Songs like A Lighthouse by Slow Riot
Based on a tempo of (+/- 10%) and a similar genre
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Sonic Jesus
No Way
106 bpm • A Maj • 04:39 • -8.25db
7% Popularity • 49% Danceability • 64% Energy • 17% Liveness
88% Instrumentalness • 4% Positiveness
7% Popularity • 49% Danceability • 64% Energy • 17% Liveness
88% Instrumentalness • 4% Positiveness
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Zetra
Hanged God
106 bpm • D Maj • 05:07 • -5.92db
10% Popularity • 36% Danceability • 64% Energy • 20% Liveness
6% Instrumentalness • 30% Positiveness
10% Popularity • 36% Danceability • 64% Energy • 20% Liveness
6% Instrumentalness • 30% Positiveness
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The Oceans
Without Love We're Nothing
106 bpm • F Maj • 03:45 • -7.09db
17% Popularity • 57% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 57% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Slow Riot
A Lighthouse
106 bpm • C Maj • 04:11 • -8.04db
2% Popularity • 35% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
2% Popularity • 35% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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dark academia
505 - slowed + reverb
105 bpm • G Maj • 01:16 • -6.11db
10% Popularity • 48% Danceability • 87% Energy • 36% Liveness
29% Instrumentalness • 48% Positiveness
10% Popularity • 48% Danceability • 87% Energy • 36% Liveness
29% Instrumentalness • 48% Positiveness
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Emily Edrosa
Animal
105 bpm • G# min • 03:18 • -5.69db
11% Popularity • 40% Danceability • 86% Energy • 12% Liveness
86% Instrumentalness • 31% Positiveness
11% Popularity • 40% Danceability • 86% Energy • 12% Liveness
86% Instrumentalness • 31% Positiveness
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The Vacant Lots
Forgotten Days
105 bpm • D Maj • 02:51 • -6.43db
10% Popularity • 56% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 28% Positiveness
10% Popularity • 56% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 28% Positiveness
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Baldwin Harold
Fade Out
105 bpm • A Maj • 03:56 • -14.91db
19% Popularity • 63% Danceability • 36% Energy • 9% Liveness
86% Instrumentalness • 49% Positiveness
19% Popularity • 63% Danceability • 36% Energy • 9% Liveness
86% Instrumentalness • 49% Positiveness
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New Candys
Bleeding Magenta (Reprise)
107 bpm • C Maj • 03:15 • -6.41db
16% Popularity • 26% Danceability • 67% Energy • 9% Liveness
82% Instrumentalness • 44% Positiveness
16% Popularity • 26% Danceability • 67% Energy • 9% Liveness
82% Instrumentalness • 44% Positiveness
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Slow Riot
Pink December - Antwerp Remix
107 bpm • E min • 06:16 • -14.57db
0% Popularity • 62% Danceability • 72% Energy • 15% Liveness
85% Instrumentalness • 25% Positiveness
0% Popularity • 62% Danceability • 72% Energy • 15% Liveness
85% Instrumentalness • 25% Positiveness
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Loopooloo
Tremolin
108 bpm • B min • 04:04 • -7.05db
11% Popularity • 22% Danceability • 68% Energy • 23% Liveness
76% Instrumentalness • 31% Positiveness
11% Popularity • 22% Danceability • 68% Energy • 23% Liveness
76% Instrumentalness • 31% Positiveness
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The Pussyclub
The Funeral - Singel verison
108 bpm • E Maj • 05:39 • -5.06db
1% Popularity • 40% Danceability • 78% Energy • 19% Liveness
3% Instrumentalness • 22% Positiveness
1% Popularity • 40% Danceability • 78% Energy • 19% Liveness
3% Instrumentalness • 22% Positiveness
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Wray
Mounts Minding
104 bpm • G# Maj • 04:01 • -10.51db
7% Popularity • 44% Danceability • 59% Energy • 45% Liveness
77% Instrumentalness • 28% Positiveness
7% Popularity • 44% Danceability • 59% Energy • 45% Liveness
77% Instrumentalness • 28% Positiveness
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Western Mirrors
You're Still So Beautiful
104 bpm • F# min • 03:12 • -10.65db
10% Popularity • 49% Danceability • 42% Energy • 17% Liveness
18% Instrumentalness • 28% Positiveness
