Songs like A Mi Amor Distante by Juanjo Dominguez
Based on a tempo of (+/- 10%) and a similar genre
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Cacho Tirao
Adiós Nonino
76 bpm • G# Maj • 04:45 • -8.25db
16% Popularity • 52% Danceability • 37% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
16% Popularity • 52% Danceability • 37% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
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Dyango
Cuando Tu No Estas
76 bpm • D Maj • 05:50 • -15.92db
2% Popularity • 32% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
2% Popularity • 32% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Carlos Di Fulvio
El Emprendado
76 bpm • E min • 02:23 • -11.65db
19% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Rubén Juárez
Último Tango En Buenos Aires
76 bpm • A min • 04:50 • -9.76db
14% Popularity • 50% Danceability • 20% Energy • 18% Liveness
27% Instrumentalness • 12% Positiveness
14% Popularity • 50% Danceability • 20% Energy • 18% Liveness
27% Instrumentalness • 12% Positiveness
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Carlos Martínez
La Cimarrona - Ranchera
76 bpm • A Maj • 01:26 • -16db
14% Popularity • 47% Danceability • 20% Energy • 10% Liveness
85% Instrumentalness • 88% Positiveness
14% Popularity • 47% Danceability • 20% Energy • 10% Liveness
85% Instrumentalness • 88% Positiveness
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Huella Pampa
Dejame Que Me Vaya
77 bpm • E min • 03:05 • -8.62db
19% Popularity • 50% Danceability • 48% Energy • 8% Liveness
96% Instrumentalness • 24% Positiveness
19% Popularity • 50% Danceability • 48% Energy • 8% Liveness
96% Instrumentalness • 24% Positiveness
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Julian Herreros Rivera
Chelenko
77 bpm • D Maj • 03:37 • -9.99db
13% Popularity • 54% Danceability • 40% Energy • 14% Liveness
91% Instrumentalness • 59% Positiveness
13% Popularity • 54% Danceability • 40% Energy • 14% Liveness
91% Instrumentalness • 59% Positiveness
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Quelentaro
A Favor Del Canto
75 bpm • G Maj • 04:01 • -13.04db
13% Popularity • 59% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 59% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Copla alta
Colores de Zamba
75 bpm • A Maj • 04:42 • -9.38db
12% Popularity • 60% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 60% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Enrique Espinosa
Zamba Gris
77 bpm • F min • 03:38 • -9.53db
9% Popularity • 61% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 61% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Orlando Vera Cruz
Sirirí Flautero
78 bpm • E min • 02:35 • -20.49db
12% Popularity • 41% Danceability • 23% Energy • 6% Liveness
90% Instrumentalness • 49% Positiveness
12% Popularity • 41% Danceability • 23% Energy • 6% Liveness
90% Instrumentalness • 49% Positiveness
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Cacho Tirao
Zamba de la Cruz
78 bpm • A min • 03:50 • -10.53db
12% Popularity • 64% Danceability • 44% Energy • 13% Liveness
82% Instrumentalness • 32% Positiveness
12% Popularity • 64% Danceability • 44% Energy • 13% Liveness
82% Instrumentalness • 32% Positiveness
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Freddy Torrealba
Galopera, Pajaro Campana
78 bpm • G Maj • 03:27 • -5.97db
9% Popularity • 54% Danceability • 70% Energy • 11% Liveness
82% Instrumentalness • 95% Positiveness
9% Popularity • 54% Danceability • 70% Energy • 11% Liveness
82% Instrumentalness • 95% Positiveness
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Juanjo Dominguez
Across the Universe
78 bpm • D Maj • 03:29 • -14.05db
9% Popularity • 47% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 54% Positiveness
9% Popularity • 47% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 54% Positiveness
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Aníbal Sampayo
Coplitas del Pescador
74 bpm • C Maj • 01:51 • -13.6db
13% Popularity • 66% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 66% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Enrique Espinosa
Anocheciendo Zambas
77 bpm • B min • 03:31 • -10.72db
11% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Rodrigo Terrón
Paisanías
74 bpm • G min • 03:17 • -10.14db
8% Popularity • 62% Danceability • 34% Energy • 11% Liveness
81% Instrumentalness • 46% Positiveness
8% Popularity • 62% Danceability • 34% Energy • 11% Liveness
81% Instrumentalness • 46% Positiveness
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Costa Davaz
Free Will, Destiny and Entropy
79 bpm • E min • 03:27 • -10.78db
8% Popularity • 34% Danceability • 63% Energy • 9% Liveness
79% Instrumentalness • 46% Positiveness
8% Popularity • 34% Danceability • 63% Energy • 9% Liveness
79% Instrumentalness • 46% Positiveness
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Santiago Chalar
Nuestro Camino
