Songs like A Life for the Tsar (Ivan Susanin): Epilogue/Final Chorus by Mikhail Glinka
Based on a tempo of (+/- 10%) and a similar genre
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Maurice Ravel
Ravel: Sonatine, M. 40: II. Mouvement de...
131 bpm • C# Maj • 02:56 • -27.01db
34% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
34% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Bedřich Smetana
3 Polkas de salon, Op. 7, JB 1:60: No. 3...
131 bpm • E Maj • 01:54 • -30db
49% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
49% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Tekla Bądarzewska-Baranowska
Douce rêverie in G Minor
131 bpm • G min • 01:57 • -22.15db
35% Popularity • 44% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
35% Popularity • 44% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
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Mikhail Glinka
Ruslan and Lyudmila, Op. 5, Act III: No....
131 bpm • E Maj • 04:40 • -37.63db
2% Popularity • 17% Danceability • 1% Energy • 12% Liveness
3% Instrumentalness • 6% Positiveness
2% Popularity • 17% Danceability • 1% Energy • 12% Liveness
3% Instrumentalness • 6% Positiveness
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Lang Lang
Lyric Pieces, Op. 43: No. 6, To Spring
130 bpm • F# Maj • 03:59 • -21.84db
30% Popularity • 34% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
30% Popularity • 34% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Fantasia in D Minor, K. 397
130 bpm • D Maj • 05:36 • -23.22db
23% Popularity • 37% Danceability • 8% Energy • 7% Liveness
90% Instrumentalness • 12% Positiveness
23% Popularity • 37% Danceability • 8% Energy • 7% Liveness
90% Instrumentalness • 12% Positiveness
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Muzio Clementi
Keyboard Sonatina In F Major, Op. 36, No...
132 bpm • A# Maj • 01:30 • -28.05db
52% Popularity • 40% Danceability • 7% Energy • 16% Liveness
90% Instrumentalness • 59% Positiveness
52% Popularity • 40% Danceability • 7% Energy • 16% Liveness
90% Instrumentalness • 59% Positiveness
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Alexander Griboyedov
Waltz in E Minor
130 bpm • G Maj • 02:02 • -33db
16% Popularity • 31% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
16% Popularity • 31% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
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Alexander Scriabin
8 Études, Op. 42: No. 5 in C-Sharp Mino...
132 bpm • C# min • 03:33 • -23db
32% Popularity • 26% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
32% Popularity • 26% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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Antonín Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Johann Christian Bach
Viola Concerto in C Minor: II. Adagio mo...
133 bpm • G# Maj • 05:05 • -19.1db
24% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
24% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Fantasia for Piano in D Minor, K...
132 bpm • D Maj • 05:58 • -27db
27% Popularity • 43% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
27% Popularity • 43% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
53% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
53% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Ferruccio Busoni
24 Preludes, Op. 37, BV 181: No. 15 in D...
133 bpm • C# Maj • 02:06 • -35db
39% Popularity • 37% Danceability • 1% Energy • 12% Liveness
86% Instrumentalness • 19% Positiveness
39% Popularity • 37% Danceability • 1% Energy • 12% Liveness
86% Instrumentalness • 19% Positiveness
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Franz Schubert
Variations on an Original Theme in A-Fla...
133 bpm • D# Maj • 02:03 • -36.8db
45% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
45% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
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Antonín Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
130 bpm • G Maj • 06:59 • -25db
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
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Janos Sebestyen
Prelude In G Minor, BWV 930 : Praeambulu...
129 bpm • G min • 01:27 • -24.02db
60% Popularity • 32% Danceability • 24% Energy • 16% Liveness
90% Instrumentalness • 60% Positiveness
60% Popularity • 32% Danceability • 24% Energy • 16% Liveness
90% Instrumentalness • 60% Positiveness
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Wolfgang Amadeus Mozart
Rondo in A Minor, K. 511
130 bpm • D min • 10:02 • -22.47db
33% Popularity • 35% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
33% Popularity • 35% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
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Mikhail Glinka
Nocturne in F Minor "La Séparation"
129 bpm • F min • 04:20 • -31.52db
3% Popularity • 40% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 16% Positiveness
3% Popularity • 40% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 16% Positiveness
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Zdeněk Fibich
Moods, Impressions and Reminiscences, Op...
133 bpm • C# Maj • 01:41 • -26db
44% Popularity • 47% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 21% Positiveness
44% Popularity • 47% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 21% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
46% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
46% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Friedrich Burgmüller
25 Ètudes Faciles Et Progressives, Op. ...
