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A voi tutti salute
Songs like
A voi tutti salute
by
Pietro Mascagni
Based on a tempo of (+/- 10%) and a similar genre
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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Pietro Mascagni
Rapsodia Satanica: Nostalgia di cose pas...
104 bpm • D min • 01:46 • -26.91db
0% Popularity • 58% Danceability • 7% Energy • 15% Liveness
90% Instrumentalness • 45% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake Suite, Op. 20a: II. Waltz
103 bpm • A Maj • 06:59 • -15.19db
27% Popularity • 27% Danceability • 14% Energy • 9% Liveness
80% Instrumentalness • 15% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: III. Duma...
105 bpm • G min • 01:17 • -25db
48% Popularity • 23% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
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George Frideric Handel
Handel: Rinaldo, HWV 7, Act 2: "Lascia c...
103 bpm • E Maj • 05:32 • -22.76db
29% Popularity • 21% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Hollywood Symphony Orchestra
Pachelbel - Canon In D
102 bpm • D Maj • 04:51 • -22db
44% Popularity • 21% Danceability • 14% Energy • 37% Liveness
84% Instrumentalness • 16% Positiveness
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AntonÃn Dvořák
Songs My Mother Taught Me, Op. 55, No. 4...
102 bpm • D Maj • 02:44 • -17.69db
29% Popularity • 25% Danceability • 15% Energy • 13% Liveness
53% Instrumentalness • 7% Positiveness
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Pietro Mascagni
L'amico Fritz, Act II: Tutto tace (Live)
104 bpm • E Maj • 05:13 • -22.21db
0% Popularity • 27% Danceability • 12% Energy • 70% Liveness
0% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
102 bpm • G Maj • 06:08 • -27.3db
28% Popularity • 14% Danceability • 5% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Serenade for Strings in C, ...
101 bpm • G Maj • 03:34 • -17db
39% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
101 bpm • C min • 06:31 • -27.73db
41% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
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Gustav Mahler
Death in Venice
107 bpm • F Maj • 02:19 • -35.7db
15% Popularity • 16% Danceability • 1% Energy • 21% Liveness
91% Instrumentalness • 4% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Mod...
108 bpm • A Maj • 01:15 • -19db
39% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
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Pietro Mascagni
Rapsodia Satanica: Nella gioia della pri...
102 bpm • A Maj • 01:54 • -18.65db
0% Popularity • 47% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
100 bpm • D# Maj • 09:33 • -29.92db
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
100 bpm • C min • 03:16 • -19.13db
26% Popularity • 23% Danceability • 12% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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Pablo de Sarasate
Nocturne-serenade, Op. 45
108 bpm • A# Maj • 06:23 • -28.7db
28% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Clarinet Concerto in A Major, K. 622: II...
99 bpm • D Maj • 06:51 • -23.37db
37% Popularity • 16% Danceability • 2% Energy • 9% Liveness
67% Instrumentalness • 7% Positiveness
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Augusta Holmès
Ludus pro Patria, La Nuit et l'Amour: La...
99 bpm • D# Maj • 05:49 • -25db
11% Popularity • 14% Danceability • 4% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Voi lo sapete, o ...
101 bpm • E Maj • 05:03 • -18db
23% Popularity • 26% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Nulla in mundo pax, RV 630: 1. Nulla in ...
99 bpm • D# Maj • 06:42 • -19.51db
50% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Bach, JS / Orch. Marriner: Was mir behag...
109 bpm • A# Maj • 04:39 • -22.32db
34% Popularity • 25% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
99 bpm • C Maj • 01:12 • -37.4db
51% Popularity • 35% Danceability • 1% Energy • 26% Liveness
53% Instrumentalness • 13% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Concerto for Flute and Harp, K. ...
99 bpm • F Maj • 08:30 • -20.33db
30% Popularity • 26% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
110 bpm • A min • 05:00 • -32db
38% Popularity • 16% Danceability • 2% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Ave Maria
109 bpm • E Maj • 03:49 • -23.34db
26% Popularity • 23% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Polovt...
110 bpm • D Maj • 10:42 • -15db
49% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
Sheep May Safely Graze
98 bpm • A# Maj • 04:55 • -32db
50% Popularity • 49% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
110 bpm • G min • 01:27 • -33db
53% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
110 bpm • D# Maj • 08:16 • -25.33db
32% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
110 bpm • A# Maj • 02:52 • -12.73db
32% Popularity • 34% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Tu qui, Santuzza?...
