Songs like Aadhithya Hrudhayam by Trivendram Sisters
Based on a tempo of (+/- 10%) and a similar genre
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Trivendram Sisters
Aadhithya Hrudhayam
87 bpm • D Maj • 00:30 • -10.23db
6% Popularity • 63% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
6% Popularity • 63% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Sulamangalam Sisters
Velirukkumpodhu
87 bpm • D Maj • 03:32 • -6.8db
5% Popularity • 70% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
5% Popularity • 70% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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RK Kravanah
Karuppu Saamy
87 bpm • G# min • 05:36 • -0.56db
25% Popularity • 62% Danceability • 100% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 62% Danceability • 100% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Priya Sisters
Narayanathe Namo
87 bpm • G# Maj • 06:33 • -10db
20% Popularity • 61% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 61% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Venkatesan Thirunaukkarasu
Avanithanile Pirandhu
87 bpm • C Maj • 03:58 • -8.74db
29% Popularity • 57% Danceability • 75% Energy • 12% Liveness
1% Instrumentalness • 69% Positiveness
29% Popularity • 57% Danceability • 75% Energy • 12% Liveness
1% Instrumentalness • 69% Positiveness
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Hariharan
Thooral Nindralum
87 bpm • G# Maj • 03:59 • -6.57db
9% Popularity • 41% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 41% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Anuradha Krishnamoorthy
Sri Venkatesa Suprabatham
87 bpm • A Maj • 21:41 • -5.95db
30% Popularity • 39% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 39% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Mahanadi Shobana
Om Dhanalakshmi
87 bpm • C Maj • 00:59 • -8.06db
3% Popularity • 61% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
3% Popularity • 61% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Santesh
Batu Malai Andaveney 3.0 (Kulanthai Vadi...
88 bpm • F# min • 04:04 • 0.2db
21% Popularity • 65% Danceability • 100% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 65% Danceability • 100% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Sivapuranam D. V. Ramani
Kaamakoti
88 bpm • A# min • 07:56 • -11.82db
1% Popularity • 47% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
1% Popularity • 47% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Ranjani-Gayatri
Tatvamariya
88 bpm • C Maj • 05:47 • -10.08db
13% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Ranjani
Jagadhodharana - Pilu - Adi (Live)
86 bpm • C Maj • 06:43 • -12.78db
8% Popularity • 39% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 39% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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T. M. Soundararajan
Ullam Uruguthaiyya
88 bpm • D Maj • 06:04 • -7.04db
34% Popularity • 60% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 60% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Veeramani Kannan
Iyyappan 108 Saranam
86 bpm • A Maj • 12:45 • -3.84db
16% Popularity • 39% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 39% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Trivendram Sisters
Suprabatham. Pt, 2
88 bpm • G# Maj • 10:13 • -8.64db
2% Popularity • 61% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
2% Popularity • 61% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Sikkil Gurucharan
Maale Manivannaa
86 bpm • G Maj • 01:44 • -7.31db
25% Popularity • 52% Danceability • 51% Energy • 56% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 52% Danceability • 51% Energy • 56% Liveness
0% Instrumentalness • 72% Positiveness
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Tiruttani N Swaminathan
Sivapuraanam
86 bpm • F min • 12:52 • -6.31db
8% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Malladi Brothers
Tillana - Kamas - Adi
86 bpm • F Maj • 03:39 • -6.28db
27% Popularity • 46% Danceability • 66% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 46% Danceability • 66% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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K. Sivaangi
Chinna Chinna Muruga
88 bpm • D Maj • 06:55 • -11.06db
32% Popularity • 78% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 78% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Pithukuli Murugadas
Thedichoru Nidham Thinru
88 bpm • F# Maj • 01:57 • -8.82db
31% Popularity • 37% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 37% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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K. Veeramani
Sabarimalaikku
86 bpm • D min • 03:59 • -9.61db
12% Popularity • 48% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 48% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Pon Sundaralingam
Sivapurana Pathikam
89 bpm • G# Maj • 10:44 • -9.18db
19% Popularity • 40% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
19% Popularity • 40% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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Amrutha
Sri Mahalakshmi Potri
86 bpm • G Maj • 09:46 • -10.26db
15% Popularity • 56% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 56% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Priya Sisters
Malai Meethu Vazhum - Language: Tamil
85 bpm • D# min • 03:52 • -8.36db
20% Popularity • 54% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 54% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Jayateerth Mevundi
Bolava Vitthal Pahava Vitthal
89 bpm • F min • 09:52 • -5db
26% Popularity • 26% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 26% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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IDHAYAM MUSICALS
Vinayagar Mantram / Om Ganapathy Om Om -...