10% Popularity • 49% Danceability • 42% Energy • 17% Liveness
18% Instrumentalness • 28% Positiveness
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Black Doldrums
She Divine
104 bpm • G# Maj • 04:17 • -5.28db
17% Popularity • 32% Danceability • 89% Energy • 9% Liveness
89% Instrumentalness • 52% Positiveness
17% Popularity • 32% Danceability • 89% Energy • 9% Liveness
89% Instrumentalness • 52% Positiveness
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Dirt Devil
Garbage Night
104 bpm • G Maj • 04:00 • -9.13db
9% Popularity • 40% Danceability • 58% Energy • 14% Liveness
80% Instrumentalness • 26% Positiveness
9% Popularity • 40% Danceability • 58% Energy • 14% Liveness
80% Instrumentalness • 26% Positiveness
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Elvis Walker
End Of Me
109 bpm • C Maj • 04:54 • -6.39db
25% Popularity • 31% Danceability • 77% Energy • 12% Liveness
81% Instrumentalness • 51% Positiveness
25% Popularity • 31% Danceability • 77% Energy • 12% Liveness
81% Instrumentalness • 51% Positiveness
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Bohle Neil
Owls Are Watching
103 bpm • G Maj • 04:20 • -13.47db
22% Popularity • 36% Danceability • 65% Energy • 61% Liveness
4% Instrumentalness • 24% Positiveness
22% Popularity • 36% Danceability • 65% Energy • 61% Liveness
4% Instrumentalness • 24% Positiveness
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Slow Riot
Mr Inconsistent
109 bpm • C Maj • 04:25 • -6.57db
1% Popularity • 18% Danceability • 75% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
1% Popularity • 18% Danceability • 75% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
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New Candys
Snake Eat Snake
103 bpm • A# Maj • 04:38 • -9.74db
12% Popularity • 52% Danceability • 54% Energy • 12% Liveness
85% Instrumentalness • 24% Positiveness
12% Popularity • 52% Danceability • 54% Energy • 12% Liveness
85% Instrumentalness • 24% Positiveness
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Fake Bliss
Yeah Haha
109 bpm • D Maj • 03:10 • -7.32db
12% Popularity • 56% Danceability • 69% Energy • 10% Liveness
93% Instrumentalness • 44% Positiveness
12% Popularity • 56% Danceability • 69% Energy • 10% Liveness
93% Instrumentalness • 44% Positiveness
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Lawrence Elsie
May My Heart Always Open to Birds
110 bpm • C Maj • 04:38 • -7.98db
29% Popularity • 65% Danceability • 62% Energy • 11% Liveness
55% Instrumentalness • 62% Positiveness
29% Popularity • 65% Danceability • 62% Energy • 11% Liveness
55% Instrumentalness • 62% Positiveness
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Pyotr
Firestar
109 bpm • E min • 03:35 • -9.39db
11% Popularity • 57% Danceability • 51% Energy • 11% Liveness
4% Instrumentalness • 61% Positiveness
11% Popularity • 57% Danceability • 51% Energy • 11% Liveness
4% Instrumentalness • 61% Positiveness
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BRNS
Get Something
110 bpm • E Maj • 03:09 • -5.62db
11% Popularity • 28% Danceability • 78% Energy • 25% Liveness
95% Instrumentalness • 30% Positiveness
11% Popularity • 28% Danceability • 78% Energy • 25% Liveness
95% Instrumentalness • 30% Positiveness
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Tashaki Miyaki
Tonight
110 bpm • A min • 02:46 • -15.23db
2% Popularity • 49% Danceability • 32% Energy • 11% Liveness
77% Instrumentalness • 6% Positiveness
2% Popularity • 49% Danceability • 32% Energy • 11% Liveness
77% Instrumentalness • 6% Positiveness
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Brad Barnett
Desolate Peak
110 bpm • C Maj • 04:09 • -5.75db
29% Popularity • 38% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 38% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
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Seadog
Tied To A Mast
110 bpm • C min • 03:54 • -7.11db
16% Popularity • 45% Danceability • 55% Energy • 10% Liveness
16% Instrumentalness • 44% Positiveness
16% Popularity • 45% Danceability • 55% Energy • 10% Liveness
16% Instrumentalness • 44% Positiveness
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Bonnie Trash
Shades Of You
110 bpm • F# min • 04:17 • -6.91db