79 bpm • F# min • 01:54 • -20.71db
14% Popularity • 71% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 71% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Juanjo Dominguez
El Apache Argentino
79 bpm • D Maj • 02:04 • -10.39db
9% Popularity • 58% Danceability • 37% Energy • 9% Liveness
91% Instrumentalness • 84% Positiveness
9% Popularity • 58% Danceability • 37% Energy • 9% Liveness
91% Instrumentalness • 84% Positiveness
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Omar Moreno Palacios
Nunca Te Dije Nada
79 bpm • A Maj • 02:42 • -16.15db
8% Popularity • 51% Danceability • 13% Energy • 94% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 51% Danceability • 13% Energy • 94% Liveness
0% Instrumentalness • 36% Positiveness
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Cacho Tirao
Te Vas Milonga
79 bpm • E min • 02:23 • -18.77db
27% Popularity • 50% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 80% Positiveness
27% Popularity • 50% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 80% Positiveness
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Chino Laborde
Desencuentro
79 bpm • B min • 02:38 • -9.6db
23% Popularity • 49% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 49% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Zamba Quipildor
La Tristecita
80 bpm • A# min • 03:27 • -10db
24% Popularity • 78% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 78% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Ignacio Corsini
Los Jazmines de San Ignacio - Remasteriz...
79 bpm • B min • 02:15 • -16.28db
15% Popularity • 64% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 64% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Enrique Llopis
Desde el Alma
80 bpm • A min • 02:32 • -8.58db
0% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Los Quilla Huasi
Patios de la Casa Vieja
72 bpm • A Maj • 04:31 • -14.77db
8% Popularity • 52% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 52% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Cacho Tirao
Balada para un Loco
79 bpm • F Maj • 03:25 • -20.5db
12% Popularity • 49% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
12% Popularity • 49% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
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Dyango
Fuelle
80 bpm • A Maj • 05:48 • -14.44db
2% Popularity • 46% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
2% Popularity • 46% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Carlos Di Fulvio
Guitarrero
80 bpm • E min • 03:38 • -10.97db
27% Popularity • 61% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 61% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Susana Rinaldi
Nieblas Del Riachuelo
80 bpm • A# Maj • 04:53 • -15.29db
8% Popularity • 39% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 39% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Rudi y Nini Flores
Lucero de Abril
80 bpm • B min • 02:46 • -6.64db
9% Popularity • 70% Danceability • 64% Energy • 9% Liveness
54% Instrumentalness • 81% Positiveness
9% Popularity • 70% Danceability • 64% Energy • 9% Liveness
54% Instrumentalness • 81% Positiveness
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Horacio Molina
Flor de lino - Live
72 bpm • E Maj • 03:31 • -15.27db
29% Popularity • 46% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 46% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Lucas Magallan
Palavi
80 bpm • C# min • 01:59 • -9db
14% Popularity • 53% Danceability • 44% Energy • 10% Liveness
85% Instrumentalness • 63% Positiveness
14% Popularity • 53% Danceability • 44% Energy • 10% Liveness
85% Instrumentalness • 63% Positiveness
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Héctor del Valle
Plata 'E Pobre
81 bpm • F# min • 01:58 • -15.95db
27% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Omar Moreno Palacios
Quisiera Fuera Mi Niño
81 bpm • F# min • 01:54 • -7.17db
12% Popularity • 54% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 54% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Oscar Del Cerro
Tu Y La Lluvia
81 bpm • D min • 03:25 • -17db
10% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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La Máquina de hacer Chacareras
La mota (Chacarera)
82 bpm • G Maj • 02:05 • -8.07db
11% Popularity • 63% Danceability • 48% Energy • 7% Liveness
40% Instrumentalness • 64% Positiveness
11% Popularity • 63% Danceability • 48% Energy • 7% Liveness
40% Instrumentalness • 64% Positiveness
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Horacio Salgán
Te Vas Milonga
82 bpm • E min • 02:29 • -12db
13% Popularity • 48% Danceability • 68% Energy • 76% Liveness
86% Instrumentalness • 81% Positiveness
13% Popularity • 48% Danceability • 68% Energy • 76% Liveness
86% Instrumentalness • 81% Positiveness
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Carlos Martínez
Te Vas Milonga
82 bpm • E Maj • 01:52 • -16.54db
