Songs like A Mi Modo by Fausto Papetti
Based on a tempo of (+/- 10%) and a similar genre
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Tony Mottola y Su Orquesta
Sorrento
82 bpm • A min • 02:47 • -12.94db
26% Popularity • 32% Danceability • 19% Energy • 12% Liveness
69% Instrumentalness • 49% Positiveness
26% Popularity • 32% Danceability • 19% Energy • 12% Liveness
69% Instrumentalness • 49% Positiveness
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Richard Mayner
Eres Tu
82 bpm • D Maj • 03:27 • -18.34db
32% Popularity • 57% Danceability • 26% Energy • 13% Liveness
28% Instrumentalness • 54% Positiveness
32% Popularity • 57% Danceability • 26% Energy • 13% Liveness
28% Instrumentalness • 54% Positiveness
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Giovanni Vivanco
Quiero Amanecer Con Alguien
82 bpm • E min • 03:51 • -7.91db
45% Popularity • 54% Danceability • 55% Energy • 24% Liveness
38% Instrumentalness • 17% Positiveness
45% Popularity • 54% Danceability • 55% Energy • 24% Liveness
38% Instrumentalness • 17% Positiveness
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Adrian Perticone
Somos
82 bpm • A min • 03:38 • -15db
32% Popularity • 56% Danceability • 33% Energy • 9% Liveness
73% Instrumentalness • 24% Positiveness
32% Popularity • 56% Danceability • 33% Energy • 9% Liveness
73% Instrumentalness • 24% Positiveness
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Rubén Ochoa
Solamente una Vez
82 bpm • F Maj • 03:27 • -10db
23% Popularity • 35% Danceability • 28% Energy • 6% Liveness
82% Instrumentalness • 35% Positiveness
23% Popularity • 35% Danceability • 28% Energy • 6% Liveness
82% Instrumentalness • 35% Positiveness
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Don Costa
The Third Man - Remastered
82 bpm • C# Maj • 02:06 • -9db
37% Popularity • 45% Danceability • 36% Energy • 20% Liveness
85% Instrumentalness • 78% Positiveness
37% Popularity • 45% Danceability • 36% Energy • 20% Liveness
85% Instrumentalness • 78% Positiveness
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Al Caiola
The Magnificent Seven
82 bpm • A# Maj • 02:05 • -7db
28% Popularity • 46% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
28% Popularity • 46% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
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Pierre Charlon
Dolannes Melodie
82 bpm • E Maj • 03:33 • -13.3db
41% Popularity • 52% Danceability • 30% Energy • 24% Liveness
96% Instrumentalness • 47% Positiveness
41% Popularity • 52% Danceability • 30% Energy • 24% Liveness
96% Instrumentalness • 47% Positiveness
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Fausto Papetti
A Mi Modo
82 bpm • C Maj • 04:10 • -9.92db
27% Popularity • 26% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness
27% Popularity • 26% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness
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Saxo
Verano Del 42
83 bpm • A Maj • 03:51 • -13.06db
31% Popularity • 12% Danceability • 33% Energy • 15% Liveness
95% Instrumentalness • 24% Positiveness
31% Popularity • 12% Danceability • 33% Energy • 15% Liveness
95% Instrumentalness • 24% Positiveness
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Rubén Ochoa
La Sombra de Tu Sonrisa
82 bpm • F min • 03:35 • -11db
27% Popularity • 44% Danceability • 48% Energy • 35% Liveness
1% Instrumentalness • 24% Positiveness
27% Popularity • 44% Danceability • 48% Energy • 35% Liveness
1% Instrumentalness • 24% Positiveness
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Gil Ventura
Love Story
82 bpm • D Maj • 03:51 • -8.52db
20% Popularity • 43% Danceability • 44% Energy • 32% Liveness
84% Instrumentalness • 27% Positiveness
20% Popularity • 43% Danceability • 44% Energy • 32% Liveness
84% Instrumentalness • 27% Positiveness
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David Rose Orchestra
Ain't Misbehavin'
83 bpm • F Maj • 02:55 • -10.67db
23% Popularity • 41% Danceability • 40% Energy • 20% Liveness
94% Instrumentalness • 21% Positiveness
23% Popularity • 41% Danceability • 40% Energy • 20% Liveness
94% Instrumentalness • 21% Positiveness
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Pierre Charlon
Feelings
