Songs like A Rainy Night in Soho by The Pogues
Based on a tempo of (+/- 10%) and a similar genre
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Johnny Flynn
Detectorists
106 bpm • E Maj • 02:05 • -11.19db
52% Popularity • 42% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
52% Popularity • 42% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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The Waterboys
The Whole of the Moon - 2004 Remaster
106 bpm • C Maj • 05:02 • -7.17db
66% Popularity • 60% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
66% Popularity • 60% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Tom Waits
In The Neighborhood - 2023 Remaster
106 bpm • D# Maj • 03:06 • -21.23db
36% Popularity • 51% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 51% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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The Pogues
A Rainy Night in Soho
106 bpm • C Maj • 04:43 • -12db
52% Popularity • 38% Danceability • 45% Energy • 17% Liveness
24% Instrumentalness • 49% Positiveness
52% Popularity • 38% Danceability • 45% Energy • 17% Liveness
24% Instrumentalness • 49% Positiveness
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Neil Young
The Needle and the Damage Done
105 bpm • G Maj • 02:02 • -21.56db
58% Popularity • 59% Danceability • 16% Energy • 70% Liveness
0% Instrumentalness • 39% Positiveness
58% Popularity • 59% Danceability • 16% Energy • 70% Liveness
0% Instrumentalness • 39% Positiveness
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Lindisfarne
Lady Eleanor - Remastered
105 bpm • B min • 04:15 • -13.82db
36% Popularity • 50% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 50% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Johnny Flynn
Detectorists (Full Studio Version)
105 bpm • E Maj • 03:03 • -9.15db
41% Popularity • 34% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 34% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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The Mary Wallopers
The Idler
105 bpm • D Maj • 02:35 • -11.1db
37% Popularity • 58% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 58% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Ye Vagabonds
I'm a Rover
107 bpm • F Maj • 03:33 • -10.71db
34% Popularity • 55% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 55% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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The Proclaimers
Scotland's Story
107 bpm • E Maj • 03:26 • -6.69db
36% Popularity • 42% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 42% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Sinéad O'Connor
He Moved Through the Fair
107 bpm • G Maj • 04:22 • -13db
45% Popularity • 29% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
45% Popularity • 29% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Bob Fox
Sally Wheatley
105 bpm • F Maj • 05:11 • -17db
17% Popularity • 56% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 56% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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John Spillane
Johnny Don't Go To Ballincollig - 2009 D...
107 bpm • C Maj • 02:41 • -8.37db
29% Popularity • 64% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 64% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Deacon Blue
Dignity
105 bpm • F Maj • 03:58 • -10.92db
38% Popularity • 60% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 60% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Michael Marra
All Will Be Well
107 bpm • C Maj • 03:51 • -10.66db
18% Popularity • 54% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 54% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Aslan
This Is
105 bpm • G Maj • 03:51 • -8.87db
43% Popularity • 63% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
43% Popularity • 63% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
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The Saw Doctors
Red Cortina
107 bpm • A Maj • 03:13 • -5db
36% Popularity • 57% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
36% Popularity • 57% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Del Amitri
Nothing Ever Happens
107 bpm • F Maj • 03:53 • -16.98db
51% Popularity • 49% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 49% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Pogues
The Band Played Waltzing Matilda
105 bpm • A Maj • 08:10 • -20db
41% Popularity • 63% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 63% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Flogging Molly
If I Ever Leave This World Alive
105 bpm • D Maj • 03:21 • -6db
57% Popularity • 35% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 35% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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Michael Marra
Frida Kahlo's Visit to the Taybridge Bar
107 bpm • D Maj • 03:07 • -12.48db
21% Popularity • 69% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 69% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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John Cale
Paris 1919
107 bpm • C Maj • 04:06 • -13.73db
45% Popularity • 74% Danceability • 32% Energy • 11% Liveness
4% Instrumentalness • 61% Positiveness
45% Popularity • 74% Danceability • 32% Energy • 11% Liveness
4% Instrumentalness • 61% Positiveness
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The Saw Doctors
All We Love
105 bpm • G Maj • 04:14 • -6.37db
34% Popularity • 61% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 61% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
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The Rolling Stones
Ruby Tuesday
105 bpm • C Maj • 03:16 • -10.77db
65% Popularity • 52% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
65% Popularity • 52% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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The Pogues
The Parting Glass
107 bpm • D min • 02:17 • -13.24db
38% Popularity • 56% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 56% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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The Divine Comedy
Everybody Knows (Except You)
108 bpm • C Maj • 03:48 • -4.77db
