Songs like A Rusty Old Halo - Remastered by The Mariners
Based on a tempo of (+/- 10%) and a similar genre
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Jack McVea
Inflation Blues
128 bpm • D# Maj • 02:51 • -11.39db
15% Popularity • 69% Danceability • 22% Energy • 35% Liveness
2% Instrumentalness • 77% Positiveness
15% Popularity • 69% Danceability • 22% Energy • 35% Liveness
2% Instrumentalness • 77% Positiveness
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Ray Conniff
Short Stuff
128 bpm • G# Maj • 02:40 • -16.28db
9% Popularity • 67% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 67% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Ann-Margret
I Just Don't Understand
128 bpm • A min • 02:40 • -11.94db
20% Popularity • 32% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 32% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Tex Williams
Smoke! Smoke! Smoke! (That Cigarette)
128 bpm • A Maj • 02:54 • -11.21db
30% Popularity • 83% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 83% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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The Mariners
A Rusty Old Halo - Remastered
128 bpm • C# Maj • 02:41 • -6.83db
0% Popularity • 76% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
0% Popularity • 76% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Jack Scott
The Way I Walk
129 bpm • E Maj • 02:43 • -13db
25% Popularity • 67% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 67% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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The Coasters
Charlie Brown
127 bpm • D# Maj • 02:19 • -9.75db
11% Popularity • 65% Danceability • 55% Energy • 1% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 65% Danceability • 55% Energy • 1% Liveness
0% Instrumentalness • 92% Positiveness
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Edd Byrnes
Kookie Kookie
129 bpm • C min • 02:07 • -8db
9% Popularity • 81% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 81% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Titus Turner
Hungry Man
127 bpm • F min • 02:26 • -3db
30% Popularity • 51% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 51% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Guy Mitchell
Ninety Nine Years (Dead Or Alive)
127 bpm • D# Maj • 02:53 • -8db
7% Popularity • 55% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 55% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Joe Liggins
Daddy On My Mind
127 bpm • C Maj • 02:42 • -12.66db
23% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Jeannie Barnes
Can't Get You Off My Mind
127 bpm • A# min • 02:45 • -6.24db
7% Popularity • 80% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
7% Popularity • 80% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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The Coasters
Hey Sexy - 2007 Remaster Stereo; Remaste...
127 bpm • C Maj • 02:35 • -7.15db
10% Popularity • 74% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 74% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Ann Cole
Got My Mo-Jo Working (But It Just Won't ...
130 bpm • D# Maj • 02:37 • -7.59db
15% Popularity • 68% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 68% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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The "5" Royales
Think
126 bpm • F min • 02:36 • -12db
23% Popularity • 80% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
23% Popularity • 80% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 77% Positiveness
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Huey "Piano" Smith
Little Chickie Wah Wah
126 bpm • C Maj • 02:10 • -5db
32% Popularity • 89% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 89% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Smiley Lewis
One Night
130 bpm • D Maj • 02:16 • -7db
13% Popularity • 55% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 55% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Jo Ann Henderson
Baby Please Don't Go
130 bpm • G Maj • 02:25 • -7.87db
14% Popularity • 61% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 61% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 74% Positiveness
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Chuck Willis
What'cha Gonna Do (When Your Baby Leaves...