8% Popularity • 52% Danceability • 69% Energy • 21% Liveness
15% Instrumentalness • 44% Positiveness
8% Popularity • 52% Danceability • 69% Energy • 21% Liveness
15% Instrumentalness • 44% Positiveness
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cadzo
larimer street
110 bpm • D Maj • 06:21 • -2.98db
37% Popularity • 46% Danceability • 75% Energy • 12% Liveness
7% Instrumentalness • 13% Positiveness
37% Popularity • 46% Danceability • 75% Energy • 12% Liveness
7% Instrumentalness • 13% Positiveness
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Film School
Go Low
110 bpm • G Maj • 03:37 • -5.3db
10% Popularity • 36% Danceability • 87% Energy • 13% Liveness
62% Instrumentalness • 64% Positiveness
10% Popularity • 36% Danceability • 87% Energy • 13% Liveness
62% Instrumentalness • 64% Positiveness
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Chuck Savage
Revenge of the Brain Invaders
110 bpm • A Maj • 03:07 • -6.56db
8% Popularity • 66% Danceability • 74% Energy • 8% Liveness
86% Instrumentalness • 67% Positiveness
8% Popularity • 66% Danceability • 74% Energy • 8% Liveness
86% Instrumentalness • 67% Positiveness
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SULK
No Illusions
110 bpm • F Maj • 03:08 • -9.12db
10% Popularity • 42% Danceability • 67% Energy • 32% Liveness
63% Instrumentalness • 38% Positiveness
10% Popularity • 42% Danceability • 67% Energy • 32% Liveness
63% Instrumentalness • 38% Positiveness
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New Candys
Jolly Pan
102 bpm • F Maj • 04:01 • -5.77db
13% Popularity • 32% Danceability • 75% Energy • 12% Liveness
92% Instrumentalness • 68% Positiveness
13% Popularity • 32% Danceability • 75% Energy • 12% Liveness
92% Instrumentalness • 68% Positiveness
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Irish Basement
Butterfly
102 bpm • G Maj • 02:45 • -7.41db
13% Popularity • 49% Danceability • 82% Energy • 36% Liveness
67% Instrumentalness • 69% Positiveness
13% Popularity • 49% Danceability • 82% Energy • 36% Liveness
67% Instrumentalness • 69% Positiveness
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Leopold Joule
Fables
110 bpm • C Maj • 04:05 • -8.18db
27% Popularity • 72% Danceability • 53% Energy • 17% Liveness
9% Instrumentalness • 76% Positiveness
27% Popularity • 72% Danceability • 53% Energy • 17% Liveness
9% Instrumentalness • 76% Positiveness
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HYLA
Mary's Rising
111 bpm • A min • 04:12 • -7.7db
9% Popularity • 44% Danceability • 64% Energy • 12% Liveness
78% Instrumentalness • 21% Positiveness
9% Popularity • 44% Danceability • 64% Energy • 12% Liveness
78% Instrumentalness • 21% Positiveness
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Griselda Raman
They Fell
101 bpm • A# min • 03:33 • -10.36db
19% Popularity • 57% Danceability • 65% Energy • 17% Liveness
8% Instrumentalness • 50% Positiveness
19% Popularity • 57% Danceability • 65% Energy • 17% Liveness
8% Instrumentalness • 50% Positiveness
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Les Shirley
Hands on the Wheel
101 bpm • D# Maj • 03:50 • -6.75db
9% Popularity • 44% Danceability • 81% Energy • 15% Liveness
32% Instrumentalness • 47% Positiveness
9% Popularity • 44% Danceability • 81% Energy • 15% Liveness
32% Instrumentalness • 47% Positiveness
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Dirt Devil
The Language Of Flowers
112 bpm • E min • 05:05 • -7.58db
8% Popularity • 34% Danceability • 65% Energy • 10% Liveness
52% Instrumentalness • 25% Positiveness
8% Popularity • 34% Danceability • 65% Energy • 10% Liveness
52% Instrumentalness • 25% Positiveness
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The Postres
Everybody Knows
101 bpm • A# min • 03:48 • -7.03db
8% Popularity • 50% Danceability • 76% Energy • 12% Liveness
2% Instrumentalness • 44% Positiveness
8% Popularity • 50% Danceability • 76% Energy • 12% Liveness
2% Instrumentalness • 44% Positiveness
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Cold Showers
Motionless
112 bpm • F# min • 03:20 • -5db
11% Popularity • 50% Danceability • 78% Energy • 22% Liveness
33% Instrumentalness • 52% Positiveness
11% Popularity • 50% Danceability • 78% Energy • 22% Liveness