30% Popularity • 55% Danceability • 81% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 55% Danceability • 81% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
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Michael Marra
Hermless
105 bpm • E min • 03:44 • -8.91db
17% Popularity • 63% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 63% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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The Kinks
Waterloo Sunset
108 bpm • C# min • 03:14 • -7.38db
66% Popularity • 52% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
66% Popularity • 52% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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The Fureys
When You Were Sweet Sixteen
104 bpm • G Maj • 05:26 • -12db
40% Popularity • 44% Danceability • 40% Energy • 71% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 44% Danceability • 40% Energy • 71% Liveness
0% Instrumentalness • 46% Positiveness
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Ralph McTell
The London Apprentice
104 bpm • D Maj • 03:17 • -9.28db
24% Popularity • 61% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 61% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Sinéad O'Connor
Three Babies
104 bpm • C Maj • 04:43 • -12.9db
44% Popularity • 43% Danceability • 18% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
44% Popularity • 43% Danceability • 18% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
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Scullion
I Need My Girl
108 bpm • F Maj • 04:31 • -13.29db
11% Popularity • 62% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 62% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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a lazarus soul
Long Balconies
108 bpm • B Maj • 03:42 • -9.04db
20% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Lloyd Cole and the Commotions
Are You Ready To Be Heartbroken?
104 bpm • G Maj • 03:05 • -16db
42% Popularity • 60% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 60% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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The Stone Roses
Waterfall - Remastered
104 bpm • B Maj • 04:38 • -8.22db
61% Popularity • 49% Danceability • 69% Energy • 45% Liveness
26% Instrumentalness • 44% Positiveness
61% Popularity • 49% Danceability • 69% Energy • 45% Liveness
26% Instrumentalness • 44% Positiveness
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The Beautiful South
Rotterdam (Or Anywhere)
108 bpm • C Maj • 03:35 • -7.68db
57% Popularity • 72% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
57% Popularity • 72% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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The Clancy Brothers
Mountain Dew
104 bpm • D Maj • 02:11 • -14.49db
53% Popularity • 80% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 80% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Sinéad O'Connor
Black Boys on Mopeds
104 bpm • E Maj • 03:52 • -15db
48% Popularity • 54% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 54% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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The Waterboys
Sweet Thing - 2006 Remaster
104 bpm • A Maj • 07:12 • -6db
40% Popularity • 37% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 37% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Shane MacGowan & The Popes
Haunted
109 bpm • E Maj • 04:11 • -12.57db
45% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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The Bluetones
Slight Return
103 bpm • D Maj • 03:21 • -6.58db
53% Popularity • 43% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
53% Popularity • 43% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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The Beautiful South
A Little Time
109 bpm • F Maj • 02:59 • -15.7db
56% Popularity • 64% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
56% Popularity • 64% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Bagatelle
Summer in Dublin
109 bpm • A min • 04:54 • -13db
49% Popularity • 54% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 54% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Paul Brady
Follow On
109 bpm • A Maj • 04:16 • -13.53db
29% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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The Waterboys
The Raggle Taggle Gypsy - 2008 Remaster
103 bpm • E min • 02:58 • -6.55db
40% Popularity • 69% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
40% Popularity • 69% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
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Mary Coughlan
Invisible to You
109 bpm • A# Maj • 04:27 • -11.04db
19% Popularity • 65% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 65% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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The Pogues
Poor Paddy
110 bpm • G min • 03:09 • -9.96db
36% Popularity • 42% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 42% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Eddi Reader
Green Grow the Rashes O
102 bpm • E min • 04:36 • -8.69db
19% Popularity • 50% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 50% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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The Mary Wallopers
The Turfman From Ardee
102 bpm • D Maj • 01:52 • -10.79db
43% Popularity • 63% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
43% Popularity • 63% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Levellers
One Way
110 bpm • G Maj • 04:08 • -6.79db
41% Popularity • 41% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 41% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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The Waterboys
This Is the Sea - 2004 Remaster
109 bpm • E Maj • 06:29 • -7.28db
45% Popularity • 29% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 29% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Simon & Garfunkel
Kathy's Song
102 bpm • F# Maj • 03:17 • -16.67db
57% Popularity • 43% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 43% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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The Pogues