109 bpm • F Maj • 03:20 • -13.96db
23% Popularity • 37% Danceability • 28% Energy • 81% Liveness
0% Instrumentalness • 22% Positiveness
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Jean Sibelius
Valse triste, Op. 44
110 bpm • G Maj • 05:32 • -27.93db
23% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Ludwig van Beethoven
Beethoven: Piano Concerto No. 5 in E-Fla...
97 bpm • B Maj • 07:33 • -34db
31% Popularity • 25% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Maria Theresia von Paradis
Sicilienne (Arr. by Söllscher)
112 bpm • F Maj • 03:08 • -27.69db
46% Popularity • 27% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Piano Concerto No. 21 in C Major...
97 bpm • F Maj • 05:20 • -22.68db
34% Popularity • 24% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Gerald Finzi
Lo, the full, final sacrifice, Op. 26: A...
112 bpm • E Maj • 02:40 • -25.09db
51% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
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Pietro Mascagni
Mascagni: Nerone, Act 3 Scene 1: "Vergin...
110 bpm • G Maj • 03:11 • -18.55db
4% Popularity • 33% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt: Tanzlied des Pierrot (Ar...
97 bpm • C# Maj • 04:19 • -16.78db
14% Popularity • 17% Danceability • 20% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Oskar Merikanto
Kesaillan idylli (Summer Night's Idyll),...
97 bpm • F Maj • 01:18 • -34db
41% Popularity • 17% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade in C Major, Op. 48: I. Pezzo in...
112 bpm • C Maj • 09:30 • -19db
32% Popularity • 32% Danceability • 27% Energy • 37% Liveness
82% Instrumentalness • 16% Positiveness
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Gerald Finzi
Introit, Op. 6
96 bpm • F Maj • 08:34 • -27.19db
22% Popularity • 12% Danceability • 6% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Rapsodia Satanica: Ghigna nell’ombra i...
98 bpm • A Maj • 01:00 • -15.93db
0% Popularity • 56% Danceability • 26% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
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Umberto Giordano
Fedora: Amor ti vieta
96 bpm • C Maj • 01:46 • -13.68db
39% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
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Béla Bartók
Heavenly Romanticism
96 bpm • F Maj • 01:02 • -38db
49% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
Dvořák: Rusalka, Op. 114, B. 203, Act ...
96 bpm • F# Maj • 05:55 • -20db
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Violin Concerto No. 1 in D Major: II. An...
95 bpm • A# Maj • 05:57 • -21.56db
38% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
98 bpm • F Maj • 03:05 • -27.01db
9% Popularity • 13% Danceability • 3% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
114 bpm • A min • 01:34 • -31db
48% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
55% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
95 bpm • E Maj • 02:54 • -22db
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
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John Rutter
Suite: O, Waly Waly
95 bpm • G Maj • 03:53 • -32.5db
21% Popularity • 12% Danceability • 4% Energy • 9% Liveness
68% Instrumentalness • 8% Positiveness
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George Frideric Handel
Ombra mai fu (Handel's Largo)
95 bpm • D# Maj • 03:35 • -21.15db
22% Popularity • 12% Danceability • 9% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Rapsodia Satanica: Sull’onda muta amor...
98 bpm • A Maj • 02:01 • -20.72db
0% Popularity • 42% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 3. Spring Mornin...
95 bpm • A Maj • 07:24 • -26db
30% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Léo Delibes
Coppélia / Tableau 1: No. 1 Valse
114 bpm • D# Maj • 02:01 • -23db
33% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
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Pyotr Ilyich Tchaikovsky
Romeo and Juliet, Fantasy Overture - TH....
94 bpm • F# Maj • 03:33 • -24.51db
20% Popularity • 17% Danceability • 7% Energy • 25% Liveness
92% Instrumentalness • 3% Positiveness
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Richard Wagner
Tristan und Isolde, Act III: Liebestod (...
94 bpm • B Maj • 07:26 • -16db
28% Popularity • 12% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Pietro Mascagni
Rapsodia Satanica: Si velò sacerdotessa...
111 bpm • D Maj • 02:21 • -23.93db
0% Popularity • 49% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Alexander Litvinovsky
Le grand cahier: I. La forêt et la rivi...
115 bpm • G Maj • 02:46 • -20.43db
37% Popularity • 21% Danceability • 9% Energy • 42% Liveness
63% Instrumentalness • 9% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62: Sinfonia
115 bpm • A Maj • 00:59 • -37db
37% Popularity • 21% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 21% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 3 in D Major, BWV 1...