33% Instrumentalness • 52% Positiveness
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Echo Ladies
Close To Be Close To Me
112 bpm • G Maj • 03:18 • -6.51db
10% Popularity • 44% Danceability • 48% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
10% Popularity • 44% Danceability • 48% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
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Lions of Dissent
XYZ
112 bpm • G Maj • 03:49 • -7.81db
9% Popularity • 52% Danceability • 84% Energy • 20% Liveness
2% Instrumentalness • 38% Positiveness
9% Popularity • 52% Danceability • 84% Energy • 20% Liveness
2% Instrumentalness • 38% Positiveness
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Dag och Natt
Day One
112 bpm • G Maj • 04:14 • -14.99db
10% Popularity • 50% Danceability • 41% Energy • 6% Liveness
95% Instrumentalness • 36% Positiveness
10% Popularity • 50% Danceability • 41% Energy • 6% Liveness
95% Instrumentalness • 36% Positiveness
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Dirt Devil
Desert Moon
100 bpm • E min • 03:26 • -7.85db
8% Popularity • 39% Danceability • 51% Energy • 16% Liveness
91% Instrumentalness • 16% Positiveness
8% Popularity • 39% Danceability • 51% Energy • 16% Liveness
91% Instrumentalness • 16% Positiveness
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Columbia Mills
We Decide
100 bpm • C Maj • 05:20 • -6.7db
9% Popularity • 42% Danceability • 68% Energy • 24% Liveness
26% Instrumentalness • 10% Positiveness
9% Popularity • 42% Danceability • 68% Energy • 24% Liveness
26% Instrumentalness • 10% Positiveness
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Seerr
Arcadians & Imperialists
100 bpm • C Maj • 03:36 • -6.13db
22% Popularity • 53% Danceability • 80% Energy • 52% Liveness
93% Instrumentalness • 36% Positiveness
22% Popularity • 53% Danceability • 80% Energy • 52% Liveness
93% Instrumentalness • 36% Positiveness
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Mark Crozer
Shivering Cold
100 bpm • D min • 03:05 • -5.39db
9% Popularity • 41% Danceability • 76% Energy • 10% Liveness
21% Instrumentalness • 40% Positiveness
9% Popularity • 41% Danceability • 76% Energy • 10% Liveness
21% Instrumentalness • 40% Positiveness
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Principe Valiente
When We Can't Let Go
100 bpm • B min • 05:39 • -6.17db
8% Popularity • 40% Danceability • 85% Energy • 12% Liveness
76% Instrumentalness • 22% Positiveness
8% Popularity • 40% Danceability • 85% Energy • 12% Liveness
76% Instrumentalness • 22% Positiveness
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Curl
Today We Live
100 bpm • A min • 04:09 • -11.25db
25% Popularity • 44% Danceability • 72% Energy • 44% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 44% Danceability • 72% Energy • 44% Liveness
0% Instrumentalness • 65% Positiveness
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Magic Shoppe
Are You There God? It's Me, Satan
113 bpm • D Maj • 03:24 • -4.21db
12% Popularity • 35% Danceability • 71% Energy • 25% Liveness
92% Instrumentalness • 15% Positiveness
12% Popularity • 35% Danceability • 71% Energy • 25% Liveness
92% Instrumentalness • 15% Positiveness
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Chatham Rise
Here She Comes
100 bpm • G min • 04:52 • -4.68db
24% Popularity • 13% Danceability • 88% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
24% Popularity • 13% Danceability • 88% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Valley of the Dolls
My Warm Demeter
113 bpm • G# min • 04:20 • -9.03db
18% Popularity • 70% Danceability • 62% Energy • 33% Liveness
2% Instrumentalness • 44% Positiveness
18% Popularity • 70% Danceability • 62% Energy • 33% Liveness
2% Instrumentalness • 44% Positiveness
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Dead Vibrations
Chemical Hug
99 bpm • B min • 03:18 • -6.52db
3% Popularity • 30% Danceability • 87% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
3% Popularity • 30% Danceability • 87% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
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New Candys
Q&K
99 bpm • G Maj • 04:21 • -8.48db
15% Popularity • 50% Danceability • 62% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