Bastard Landlord
102 bpm • A Maj • 03:09 • -11.16db
31% Popularity • 60% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 60% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Matt McGinn
The Ballad of John McLean
110 bpm • B min • 03:40 • -13.86db
12% Popularity • 59% Danceability • 38% Energy • 70% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 59% Danceability • 38% Energy • 70% Liveness
0% Instrumentalness • 96% Positiveness
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The Mary Wallopers
As I Roved Out
110 bpm • A min • 02:47 • -9.87db
42% Popularity • 73% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 73% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Nick Drake
Time Has Told Me
110 bpm • C Maj • 04:24 • -14.64db
48% Popularity • 60% Danceability • 30% Energy • 10% Liveness
75% Instrumentalness • 47% Positiveness
48% Popularity • 60% Danceability • 30% Energy • 10% Liveness
75% Instrumentalness • 47% Positiveness
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Talking Heads
Road to Nowhere - 2005 Remaster
110 bpm • D Maj • 04:20 • -4.9db
60% Popularity • 65% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
60% Popularity • 65% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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The Jam
Town Called Malice
102 bpm • G Maj • 02:53 • -8.92db
67% Popularity • 54% Danceability • 91% Energy • 7% Liveness
1% Instrumentalness • 78% Positiveness
67% Popularity • 54% Danceability • 91% Energy • 7% Liveness
1% Instrumentalness • 78% Positiveness
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Dougie MacLean
Green Grow The Rashes
102 bpm • D# Maj • 03:17 • -14.31db
25% Popularity • 48% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 48% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Donovan
Colours
102 bpm • E Maj • 02:44 • -15.61db
48% Popularity • 45% Danceability • 48% Energy • 39% Liveness
62% Instrumentalness • 68% Positiveness
48% Popularity • 45% Danceability • 48% Energy • 39% Liveness
62% Instrumentalness • 68% Positiveness
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Neil Young
Only Love Can Break Your Heart
111 bpm • D Maj • 03:08 • -12.2db
57% Popularity • 73% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
57% Popularity • 73% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Proclaimers
Streets of Edinburgh
111 bpm • F Maj • 03:46 • -7.14db
38% Popularity • 29% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 29% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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The Albion Band
Poor Old Horse - 2003 Remaster
111 bpm • D Maj • 06:18 • -6.33db
13% Popularity • 46% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 46% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Whipping Boy
When We Were Young
111 bpm • G Maj • 02:50 • -7db
30% Popularity • 41% Danceability • 81% Energy • 7% Liveness
41% Instrumentalness • 57% Positiveness
30% Popularity • 41% Danceability • 81% Energy • 7% Liveness
41% Instrumentalness • 57% Positiveness
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The Dubliners
Molly Malone
111 bpm • C Maj • 02:58 • -8db
50% Popularity • 49% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 49% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Marianne Faithfull
It's All Over Now Baby Blue
111 bpm • D Maj • 03:49 • -11db
46% Popularity • 65% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 65% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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An Emotional Fish
Celebrate
111 bpm • G Maj • 03:35 • -3.7db
41% Popularity • 46% Danceability • 92% Energy • 12% Liveness
1% Instrumentalness • 85% Positiveness
41% Popularity • 46% Danceability • 92% Energy • 12% Liveness
1% Instrumentalness • 85% Positiveness
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The Fureys
When You Were Sweet Sixteen
111 bpm • G Maj • 04:13 • -23db
38% Popularity • 49% Danceability • 5% Energy • 6% Liveness
24% Instrumentalness • 58% Positiveness
38% Popularity • 49% Danceability • 5% Energy • 6% Liveness
24% Instrumentalness • 58% Positiveness
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Tom Waits
Ol' 55
111 bpm • F# Maj • 03:56 • -11db
50% Popularity • 49% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 49% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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The Corries
A Man's A Man
101 bpm • E Maj • 04:25 • -16.03db
16% Popularity • 44% Danceability • 26% Energy • 96% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 44% Danceability • 26% Energy • 96% Liveness
0% Instrumentalness • 38% Positiveness
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Paul Weller
Broken Stones
112 bpm • A# Maj • 03:16 • -15.1db
51% Popularity • 91% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
51% Popularity • 91% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Christy Moore
Ride On
112 bpm • C min • 04:05 • -15db
52% Popularity • 57% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
52% Popularity • 57% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
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The Pogues
Streets of Sorrow / Birmingham Six
112 bpm • C Maj • 04:36 • -13.21db
38% Popularity • 41% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 41% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Them
It's All Over Now, Baby Blue
112 bpm • D Maj • 03:47 • -9.26db
52% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
52% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Reg Meuross
My Name Is London Town
100 bpm • C Maj • 04:50 • -11.78db
12% Popularity • 47% Danceability • 22% Energy • 11% Liveness
57% Instrumentalness • 35% Positiveness
12% Popularity • 47% Danceability • 22% Energy • 11% Liveness
57% Instrumentalness • 35% Positiveness
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Jack Lukeman
Georgie Boy
100 bpm • C# Maj • 04:16 • -8db
24% Popularity • 27% Danceability • 56% Energy • 23% Liveness
19% Instrumentalness • 38% Positiveness
24% Popularity • 27% Danceability • 56% Energy • 23% Liveness
19% Instrumentalness • 38% Positiveness
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The Jam
The Bitterest Pill (I Ever Had To Swallo...