115 bpm • D Maj • 05:27 • -26.76db
50% Popularity • 50% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 13% Positiveness
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Camille Saint-Saëns
Le Cygne
94 bpm • G Maj • 03:34 • -26.63db
58% Popularity • 12% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Prelude: O Lola, b...
96 bpm • F Maj • 07:58 • -23.07db
6% Popularity • 14% Danceability • 6% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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Chor der Deutschen Oper Berlin
Madame Butterfly: Coro a bocca chiusa
94 bpm • A# Maj • 02:22 • -36.58db
33% Popularity • 15% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 13% Positiveness
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Carl Orff
In trutina from Carmina Burana
93 bpm • D Maj • 02:32 • -23.65db
25% Popularity • 24% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.2 op. 55 Solveig's So...
93 bpm • A min • 05:14 • -32db
34% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Clarinet Concerto in A Major, K....
93 bpm • D Maj • 06:39 • -23db
39% Popularity • 12% Danceability • 4% Energy • 10% Liveness
77% Instrumentalness • 7% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: III. Siciliana: And...
93 bpm • C min • 03:58 • -23.41db
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
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Pietro Mascagni
Rapsodia Satanica: Mentre Tristano si di...
96 bpm • A# Maj • 01:05 • -25.99db
0% Popularity • 46% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Claude Debussy
Petite suite: I. En bateau (arr. H. Buss...
93 bpm • G Maj • 03:47 • -30.82db
54% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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Richard Strauss
Morgen! Op. 27, No. 4
93 bpm • G Maj • 03:41 • -21.93db
17% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
String Quartet No. 1 in D Major, Op. 11,...
93 bpm • A# Maj • 09:26 • -23.58db
11% Popularity • 11% Danceability • 7% Energy • 13% Liveness
33% Instrumentalness • 4% Positiveness
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Johan Svendsen
2 Swedish Folk-Melodies, Op. 27: No. 1 A...
92 bpm • E min • 03:10 • -23.3db
31% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Regina coeli laet...
92 bpm • G Maj • 06:42 • -22db
6% Popularity • 14% Danceability • 12% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
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AntonÃn Dvořák
Dvořák: 7 Gipsy Melodies, Op. 55, B. 1...
92 bpm • D Maj • 02:26 • -16.91db
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Seattle Symphony Orchestra
Symphony No. 3 in F major, Op. 90: III. ...
92 bpm • C min • 06:48 • -26.93db
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
36% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
95 bpm • F Maj • 03:27 • -20db
32% Popularity • 19% Danceability • 10% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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George Frideric Handel
Messiah, HWV 56, Part I: Pastoral Sympho...
92 bpm • C Maj • 03:47 • -29db
51% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 2: "Voi...
119 bpm • A# Maj • 02:50 • -20db
40% Popularity • 36% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Gustav Mahler
Symphony No. 5: IV. Adagietto. Sehr lang...
91 bpm • F Maj • 09:00 • -29db
37% Popularity • 17% Danceability • 2% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
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Léo Delibes
Le roi s'amuse: Pavane
91 bpm • A# Maj • 01:28 • -34db
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
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Hubert Parry
An English Suite: VI. Air
91 bpm • G Maj • 02:09 • -29db
29% Popularity • 20% Danceability • 3% Energy • 6% Liveness
75% Instrumentalness • 8% Positiveness
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Pietro Mascagni
Mascagni: Intermezzo ("Cavalleria Rustic...
114 bpm • F Maj • 03:10 • -17.09db
14% Popularity • 54% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 23% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
91 bpm • G Maj • 07:43 • -21.41db
46% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
90 bpm • D# Maj • 01:23 • -29db
51% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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Erik Satie
Gymnopédie No. 3
90 bpm • G Maj • 03:47 • -19.09db
18% Popularity • 11% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Les larmes de Jacqueline, Op. 76, No. 2
90 bpm • C Maj • 07:11 • -19.82db
27% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Albinoni: Adagio in G Minor
90 bpm • C min • 05:53 • -20.28db
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Rapsodia Satanica: L’ora precipita - P...
116 bpm • D min • 01:27 • -20.2db
0% Popularity • 43% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Andante Cantabile
90 bpm • A# Maj • 07:42 • -34.44db
25% Popularity • 10% Danceability • 1% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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A voi tutti salute