83 bpm • E min • 03:36 • -15.12db
38% Popularity • 59% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
38% Popularity • 59% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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Fausto Papetti
Petite fleur
81 bpm • C min • 03:33 • -13.34db
32% Popularity • 43% Danceability • 15% Energy • 19% Liveness
51% Instrumentalness • 34% Positiveness
32% Popularity • 43% Danceability • 15% Energy • 19% Liveness
51% Instrumentalness • 34% Positiveness
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Stanley Black
April in Portugal
83 bpm • C Maj • 02:21 • -12.94db
35% Popularity • 56% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 56% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Rubén Ochoa
Penas del Corazón
81 bpm • A# min • 01:59 • -10db
35% Popularity • 49% Danceability • 32% Energy • 14% Liveness
19% Instrumentalness • 40% Positiveness
35% Popularity • 49% Danceability • 32% Energy • 14% Liveness
19% Instrumentalness • 40% Positiveness
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Adrian Perticone
Historia De Un Amor
81 bpm • A min • 03:56 • -12.66db
36% Popularity • 61% Danceability • 39% Energy • 24% Liveness
1% Instrumentalness • 14% Positiveness
36% Popularity • 61% Danceability • 39% Energy • 24% Liveness
1% Instrumentalness • 14% Positiveness
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François Gilbert
Contigo
83 bpm • C min • 03:27 • -12.4db
21% Popularity • 39% Danceability • 25% Energy • 9% Liveness
77% Instrumentalness • 34% Positiveness
21% Popularity • 39% Danceability • 25% Energy • 9% Liveness
77% Instrumentalness • 34% Positiveness
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Joaquin Borges
Rio De Luna
83 bpm • C Maj • 02:31 • -22db
42% Popularity • 22% Danceability • 10% Energy • 7% Liveness
86% Instrumentalness • 9% Positiveness
42% Popularity • 22% Danceability • 10% Energy • 7% Liveness
86% Instrumentalness • 9% Positiveness
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Fausto Papetti
My Way
83 bpm • C Maj • 04:09 • -12.42db
29% Popularity • 38% Danceability • 21% Energy • 19% Liveness
95% Instrumentalness • 15% Positiveness
29% Popularity • 38% Danceability • 21% Energy • 19% Liveness
95% Instrumentalness • 15% Positiveness
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James Last
Jean
81 bpm • F min • 04:20 • -21.08db
26% Popularity • 32% Danceability • 24% Energy • 69% Liveness
91% Instrumentalness • 12% Positiveness
26% Popularity • 32% Danceability • 24% Energy • 69% Liveness
91% Instrumentalness • 12% Positiveness
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Robson Miguel y grupo
Concierto para una sola voz
81 bpm • E min • 02:22 • -8.23db
39% Popularity • 32% Danceability • 44% Energy • 11% Liveness
73% Instrumentalness • 39% Positiveness
39% Popularity • 32% Danceability • 44% Energy • 11% Liveness
73% Instrumentalness • 39% Positiveness
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The Fantasy Strings
No More Lonely Nights
80 bpm • F Maj • 03:59 • -8db
26% Popularity • 46% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 38% Positiveness
26% Popularity • 46% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 38% Positiveness
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François Gilbert
Es Pecado Mentir
81 bpm • C Maj • 02:06 • -8db
33% Popularity • 50% Danceability • 33% Energy • 6% Liveness
19% Instrumentalness • 63% Positiveness
33% Popularity • 50% Danceability • 33% Energy • 6% Liveness
19% Instrumentalness • 63% Positiveness
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Franck Pourcel
Las Hojas Muertas
80 bpm • F min • 02:05 • -13.53db
38% Popularity • 16% Danceability • 30% Energy • 84% Liveness
92% Instrumentalness • 10% Positiveness
38% Popularity • 16% Danceability • 30% Energy • 84% Liveness
92% Instrumentalness • 10% Positiveness
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Fausto Papetti
Samba Pa Ti
80 bpm • E min • 04:05 • -13.13db
32% Popularity • 47% Danceability • 38% Energy • 53% Liveness
64% Instrumentalness • 32% Positiveness
32% Popularity • 47% Danceability • 38% Energy • 53% Liveness
64% Instrumentalness • 32% Positiveness