15% Popularity • 50% Danceability • 62% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
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Western Mirrors
Cosmos
114 bpm • D Maj • 03:56 • -5.61db
10% Popularity • 49% Danceability • 78% Energy • 9% Liveness
2% Instrumentalness • 17% Positiveness
10% Popularity • 49% Danceability • 78% Energy • 9% Liveness
2% Instrumentalness • 17% Positiveness
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Higher Selves Playdate
Us & Them
114 bpm • D Maj • 02:18 • -8.16db
9% Popularity • 46% Danceability • 81% Energy • 73% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 46% Danceability • 81% Energy • 73% Liveness
0% Instrumentalness • 59% Positiveness
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Shana Falana
Come on Over
114 bpm • D Maj • 06:26 • -6.3db
11% Popularity • 35% Danceability • 76% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
11% Popularity • 35% Danceability • 76% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Magic Wands
DNA
115 bpm • A# min • 02:50 • -2.83db
17% Popularity • 49% Danceability • 84% Energy • 12% Liveness
80% Instrumentalness • 57% Positiveness
17% Popularity • 49% Danceability • 84% Energy • 12% Liveness
80% Instrumentalness • 57% Positiveness
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Out On The Eaves
Shore Up Your Roof
115 bpm • G# Maj • 03:28 • -8.28db
16% Popularity • 62% Danceability • 67% Energy • 9% Liveness
54% Instrumentalness • 21% Positiveness
16% Popularity • 62% Danceability • 67% Energy • 9% Liveness
54% Instrumentalness • 21% Positiveness
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The Safest Place
Days Are Numbered
98 bpm • A Maj • 05:30 • -7.04db
12% Popularity • 55% Danceability • 82% Energy • 9% Liveness
5% Instrumentalness • 28% Positiveness
12% Popularity • 55% Danceability • 82% Energy • 9% Liveness
5% Instrumentalness • 28% Positiveness
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Flashes
Good Mourning
115 bpm • A# Maj • 02:56 • -8.65db
24% Popularity • 46% Danceability • 88% Energy • 13% Liveness
64% Instrumentalness • 13% Positiveness
24% Popularity • 46% Danceability • 88% Energy • 13% Liveness
64% Instrumentalness • 13% Positiveness
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Death Doula
Disembark
98 bpm • A Maj • 03:15 • -5.96db
11% Popularity • 32% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 32% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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MOLLY
Sun Sun Sun
115 bpm • D# Maj • 06:32 • -6.66db
8% Popularity • 31% Danceability • 58% Energy • 14% Liveness
48% Instrumentalness • 16% Positiveness
8% Popularity • 31% Danceability • 58% Energy • 14% Liveness
48% Instrumentalness • 16% Positiveness
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K-9 Cat
Doormat Disco
115 bpm • D Maj • 03:40 • -4.67db
10% Popularity • 64% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 64% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Fizzed
Love You
115 bpm • F# min • 02:17 • -6.09db
10% Popularity • 47% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 47% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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New Candys
The Clockmaker
97 bpm • B min • 05:11 • -7.2db
13% Popularity • 35% Danceability • 73% Energy • 7% Liveness
86% Instrumentalness • 49% Positiveness
13% Popularity • 35% Danceability • 73% Energy • 7% Liveness
86% Instrumentalness • 49% Positiveness
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Sofia Härdig
This Big Hush
115 bpm • E min • 04:24 • -9.37db
12% Popularity • 37% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 37% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Last Waltzon
Down Under
97 bpm • C# Maj • 02:36 • -8.77db
16% Popularity • 52% Danceability • 79% Energy • 16% Liveness
87% Instrumentalness • 42% Positiveness
16% Popularity • 52% Danceability • 79% Energy • 16% Liveness
87% Instrumentalness • 42% Positiveness
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Stanley Pollitt
Happy Trail
116 bpm • F Maj • 02:07 • -6.23db
30% Popularity • 44% Danceability • 78% Energy • 9% Liveness
27% Instrumentalness • 48% Positiveness
