Songs like A Light To Call Home by Julia Brennan
Based on a tempo of (+/- 10%) and a similar genre
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New Empire
One Heart/Million Voices
140 bpm • D# Maj • 04:12 • -6.3db
32% Popularity • 50% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 50% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Hollywood Ending
She's All That
140 bpm • C Maj • 02:52 • -4db
37% Popularity • 56% Danceability • 79% Energy • 42% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 56% Danceability • 79% Energy • 42% Liveness
0% Instrumentalness • 74% Positiveness
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Lauren Aquilina
Forest Fires
140 bpm • B min • 03:46 • -10.98db
35% Popularity • 46% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 46% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Anna Blue
Break the Wall
140 bpm • E min • 03:13 • -8db
23% Popularity • 61% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 61% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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RAIGN
Heaven Help Me
140 bpm • G Maj • 04:27 • -5.9db
34% Popularity • 52% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 52% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Faith Marie
More Than I Am
140 bpm • G Maj • 03:24 • -6db
31% Popularity • 54% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 54% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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We The Kings
Ally
140 bpm • C Maj • 03:12 • -11db
26% Popularity • 56% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 56% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Samantha Jade
Soldier
140 bpm • A# min • 03:22 • -3.07db
45% Popularity • 54% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
45% Popularity • 54% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Julia Brennan
A Light To Call Home
140 bpm • A Maj • 03:35 • -6db
33% Popularity • 56% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 56% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Olivia Solo
Ms Invisible
140 bpm • D# Maj • 02:53 • -8db
23% Popularity • 68% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 68% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Chloe Adams
If You Don't Like Me
140 bpm • D Maj • 03:10 • -8db
31% Popularity • 65% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 65% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Anna Blue
Unbroken
140 bpm • C# min • 03:27 • -6db
34% Popularity • 50% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 50% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Neoni
Confession
140 bpm • C# min • 03:39 • -7.72db
25% Popularity • 39% Danceability • 53% Energy • 64% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 39% Danceability • 53% Energy • 64% Liveness
0% Instrumentalness • 28% Positiveness
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Maddie Wilson
Treat You Better
139 bpm • G# Maj • 03:43 • -9db
21% Popularity • 50% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 50% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Ruelle
War Of Hearts - Acoustic Version
139 bpm • A min • 03:52 • -12db
55% Popularity • 42% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
55% Popularity • 42% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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LOKRE
Stop Runnin'
141 bpm • B Maj • 03:27 • -7db
31% Popularity • 34% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 34% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Alex & Sierra
Say Something
141 bpm • D Maj • 03:26 • -12.3db
48% Popularity • 37% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
48% Popularity • 37% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Karmina
Walk You Home
142 bpm • E min • 03:48 • -6.08db
27% Popularity • 44% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 44% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Leslie Mosier
Get Better
142 bpm • C Maj • 03:18 • -7db
21% Popularity • 65% Danceability • 53% Energy • 48% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 65% Danceability • 53% Energy • 48% Liveness
0% Instrumentalness • 30% Positiveness
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He Is We
His Name
142 bpm • E Maj • 03:09 • -6.54db
33% Popularity • 53% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 53% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Hollywood Ending
Freak Like Me
142 bpm • A# Maj • 03:16 • -5.59db
32% Popularity • 48% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 48% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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MJ Walker
Jen's Song
138 bpm • D Maj • 04:39 • -10.81db
24% Popularity • 58% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 58% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Sara Kays
No Matter the Season
138 bpm • D Maj • 03:32 • -8.89db
39% Popularity • 68% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 68% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Eric Arjes
Find My Way Back
138 bpm • D# Maj • 03:39 • -8db
38% Popularity • 63% Danceability • 57% Energy • 10% Liveness
8% Instrumentalness • 24% Positiveness
38% Popularity • 63% Danceability • 57% Energy • 10% Liveness
8% Instrumentalness • 24% Positiveness
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Karmina
Convinced
138 bpm • D min • 02:50 • -5.62db
18% Popularity • 54% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 54% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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G Hannelius
Stay Away
142 bpm • B Maj • 03:54 • -8.8db
23% Popularity • 69% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 69% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Dalton Rapattoni
Turn to Stone
138 bpm • F# Maj • 04:15 • -9.94db
26% Popularity • 57% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
26% Popularity • 57% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Lindsey Stirling
Where Do We Go
143 bpm • B min • 04:15 • -5.33db
35% Popularity • 48% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 48% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Jason Chen
Loyal Brave True
143 bpm • C# min • 02:28 • -10db
28% Popularity • 51% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 51% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Madilyn
Tetris
143 bpm • C Maj • 02:50 • -8.95db
32% Popularity • 70% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 70% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Alan Doyle
My Kingdom
137 bpm • G# Maj • 03:14 • -7db
29% Popularity • 57% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 57% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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UNSECRET
Hang On A Little Longer
144 bpm • G Maj • 03:46 • -6.96db
35% Popularity • 52% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
35% Popularity • 52% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Ruelle
Ten Years
143 bpm • G# Maj • 03:51 • -7.64db
22% Popularity • 46% Danceability • 24% Energy • 9% Liveness
8% Instrumentalness • 10% Positiveness
22% Popularity • 46% Danceability • 24% Energy • 9% Liveness
8% Instrumentalness • 10% Positiveness
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Evie Clair
57 Seconds
136 bpm • C Maj • 03:28 • -12.69db