130 bpm • D min • 02:45 • -9db
26% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Esther Phillips
Ring-A-Ding-Doo
131 bpm • F min • 02:55 • -5.36db
9% Popularity • 62% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 62% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Jane Baker
Sing On Baby
125 bpm • G Maj • 02:40 • -8db
9% Popularity • 55% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 55% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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The Orioles
Hey Little Woman
131 bpm • E min • 02:21 • -11.95db
12% Popularity • 60% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 60% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
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Eden Kane
A New Kind Of Lovin'
131 bpm • D# min • 02:15 • -11.07db
9% Popularity • 60% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 60% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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The Flares
Foot Stomping - Pt. 1
125 bpm • G Maj • 02:17 • -6db
20% Popularity • 76% Danceability • 77% Energy • 6% Liveness
17% Instrumentalness • 98% Positiveness
20% Popularity • 76% Danceability • 77% Energy • 6% Liveness
17% Instrumentalness • 98% Positiveness
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Frankie Ford
Alimony
131 bpm • C min • 02:18 • -6db
20% Popularity • 86% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 86% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Barrett Strong
Sugar Daddy
131 bpm • F# Maj • 02:43 • -6.23db
10% Popularity • 71% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 71% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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The Andrews Sisters
13 Patience and Fortitude
125 bpm • C# Maj • 03:07 • -17.7db
8% Popularity • 67% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 67% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Danny Williams
That Old Feeling - Remastered
125 bpm • F min • 02:02 • -10.56db
25% Popularity • 60% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 60% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Jubalaires
Swing Down Chariot
131 bpm • C Maj • 01:51 • -7.98db
12% Popularity • 83% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 83% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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The Boswell Sisters
Shout Sister Shout
125 bpm • F min • 03:15 • -12db
22% Popularity • 49% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
22% Popularity • 49% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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The "5" Royales
Right Around The Corner
132 bpm • D# Maj • 02:28 • -12db
19% Popularity • 73% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 73% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Ray Smith
Makes Me Feel Good
132 bpm • D min • 02:26 • -7.64db
19% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Max Bygraves
Meet Me on the Corner
124 bpm • A min • 02:28 • -10.2db
19% Popularity • 70% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 70% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Art Mooney
Honey-Babe
124 bpm • E Maj • 02:54 • -10.88db
9% Popularity • 57% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 57% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Bill Doggett
Ram-Bunk-Shush
124 bpm • G Maj • 02:33 • -8.07db
27% Popularity • 51% Danceability • 61% Energy • 14% Liveness
12% Instrumentalness • 84% Positiveness
27% Popularity • 51% Danceability • 61% Energy • 14% Liveness
12% Instrumentalness • 84% Positiveness
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Chance Halliday
Bury Me Deep
132 bpm • C Maj • 02:25 • -6.65db
13% Popularity • 72% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 72% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Laurel and Hardy
At The Ball, That’s All
132 bpm • B Maj • 02:03 • -14.59db
8% Popularity • 66% Danceability • 30% Energy • 28% Liveness
44% Instrumentalness • 78% Positiveness
8% Popularity • 66% Danceability • 30% Energy • 28% Liveness
44% Instrumentalness • 78% Positiveness
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Mary Ann Fisher
Put On My Shoes
133 bpm • F# Maj • 02:28 • -9.61db
15% Popularity • 48% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 48% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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The Champs
Ali Baba
124 bpm • G# Maj • 02:16 • -11.63db
13% Popularity • 75% Danceability • 78% Energy • 40% Liveness
2% Instrumentalness • 97% Positiveness
13% Popularity • 75% Danceability • 78% Energy • 40% Liveness
2% Instrumentalness • 97% Positiveness
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Sister Rosetta Tharpe
Don't You Weep, o Mary, Don't You Weep -...
124 bpm • A# Maj • 02:30 • -6.97db
3% Popularity • 66% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
3% Popularity • 66% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Clarence "Frogman" Henry
Lonely Tramp
133 bpm • C Maj • 02:25 • 0.59db
10% Popularity • 59% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 59% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Huey "Piano" Smith
High Blood Pressure
123 bpm • D# Maj • 02:43 • -6.59db
23% Popularity • 67% Danceability • 81% Energy • 3% Liveness
35% Instrumentalness • 98% Positiveness
23% Popularity • 67% Danceability • 81% Energy • 3% Liveness
35% Instrumentalness • 98% Positiveness
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The Solitaires
Walking Along - Remastered
123 bpm • D min • 02:34 • -9.67db
27% Popularity • 72% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 72% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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The Mariners
The Healing
133 bpm • G# Maj • 03:54 • -10.08db
0% Popularity • 63% Danceability • 49% Energy • 7% Liveness
64% Instrumentalness • 65% Positiveness
0% Popularity • 63% Danceability • 49% Energy • 7% Liveness
64% Instrumentalness • 65% Positiveness
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The Four Knights
I Love the Sunshine of Your Smile
123 bpm • G# Maj • 02:21 • -11db
18% Popularity • 92% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 92% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Slim Gaillard
