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A Soulmate Who Wasn’t Meant to Be
Songs like
A Soulmate Who Wasn’t Meant to Be
by
Jess Benko
Based on a tempo of (+/- 10%) and a similar genre
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Sara Kays
Remember That Night?
124 bpm • G min • 03:47 • -10.94db
78% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Hayd
Closure
124 bpm • D Maj • 03:16 • -16.18db
60% Popularity • 69% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Sarah Cothran
As the World Caves In
124 bpm • C Maj • 02:41 • -6.84db
75% Popularity • 42% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
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ROLE MODEL
notice me - acoustic
124 bpm • G# min • 03:14 • -5.74db
50% Popularity • 64% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Matt Maltese
As the World Caves In
124 bpm • A# Maj • 03:38 • -5.36db
73% Popularity • 33% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Cigarettes After Sex
John Wayne
124 bpm • D# Maj • 04:18 • -8.39db
74% Popularity • 44% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
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Jess Benko
A Soulmate Who Wasn’t Meant to Be
124 bpm • A min • 05:16 • -20.27db
67% Popularity • 57% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
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Yot Club
YKWIM?
124 bpm • A Maj • 03:32 • -7.62db
84% Popularity • 37% Danceability • 54% Energy • 29% Liveness
87% Instrumentalness • 23% Positiveness
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The Greeting Committee
Elise
123 bpm • C Maj • 04:14 • -13.16db
46% Popularity • 64% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Cavetown
Home
125 bpm • C# Maj • 04:29 • -5.22db
67% Popularity • 53% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Matt Maltese
Paper Thin Hotel
124 bpm • C Maj • 04:26 • -12.68db
44% Popularity • 48% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Flatsound
You Wrote 'Don't Forget' On Your Arm
123 bpm • D# Maj • 03:32 • -17.46db
47% Popularity • 61% Danceability • 20% Energy • 51% Liveness
0% Instrumentalness • 6% Positiveness
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Gracie Abrams
Mean It
123 bpm • A min • 02:51 • -9.5db
60% Popularity • 56% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Catie Turner
i luv him.
123 bpm • C Maj • 03:45 • -9.5db
53% Popularity • 65% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Noah Cyrus
Lonely
122 bpm • F Maj • 02:24 • -8.27db
69% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Sofia Mills
i melt w u!
126 bpm • F# Maj • 04:59 • -15.02db
24% Popularity • 80% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Conan Gray
People Watching
126 bpm • F Maj • 02:38 • -7.28db
80% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Holden Miller
Far Side of the World
126 bpm • F Maj • 02:56 • -15.26db
50% Popularity • 48% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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The Honeysticks
Out Like a Light
126 bpm • B Maj • 04:16 • -7.79db
60% Popularity • 52% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Hayd
Suffocate
122 bpm • E Maj • 04:01 • -22db
54% Popularity • 65% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Stephen Sanchez
I Want You
126 bpm • F Maj • 03:30 • -9.69db
59% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Sofia Mills
Homebodies
126 bpm • C Maj • 03:35 • -15.54db
27% Popularity • 58% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Lexi Jayde
If I Really Love You
122 bpm • C Maj • 03:14 • -14.1db
50% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Christian Leave
Can't Help Falling in Love
126 bpm • C Maj • 02:15 • -7.2db
55% Popularity • 61% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Conan Gray
Lookalike
122 bpm • A# Maj • 03:40 • -10.12db
68% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Montell Fish
Fall in Love with You.
121 bpm • E Maj • 02:12 • -23.16db
82% Popularity • 54% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
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Hayd
Lost
126 bpm • G# Maj • 03:01 • -14.77db
50% Popularity • 39% Danceability • 17% Energy • 8% Liveness
1% Instrumentalness • 31% Positiveness
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Sofia Mills
Wish I Would
122 bpm • B Maj • 03:56 • -12.44db
24% Popularity • 52% Danceability • 33% Energy • 14% Liveness
5% Instrumentalness • 36% Positiveness
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Jess Benko
New Friends
127 bpm • C Maj • 03:04 • -12.74db
20% Popularity • 53% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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omarr
Was I Not Good Enough?