16% Popularity • 68% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 68% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Beth Crowley
Warrior
136 bpm • C min • 05:07 • -5.78db
45% Popularity • 32% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 32% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Aviva
Hurt Like Hell
144 bpm • C min • 03:27 • -6.36db
17% Popularity • 49% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 49% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
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Alex & Sierra
You Will Find Me
144 bpm • C Maj • 03:26 • -7.58db
39% Popularity • 58% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 58% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Jem and the Holograms
The Way I Was
144 bpm • F Maj • 03:43 • -2.83db
34% Popularity • 55% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 55% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Camille Peruto
Silver Lining
144 bpm • G# Maj • 04:54 • -10.1db
13% Popularity • 57% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 57% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Molly Kate Kestner
Footprints
136 bpm • A# Maj • 04:13 • -8db
31% Popularity • 51% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 51% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Halflives
This Is War
144 bpm • F# Maj • 03:31 • -8.06db
21% Popularity • 54% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 54% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Katy McAllister
Another Empty Bottle
144 bpm • G min • 03:48 • -9.45db
41% Popularity • 56% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 56% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Avril Lavigne
I Fell In Love With The Devil
136 bpm • A Maj • 04:15 • -7.17db
51% Popularity • 52% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 52% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Kevin Krust
Paper Crown
144 bpm • A# min • 03:22 • -9db
38% Popularity • 58% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 58% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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He Is We
Kiss It Better
145 bpm • F# Maj • 04:05 • -7.34db
38% Popularity • 66% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 66% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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We The Kings
What I Wouldn't Give
135 bpm • C Maj • 03:47 • -10.11db
32% Popularity • 55% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 55% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Faith Marie
Devil on My Shoulder
145 bpm • B min • 04:38 • -6.99db
45% Popularity • 40% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 40% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Neoni
Weirdo
145 bpm • A# min • 03:11 • -5.89db
25% Popularity • 59% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 59% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Alex & Sierra
Bumper Cars
145 bpm • D# Maj • 04:00 • -7.36db
43% Popularity • 43% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 43% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Digital Daggers
Still Here
135 bpm • B min • 04:27 • -7.05db
47% Popularity • 51% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
47% Popularity • 51% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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ALIUS
Nobody Can Hear You
135 bpm • C# Maj • 03:10 • -5db
39% Popularity • 60% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 60% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Neena Rose
War Zone
135 bpm • D# Maj • 02:45 • -7db
39% Popularity • 56% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 56% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Leona Lewis
Thick Skin
135 bpm • D min • 02:58 • -5.01db
34% Popularity • 41% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 41% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Eliza Grace
I Can't Save the World If I'm Not Happy
135 bpm • D min • 03:18 • -4db
29% Popularity • 42% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 42% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Anna Blue
How Does It Feel?
146 bpm • C min • 03:23 • -7db
33% Popularity • 42% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 42% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Lisa Cimorelli
Unloved
146 bpm • C Maj • 03:13 • -6.8db
26% Popularity • 48% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 48% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Connell Cruise
Damaged people
135 bpm • C Maj • 03:58 • -10db
22% Popularity • 38% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 38% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Alex & Sierra
Back to You
134 bpm • F Maj • 03:52 • -9db
31% Popularity • 36% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 36% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Casey Breves
I Touched the Fire
134 bpm • D Maj • 04:00 • -6.51db
31% Popularity • 36% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 36% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
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Lauren Aquilina
Latest Ghost - Piano Version
147 bpm • D# Maj • 02:51 • -11db
27% Popularity • 43% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 43% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Molly Kate Kestner
Good Die Young
147 bpm • G# min • 03:28 • -5db
26% Popularity • 57% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 57% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Lisa Cimorelli
I Don't Deserve It
146 bpm • G Maj • 04:50 • -6.48db
29% Popularity • 64% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 64% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Forever Ends Here
Remember December
133 bpm • B Maj • 03:47 • -7.03db
28% Popularity • 53% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 53% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Marina Lin
this is what a broken heart feels like
148 bpm • F# Maj • 02:29 • -14.44db
28% Popularity • 59% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
28% Popularity • 59% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Chester See
Who Am I to Stand in Your Way
148 bpm • C# Maj • 04:49 • -5.56db
39% Popularity • 42% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 42% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Yale Out of the Blue
Writing's on the Wall
132 bpm • F min • 04:35 • -7.84db
15% Popularity • 31% Danceability • 30% Energy • 39% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 31% Danceability • 30% Energy • 39% Liveness
0% Instrumentalness • 6% Positiveness
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NF
Can You Hold Me
132 bpm • E min • 03:41 • -6.21db
61% Popularity • 57% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
61% Popularity • 57% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Alice Kristiansen
Moon and Back
132 bpm • A# Maj • 03:03 • -9.57db
38% Popularity • 39% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 39% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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RyanDan
Tears Of An Angel
148 bpm • A# min • 03:30 • -8db
38% Popularity • 22% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 22% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Marina Lin
this is what a broken heart feels like -...