Atomic Cocktail
123 bpm • F Maj • 02:41 • -13db
36% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
36% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
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Ronnie Cook and The Gaylads
The Goo Goo Muck
123 bpm • C Maj • 02:38 • -10.15db
17% Popularity • 77% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 77% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Harvey
Any Way You Wanta
123 bpm • G# Maj • 02:44 • -7.88db
15% Popularity • 83% Danceability • 72% Energy • 19% Liveness
3% Instrumentalness • 97% Positiveness
15% Popularity • 83% Danceability • 72% Energy • 19% Liveness
3% Instrumentalness • 97% Positiveness
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Dave Bartholomew
My Ding-A-Ling
122 bpm • C Maj • 02:14 • -9.11db
16% Popularity • 57% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 57% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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The Mariners
Toot, Whistle, Plunk, and Boom
123 bpm • C Maj • 02:40 • -11.05db
0% Popularity • 84% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 84% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
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Mickey Baker
No Good Lover
134 bpm • A Maj • 02:53 • -7db
14% Popularity • 54% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 54% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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Adam Faith
Diamond Ring
134 bpm • D# Maj • 02:37 • -1.79db
14% Popularity • 58% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 58% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
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Hank Ballard
Work With Me Annie
122 bpm • E Maj • 02:47 • -8.87db
28% Popularity • 70% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 70% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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The Chiefs
Apache
122 bpm • B min • 02:24 • -9.44db
9% Popularity • 51% Danceability • 50% Energy • 9% Liveness
48% Instrumentalness • 78% Positiveness
9% Popularity • 51% Danceability • 50% Energy • 9% Liveness
48% Instrumentalness • 78% Positiveness
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Bennie Moten's Kansas City Orchestra
Imagination
122 bpm • D min • 03:30 • -17.14db
8% Popularity • 55% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 55% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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The Mariners
Git On Board
133 bpm • G# Maj • 01:59 • -23.41db
0% Popularity • 82% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 82% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Big Sandy
Have Love, Will Travel
134 bpm • A min • 02:50 • -6.71db
15% Popularity • 79% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
15% Popularity • 79% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
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Sister Rosetta Tharpe
I Want A Tall Skinny Papa
134 bpm • A# Maj • 02:51 • -8.93db
17% Popularity • 61% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 61% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Clarence "Frogman" Henry
Lost Without You
134 bpm • G Maj • 02:03 • -0.07db
3% Popularity • 70% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
3% Popularity • 70% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
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Vernon Green
A Lover's Prayer
122 bpm • F min • 02:48 • -11.26db
11% Popularity • 66% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 66% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Carl Coccomo
A Nervous Kiss
135 bpm • C min • 02:44 • -9.41db
25% Popularity • 27% Danceability • 28% Energy • 21% Liveness
15% Instrumentalness • 23% Positiveness
25% Popularity • 27% Danceability • 28% Energy • 21% Liveness
15% Instrumentalness • 23% Positiveness
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The McGuire Sisters
Volare
121 bpm • G# Maj • 02:40 • -14.27db
23% Popularity • 66% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 66% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Ray Conniff
Piggy Bank Boogie
135 bpm • G# Maj • 02:26 • -15.13db
9% Popularity • 53% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 53% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 81% Positiveness
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Johnny Burnette & The Rock 'N' Roll Trio
Midnight Train - Single Version
135 bpm • A min • 02:11 • -12db
22% Popularity • 70% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 70% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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The Coasters
Riot in Cell Block No. 9
135 bpm • D min • 03:03 • -9.4db
21% Popularity • 54% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 54% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Mickey & Sylvia
Love Will Make You Fail in School
121 bpm • C Maj • 02:44 • -8db
14% Popularity • 73% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 73% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Big Maybelle
One Monkey Don't Stop No Show
121 bpm • G# Maj • 02:50 • -4.53db
13% Popularity • 59% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 59% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Louis Jordan
Rock Doc
136 bpm • G# Maj • 02:20 • -9.44db
11% Popularity • 46% Danceability • 82% Energy • 41% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 46% Danceability • 82% Energy • 41% Liveness
0% Instrumentalness • 84% Positiveness
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Eddie Banks
Sugar Diabetes
136 bpm • C min • 02:39 • -6db
10% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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The Mariners
On That Great Gettin' Up Mornin'
120 bpm • G# Maj • 01:31 • -21.18db
0% Popularity • 94% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 94% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Huey "Piano" Smith
Would You Believe It (I Have a Cold)
120 bpm • F min • 02:21 • -8.44db
26% Popularity • 67% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 67% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Max Bygraves
Paddlin' Madelin' Home
120 bpm • A Maj • 01:34 • -10.72db