134 bpm • D Maj • 01:06 • -26db
55% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
55% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Pyotr Ilyich Tchaikovsky
Romance in F Minor, Op. 5: Andante canta...
128 bpm • F min • 06:08 • -26db
33% Popularity • 42% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
33% Popularity • 42% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
134 bpm • C Maj • 01:17 • -34db
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Mikhail Glinka
Variations on a Scottish Theme in F Majo...
129 bpm • F Maj • 01:19 • -30.8db
1% Popularity • 58% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
1% Popularity • 58% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
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Lang Lang
Danzas Argentinas, Op. 2: II. Danza de l...
134 bpm • A min • 04:00 • -24db
22% Popularity • 35% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
22% Popularity • 35% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Carl Philipp Emanuel Bach
Rondo in D Minor, Wq. 61/4, H. 290
135 bpm • A# Maj • 04:05 • -22db
44% Popularity • 38% Danceability • 9% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
44% Popularity • 38% Danceability • 9% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
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Pyotr Ilyich Tchaikovsky
III. March. Song of the Lark
135 bpm • G min • 02:53 • -39db
20% Popularity • 37% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
20% Popularity • 37% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
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Jean Sibelius
4 Lyric Pieces, Op. 74: No. 1 Ekloge (Ec...
127 bpm • A min • 03:36 • -27.49db
33% Popularity • 30% Danceability • 6% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 30% Danceability • 6% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Mikhail Glinka
Children's Polka
134 bpm • A# Maj • 03:40 • -25.24db
3% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
3% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
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Lang Lang
24 Préludes, Op. 28: No. 15 in D Flat M...
134 bpm • C# Maj • 06:34 • -22db
27% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
27% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Charles-Valentin Alkan
Premier Nocturne, Op. 22
135 bpm • B Maj • 06:09 • -31.53db
42% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
42% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Alexander Scriabin
2 Pieces for the Left Hand, Op. 9: No. 1...
127 bpm • F# min • 02:11 • -29db
46% Popularity • 36% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
46% Popularity • 36% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
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Robert Schumann
Schumann: Davidsbündlertänze, Op. 6, H...
135 bpm • D# Maj • 02:02 • -36db
44% Popularity • 29% Danceability • 0% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
44% Popularity • 29% Danceability • 0% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
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Jean Sibelius
Sibelius: 13 Pieces, Op. 76: No. 2, Étu...
127 bpm • A min • 01:14 • -27db
42% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
42% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 25 in G Major, Op. 79 "...
136 bpm • D# Maj • 02:33 • -37db
38% Popularity • 30% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
38% Popularity • 30% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Mikhail Glinka
Polonaise in E Major
134 bpm • E Maj • 05:05 • -23.06db
3% Popularity • 46% Danceability • 5% Energy • 20% Liveness
92% Instrumentalness • 26% Positiveness
3% Popularity • 46% Danceability • 5% Energy • 20% Liveness
92% Instrumentalness • 26% Positiveness
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Franz Liszt
Berceuse, S. 174
136 bpm • C# Maj • 09:36 • -30db
35% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
6 Moments musicaux, Op. 16: No. 4, Prest...
126 bpm • E min • 03:09 • -21db
34% Popularity • 26% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
34% Popularity • 26% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
125 bpm • D Maj • 02:47 • -23db
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
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Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
35% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
35% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Divertimento in D Major, K. 136, "Salzbu...
137 bpm • D Maj • 04:10 • -21db
41% Popularity • 43% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
41% Popularity • 43% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
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Antonín Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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Mikhail Glinka
Cotillon in B-Flat Major
137 bpm • F Maj • 01:30 • -23.52db
4% Popularity • 34% Danceability • 9% Energy • 9% Liveness
82% Instrumentalness • 46% Positiveness
4% Popularity • 34% Danceability • 9% Energy • 9% Liveness
82% Instrumentalness • 46% Positiveness
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Johann Nepomuk Hummel
Recollections of Paganini, WoO 8, S190: ...
138 bpm • A min • 01:41 • -20.9db
35% Popularity • 43% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 45% Positiveness
35% Popularity • 43% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 45% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Anonymous
Proshchaniye s Peterburgom (A Farewell t...
138 bpm • F min • 03:23 • -20.67db
2% Popularity • 29% Danceability • 9% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
2% Popularity • 29% Danceability • 9% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
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Janos Sebestyen
Prelude In C Major, BWV 924 : Praeambulu...