30% Popularity • 44% Danceability • 78% Energy • 9% Liveness
27% Instrumentalness • 48% Positiveness
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Marry Cherry
Divebomb
116 bpm • B min • 03:15 • -5.92db
20% Popularity • 51% Danceability • 77% Energy • 8% Liveness
24% Instrumentalness • 61% Positiveness
20% Popularity • 51% Danceability • 77% Energy • 8% Liveness
24% Instrumentalness • 61% Positiveness
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Charlie Risso
Railroad
116 bpm • D min • 03:45 • -12.54db
8% Popularity • 52% Danceability • 60% Energy • 13% Liveness
32% Instrumentalness • 26% Positiveness
8% Popularity • 52% Danceability • 60% Energy • 13% Liveness
32% Instrumentalness • 26% Positiveness
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HOboken Division
Lover's Limbo
116 bpm • C Maj • 03:17 • -6.21db
10% Popularity • 38% Danceability • 91% Energy • 59% Liveness
68% Instrumentalness • 33% Positiveness
10% Popularity • 38% Danceability • 91% Energy • 59% Liveness
68% Instrumentalness • 33% Positiveness
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The Walking Who
Lepathon
97 bpm • C# min • 03:14 • -6.01db
15% Popularity • 32% Danceability • 97% Energy • 52% Liveness
66% Instrumentalness • 14% Positiveness
15% Popularity • 32% Danceability • 97% Energy • 52% Liveness
66% Instrumentalness • 14% Positiveness
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Swimming in Mercury
Surface Of My Mind
96 bpm • D Maj • 02:52 • -13.57db
12% Popularity • 28% Danceability • 58% Energy • 78% Liveness
43% Instrumentalness • 35% Positiveness
12% Popularity • 28% Danceability • 58% Energy • 78% Liveness
43% Instrumentalness • 35% Positiveness
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Out On The Eaves
The Ride Out
117 bpm • A Maj • 04:22 • -8.4db
13% Popularity • 61% Danceability • 60% Energy • 12% Liveness
90% Instrumentalness • 62% Positiveness
13% Popularity • 61% Danceability • 60% Energy • 12% Liveness
90% Instrumentalness • 62% Positiveness
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Together Pangea
Ativan
117 bpm • F Maj • 02:27 • -4.65db
34% Popularity • 44% Danceability • 78% Energy • 11% Liveness
21% Instrumentalness • 14% Positiveness
34% Popularity • 44% Danceability • 78% Energy • 11% Liveness
21% Instrumentalness • 14% Positiveness
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Western Mirrors
Being
96 bpm • A min • 03:39 • -8.26db
10% Popularity • 55% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
10% Popularity • 55% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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IST IST
Heads on Spikes
96 bpm • B min • 03:55 • -8.72db
14% Popularity • 64% Danceability • 46% Energy • 12% Liveness
21% Instrumentalness • 13% Positiveness
14% Popularity • 64% Danceability • 46% Energy • 12% Liveness
21% Instrumentalness • 13% Positiveness
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Eddie the Wheel
Lesser Than
96 bpm • C# min • 05:18 • -7db
10% Popularity • 41% Danceability • 71% Energy • 13% Liveness
80% Instrumentalness • 18% Positiveness
10% Popularity • 41% Danceability • 71% Energy • 13% Liveness
80% Instrumentalness • 18% Positiveness
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Eccentric Gentlemen
Dressed to the Nines
96 bpm • B Maj • 04:55 • -8.7db
8% Popularity • 46% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 46% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Luigi Fahey
The Summer Eyes
117 bpm • D Maj • 03:18 • -7.29db
22% Popularity • 52% Danceability • 85% Energy • 40% Liveness
5% Instrumentalness • 52% Positiveness
22% Popularity • 52% Danceability • 85% Energy • 40% Liveness
5% Instrumentalness • 52% Positiveness
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Golem Dance Cult
She/He's My Kryptonite
118 bpm • D Maj • 03:38 • -3.76db
16% Popularity • 46% Danceability • 95% Energy • 15% Liveness
8% Instrumentalness • 24% Positiveness
16% Popularity • 46% Danceability • 95% Energy • 15% Liveness
8% Instrumentalness • 24% Positiveness
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Ava O'Keeffe
Shimmering Depths
118 bpm • C Maj • 02:00 • -15.04db
16% Popularity • 74% Danceability • 49% Energy • 17% Liveness