148 bpm • D# min • 02:30 • -11db
36% Popularity • 69% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 69% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Joey Graceffa
Kingdom
132 bpm • A Maj • 03:44 • -5.6db
23% Popularity • 54% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 54% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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David Boles
United Stage Playwrights
149 bpm • F Maj • 03:12 • -4.05db
8% Popularity • 36% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 36% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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RIELL
Redemption - Acoustic
149 bpm • G min • 03:13 • -7.83db
30% Popularity • 58% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 58% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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Michael Schulte
Heard You Crying
150 bpm • B Maj • 03:50 • -6db
34% Popularity • 27% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 27% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Ryan Amador
Hospitals
150 bpm • B Maj • 03:48 • -6.79db
22% Popularity • 52% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 52% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Joel Adams
Please Don't Go (A Cappella)
150 bpm • B min • 03:26 • -5.65db
30% Popularity • 39% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 39% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Jason Walker
Shouldn't Be a Good In Goodbye
150 bpm • G# Maj • 03:23 • -5.81db
32% Popularity • 42% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 42% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Gaustad
Walk
150 bpm • G Maj • 03:30 • -7.09db
21% Popularity • 53% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 53% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Faith Marie
Toxic Thoughts
150 bpm • D# Maj • 04:17 • -9.53db
45% Popularity • 65% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
45% Popularity • 65% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Madilyn
Wiser
150 bpm • C Maj • 03:28 • -7.65db
35% Popularity • 55% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 55% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Anna Blue
Way I Am
150 bpm • C min • 03:06 • -6db
28% Popularity • 55% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 55% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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The Girl and The Dreamcatcher
Cry Wolf
150 bpm • D min • 02:39 • -5.39db
34% Popularity • 60% Danceability • 76% Energy • 57% Liveness
0% Instrumentalness • 79% Positiveness
34% Popularity • 60% Danceability • 76% Energy • 57% Liveness
0% Instrumentalness • 79% Positiveness
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Sophie Pecora
7th Grade
150 bpm • G# Maj • 03:58 • -10db
28% Popularity • 67% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 67% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Joy Aileen
Black Wings
150 bpm • F min • 02:39 • -8.94db
31% Popularity • 62% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
31% Popularity • 62% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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High Dive Heart
Misfit
150 bpm • F# min • 03:41 • -4.23db
38% Popularity • 68% Danceability • 82% Energy • 45% Liveness
0% Instrumentalness • 73% Positiveness
38% Popularity • 68% Danceability • 82% Energy • 45% Liveness
0% Instrumentalness • 73% Positiveness
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Faith Marie
figure it out
150 bpm • A min • 03:20 • -6.73db
29% Popularity • 55% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 55% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Eliza
Rose Colored Lenses
150 bpm • A Maj • 03:41 • -4.24db
25% Popularity • 28% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 28% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 47% Positiveness
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Roadtrip Romance
Still I Fly
130 bpm • C# Maj • 04:18 • -6.09db
29% Popularity • 50% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
29% Popularity • 50% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Reed Deming
Crash Test Dummy (Broken)
130 bpm • E Maj • 03:02 • -5db
26% Popularity • 53% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 53% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Madilyn
Are We Falling In Love
130 bpm • A min • 02:57 • -7.45db
22% Popularity • 57% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 57% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Photronique
Pretty Tragedy
130 bpm • A Maj • 03:40 • -5db
24% Popularity • 53% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 53% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 12% Positiveness
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Lauren Aquilina
Square One
130 bpm • A Maj • 03:41 • -6.3db
17% Popularity • 69% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 69% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Faouzia
This Mountain
130 bpm • B min • 02:22 • -3.13db
55% Popularity • 68% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
55% Popularity • 68% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Tommee Profitt
Hurts Like Hell
130 bpm • A min • 03:52 • -12.88db
59% Popularity • 33% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
59% Popularity • 33% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Paradise Fears
Warrior
130 bpm • G Maj • 03:40 • -8.86db
20% Popularity • 46% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 46% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness
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Evie Clair
Fair Minded
130 bpm • A# Maj • 03:10 • -6.94db
8% Popularity • 62% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 62% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Faith Marie
Alleyways
130 bpm • C min • 03:30 • -5.74db
29% Popularity • 59% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 59% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Chloe Adams
Jail Time
130 bpm • A Maj • 02:37 • -8db
40% Popularity • 65% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 65% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
