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A Lot's Gonna Change
Songs like
A Lot's Gonna Change
by
Weyes Blood
Based on a tempo of (+/- 10%) and a similar genre
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Mitski
Heat Lightning
140 bpm • C Maj • 02:51 • -13.54db
59% Popularity • 54% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 26% Positiveness
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Cocteau Twins
I Wear Your Ring
140 bpm • D min • 03:29 • -5.48db
52% Popularity • 45% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Weyes Blood
A Lot's Gonna Change
140 bpm • C# Maj • 04:21 • -10.16db
58% Popularity • 22% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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SPELLLING
Little Deer
140 bpm • D# Maj • 05:39 • -10.36db
37% Popularity • 54% Danceability • 49% Energy • 9% Liveness
6% Instrumentalness • 28% Positiveness
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Slow Pulp
High
140 bpm • A# Maj • 02:32 • -8db
61% Popularity • 55% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Caroline Polachek
Billions
140 bpm • F Maj • 04:57 • -7.89db
50% Popularity • 58% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Sufjan Stevens
Futile Devices
140 bpm • E Maj • 02:13 • -18.65db
64% Popularity • 58% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 37% Positiveness
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Snail Mail
Deep Sea
140 bpm • C# Maj • 04:42 • -6.01db
44% Popularity • 29% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 12% Positiveness
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Jockstrap
Concrete Over Water
140 bpm • C# min • 06:12 • -7db
43% Popularity • 32% Danceability • 38% Energy • 42% Liveness
0% Instrumentalness • 5% Positiveness
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Weyes Blood
In the Beginning
140 bpm • C# Maj • 05:27 • -7.27db
25% Popularity • 18% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Fiona Apple
Paper Bag
141 bpm • C Maj • 03:39 • -9.9db
67% Popularity • 71% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Hope Sandoval & The Warm Inventions
Lose Me On the Way
139 bpm • C# min • 04:38 • -13.62db
47% Popularity • 27% Danceability • 38% Energy • 11% Liveness
78% Instrumentalness • 22% Positiveness
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Cornelia Murr
You Got Me
142 bpm • C# min • 03:57 • -14.95db
39% Popularity • 43% Danceability • 21% Energy • 12% Liveness
4% Instrumentalness • 19% Positiveness
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St. Vincent
The Party
142 bpm • A min • 04:05 • -10db
31% Popularity • 46% Danceability • 47% Energy • 20% Liveness
3% Instrumentalness • 32% Positiveness
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Grouper
Headache
138 bpm • A Maj • 05:04 • -22.07db
47% Popularity • 28% Danceability • 15% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Weyes Blood
Wild Time
141 bpm • G Maj • 06:09 • -10db
47% Popularity • 38% Danceability • 42% Energy • 21% Liveness
1% Instrumentalness • 23% Positiveness
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Fiona Apple
Slow Like Honey
142 bpm • G min • 05:56 • -12.12db
51% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Lana Del Rey
Tomorrow Never Came
138 bpm • C Maj • 05:07 • -9.76db
62% Popularity • 30% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Caroline Polachek
Butterfly Net
138 bpm • D min • 05:33 • -9.35db
49% Popularity • 57% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Elliott Smith
Clementine
142 bpm • C Maj • 02:46 • -18.02db
49% Popularity • 59% Danceability • 16% Energy • 14% Liveness
61% Instrumentalness • 30% Positiveness
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Sufjan Stevens
Lacrimae
138 bpm • F min • 02:07 • -14.24db
39% Popularity • 53% Danceability • 28% Energy • 11% Liveness
6% Instrumentalness • 36% Positiveness
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Weyes Blood
Storms That Breed
142 bpm • F# min • 06:36 • -9.97db
23% Popularity • 14% Danceability • 48% Energy • 22% Liveness
84% Instrumentalness • 13% Positiveness
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Fiona Apple
Sullen Girl
138 bpm • A min • 03:54 • -11.54db
53% Popularity • 31% Danceability • 30% Energy • 12% Liveness
12% Instrumentalness • 15% Positiveness
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Belle and Sebastian
Waiting for the Moon to Rise
143 bpm • A min • 03:12 • -11.16db
47% Popularity • 45% Danceability • 57% Energy • 16% Liveness
3% Instrumentalness • 59% Positiveness
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Cornelia Murr
I Have A Woman Inside My Soul
143 bpm • A Maj • 05:12 • -8.7db
38% Popularity • 54% Danceability • 48% Energy • 10% Liveness
18% Instrumentalness • 24% Positiveness
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Alice Phoebe Lou
Dirty Mouth
137 bpm • B min • 02:54 • -6.43db
50% Popularity • 52% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Jessica Pratt
Back, Baby
143 bpm • D# Maj • 03:55 • -11.55db
51% Popularity • 45% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Weyes Blood
Wild Time - Rough Trade Session
142 bpm • D Maj • 04:38 • -14.36db
21% Popularity • 42% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sufjan Stevens
All of Me Wants All of You
144 bpm • B min • 03:41 • -17.44db
54% Popularity • 44% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Fiona Apple
I Want You To Love Me
141 bpm • A min • 03:57 • -8.82db
59% Popularity • 53% Danceability • 50% Energy • 9% Liveness
4% Instrumentalness • 71% Positiveness
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Angel Olsen
Some things Cosmic
144 bpm • G# Maj • 02:54 • -13.54db
51% Popularity • 21% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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The Radio Dept.