97% Instrumentalness • 41% Positiveness
16% Popularity • 74% Danceability • 49% Energy • 17% Liveness
97% Instrumentalness • 41% Positiveness
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Sleeps Under Beams
Like Veronika '22
95 bpm • C# min • 05:10 • -7db
10% Popularity • 12% Danceability • 63% Energy • 38% Liveness
94% Instrumentalness • 12% Positiveness
10% Popularity • 12% Danceability • 63% Energy • 38% Liveness
94% Instrumentalness • 12% Positiveness
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Slow Riot
Unkind
119 bpm • A min • 03:55 • -7.41db
2% Popularity • 41% Danceability • 70% Energy • 9% Liveness
83% Instrumentalness • 21% Positiveness
2% Popularity • 41% Danceability • 70% Energy • 9% Liveness
83% Instrumentalness • 21% Positiveness
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Tony Malone
FOX 661 L
119 bpm • G Maj • 02:35 • -7.15db
8% Popularity • 21% Danceability • 54% Energy • 38% Liveness
83% Instrumentalness • 40% Positiveness
8% Popularity • 21% Danceability • 54% Energy • 38% Liveness
83% Instrumentalness • 40% Positiveness
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Blushing
Tether
94 bpm • D Maj • 04:37 • -4db
23% Popularity • 44% Danceability • 81% Energy • 35% Liveness
62% Instrumentalness • 22% Positiveness
23% Popularity • 44% Danceability • 81% Energy • 35% Liveness
62% Instrumentalness • 22% Positiveness
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worrywart
smile - ugly version
120 bpm • G Maj • 03:41 • -6.47db
9% Popularity • 23% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 23% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
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Dirt Devil
Sleepy Hollow
94 bpm • A min • 04:01 • -8.36db
8% Popularity • 27% Danceability • 51% Energy • 13% Liveness
79% Instrumentalness • 20% Positiveness
8% Popularity • 27% Danceability • 51% Energy • 13% Liveness
79% Instrumentalness • 20% Positiveness
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The Con Reps
Láºp Thi LÃ
120 bpm • C Maj • 03:33 • -4.74db
14% Popularity • 50% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 50% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Gliss
Morning Light
120 bpm • A# Maj • 03:34 • -4.28db
16% Popularity • 40% Danceability • 92% Energy • 31% Liveness
9% Instrumentalness • 19% Positiveness
16% Popularity • 40% Danceability • 92% Energy • 31% Liveness
9% Instrumentalness • 19% Positiveness
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Magic Shoppe
These Boots Are Made for Dying
120 bpm • G# Maj • 04:48 • -8.42db
10% Popularity • 33% Danceability • 77% Energy • 50% Liveness
94% Instrumentalness • 16% Positiveness
10% Popularity • 33% Danceability • 77% Energy • 50% Liveness
94% Instrumentalness • 16% Positiveness
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honeysick
Weekend
120 bpm • A# min • 02:42 • -7.97db
13% Popularity • 55% Danceability • 74% Energy • 9% Liveness
61% Instrumentalness • 56% Positiveness
13% Popularity • 55% Danceability • 74% Energy • 9% Liveness
61% Instrumentalness • 56% Positiveness
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SOUNDHEAT
Hosea 13 Ariel
120 bpm • B Maj • 07:31 • -4.75db
19% Popularity • 56% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 56% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Walter Frosch
Sunken Truth
120 bpm • E Maj • 03:38 • -7.53db
10% Popularity • 50% Danceability • 70% Energy • 12% Liveness
44% Instrumentalness • 23% Positiveness
10% Popularity • 50% Danceability • 70% Energy • 12% Liveness
44% Instrumentalness • 23% Positiveness
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Stray Sunshine
Your Flow
120 bpm • F Maj • 02:16 • -9db
17% Popularity • 67% Danceability • 44% Energy • 23% Liveness
94% Instrumentalness • 54% Positiveness
17% Popularity • 67% Danceability • 44% Energy • 23% Liveness
94% Instrumentalness • 54% Positiveness
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Dipriz
EÄŸildim Mevlaya
120 bpm • C Maj • 02:44 • -11.53db
13% Popularity • 18% Danceability • 43% Energy • 32% Liveness
93% Instrumentalness • 56% Positiveness
13% Popularity • 18% Danceability • 43% Energy • 32% Liveness
93% Instrumentalness • 56% Positiveness