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Norman Candler
Deep in the Night
84 bpm • A Maj • 03:24 • -6db
29% Popularity • 30% Danceability • 51% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
29% Popularity • 30% Danceability • 51% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
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Manuel Olivera Almada
Alma Llanera
80 bpm • G Maj • 02:27 • -11.4db
53% Popularity • 58% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 92% Positiveness
53% Popularity • 58% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 92% Positiveness
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Giovanni Vivanco
Hey Jude
80 bpm • F Maj • 04:24 • -12.36db
42% Popularity • 66% Danceability • 48% Energy • 30% Liveness
11% Instrumentalness • 41% Positiveness
42% Popularity • 66% Danceability • 48% Energy • 30% Liveness
11% Instrumentalness • 41% Positiveness
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Jack Jezzro
Al Di La
80 bpm • C min • 03:20 • -16.24db
46% Popularity • 39% Danceability • 24% Energy • 10% Liveness
23% Instrumentalness • 33% Positiveness
46% Popularity • 39% Danceability • 24% Energy • 10% Liveness
23% Instrumentalness • 33% Positiveness
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Gustavo Pimentel
Frenesi
84 bpm • F Maj • 03:20 • -18.76db
38% Popularity • 65% Danceability • 47% Energy • 9% Liveness
11% Instrumentalness • 79% Positiveness
38% Popularity • 65% Danceability • 47% Energy • 9% Liveness
11% Instrumentalness • 79% Positiveness
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Santi Caballero y Su Saxo de Oro
La Luna en Tu Mirada, Instrumental Sax
80 bpm • A min • 04:07 • -7.55db
18% Popularity • 56% Danceability • 44% Energy • 32% Liveness
87% Instrumentalness • 32% Positiveness
18% Popularity • 56% Danceability • 44% Energy • 32% Liveness
87% Instrumentalness • 32% Positiveness
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Gil Ventura
Je t'aime... moi non plus
84 bpm • A# Maj • 03:10 • -9db
30% Popularity • 54% Danceability • 52% Energy • 10% Liveness
77% Instrumentalness • 49% Positiveness
30% Popularity • 54% Danceability • 52% Energy • 10% Liveness
77% Instrumentalness • 49% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Éxodo
80 bpm • D min • 02:58 • -10.98db
30% Popularity • 60% Danceability • 34% Energy • 14% Liveness
90% Instrumentalness • 19% Positiveness
30% Popularity • 60% Danceability • 34% Energy • 14% Liveness
90% Instrumentalness • 19% Positiveness
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Saxo
Laura
80 bpm • G min • 03:31 • -17db
16% Popularity • 42% Danceability • 10% Energy • 15% Liveness
79% Instrumentalness • 12% Positiveness
16% Popularity • 42% Danceability • 10% Energy • 15% Liveness
79% Instrumentalness • 12% Positiveness
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Adrian Perticone
Somos Novios
80 bpm • C min • 03:14 • -14db
28% Popularity • 56% Danceability • 31% Energy • 11% Liveness
28% Instrumentalness • 15% Positiveness
28% Popularity • 56% Danceability • 31% Energy • 11% Liveness
28% Instrumentalness • 15% Positiveness
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Mantovani y Su Gran Orquesta
Siboney
80 bpm • C min • 03:12 • -8.51db
24% Popularity • 43% Danceability • 47% Energy • 7% Liveness
86% Instrumentalness • 69% Positiveness
24% Popularity • 43% Danceability • 47% Energy • 7% Liveness
86% Instrumentalness • 69% Positiveness
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Franck Pourcel
La Vida en Rosa
84 bpm • D# min • 02:19 • -7.09db
38% Popularity • 25% Danceability • 67% Energy • 40% Liveness
36% Instrumentalness • 22% Positiveness
38% Popularity • 25% Danceability • 67% Energy • 40% Liveness
36% Instrumentalness • 22% Positiveness
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Johnny Pearson Y Su Orquesta
Verdes hojas de verano
80 bpm • D min • 03:46 • -14.11db
18% Popularity • 17% Danceability • 25% Energy • 16% Liveness
73% Instrumentalness • 20% Positiveness
18% Popularity • 17% Danceability • 25% Energy • 16% Liveness
73% Instrumentalness • 20% Positiveness
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John Pazos and His Bolero Orchestra
Qué Tiempo Tan Feliz!