Pulling Our Weight
144 bpm • B min • 03:20 • -7.43db
56% Popularity • 53% Danceability • 83% Energy • 6% Liveness
87% Instrumentalness • 96% Positiveness
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Raw Thrills
Where
144 bpm • C Maj • 02:43 • -14.36db
14% Popularity • 48% Danceability • 46% Energy • 11% Liveness
93% Instrumentalness • 60% Positiveness
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Weyes Blood
Something to Believe
137 bpm • E Maj • 04:45 • -8.59db
52% Popularity • 31% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
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hemlocke springs
gimme all ur luv
136 bpm • A Maj • 02:52 • -10.42db
50% Popularity • 74% Danceability • 58% Energy • 9% Liveness
2% Instrumentalness • 96% Positiveness
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boygenius
Emily I'm Sorry
136 bpm • B Maj • 03:34 • -12.16db
67% Popularity • 58% Danceability • 38% Energy • 10% Liveness
18% Instrumentalness • 49% Positiveness
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Indigo De Souza
Younger & Dumber
144 bpm • A Maj • 04:39 • -10.74db
42% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Perfume Genius
Describe
136 bpm • D# Maj • 04:44 • -10.59db
36% Popularity • 23% Danceability • 36% Energy • 22% Liveness
90% Instrumentalness • 5% Positiveness
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Fiona Apple
A Mistake
136 bpm • C Maj • 04:56 • -8.3db
54% Popularity • 62% Danceability • 77% Energy • 19% Liveness
3% Instrumentalness • 54% Positiveness
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Clairo
Blouse
145 bpm • G Maj • 03:15 • -20.33db
56% Popularity • 32% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Weyes Blood
Land of Broken Dreams
136 bpm • G Maj • 04:31 • -5.74db
20% Popularity • 46% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Alice Phoebe Lou
Open My Door
145 bpm • C Maj • 02:33 • -6.68db
60% Popularity • 50% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Elliott Smith
Between The Bars
135 bpm • G min • 02:21 • -23.63db
67% Popularity • 52% Danceability • 7% Energy • 11% Liveness
76% Instrumentalness • 34% Positiveness
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Drugdealer
Honey
145 bpm • F# Maj • 04:28 • -9db
41% Popularity • 64% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Japanese Breakfast
Tactics
135 bpm • F Maj • 03:53 • -8.72db
42% Popularity • 48% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
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Lucy Dacus
Hot & Heavy
135 bpm • C Maj • 04:10 • -6.66db
61% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Slow Pulp
Do You Feel It
146 bpm • F Maj • 01:47 • -11db
55% Popularity • 34% Danceability • 43% Energy • 16% Liveness
12% Instrumentalness • 5% Positiveness
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Perfume Genius
Jason
146 bpm • C# Maj • 03:05 • -7.6db
39% Popularity • 34% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Mojave 3
Love Songs on the Radio
146 bpm • D Maj • 05:48 • -15.67db
59% Popularity • 46% Danceability • 25% Energy • 11% Liveness
9% Instrumentalness • 7% Positiveness
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Fiona Apple
The Way Things Are
146 bpm • A min • 04:16 • -9db
53% Popularity • 60% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Tanukichan
Like the Sun
146 bpm • D# Maj • 02:49 • -8.12db
52% Popularity • 47% Danceability • 69% Energy • 8% Liveness
88% Instrumentalness • 22% Positiveness
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Lucy Dacus
I Don't Wanna Be Funny Anymore
135 bpm • G# Maj • 02:43 • -8.03db