139 bpm • C Maj • 01:07 • -26db
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
47% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
47% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
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Mikhail Glinka
Valse-fantasie in B Minor
125 bpm • B min • 08:09 • -24.83db
4% Popularity • 42% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
4% Popularity • 42% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
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Frédéric Chopin
Nocturne No. 19 In E Minor, Op. 72 No. 1
139 bpm • B Maj • 03:35 • -30.29db
43% Popularity • 26% Danceability • 1% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
43% Popularity • 26% Danceability • 1% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
► Preview
Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
49% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
49% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
123 bpm • F# min • 02:13 • -21.37db
44% Popularity • 57% Danceability • 9% Energy • 14% Liveness
77% Instrumentalness • 60% Positiveness
44% Popularity • 57% Danceability • 9% Energy • 14% Liveness
77% Instrumentalness • 60% Positiveness
► Preview
Ludwig van Beethoven
Piano Sonata No. 17 in D Minor, Op. 31, ...
123 bpm • G min • 06:15 • -23db
43% Popularity • 28% Danceability • 9% Energy • 8% Liveness
89% Instrumentalness • 22% Positiveness
43% Popularity • 28% Danceability • 9% Energy • 8% Liveness
89% Instrumentalness • 22% Positiveness
► Preview
Carl Maria von Weber
Variations on a Theme from the Opera Sil...
123 bpm • A# Maj • 01:10 • -17.02db
44% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
44% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
► Preview
Mikhail Glinka
5 Nouvelles quadrilles françaises
124 bpm • G Maj • 04:18 • -27.1db
4% Popularity • 46% Danceability • 9% Energy • 15% Liveness
93% Instrumentalness • 58% Positiveness
4% Popularity • 46% Danceability • 9% Energy • 15% Liveness
93% Instrumentalness • 58% Positiveness
► Preview
Dmitri Shostakovich
Five pieces for Two Violins and Piano: I...
140 bpm • G min • 01:52 • -28.13db
33% Popularity • 20% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 13% Positiveness
33% Popularity • 20% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 13% Positiveness
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Wolfgang Amadeus Mozart
II. Andante
140 bpm • A# Maj • 06:43 • -27.65db
45% Popularity • 28% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 17% Positiveness
45% Popularity • 28% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 17% Positiveness
► Preview
Carl Philipp Emanuel Bach
Solfeggietto in C minor, Wq. 117/2
122 bpm • F min • 01:16 • -26.68db
58% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
58% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
► Preview
Francis Poulenc
Cello Sonata, FP 143: Cavatine: Tres cal...
122 bpm • A# min • 06:22 • -25db
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Samuel Coleridge-Taylor
Petite Suite de Concert, Op. 77: III. Un...
140 bpm • A Maj • 03:40 • -28.62db
22% Popularity • 22% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
► Preview
Mikhail Glinka
5 Contredanses
140 bpm • C Maj • 03:01 • -23.28db
4% Popularity • 48% Danceability • 10% Energy • 22% Liveness
90% Instrumentalness • 40% Positiveness
4% Popularity • 48% Danceability • 10% Energy • 22% Liveness
90% Instrumentalness • 40% Positiveness
► Preview
Anatoly Lyadov
Marionnettes, Op. 29
122 bpm • D# Maj • 05:52 • -28.21db
34% Popularity • 44% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
34% Popularity • 44% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
► Preview
Jean Sibelius
13 Pieces, Op. 76: No. 1 Esquisse
141 bpm • A Maj • 00:55 • -25.06db
54% Popularity • 29% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
54% Popularity • 29% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
► Preview
Carl Maria von Weber
7 Variations on an original theme, Op. 9...
121 bpm • F Maj • 00:57 • -35db
60% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
60% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Piano Sonata No. 23 in F Mino...
142 bpm • A# min • 07:59 • -21.16db
21% Popularity • 28% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
21% Popularity • 28% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 159
120 bpm • C Maj • 02:23 • -27db
51% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
51% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
► Preview
Mikhail Glinka
Variations on a Scottish Theme in F Majo...
122 bpm • F Maj • 03:11 • -21.63db
1% Popularity • 37% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
1% Popularity • 37% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
► Preview
Carl Philipp Emanuel Bach
Bach, CPE: Solfegietto in C Minor, Wq. 1...
143 bpm • F min • 01:04 • -28.06db
51% Popularity • 21% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 56% Positiveness
51% Popularity • 21% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 56% Positiveness
► Preview
Lazar Berman
Chaconne in sol maggiore : Variazione 10
120 bpm • G min • 01:01 • -37.28db
52% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
52% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Ludwig van Beethoven
Eroica Dance (Arr. for Piano from Sympho...