85 bpm • G min • 03:39 • -5.02db
29% Popularity • 29% Danceability • 63% Energy • 20% Liveness
68% Instrumentalness • 58% Positiveness
29% Popularity • 29% Danceability • 63% Energy • 20% Liveness
68% Instrumentalness • 58% Positiveness
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Fausto Papetti
Strangers in the Night
85 bpm • G Maj • 02:40 • -13.84db
21% Popularity • 53% Danceability • 22% Energy • 10% Liveness
6% Instrumentalness • 38% Positiveness
21% Popularity • 53% Danceability • 22% Energy • 10% Liveness
6% Instrumentalness • 38% Positiveness
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Juan Torres Y Su Organo Melodico
Unforgetable
85 bpm • G min • 03:21 • -13.88db
30% Popularity • 28% Danceability • 27% Energy • 19% Liveness
37% Instrumentalness • 4% Positiveness
30% Popularity • 28% Danceability • 27% Energy • 19% Liveness
37% Instrumentalness • 4% Positiveness
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Domi de Angeles
Only You (Guitar)
79 bpm • D# Maj • 02:44 • -11.82db
21% Popularity • 74% Danceability • 23% Energy • 18% Liveness
96% Instrumentalness • 34% Positiveness
21% Popularity • 74% Danceability • 23% Energy • 18% Liveness
96% Instrumentalness • 34% Positiveness
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Saxo
Puente Sobre Aguas Turbulentas
86 bpm • D# Maj • 03:18 • -12db
23% Popularity • 36% Danceability • 27% Energy • 12% Liveness
64% Instrumentalness • 20% Positiveness
23% Popularity • 36% Danceability • 27% Energy • 12% Liveness
64% Instrumentalness • 20% Positiveness
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MelodÃas Mágicas
Recuerdo
79 bpm • D Maj • 02:35 • -14.17db
47% Popularity • 40% Danceability • 35% Energy • 29% Liveness
10% Instrumentalness • 60% Positiveness
47% Popularity • 40% Danceability • 35% Energy • 29% Liveness
10% Instrumentalness • 60% Positiveness
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Don Costa
Lisboa Antigua - Remastered
86 bpm • C# Maj • 02:52 • -9db
32% Popularity • 46% Danceability • 50% Energy • 31% Liveness
39% Instrumentalness • 96% Positiveness
32% Popularity • 46% Danceability • 50% Energy • 31% Liveness
39% Instrumentalness • 96% Positiveness
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Fausto Papetti
Extraños en la Noche
85 bpm • G Maj • 02:38 • -11.37db
19% Popularity • 45% Danceability • 27% Energy • 9% Liveness
3% Instrumentalness • 42% Positiveness
19% Popularity • 45% Danceability • 27% Energy • 9% Liveness
3% Instrumentalness • 42% Positiveness
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Juan Torres Y Su Organo Melodico
Unforgettable
85 bpm • G min • 03:21 • -13.88db
33% Popularity • 28% Danceability • 27% Energy • 19% Liveness
37% Instrumentalness • 4% Positiveness
33% Popularity • 28% Danceability • 27% Energy • 19% Liveness
37% Instrumentalness • 4% Positiveness
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Andre Kostelanetz & His Orchestra
I Will Wait for You
86 bpm • E min • 02:40 • -11db
19% Popularity • 25% Danceability • 35% Energy • 35% Liveness
71% Instrumentalness • 34% Positiveness
19% Popularity • 25% Danceability • 35% Energy • 35% Liveness
71% Instrumentalness • 34% Positiveness
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Mantovani y Su Gran Orquesta
Bésame Mucho
78 bpm • B min • 03:49 • -10.03db
16% Popularity • 18% Danceability • 30% Energy • 16% Liveness
65% Instrumentalness • 13% Positiveness
16% Popularity • 18% Danceability • 30% Energy • 16% Liveness
65% Instrumentalness • 13% Positiveness
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Percy Faith
How Insensitive
86 bpm • C Maj • 02:38 • -12db
36% Popularity • 16% Danceability • 35% Energy • 12% Liveness
78% Instrumentalness • 16% Positiveness
36% Popularity • 16% Danceability • 35% Energy • 12% Liveness
78% Instrumentalness • 16% Positiveness
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Pierre Charlon
Charade
78 bpm • A min • 03:12 • -15.21db
34% Popularity • 43% Danceability • 24% Energy • 10% Liveness
37% Instrumentalness • 31% Positiveness
34% Popularity • 43% Danceability • 24% Energy • 10% Liveness
37% Instrumentalness • 31% Positiveness
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David Rose
Love Is a Many Splendoured Thing
87 bpm • A# min • 03:05 • -12.73db
27% Popularity • 34% Danceability • 44% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
27% Popularity • 34% Danceability • 44% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