56% Popularity • 60% Danceability • 77% Energy • 22% Liveness
92% Instrumentalness • 33% Positiveness
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Slow Pulp
Falling Apart
146 bpm • B Maj • 02:46 • -7.84db
63% Popularity • 67% Danceability • 56% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
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boygenius
True Blue
146 bpm • G Maj • 04:56 • -7.72db
69% Popularity • 47% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Okay Kaya
Comic Sans
134 bpm • C Maj • 02:49 • -11.84db
30% Popularity • 76% Danceability • 33% Energy • 24% Liveness
7% Instrumentalness • 33% Positiveness
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Fiona Apple
I Know
146 bpm • C Maj • 04:55 • -14.22db
61% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Sufjan Stevens
Casimir Pulaski Day
134 bpm • G# Maj • 05:53 • -14.98db
55% Popularity • 68% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Lucy Dacus
VBS
146 bpm • C Maj • 03:56 • -7.64db
48% Popularity • 55% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Tim Heidecker
Oh How We Drift Away
134 bpm • C# Maj • 05:34 • -6db
34% Popularity • 34% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Margo Guryan
Something's Wrong with the Morning
134 bpm • A min • 01:45 • -8.15db
51% Popularity • 66% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Stereolab
Pack Yr Romantic Mind
134 bpm • G Maj • 05:06 • -15.68db
46% Popularity • 52% Danceability • 36% Energy • 10% Liveness
77% Instrumentalness • 76% Positiveness
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Kate Bush
L'Amour Looks Something Like You
134 bpm • G min • 02:28 • -12db
44% Popularity • 53% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
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Weyes Blood
Used to Be
147 bpm • D# min • 04:32 • -8.68db
28% Popularity • 27% Danceability • 32% Energy • 13% Liveness
54% Instrumentalness • 6% Positiveness
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Blood Orange
Wish
133 bpm • F min • 03:01 • -12.68db
50% Popularity • 60% Danceability • 70% Energy • 20% Liveness
72% Instrumentalness • 20% Positiveness
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Lana Del Rey
Let The Light In
132 bpm • A Maj • 04:38 • -9.73db
84% Popularity • 33% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Deerhunter
Cover Me (Slowly)
132 bpm • E Maj • 01:21 • -6db
44% Popularity • 20% Danceability • 83% Energy • 18% Liveness
82% Instrumentalness • 39% Positiveness
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Haley Heynderickx
Worth It
132 bpm • E Maj • 07:53 • -10db
44% Popularity • 46% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Elliott Smith
Waltz #2 (XO)
132 bpm • A# Maj • 04:40 • -7.67db
60% Popularity • 63% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Weyes Blood
Seven Words
134 bpm • A# Maj • 04:37 • -10.38db
36% Popularity • 30% Danceability • 30% Energy • 13% Liveness
11% Instrumentalness • 10% Positiveness
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Linda Perhacs
Hey, Who Really Cares
132 bpm • C min • 02:37 • -21db
52% Popularity • 59% Danceability • 16% Energy • 11% Liveness
54% Instrumentalness • 39% Positiveness
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Mitski
A Burning Hill
132 bpm • D Maj • 01:49 • -14.99db
67% Popularity • 46% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Okay Kaya
Insert Generic Name
132 bpm • A Maj • 02:25 • -8.69db
39% Popularity • 61% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Sweet Trip
Your World is Eternally Complete - 2021 ...