127 bpm • C# Maj • 02:25 • -13.26db
42% Popularity • 64% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 12% Positiveness
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Sara Kays
Home for the Summer
127 bpm • E Maj • 02:35 • -9.86db
55% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Harry Styles
Fine Line
121 bpm • D Maj • 06:17 • -8.5db
82% Popularity • 31% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 5% Positiveness
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Sydney Rose
Novels
121 bpm • C Maj • 04:27 • -16.3db
24% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Bruno Major
The Most Beautiful Thing
127 bpm • G Maj • 03:55 • -10.39db
70% Popularity • 81% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 42% Positiveness
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Zabawa
Butterfly's Repose
120 bpm • C Maj • 05:09 • -27.29db
55% Popularity • 30% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Montell Fish
And i'd go a thousand miles
121 bpm • G Maj • 02:26 • -22.6db
69% Popularity • 37% Danceability • 5% Energy • 15% Liveness
2% Instrumentalness • 20% Positiveness
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Sufjan Stevens
Fourth of July
120 bpm • F# min • 04:39 • -22.39db
81% Popularity • 44% Danceability • 10% Energy • 12% Liveness
33% Instrumentalness • 16% Positiveness
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Jess Benko
Didn't Mean to Hurt You
120 bpm • C Maj • 03:35 • -19db
36% Popularity • 57% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Sasha Alex Sloan
Too Sad To Cry
120 bpm • A# Maj • 03:28 • -9.94db
60% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Cavetown
Paul
120 bpm • C# Maj • 03:07 • -15db
46% Popularity • 59% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Sofia Mills
Lady
120 bpm • E Maj • 03:57 • -10.82db
22% Popularity • 61% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Frankie Cosmos
Fool
120 bpm • A Maj • 02:04 • -10.25db
73% Popularity • 51% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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FINNEAS
Let's Fall in Love for the Night
128 bpm • F Maj • 03:10 • -7.94db
71% Popularity • 74% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Hayd
Changes
120 bpm • F# Maj • 03:34 • -17.14db
64% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Jess Benko
Eggshells
128 bpm • D Maj • 03:03 • -6.35db
36% Popularity • 50% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
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Cavetown
It's U
120 bpm • F# Maj • 04:12 • -11.47db
56% Popularity • 61% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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sombr
caroline
120 bpm • G Maj • 03:18 • -17.21db
63% Popularity • 49% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Billie Eilish
Bored
120 bpm • G Maj • 03:00 • -12.7db
84% Popularity • 61% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Winter Aid
Softly
120 bpm • F Maj • 04:23 • -12db
36% Popularity • 53% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Flower Face
Honey and Milk
120 bpm • C Maj • 03:43 • -12db
41% Popularity • 60% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Jess Benko
Running
120 bpm • C Maj • 03:08 • -21.98db
15% Popularity • 67% Danceability • 6% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
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Zeph
could you love me while i hate myself
120 bpm • A Maj • 01:00 • -11.31db
78% Popularity • 68% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Hayd
Safe & Sound
120 bpm • D Maj • 03:24 • -21db
45% Popularity • 71% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Ruth B.
If By Chance
120 bpm • A# Maj • 05:03 • -8.1db
67% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Ashe
Moral of the Story
120 bpm • A# Maj • 03:21 • -8.62db
80% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Zevia
if depression gets the best of me
120 bpm • C Maj • 03:00 • -15db
59% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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beabadoobee
Bobby
128 bpm • B min • 03:25 • -14db
49% Popularity • 49% Danceability • 16% Energy • 10% Liveness
26% Instrumentalness • 32% Positiveness
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Phoebe Bridgers
Savior Complex
129 bpm • E Maj • 04:01 • -11.88db
69% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Hayd
October Snow
120 bpm • E Maj • 03:38 • -20.38db
44% Popularity • 74% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
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Anson Seabra
That's Us
129 bpm • A# Maj • 04:30 • -15.4db
61% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Ashe
Moral of the Story - Bonus Track
120 bpm • A# Maj • 03:18 • -8.9db
73% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Bruno Major
Easily
119 bpm • G min • 03:30 • -8.55db
71% Popularity • 77% Danceability • 26% Energy • 14% Liveness
1% Instrumentalness • 36% Positiveness
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beabadoobee
Coffee
119 bpm • A Maj • 02:06 • -18.21db
72% Popularity • 53% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 30% Positiveness
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Flatsound
I Exist I Exist I Exist
119 bpm • G Maj • 05:14 • -18.2db
57% Popularity • 44% Danceability • 16% Energy • 15% Liveness
76% Instrumentalness • 12% Positiveness
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Taylor Swift
my tears ricochet
130 bpm • C Maj • 04:15 • -10.63db
82% Popularity • 46% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Phoebe Bridgers
Waiting Room
130 bpm • D Maj • 06:33 • -10.07db
76% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Cavetown
Idea of Her
130 bpm • A Maj • 02:48 • -8.82db
54% Popularity • 52% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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girl in red
summer depression
130 bpm • A Maj • 02:31 • -15.64db
68% Popularity • 69% Danceability • 31% Energy • 13% Liveness
48% Instrumentalness • 68% Positiveness
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Charlie Burg
Bookstore Girl
130 bpm • D Maj • 03:23 • -7.82db
52% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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mehro
perfume
130 bpm • D Maj • 02:29 • -7.09db
59% Popularity • 68% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
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Ricky Montgomery
Mr. Loverman
130 bpm • C Maj • 03:36 • -6.7db
80% Popularity • 64% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Sky McCreery
Silhouette
118 bpm • A Maj • 02:59 • -15db
34% Popularity • 66% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Cavetown
Hug All Ur Friends
130 bpm • G Maj • 05:35 • -13.09db
58% Popularity • 62% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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girl in red
we fell in love in october
130 bpm • G Maj • 03:04 • -12.81db
87% Popularity • 57% Danceability • 37% Energy • 16% Liveness
18% Instrumentalness • 24% Positiveness
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FINNEAS
Angel
130 bpm • F Maj • 05:11 • -12.53db
55% Popularity • 54% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Sleeping At Last
You Are Enough
118 bpm • C# Maj • 03:00 • -8.53db
73% Popularity • 59% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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beabadoobee
Soren
118 bpm • F# Maj • 04:01 • -10.35db
58% Popularity • 59% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
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Jess Benko
When Nobody's Watching
118 bpm • C min • 03:36 • -8.58db
24% Popularity • 69% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Cavetown
Talk to Me
130 bpm • E Maj • 04:37 • -9.61db
62% Popularity • 63% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Conan Gray
Yours
130 bpm • D Maj • 03:24 • -8.87db
67% Popularity • 52% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Mitski
Last Words of a Shooting Star
130 bpm • D Maj • 02:44 • -19.02db
69% Popularity • 39% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Cigarettes After Sex
You're the Only Good Thing In My Life
131 bpm • F Maj • 04:35 • -11.2db
68% Popularity • 45% Danceability • 29% Energy • 13% Liveness
75% Instrumentalness • 5% Positiveness
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Rex Orange County
It's Not The Same Anymore
118 bpm • F Maj • 06:26 • -10.64db
65% Popularity • 67% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Jess Benko
My Moon
118 bpm • C Maj • 04:55 • -16.59db
38% Popularity • 68% Danceability • 9% Energy • 7% Liveness
1% Instrumentalness • 22% Positiveness
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køra
Favourite Song
131 bpm • A Maj • 03:26 • -28.73db
33% Popularity • 43% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Cavetown
This Is Home
130 bpm • G Maj • 03:46 • -12.48db
72% Popularity • 81% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Sleeping At Last
Already Gone
131 bpm • D# Maj • 04:03 • -10db
70% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Lemmy Alone
I'll Be Here (If You Want Me)
131 bpm • G# Maj • 02:41 • -14.2db
14% Popularity • 44% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Winter Aid
The Night Is an Ocean
117 bpm • G Maj • 04:03 • -13.1db
46% Popularity • 57% Danceability • 22% Energy • 11% Liveness
84% Instrumentalness • 17% Positiveness
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Novo Amor
Anchor
117 bpm • A Maj • 04:17 • -11.48db
81% Popularity • 46% Danceability • 41% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Sarah Cothran
Love Story
117 bpm • D min • 03:10 • -8.3db
59% Popularity • 68% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Mitski
I Want You
132 bpm • D# Maj • 03:03 • -11.29db
77% Popularity • 34% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Cavetown
Juliet
132 bpm • F# Maj • 04:38 • -8.49db
75% Popularity • 55% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Tomo
Coffee Cups and Cigarettes
132 bpm • G# Maj • 03:27 • -14db
59% Popularity • 46% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 15% Positiveness
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Roland Faunte
Anchor
132 bpm • C Maj • 04:14 • -11.71db
33% Popularity • 64% Danceability • 15% Energy • 9% Liveness
9% Instrumentalness • 8% Positiveness
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Sky McCreery
drown
132 bpm • E Maj • 02:22 • -14.22db
36% Popularity • 58% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Matt Maltese
Curl up & Die
132 bpm • B Maj • 03:22 • -8.47db
66% Popularity • 62% Danceability • 28% Energy • 11% Liveness
54% Instrumentalness • 23% Positiveness
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d4vd
Romantic Homicide
132 bpm • F# Maj • 02:12 • -10.61db
90% Popularity • 57% Danceability • 54% Energy • 32% Liveness
1% Instrumentalness • 22% Positiveness
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Current Joys
Become the Warm Jets
132 bpm • G Maj • 05:34 • -15.49db
70% Popularity • 44% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Sufjan Stevens
Mystery of Love
132 bpm • E min • 04:08 • -16.53db
73% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
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A Soulmate Who Wasn’t Meant to Be