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Jorge Espinoza Y Su Violin
Estudio Anonimo
87 bpm • D# Maj • 02:36 • -8.98db
44% Popularity • 18% Danceability • 39% Energy • 19% Liveness
65% Instrumentalness • 23% Positiveness
44% Popularity • 18% Danceability • 39% Energy • 19% Liveness
65% Instrumentalness • 23% Positiveness
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Rubén Ochoa
Yo Mañana
78 bpm • F min • 02:55 • -9db
10% Popularity • 34% Danceability • 55% Energy • 16% Liveness
91% Instrumentalness • 23% Positiveness
10% Popularity • 34% Danceability • 55% Energy • 16% Liveness
91% Instrumentalness • 23% Positiveness
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Alfred Hause
Bilitis
87 bpm • G Maj • 02:34 • -8db
41% Popularity • 41% Danceability • 45% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
41% Popularity • 41% Danceability • 45% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
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Mila Khodorkovsky
Anónimo Veneciano
87 bpm • A Maj • 01:56 • -6.72db
39% Popularity • 39% Danceability • 45% Energy • 17% Liveness
12% Instrumentalness • 16% Positiveness
39% Popularity • 39% Danceability • 45% Energy • 17% Liveness
12% Instrumentalness • 16% Positiveness
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Pierre Charlon
A Mi Manera
78 bpm • D Maj • 04:26 • -10.89db
26% Popularity • 49% Danceability • 34% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
26% Popularity • 49% Danceability • 34% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Richard Clay
Maria Bonita
87 bpm • A Maj • 02:18 • -11.58db
35% Popularity • 54% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 54% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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50 Guitars of Tommy Garrett
I Left My Heart in San Francisco
87 bpm • C Maj • 02:18 • -11.45db
25% Popularity • 41% Danceability • 36% Energy • 15% Liveness
70% Instrumentalness • 36% Positiveness
25% Popularity • 41% Danceability • 36% Energy • 15% Liveness
70% Instrumentalness • 36% Positiveness
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Jean Claude Borelly
Memory
87 bpm • G# Maj • 03:40 • -6.57db
25% Popularity • 23% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
25% Popularity • 23% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Peter Nero
Something
77 bpm • C Maj • 02:42 • -8.62db
25% Popularity • 46% Danceability • 47% Energy • 14% Liveness
85% Instrumentalness • 39% Positiveness
25% Popularity • 46% Danceability • 47% Energy • 14% Liveness
85% Instrumentalness • 39% Positiveness
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John Pazos and His Bolero Orchestra
Por Qué Te Vás
88 bpm • G min • 03:06 • -9.33db
33% Popularity • 60% Danceability • 66% Energy • 8% Liveness
86% Instrumentalness • 97% Positiveness
33% Popularity • 60% Danceability • 66% Energy • 8% Liveness
86% Instrumentalness • 97% Positiveness
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Gil Ventura
What A Wonderful World
77 bpm • F Maj • 02:12 • -10.07db
49% Popularity • 32% Danceability • 33% Energy • 14% Liveness
94% Instrumentalness • 13% Positiveness
49% Popularity • 32% Danceability • 33% Energy • 14% Liveness
94% Instrumentalness • 13% Positiveness
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Pierre Charlon
Woman in Love
88 bpm • C Maj • 03:57 • -12.05db
31% Popularity • 64% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
31% Popularity • 64% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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Jorge Espinoza Y Su Violin
El Amor Es Una Cosa Esplendorosa
88 bpm • C min • 03:41 • -8.41db
37% Popularity • 20% Danceability • 49% Energy • 14% Liveness
55% Instrumentalness • 11% Positiveness
37% Popularity • 20% Danceability • 49% Energy • 14% Liveness
55% Instrumentalness • 11% Positiveness
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François Gilbert
Sigamos Pecando
88 bpm • G# Maj • 02:57 • -12db
36% Popularity • 42% Danceability • 25% Energy • 13% Liveness
70% Instrumentalness • 34% Positiveness
36% Popularity • 42% Danceability • 25% Energy • 13% Liveness
70% Instrumentalness • 34% Positiveness
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Fausto Papetti
Somewhere My Love
88 bpm • E Maj • 02:32 • -8.97db
17% Popularity • 56% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 28% Positiveness
17% Popularity • 56% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 28% Positiveness