132 bpm • F Maj • 04:20 • -11db
46% Popularity • 63% Danceability • 39% Energy • 11% Liveness
67% Instrumentalness • 23% Positiveness
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Whatever, Dad
Death of the Phone Call
149 bpm • A Maj • 01:35 • -17.46db
64% Popularity • 36% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Weyes Blood
Cardamom
147 bpm • G# Maj • 04:34 • -10.59db
23% Popularity • 42% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Hope Sandoval & The Warm Inventions
On the Low
149 bpm • A min • 05:08 • -11db
44% Popularity • 35% Danceability • 32% Energy • 28% Liveness
52% Instrumentalness • 34% Positiveness
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Yves Tumor
Super Stars
149 bpm • C# Maj • 03:05 • -7.29db
49% Popularity • 52% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Black Country, New Road
Concorde
131 bpm • A Maj • 06:03 • -11.88db
55% Popularity • 56% Danceability • 28% Energy • 11% Liveness
10% Instrumentalness • 31% Positiveness
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Sweet Trip
Milk - 2021 Remaster
149 bpm • A Maj • 04:25 • -12.49db
56% Popularity • 33% Danceability • 28% Energy • 17% Liveness
33% Instrumentalness • 27% Positiveness
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Sufjan Stevens
Concerning the UFO sighting near Highlan...
131 bpm • G Maj • 02:08 • -14.99db
54% Popularity • 45% Danceability • 15% Energy • 16% Liveness
30% Instrumentalness • 39% Positiveness
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Weyes Blood
His Song
149 bpm • E min • 06:24 • -15.87db
16% Popularity • 12% Danceability • 18% Energy • 8% Liveness
43% Instrumentalness • 4% Positiveness
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Phoebe Bridgers
Graceland Too
150 bpm • A# Maj • 03:56 • -10.37db
68% Popularity • 45% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Yves Tumor
Kerosene!
131 bpm • G min • 05:05 • -7.39db
57% Popularity • 51% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Skullcrusher
Day of Show
150 bpm • F# Maj • 04:15 • -10db
33% Popularity • 39% Danceability • 30% Energy • 12% Liveness
16% Instrumentalness • 18% Positiveness
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Tennis
One Night with The Valet
150 bpm • A# Maj • 01:53 • -8db
48% Popularity • 63% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Moses Sumney
Make Out in My Car - Sufjan Stevens Vers...
150 bpm • F Maj • 02:46 • -11.66db
53% Popularity • 55% Danceability • 38% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
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Weyes Blood
Names of Stars
131 bpm • G# min • 04:12 • -11.07db
27% Popularity • 47% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Phoebe Bridgers
Kyoto
131 bpm • B Maj • 03:04 • -6.89db
69% Popularity • 60% Danceability • 75% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
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Alexandra Savior
Crying All the Time
150 bpm • C# min • 03:30 • -5.73db
49% Popularity • 16% Danceability • 80% Energy • 12% Liveness
78% Instrumentalness • 46% Positiveness
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Jessica Pratt
Greycedes
130 bpm • D Maj • 02:38 • -11db
48% Popularity • 51% Danceability • 43% Energy • 26% Liveness
12% Instrumentalness • 34% Positiveness
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Black Country, New Road
Bread Song
130 bpm • E Maj • 06:21 • -13.94db
49% Popularity • 35% Danceability • 27% Energy • 9% Liveness
13% Instrumentalness • 7% Positiveness
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Fiona Apple
Get Gone
130 bpm • A# min • 04:07 • -9.77db
60% Popularity • 69% Danceability • 40% Energy • 56% Liveness
0% Instrumentalness • 33% Positiveness
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Weyes Blood
Andromeda
131 bpm • C# min • 04:40 • -7.94db
68% Popularity • 47% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Okay Kaya
Overstimulated
151 bpm • C Maj • 02:36 • -9.36db
32% Popularity • 40% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Caroline Polachek
I Believe
130 bpm • D Maj • 04:07 • -8db
53% Popularity • 67% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Japanese Breakfast
Everybody Wants to Love You
130 bpm • G Maj • 02:12 • -3db
50% Popularity • 48% Danceability • 88% Energy • 28% Liveness
16% Instrumentalness • 68% Positiveness
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Ethel Cain
A House In Nebraska
129 bpm • D Maj • 07:46 • -7.89db
62% Popularity • 24% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Fleet Foxes
Wading In Waist-High Water - Solstice Ve...
129 bpm • G Maj • 02:10 • -15db
51% Popularity • 64% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Weyes Blood
Summer
131 bpm • C Maj • 02:47 • -8.77db
20% Popularity • 33% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Jessica Pratt
Strange Melody
130 bpm • D Maj • 05:02 • -10.26db
34% Popularity • 49% Danceability • 45% Energy • 28% Liveness
13% Instrumentalness • 8% Positiveness
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A Lot's Gonna Change