143 bpm • D# Maj • 01:25 • -21.95db
40% Popularity • 35% Danceability • 18% Energy • 17% Liveness
90% Instrumentalness • 42% Positiveness
40% Popularity • 35% Danceability • 18% Energy • 17% Liveness
90% Instrumentalness • 42% Positiveness
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Franz Liszt
Grandes Études de Paganini, S. 141: No....
119 bpm • A min • 04:57 • -20db
31% Popularity • 37% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 24% Positiveness
31% Popularity • 37% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 24% Positiveness
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Mikhail Glinka
Ruslan and Lyudmila, Op. 5, Act I: Est' ...
141 bpm • A# Maj • 07:57 • -20.24db
3% Popularity • 26% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
3% Popularity • 26% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Carl Maria von Weber
Divertimento No. 6 in G Major, Op. 38: D...
119 bpm • G Maj • 01:12 • -27db
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
119 bpm • F Maj • 09:32 • -19db
30% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
30% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
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Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 3 in...
144 bpm • G Maj • 01:14 • -25db
53% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
53% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 1 In F Minor, Op. 2, No...
120 bpm • G# Maj • 03:46 • -23db
39% Popularity • 40% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
39% Popularity • 40% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Orquesta Sinfónica De Radio Hamburgo
Capricho brillante en Jota Aragonesa
118 bpm • A# Maj • 08:53 • -11.85db
6% Popularity • 39% Danceability • 36% Energy • 7% Liveness
58% Instrumentalness • 13% Positiveness
6% Popularity • 39% Danceability • 36% Energy • 7% Liveness
58% Instrumentalness • 13% Positiveness
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Mikhail Glinka
Bolero in D Minor
120 bpm • F Maj • 05:07 • -21.47db
4% Popularity • 44% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 26% Positiveness
4% Popularity • 44% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 26% Positiveness
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Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
49% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
49% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
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Robert Schumann
Spanish Romance, Op. 74: The Smuggler (T...
147 bpm • G min • 02:00 • -26db
38% Popularity • 30% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
38% Popularity • 30% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
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Vladimir Horowitz
Carmen Variations
148 bpm • E Maj • 03:33 • -20db
41% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
41% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Ludwig van Beethoven
Violin Sonata No. 5 in F Major, Op. 24 "...
147 bpm • F Maj • 09:40 • -21db
38% Popularity • 36% Danceability • 6% Energy • 6% Liveness
19% Instrumentalness • 20% Positiveness
38% Popularity • 36% Danceability • 6% Energy • 6% Liveness
19% Instrumentalness • 20% Positiveness
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Antonio Vivaldi
Concerto for Strings in A Minor, RV 161:...
115 bpm • A min • 01:38 • -15db
56% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
56% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
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Mikhail Glinka
French Quadrille in D Major: I. Le Panta...
119 bpm • D Maj • 01:47 • -23.94db
3% Popularity • 45% Danceability • 10% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
3% Popularity • 45% Danceability • 10% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
115 bpm • F Maj • 10:21 • -16db
27% Popularity • 38% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
27% Popularity • 38% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
53% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
53% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Leoš Janáček
On the Overgrown Path, Series I: No. 1, ...
115 bpm • G# min • 03:18 • -26.2db
34% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
34% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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Henryk Wieniawski
Scherzo-tarantelle in G Minor, Op.16 - 1...
114 bpm • D Maj • 04:32 • -16.37db
26% Popularity • 42% Danceability • 25% Energy • 13% Liveness
13% Instrumentalness • 46% Positiveness
26% Popularity • 42% Danceability • 25% Energy • 13% Liveness
13% Instrumentalness • 46% Positiveness
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Sergei Rachmaninoff
10 Preludes, Op. 23: No. 5 in G Minor: A...
114 bpm • G min • 03:53 • -20.52db
35% Popularity • 38% Danceability • 16% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
35% Popularity • 38% Danceability • 16% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Mikhail Glinka
Valse in B-Flat Major "La Favorite"
119 bpm • F Maj • 03:25 • -23.62db
2% Popularity • 54% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 63% Positiveness
2% Popularity • 54% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 63% Positiveness
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Jenő Hubay
Carmen (Bizet) - Fantasie brillante
114 bpm • D Maj • 08:52 • -18db
23% Popularity • 38% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
23% Popularity • 38% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
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Franz Liszt
6 Grandes études de Paganini, S. 141: N...
115 bpm • G# min • 04:30 • -25.4db
29% Popularity • 37% Danceability • 20% Energy • 9% Liveness
43% Instrumentalness • 38% Positiveness
29% Popularity • 37% Danceability • 20% Energy • 9% Liveness
43% Instrumentalness • 38% Positiveness