112 bpm • D Maj • 03:33 • -10db
45% Popularity • 48% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
45% Popularity • 48% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Donovan
Universal Soldier
100 bpm • F# Maj • 02:11 • -13db
43% Popularity • 60% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 60% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Kirsty MacColl
They Don't Know
112 bpm • B Maj • 03:06 • -9.47db
36% Popularity • 55% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 55% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Suzanne Vega
Marlene On The Wall
113 bpm • F# min • 03:39 • -15.06db
45% Popularity • 61% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 61% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Ronnie Drew
The Dingle Puck Goat
100 bpm • E min • 03:35 • -14.91db
19% Popularity • 74% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 74% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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The Beautiful South
Don't Marry Her
100 bpm • C Maj • 03:21 • -8.26db
54% Popularity • 63% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 63% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Leonard Cohen
Tower of Song
100 bpm • E Maj • 05:39 • -21db
44% Popularity • 80% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 80% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Martin Stephenson
There Comes a Time
113 bpm • A Maj • 04:11 • -14.12db
13% Popularity • 36% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 36% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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The Proclaimers
Letter from America - Band Version
113 bpm • C Maj • 04:02 • -13db
45% Popularity • 58% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 58% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Freddie White
Tenderness On the Block
113 bpm • E Maj • 04:36 • -11.98db
15% Popularity • 57% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 57% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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The Charlatans
The Only One I Know
113 bpm • F Maj • 03:58 • -13.1db
58% Popularity • 55% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
58% Popularity • 55% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Jimmy Nail
Big River
113 bpm • F# min • 05:58 • -8.12db
40% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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The Pogues
Lullaby of London
113 bpm • C Maj • 03:31 • -10.59db
36% Popularity • 55% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 55% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Lankum
Cold Old Fire
114 bpm • B min • 04:26 • -6.19db
33% Popularity • 42% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 42% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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The Housemartins
Get Up Off Our Knees
114 bpm • C Maj • 03:21 • -12.62db
33% Popularity • 63% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 63% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Four Men & A Dog
Waltzing for Dreamers
114 bpm • D# Maj • 03:49 • -15.07db
13% Popularity • 56% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 56% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Jam
English Rose - 1997 Remaster
114 bpm • G# Maj • 02:49 • -20.8db
46% Popularity • 53% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
46% Popularity • 53% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
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The Dubliners
The Rare Auld Mountain Dew
114 bpm • C Maj • 02:19 • -6.09db
44% Popularity • 70% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
44% Popularity • 70% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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The Magnetic Fields
The Book of Love
99 bpm • G Maj • 02:42 • -13.29db
59% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
59% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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R.E.M.
Nightswimming
114 bpm • G Maj • 04:18 • -11.27db
61% Popularity • 57% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
61% Popularity • 57% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Horslips
Dearg Doom
114 bpm • C Maj • 03:06 • -7db
45% Popularity • 47% Danceability • 80% Energy • 40% Liveness
6% Instrumentalness • 83% Positiveness
45% Popularity • 47% Danceability • 80% Energy • 40% Liveness
6% Instrumentalness • 83% Positiveness
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Neil Young
After the Gold Rush
98 bpm • G Maj • 03:45 • -12.9db
50% Popularity • 47% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
50% Popularity • 47% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
