 64% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
42% Popularity • 64% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Mitch Rossell
Seeing Her
114 bpm • F# Maj • 03:06 • -4.62db
30% Popularity • 51% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
30% Popularity • 51% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Troy Cartwright
Hung Up On You
115 bpm • A# Maj • 03:21 • -3.96db
44% Popularity • 65% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
44% Popularity • 65% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Sam Grow
Song About You
111 bpm • A# Maj • 03:01 • -4.3db
58% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
58% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Drew Baldridge
Senior Year
111 bpm • F Maj • 03:55 • -3.72db
42% Popularity • 52% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 52% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Austin Burke
Ain't Gonna Break My Heart
111 bpm • B Maj • 02:40 • -7db
39% Popularity • 60% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 60% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Kameron Marlowe
Take You Up On It
111 bpm • D Maj • 03:32 • -3.14db
46% Popularity • 59% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
46% Popularity • 59% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Mitch Rossell
Why I Drink
115 bpm • C Maj • 03:41 • -7.36db
14% Popularity • 43% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 43% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Parmalee
Only You
110 bpm • B Maj • 03:05 • -3.83db
41% Popularity • 64% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 64% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Adam Sanders
Make Em Wanna Change
110 bpm • F# Maj • 03:18 • -4.5db
39% Popularity • 62% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 62% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Eric Church
Through My Ray-Bans
110 bpm • F Maj • 04:33 • -11.39db
46% Popularity • 74% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 74% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Restless Road
Bar Friends
110 bpm • D Maj • 03:06 • -4.5db
42% Popularity • 54% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 54% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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High Valley
Grew up on That
110 bpm • A Maj • 02:52 • -6db
53% Popularity • 65% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
53% Popularity • 65% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Mitch Rossell
All I Need to See
116 bpm • C Maj • 04:28 • -6.78db
51% Popularity • 68% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 68% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Nate Smith
Whiskey On You - Acoustic
110 bpm • G# Maj • 02:59 • -4.36db
51% Popularity • 64% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
51% Popularity • 64% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Drake Milligan
Dance Of A Lifetime
109 bpm • E Maj • 02:52 • -7.1db
37% Popularity • 60% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 60% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Alexandra Kay
That's What Love Is
118 bpm • C# Maj • 04:04 • -8.04db
54% Popularity • 54% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
54% Popularity • 54% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Conner Smith
Summer On Your Lips
118 bpm • F Maj • 03:30 • -4.31db
47% Popularity • 53% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
47% Popularity • 53% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Noah Thompson
One Day Tonight
109 bpm • C# Maj • 02:45 • -7.61db
57% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Mitch Rossell
“All I Need To See” (Radio Edit)
116 bpm • C Maj • 03:17 • -6.68db
31% Popularity • 68% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 68% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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The Tuten Brothers
So Far So Good
108 bpm • B Maj • 03:21 • -5db
40% Popularity • 64% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 64% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Jay Allen
No Present Like the Time
108 bpm • C Maj • 02:35 • -7.07db
45% Popularity • 72% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 72% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Brandon Lay
Walkaway Joe
119 bpm • E Maj • 03:34 • -8.12db
20% Popularity • 73% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 73% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Conner Smith
Why I Can't Leave
108 bpm • E Maj • 03:25 • -4db
44% Popularity • 59% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 59% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Jameson Rodgers
Missing One
107 bpm • D Maj • 03:22 • -5db
39% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Mitch Rossell
All I Need to See (Live at the Castle)
116 bpm • C Maj • 03:36 • -11.45db
11% Popularity • 70% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 70% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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The Tuten Brothers
Heartbroke HWY
108 bpm • C min • 03:17 • -4.2db
30% Popularity • 64% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 64% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Florida Georgia Line
Long Time Comin'
120 bpm • A# Maj • 03:14 • -6.1db
45% Popularity • 40% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 40% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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David Nail