7% Popularity • 72% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 72% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Titus Turner
Bla Bla Bla Cha Cha Cha
120 bpm • E min • 02:20 • -6db
18% Popularity • 80% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 80% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
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Cyril Diaz Orchestra
Serenade
136 bpm • D# min • 01:43 • -15.62db
9% Popularity • 62% Danceability • 47% Energy • 38% Liveness
3% Instrumentalness • 86% Positiveness
9% Popularity • 62% Danceability • 47% Energy • 38% Liveness
3% Instrumentalness • 86% Positiveness
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Helen O'Connell
Slow poke
136 bpm • D# Maj • 02:32 • -14.45db
10% Popularity • 80% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 80% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Betty Hutton
Orange Colored Sky (Alternate Take)
120 bpm • F min • 02:40 • -8.16db
5% Popularity • 64% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
5% Popularity • 64% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Huey "Piano" Smith
Just a Lonely Clown
120 bpm • C Maj • 02:10 • -7.59db
17% Popularity • 71% Danceability • 86% Energy • 35% Liveness
63% Instrumentalness • 97% Positiveness
17% Popularity • 71% Danceability • 86% Energy • 35% Liveness
63% Instrumentalness • 97% Positiveness
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Joe South
He's Got You Where He Wants You
136 bpm • A Maj • 02:41 • -9.66db
9% Popularity • 67% Danceability • 56% Energy • 14% Liveness
88% Instrumentalness • 57% Positiveness
9% Popularity • 67% Danceability • 56% Energy • 14% Liveness
88% Instrumentalness • 57% Positiveness
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Big Maybelle
Ocean Of Tears
137 bpm • D# min • 02:29 • -10.3db
20% Popularity • 45% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 45% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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R. Crumb And His Cheap Suit Serenaders
Hula Girl
120 bpm • G Maj • 02:18 • -9.99db
11% Popularity • 74% Danceability • 61% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 74% Danceability • 61% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
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Jerry Capehart
That's What It Takes to Make a Man
119 bpm • D min • 02:00 • -11.09db
10% Popularity • 69% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 69% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Shirley & Lee
Feel So Good
137 bpm • A Maj • 02:51 • -13.16db
14% Popularity • 72% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 72% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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The Coasters
Besame Mucho
137 bpm • F min • 02:16 • -7.54db
16% Popularity • 69% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 69% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
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Little Willie John
(I've Got) Spring Fever
138 bpm • C Maj • 02:10 • -8.94db
14% Popularity • 72% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 72% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Georgia White
I'll Keep Sittin' On It
119 bpm • G Maj • 02:58 • -14.49db
14% Popularity • 79% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 79% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Hot Lips Page
St. James Infirmary
119 bpm • F min • 03:12 • -12.35db
10% Popularity • 59% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 59% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Nappy Brown
Coal Miner
119 bpm • A# min • 02:38 • -9.31db
25% Popularity • 77% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 77% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Lee Dorsey
My Old Car Commercial
138 bpm • G Maj • 01:34 • -11.24db
21% Popularity • 75% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
21% Popularity • 75% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Mike Pedecin
Burnt Toast and Black Coffee
138 bpm • G Maj • 02:05 • -9.37db
22% Popularity • 71% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
22% Popularity • 71% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
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Rosco Gordon
Just A Little Bit
138 bpm • C Maj • 02:03 • -14.01db
28% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Tommaso Tritapepe
Rowed
118 bpm • E Maj • 03:28 • -12db
19% Popularity • 38% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 38% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Ernie Fields
Workin' Out
118 bpm • A# Maj • 02:13 • -7.71db
8% Popularity • 51% Danceability • 75% Energy • 18% Liveness
46% Instrumentalness • 84% Positiveness
8% Popularity • 51% Danceability • 75% Energy • 18% Liveness
46% Instrumentalness • 84% Positiveness
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Brenda Lee
Dynamite
118 bpm • F Maj • 01:58 • -8.41db
30% Popularity • 82% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 82% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 92% Positiveness
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Young Jessie
Mary Lou (Alternate Take)
139 bpm • B min • 03:04 • -8db
14% Popularity • 62% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 62% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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The Mariners
I Didn't Come to Say Hello - Remastered
118 bpm • G# Maj • 02:40 • -8.16db
0% Popularity • 61% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 61% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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The Rays
Daddy Cool
139 bpm • F min • 02:40 • -9db
14% Popularity • 66% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 66% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Dee Clark
Nobody but You - Bonus Track
118 bpm • C min • 02:23 • -11.62db
18% Popularity • 70% Danceability • 35% Energy • 56% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 70% Danceability • 35% Energy • 56% Liveness
0% Instrumentalness • 75% Positiveness
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Wynonie Harris
Shake That Thing
139 bpm • E Maj • 02:15 • -11db
30% Popularity • 62% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 62% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