16% Popularity • 38% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 81% Positiveness
16% Popularity • 38% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 81% Positiveness
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Hilda Herrera
Chacarera de las Piedras
82 bpm • G min • 02:18 • -15.03db
8% Popularity • 43% Danceability • 29% Energy • 14% Liveness
86% Instrumentalness • 39% Positiveness
8% Popularity • 43% Danceability • 29% Energy • 14% Liveness
86% Instrumentalness • 39% Positiveness
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Luis Cardei
Los Cosos de al Lado
70 bpm • D Maj • 03:47 • -16.57db
9% Popularity • 48% Danceability • 27% Energy • 88% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 48% Danceability • 27% Energy • 88% Liveness
0% Instrumentalness • 27% Positiveness
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Ica Novo
Gato de Cosquín Instrumental
82 bpm • D Maj • 01:55 • -8.01db
11% Popularity • 57% Danceability • 84% Energy • 10% Liveness
86% Instrumentalness • 17% Positiveness
11% Popularity • 57% Danceability • 84% Energy • 10% Liveness
86% Instrumentalness • 17% Positiveness
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Dyango
Chiquilin de Bachin
70 bpm • D min • 03:25 • -14.56db
2% Popularity • 42% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
2% Popularity • 42% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Los Altamirano
Tú No Sabes Amiga - Radio Edit
83 bpm • G Maj • 02:06 • -12.24db
14% Popularity • 60% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 60% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Nelly Omar
Parece mentira
83 bpm • G min • 02:37 • -8db
27% Popularity • 60% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 60% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Ángel Hechenleitner
Atardeciendo
83 bpm • E min • 03:34 • -17.33db
9% Popularity • 44% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 37% Positiveness
9% Popularity • 44% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 37% Positiveness
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Ramón Ayala El Mensú
Mujer y Amante (a María Teresa)
83 bpm • G Maj • 03:13 • -9.76db
9% Popularity • 61% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 61% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Rudi y Nini Flores
Lucero de abril
84 bpm • B min • 02:27 • -5.38db
17% Popularity • 51% Danceability • 64% Energy • 13% Liveness
49% Instrumentalness • 83% Positiveness
17% Popularity • 51% Danceability • 64% Energy • 13% Liveness
49% Instrumentalness • 83% Positiveness
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Dyango
Fuimos
83 bpm • E Maj • 05:55 • -17.84db
4% Popularity • 45% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
4% Popularity • 45% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Cacho Tirao
Chiquilín de Bachín
84 bpm • F Maj • 03:06 • -20.23db
11% Popularity • 42% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 42% Positiveness
11% Popularity • 42% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 42% Positiveness
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Quelentaro
Oración Del Minero
84 bpm • C Maj • 03:44 • -13.64db
14% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Carlos Moscardini
7 anéis
84 bpm • D Maj • 01:57 • -22.09db
22% Popularity • 27% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 51% Positiveness
22% Popularity • 27% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 51% Positiveness
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Carlos Di Fulvio
Milonga Cómo Le Va?...
84 bpm • A min • 03:42 • -15db
12% Popularity • 57% Danceability • 16% Energy • 13% Liveness
1% Instrumentalness • 47% Positiveness
12% Popularity • 57% Danceability • 16% Energy • 13% Liveness
1% Instrumentalness • 47% Positiveness
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N/A
Nostalgias Santiagueras
84 bpm • A Maj • 03:24 • -19.04db
1% Popularity • 44% Danceability • 21% Energy • 12% Liveness
91% Instrumentalness • 41% Positiveness
1% Popularity • 44% Danceability • 21% Energy • 12% Liveness
91% Instrumentalness • 41% Positiveness
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Juanjo Dominguez
Flores Negras
84 bpm • F# min • 02:32 • -13.54db
16% Popularity • 37% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 43% Positiveness
16% Popularity • 37% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 43% Positiveness
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Juan Carlos Cupaiolo
La Sin Nombre
85 bpm • E min • 03:31 • -5.78db
17% Popularity • 42% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 42% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Jorge Marziali
Hilario, Viejito Lindo
68 bpm • G Maj • 03:41 • -11db
9% Popularity • 47% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 47% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Eladia Blázquez
Siempre Se Vuelve a Bs. As.