Someone Like You - Piano Vocal
120 bpm • D Maj • 05:20 • -7.44db
44% Popularity • 61% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 61% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Shane Profitt
How It Oughta Be
120 bpm • G# Maj • 03:08 • -4db
52% Popularity • 54% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
52% Popularity • 54% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Canaan Smith
Mason Jars & Fireflies
120 bpm • B min • 03:07 • -5.65db
38% Popularity • 61% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 61% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Mitch Rossell
Not Enough
110 bpm • G Maj • 02:58 • -5.67db
21% Popularity • 68% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 68% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Tucker Beathard
I Ain't Without You
120 bpm • B Maj • 03:38 • -8db
28% Popularity • 67% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 67% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Tenille Arts
Slow It Down
120 bpm • B Maj • 03:23 • -6.48db
37% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Josh Ross
First Taste of Gone
106 bpm • C Maj • 02:52 • -7db
59% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
59% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Josh Melton
I Get That With You
106 bpm • A Maj • 03:09 • -7db
45% Popularity • 62% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 62% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Ryan Waters Band
Chevrolet You Down
105 bpm • E Maj • 02:38 • -8db
57% Popularity • 70% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 70% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Mitch Rossell
Slow as I Could
117 bpm • A Maj • 03:31 • -5.05db
27% Popularity • 55% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 55% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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Nate Smith
I Don’t Want to Go To Heaven
105 bpm • C Maj • 03:25 • -6.06db
47% Popularity • 55% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
47% Popularity • 55% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Tenille Arts
Somebody Like That
105 bpm • F# Maj • 03:18 • -5.38db
66% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
66% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Chris Janson
Done
105 bpm • A Maj • 03:40 • -3.38db
58% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
58% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Troy Cartwright
Prettiest Girl I Don't Know
105 bpm • E Maj • 03:23 • -6.57db
49% Popularity • 65% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
49% Popularity • 65% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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George Birge
"Beer Beer, Truck Truck"
105 bpm • B Maj • 02:26 • -5.09db
36% Popularity • 62% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 62% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Mitch Rossell
Raised by the Radio
120 bpm • E Maj • 03:44 • -6.36db
20% Popularity • 73% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 73% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Drake Milligan
Don’t Look Down
105 bpm • C Maj • 02:37 • -7db
41% Popularity • 54% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 54% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Smithfield
I'll Never Stop
122 bpm • C# Maj • 03:32 • -6db
46% Popularity • 52% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
46% Popularity • 52% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Chris Lane
Dancin' In The Moonlight
122 bpm • G# min • 03:19 • -4.86db
61% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
61% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Ray Fulcher
After The Rain
122 bpm • D# Maj • 03:44 • -6.47db
38% Popularity • 73% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 73% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Austin Burke
Changed Everything
122 bpm • F# Maj • 03:46 • -6.51db
43% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Joe Nichols
Home Run
104 bpm • C# min • 03:05 • -5.92db
41% Popularity • 60% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 60% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Hannah Ellis
Us
104 bpm • F Maj • 03:03 • -5db
45% Popularity • 62% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 62% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Ronnie Dunn
Damn Drunk
104 bpm • C Maj • 04:24 • -5db
47% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Chayce Beckham
Can't Do Without Me
123 bpm • C# Maj • 03:21 • -3.6db
49% Popularity • 60% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
49% Popularity • 60% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Creed Fisher
That Girl Right There
124 bpm • A# Maj • 03:47 • -8db
45% Popularity • 55% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 55% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Danielle Bradbery
Stop Draggin' Your Boots
124 bpm • D Maj • 02:44 • -5.96db
57% Popularity • 46% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
57% Popularity • 46% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Chris Janson
All I Need Is You
103 bpm • C# Maj • 02:42 • -6.21db
59% Popularity • 61% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
59% Popularity • 61% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Adam Doleac
Whiskey's Fine
124 bpm • F Maj • 03:28 • -3.67db
41% Popularity • 52% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 52% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Maddie & Tae
Every Night Every Morning