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Johnny Pearson Y Su Orquesta
Gente
76 bpm • A# Maj • 02:53 • -11db
24% Popularity • 23% Danceability • 29% Energy • 34% Liveness
89% Instrumentalness • 22% Positiveness
24% Popularity • 23% Danceability • 29% Energy • 34% Liveness
89% Instrumentalness • 22% Positiveness
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Gil Ventura
Petite fleure
77 bpm • G min • 03:33 • -11db
10% Popularity • 41% Danceability • 48% Energy • 16% Liveness
90% Instrumentalness • 32% Positiveness
10% Popularity • 41% Danceability • 48% Energy • 16% Liveness
90% Instrumentalness • 32% Positiveness
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Juan Torres Y Su Organo Melodico
Mona Lisa
76 bpm • F Maj • 02:47 • -12.78db
34% Popularity • 40% Danceability • 25% Energy • 13% Liveness
83% Instrumentalness • 16% Positiveness
34% Popularity • 40% Danceability • 25% Energy • 13% Liveness
83% Instrumentalness • 16% Positiveness
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Jorge Espinoza Y Su Violin
Morir De Amor
88 bpm • A# min • 03:29 • -8.55db
30% Popularity • 44% Danceability • 63% Energy • 19% Liveness
3% Instrumentalness • 50% Positiveness
30% Popularity • 44% Danceability • 63% Energy • 19% Liveness
3% Instrumentalness • 50% Positiveness
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Johnny Days Orchestra
Una Probada de Miel
88 bpm • C min • 02:44 • -10.18db
37% Popularity • 64% Danceability • 43% Energy • 25% Liveness
87% Instrumentalness • 59% Positiveness
37% Popularity • 64% Danceability • 43% Energy • 25% Liveness
87% Instrumentalness • 59% Positiveness
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Piano Marico
La Barca / Mucho Corazón
89 bpm • C Maj • 06:17 • -14.33db
32% Popularity • 33% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
32% Popularity • 33% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
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Fausto Papetti
A Whiter Shade of Pale
76 bpm • A Maj • 02:56 • -9.4db
38% Popularity • 51% Danceability • 47% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
38% Popularity • 51% Danceability • 47% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
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Johnny Pearson Y Su Orquesta
Verano del 42
75 bpm • D min • 02:52 • -9.23db
32% Popularity • 26% Danceability • 34% Energy • 8% Liveness
89% Instrumentalness • 16% Positiveness
32% Popularity • 26% Danceability • 34% Energy • 8% Liveness
89% Instrumentalness • 16% Positiveness
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Kai Warner
The Last Waltz
89 bpm • D Maj • 02:35 • -12.98db
34% Popularity • 45% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
34% Popularity • 45% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
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Henry Dubois
Los Sonidos del Silencio
75 bpm • F Maj • 03:33 • -12.05db
44% Popularity • 57% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
44% Popularity • 57% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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Pierre Charlon
Verano Del 42
75 bpm • E min • 02:39 • -12.83db
38% Popularity • 30% Danceability • 40% Energy • 30% Liveness
93% Instrumentalness • 34% Positiveness
38% Popularity • 30% Danceability • 40% Energy • 30% Liveness
93% Instrumentalness • 34% Positiveness
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Percy Faith
Our Love
75 bpm • D Maj • 02:28 • -12.86db
38% Popularity • 26% Danceability • 35% Energy • 28% Liveness
3% Instrumentalness • 19% Positiveness
38% Popularity • 26% Danceability • 35% Energy • 28% Liveness
3% Instrumentalness • 19% Positiveness
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Fausto Papetti
Over and Over
89 bpm • F min • 02:56 • -6.19db
14% Popularity • 34% Danceability • 40% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
14% Popularity • 34% Danceability • 40% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
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Juan Torres Y Su Organo Melodico
Caruso
90 bpm • G min • 04:35 • -11db
30% Popularity • 31% Danceability • 34% Energy • 12% Liveness
95% Instrumentalness • 12% Positiveness
30% Popularity • 31% Danceability • 34% Energy • 12% Liveness
95% Instrumentalness • 12% Positiveness
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Mantovani y Su Gran Orquesta
Noche de Ronda
75 bpm • C Maj • 03:28 • -10.28db
13% Popularity • 12% Danceability • 25% Energy • 16% Liveness
85% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 25% Energy • 16% Liveness
85% Instrumentalness • 4% Positiveness
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Al Hirt
Strangers In the Night
90 bpm • G Maj • 02:41 • -13.41db
28% Popularity • 28% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 47% Positiveness
28% Popularity • 28% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 47% Positiveness
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Pierre Charlon
Yesterday
75 bpm • C Maj • 03:10 • -15.97db
43% Popularity • 48% Danceability • 27% Energy • 12% Liveness
89% Instrumentalness • 25% Positiveness
43% Popularity • 48% Danceability • 27% Energy • 12% Liveness
89% Instrumentalness • 25% Positiveness
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EDDY GUIRAO
Sabor A Mi
90 bpm • C min • 03:01 • -9.73db
44% Popularity • 56% Danceability • 50% Energy • 30% Liveness
87% Instrumentalness • 56% Positiveness
44% Popularity • 56% Danceability • 50% Energy • 30% Liveness
87% Instrumentalness • 56% Positiveness
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Fausto Papetti
What a Wonderful World
89 bpm • D# Maj • 03:24 • -9.56db
26% Popularity • 48% Danceability • 41% Energy • 50% Liveness
39% Instrumentalness • 14% Positiveness
26% Popularity • 48% Danceability • 41% Energy • 50% Liveness
39% Instrumentalness • 14% Positiveness
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Glen Lucas
Only You
90 bpm • B Maj • 03:35 • -11db
40% Popularity • 58% Danceability • 38% Energy • 36% Liveness
89% Instrumentalness • 57% Positiveness
40% Popularity • 58% Danceability • 38% Energy • 36% Liveness
89% Instrumentalness • 57% Positiveness
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Manuel Olivera Almada
Noche De Ronda
90 bpm • D Maj • 02:50 • -13db
52% Popularity • 70% Danceability • 37% Energy • 18% Liveness
79% Instrumentalness • 54% Positiveness
52% Popularity • 70% Danceability • 37% Energy • 18% Liveness
79% Instrumentalness • 54% Positiveness
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Sergio Golwarz
La Vida En Rosa
90 bpm • D Maj • 02:53 • -6.6db
29% Popularity • 41% Danceability • 40% Energy • 10% Liveness
23% Instrumentalness • 39% Positiveness
29% Popularity • 41% Danceability • 40% Energy • 10% Liveness
23% Instrumentalness • 39% Positiveness
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The Fantasy Strings
La Mer
90 bpm • D# Maj • 03:51 • -7.38db
27% Popularity • 37% Danceability • 65% Energy • 9% Liveness
57% Instrumentalness • 43% Positiveness
27% Popularity • 37% Danceability • 65% Energy • 9% Liveness
57% Instrumentalness • 43% Positiveness
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Carmen Cavallaro
You are my everything
90 bpm • C# Maj • 03:01 • -10.88db
25% Popularity • 24% Danceability • 32% Energy • 12% Liveness
48% Instrumentalness • 30% Positiveness
25% Popularity • 24% Danceability • 32% Energy • 12% Liveness
48% Instrumentalness • 30% Positiveness
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Fausto Papetti
Tristeza
90 bpm • F Maj • 02:43 • -9.32db
11% Popularity • 56% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
11% Popularity • 56% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
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Rubén Ochoa
Tuyo Es Mi Corazón
74 bpm • C min • 03:09 • -11db
20% Popularity • 34% Danceability • 26% Energy • 16% Liveness
76% Instrumentalness • 14% Positiveness
20% Popularity • 34% Danceability • 26% Energy • 16% Liveness
76% Instrumentalness • 14% Positiveness
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Adrian Perticone
Esta Tarde Vi Llover
74 bpm • D Maj • 04:03 • -16.56db
27% Popularity • 64% Danceability • 29% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
27% Popularity • 64% Danceability • 29% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
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Grandes Violines Románticos
Adoro
91 bpm • F# min • 02:37 • -6.93db
30% Popularity • 34% Danceability • 51% Energy • 8% Liveness
3% Instrumentalness • 42% Positiveness
30% Popularity • 34% Danceability • 51% Energy • 8% Liveness
3% Instrumentalness • 42% Positiveness
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The Fantasy Strings
Always On My Mind
74 bpm • D Maj • 03:54 • -7.29db
20% Popularity • 16% Danceability • 45% Energy • 11% Liveness
93% Instrumentalness • 26% Positiveness
20% Popularity • 16% Danceability • 45% Energy • 11% Liveness
93% Instrumentalness • 26% Positiveness