85 bpm • F min • 03:01 • -10.97db
25% Popularity • 43% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 43% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Carlos Di Fulvio
Zambita para Mi Ausencia
85 bpm • D# Maj • 03:19 • -10.81db
17% Popularity • 64% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 64% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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N/A
Nuanca tuvo novio
85 bpm • A Maj • 03:33 • -21.72db
1% Popularity • 36% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 42% Positiveness
1% Popularity • 36% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 42% Positiveness
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Juanjo Dominguez
El Día Que Me Quieras
85 bpm • E min • 04:30 • -10.71db
6% Popularity • 47% Danceability • 28% Energy • 29% Liveness
15% Instrumentalness • 40% Positiveness
6% Popularity • 47% Danceability • 28% Energy • 29% Liveness
15% Instrumentalness • 40% Positiveness
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Soledad Villamil
Chamarrita de una Bailanta
86 bpm • E Maj • 03:03 • -7.13db
12% Popularity • 68% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 68% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Tita Merello
Pregunto
67 bpm • E min • 02:12 • -10.45db
9% Popularity • 45% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 45% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Carlos Roulet
Balada Por Un Loco
86 bpm • A# Maj • 04:25 • -9.93db
11% Popularity • 47% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 47% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Carlos Di Fulvio
Luna Playera
85 bpm • D min • 02:55 • -11db
18% Popularity • 58% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 58% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Dyango
La Ultima Curda
86 bpm • E min • 04:40 • -15.51db
2% Popularity • 50% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
2% Popularity • 50% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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N/A
Chopiniana
85 bpm • A Maj • 05:21 • -23.42db
1% Popularity • 34% Danceability • 17% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
1% Popularity • 34% Danceability • 17% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
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Dos Más Uno
Invierno Porteño
86 bpm • F# min • 05:35 • -14.57db
9% Popularity • 46% Danceability • 19% Energy • 13% Liveness
86% Instrumentalness • 7% Positiveness
9% Popularity • 46% Danceability • 19% Energy • 13% Liveness
86% Instrumentalness • 7% Positiveness
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Tita Merello
Tranquilo, Viejo, Tranquilo
86 bpm • G Maj • 01:50 • -9.02db
28% Popularity • 68% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 68% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Leandro Lovato
Quiero Ser Tu Sombra
87 bpm • D min • 02:03 • -5.4db
15% Popularity • 48% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 48% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Huella Pampa
De Simoca
87 bpm • C min • 03:15 • -8.62db
16% Popularity • 72% Danceability • 58% Energy • 19% Liveness
63% Instrumentalness • 41% Positiveness
16% Popularity • 72% Danceability • 58% Energy • 19% Liveness
63% Instrumentalness • 41% Positiveness
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Los Indios Tacunau
Solamente una Tonada
87 bpm • D Maj • 03:32 • -7.64db
8% Popularity • 59% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 59% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Juanjo Dominguez
All My Loving
87 bpm • A min • 02:52 • -14.7db
10% Popularity • 50% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 81% Positiveness
10% Popularity • 50% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 81% Positiveness
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Hermanos Abalos
Siete de Abril
88 bpm • D min • 03:03 • -15.74db
9% Popularity • 69% Danceability • 26% Energy • 10% Liveness
87% Instrumentalness • 34% Positiveness
9% Popularity • 69% Danceability • 26% Energy • 10% Liveness
87% Instrumentalness • 34% Positiveness
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Cacho Tirao
Danza de Zorba el Griego
88 bpm • B min • 04:29 • -4.78db
18% Popularity • 51% Danceability • 64% Energy • 8% Liveness
80% Instrumentalness • 74% Positiveness
18% Popularity • 51% Danceability • 64% Energy • 8% Liveness
80% Instrumentalness • 74% Positiveness
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Amalia de la Vega
Mate Amargo
88 bpm • A min • 02:53 • -6.88db
17% Popularity • 39% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 39% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Aníbal Arias
Arrabal Amargo
88 bpm • A Maj • 02:28 • -19.47db
5% Popularity • 39% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 43% Positiveness
5% Popularity • 39% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 43% Positiveness