124 bpm • G Maj • 03:18 • -4.58db
60% Popularity • 61% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
60% Popularity • 61% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Drake White
Hurts the Healing
103 bpm • G# Maj • 02:43 • -4.6db
50% Popularity • 59% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 59% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Chad Brownlee
Money On You
124 bpm • G Maj • 03:17 • -5.34db
39% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Dillon Carmichael
Son Of A
124 bpm • C Maj • 03:13 • -7.54db
48% Popularity • 61% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
48% Popularity • 61% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Brett Eldredge
Hideaway
124 bpm • G# Maj • 02:43 • -5.57db
49% Popularity • 69% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
49% Popularity • 69% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Jake Hoot
Wherever Time Goes
124 bpm • A# Maj • 03:43 • -8.41db
16% Popularity • 52% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 52% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Luke Combs
Beautiful Crazy - Acoustic
103 bpm • B Maj • 03:13 • -10.42db
54% Popularity • 45% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
54% Popularity • 45% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Walker Montgomery
Saving For A Rainy Night
125 bpm • G min • 03:54 • -4.68db
26% Popularity • 58% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 58% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Will Dempsey
Faithfully
125 bpm • F# Maj • 04:02 • -7.37db
36% Popularity • 59% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 59% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Mark Wills
You're My Home
102 bpm • C# Maj • 03:19 • -5db
28% Popularity • 55% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 55% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Chris Young
Tonight We're Dancing
126 bpm • E Maj • 03:10 • -5.65db
35% Popularity • 56% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 56% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Marty Heddin
Game Changer
126 bpm • E Maj • 03:37 • -7.85db
44% Popularity • 68% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 68% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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Colin Stough
I Still Talk To Jesus
126 bpm • D# Maj • 03:52 • -8.61db
44% Popularity • 64% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
44% Popularity • 64% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Maddie & Tae
Lay Here With Me
127 bpm • G Maj • 02:58 • -6db
45% Popularity • 57% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 57% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Roman Alexander
Between You & Me
100 bpm • E Maj • 02:49 • -7.65db
53% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
53% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Carly Pearce
Dear Miss Loretta
100 bpm • E Maj • 03:40 • -6.79db
48% Popularity • 51% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 51% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Abby Anderson
Daddy
128 bpm • G Maj • 03:41 • -10db
41% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Brantley Gilbert
She’s The One
128 bpm • G# Maj • 03:31 • -4.2db
46% Popularity • 47% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 47% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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David Adam Byrnes
Pretty Blue View
128 bpm • D# Maj • 03:39 • -5.83db
26% Popularity • 67% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 67% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Restless Road
Hometown Tonight
128 bpm • C min • 02:48 • -5.06db
41% Popularity • 53% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 53% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Tyler Braden
What Do They Know
128 bpm • C# Maj • 03:52 • -5.98db
34% Popularity • 51% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 51% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Ashley Cooke
Sunday Morning Kinda Saturday Night
128 bpm • D Maj • 03:32 • -6.29db
39% Popularity • 62% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 62% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Jackson Dean
Fearless - The Echo
130 bpm • D Maj • 03:36 • -6db
64% Popularity • 54% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
64% Popularity • 54% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Adam Doleac
Puzzle of Us
128 bpm • C# Maj • 04:28 • -10.12db
41% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Kameron Marlowe
Leavin' to Me
130 bpm • G Maj • 03:28 • -7.14db
56% Popularity • 69% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
56% Popularity • 69% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Mitch Rossell
Ran into You
130 bpm • D Maj • 03:33 • -6.09db
48% Popularity • 65% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 65% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Chayce Beckham
Keeping Me Up All Night
130 bpm • A Maj • 03:29 • -4.43db
52% Popularity • 51% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 51% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Josh Ward
Sent Me You
130 bpm • D# Maj • 03:56 • -9.14db
42% Popularity • 62% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 62% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Jackson Dean
Fearless
130 bpm • D Maj • 03:35 • -6.63db
58% Popularity • 55% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
58% Popularity • 55% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