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Carlos Martínez
De Clavel en la Oreja
88 bpm • C Maj • 01:21 • -17.36db
8% Popularity • 49% Danceability • 23% Energy • 9% Liveness
84% Instrumentalness • 79% Positiveness
8% Popularity • 49% Danceability • 23% Energy • 9% Liveness
84% Instrumentalness • 79% Positiveness
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Los Zucara
Domingo y Feria
88 bpm • F# min • 02:40 • -10.62db
12% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Diego Barrera Requintista
Malageña
89 bpm • G min • 04:27 • -10.83db
12% Popularity • 64% Danceability • 43% Energy • 11% Liveness
92% Instrumentalness • 47% Positiveness
12% Popularity • 64% Danceability • 43% Energy • 11% Liveness
92% Instrumentalness • 47% Positiveness
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La Bruja Salguero
Cuando La Tarde
89 bpm • G# min • 03:07 • -8.22db
11% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Carlos Di Fulvio
Zamba De Vargas
89 bpm • D min • 02:58 • -16.59db
17% Popularity • 60% Danceability • 22% Energy • 12% Liveness
89% Instrumentalness • 51% Positiveness
17% Popularity • 60% Danceability • 22% Energy • 12% Liveness
89% Instrumentalness • 51% Positiveness
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Nelly Omar
Desde el alma
89 bpm • E min • 02:36 • -6.49db
31% Popularity • 53% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 53% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Juan Carlos Cupaiolo
No se que tiene la noche
89 bpm • G Maj • 03:31 • -11.97db
18% Popularity • 53% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 53% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Raul Garello
Che Buenos Aires
89 bpm • A min • 03:26 • -6.69db
22% Popularity • 40% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
22% Popularity • 40% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
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Victor Velazquez
Chivilcoyana
90 bpm • E min • 02:16 • -19.9db
7% Popularity • 61% Danceability • 15% Energy • 14% Liveness
81% Instrumentalness • 68% Positiveness
7% Popularity • 61% Danceability • 15% Energy • 14% Liveness
81% Instrumentalness • 68% Positiveness
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Carlos Moscardini
Serie Florencio Molina Campos: III. El G...
90 bpm • D Maj • 01:55 • -22.21db
16% Popularity • 38% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 43% Positiveness
16% Popularity • 38% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 43% Positiveness
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Carlos Di Fulvio
Nascencia
89 bpm • A min • 04:35 • -18.92db
12% Popularity • 48% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 24% Positiveness
12% Popularity • 48% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 24% Positiveness
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Horacio Molina
Como Dos Extraños
90 bpm • D Maj • 03:06 • -15.57db
12% Popularity • 52% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 52% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Osvaldo Pugliese
Desde El Alma - Instrumental
90 bpm • B min • 02:55 • -14db
36% Popularity • 32% Danceability • 21% Energy • 14% Liveness
9% Instrumentalness • 33% Positiveness
36% Popularity • 32% Danceability • 21% Energy • 14% Liveness
9% Instrumentalness • 33% Positiveness
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Zamba Quipildor
Zamba del Carbonero
90 bpm • G min • 03:02 • -5.79db
10% Popularity • 75% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 75% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Los 4 De Cordoba
Cuando El Corazón Se Quiere Quedar
90 bpm • C Maj • 04:13 • -6db
1% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
1% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Suna Rocha
Soy Tulumba
90 bpm • A min • 03:12 • -11.21db
2% Popularity • 62% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
2% Popularity • 62% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Cantares De La Cañadita
Claveles Mendocinos
91 bpm • E Maj • 03:17 • -8.13db
12% Popularity • 60% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 60% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Carlos Martínez
Zamba de Mi Pago (Zamba)
90 bpm • F# Maj • 03:06 • -16.04db
12% Popularity • 45% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 75% Positiveness
12% Popularity • 45% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 75% Positiveness
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Rubén Juárez
Los Cosos De Al Lao
91 bpm • C Maj • 03:28 • -9db
29% Popularity • 51% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 51% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Los Muchachos De Antes
El Choclo
92 bpm • F Maj • 01:30 • -11db
21% Popularity • 84% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 84% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