85 bpm • B Maj • 07:34 • -8.57db
8% Popularity • 71% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 71% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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K. Veeramani
Pallikattu
88 bpm • C min • 06:36 • -7.63db
24% Popularity • 48% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
24% Popularity • 48% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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Nithyasree
Thanthanai - Praise be to God
85 bpm • C# min • 06:39 • -8.87db
13% Popularity • 69% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 69% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Veeramani Raju
Pallikattu Sabarimalaikku
85 bpm • D min • 05:58 • -9db
39% Popularity • 44% Danceability • 57% Energy • 52% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 44% Danceability • 57% Energy • 52% Liveness
0% Instrumentalness • 48% Positiveness
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Meera Krishna
Margazhi Thingal
89 bpm • A min • 01:55 • -8.28db
13% Popularity • 59% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 59% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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T. L. Maharajan
Onbathu Kolum
85 bpm • D Maj • 13:10 • -3.96db
36% Popularity • 46% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 46% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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M. S. Subbulakshmi
Shri Lakshmi Narayan Stothram
90 bpm • G Maj • 05:31 • -9.5db
20% Popularity • 53% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 53% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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K. Veeramani
Bagavaan Saranam
85 bpm • D Maj • 06:17 • -10.09db
9% Popularity • 68% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 68% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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IDHAYAM MUSICALS
Saraswathi Sakalakalavalli Maalai
90 bpm • A Maj • 05:33 • -12.3db
6% Popularity • 61% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
6% Popularity • 61% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Venkatesan Thirunaukkarasu
Unai Dinam
90 bpm • D Maj • 03:40 • -10.24db
24% Popularity • 29% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
24% Popularity • 29% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Ranjani-Gayatri
Payoji Maine - Misra Pahadi - Ekam
90 bpm • E min • 06:38 • -5.68db
8% Popularity • 41% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 41% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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A. R. Ramani Ammal
Muruga Muruga
90 bpm • F min • 03:22 • -13db
17% Popularity • 74% Danceability • 37% Energy • 26% Liveness
53% Instrumentalness • 94% Positiveness
17% Popularity • 74% Danceability • 37% Energy • 26% Liveness
53% Instrumentalness • 94% Positiveness
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Nithyasree Mahadevan
Kurai Ondrum Illai
84 bpm • A min • 05:16 • -7.93db
18% Popularity • 37% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 37% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Mahanadhi Shobana
Kandha Mughangal - Language: Tamil; Genr...
90 bpm • G Maj • 06:28 • -7.71db
28% Popularity • 51% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 51% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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K. Veeramani
Pallikattu Sabarimalaiku
90 bpm • C Maj • 05:37 • -9.56db
24% Popularity • 64% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 64% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Usha Uthup
Vegam Vegam
90 bpm • A min • 04:55 • -13.86db
8% Popularity • 69% Danceability • 42% Energy • 12% Liveness
2% Instrumentalness • 56% Positiveness
8% Popularity • 69% Danceability • 42% Energy • 12% Liveness
2% Instrumentalness • 56% Positiveness
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Mani Bharathi
Thiruchenduril Kadalorathil - Instrument...
90 bpm • A Maj • 03:54 • -4db
9% Popularity • 45% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 45% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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K. J. Yesudas
Maha Ganapathim
90 bpm • B Maj • 04:59 • -6.94db
30% Popularity • 42% Danceability • 85% Energy • 58% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 42% Danceability • 85% Energy • 58% Liveness
0% Instrumentalness • 46% Positiveness
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Sikkil Gurucharan
Maargazhi Tingal
90 bpm • D Maj • 02:07 • -9.23db
35% Popularity • 71% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 71% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Enneume
Raghuvamsa Sudha - Carnatic Fusion
90 bpm • D Maj • 05:14 • -7.97db
23% Popularity • 63% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 63% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Sivapuranam D. V. Ramani
Raaja Yoham
90 bpm • G# min • 05:25 • -8.9db
1% Popularity • 64% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
1% Popularity • 64% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Meera Krishna
Aazhi
90 bpm • A min • 01:46 • -7.76db
11% Popularity • 67% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 67% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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Soolamangalam Sisters
Pathiyil Siranthathu
90 bpm • F Maj • 03:36 • -8db
28% Popularity • 70% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 70% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Yugendran Vasudevan
Kantha Sashti Kavasam
90 bpm • C# Maj • 12:23 • -3.82db
17% Popularity • 48% Danceability • 72% Energy • 49% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 48% Danceability • 72% Energy • 49% Liveness
0% Instrumentalness • 25% Positiveness
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Ranjani
Gowri Manohara
84 bpm • A min • 05:13 • -7.86db
4% Popularity • 48% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
4% Popularity • 48% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Sikkil Gurucharan
Ongi Ulagalanda
91 bpm • G Maj • 01:44 • -8.89db
36% Popularity • 66% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
36% Popularity • 66% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Sivapuranam D. V. Ramani
Thirupuvanathin
90 bpm • G# min • 05:34 • -7.39db
0% Popularity • 73% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
0% Popularity • 73% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Maharajapuram Santhanam
Nagumomu - Maharajapuram Santhanam
91 bpm • C Maj • 11:30 • -8.33db
7% Popularity • 40% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
7% Popularity • 40% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Ranjani-Gayatri
Saravana Bhava - Devakriya - Roopakam, P...
83 bpm • D Maj • 04:26 • -8db
17% Popularity • 40% Danceability • 54% Energy • 15% Liveness
1% Instrumentalness • 70% Positiveness
17% Popularity • 40% Danceability • 54% Energy • 15% Liveness
1% Instrumentalness • 70% Positiveness
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A. R. Ramani Ammal
Narthana Vinayakar Pattu
83 bpm • D# Maj • 03:18 • -12.19db
27% Popularity • 57% Danceability • 65% Energy • 41% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 57% Danceability • 65% Energy • 41% Liveness
0% Instrumentalness • 82% Positiveness
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Ranganathan
Thirupallandu
83 bpm • G Maj • 07:22 • -6.55db
15% Popularity • 56% Danceability • 43% Energy • 41% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 56% Danceability • 43% Energy • 41% Liveness
0% Instrumentalness • 47% Positiveness
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Priya Sisters
Sri Ranganatha - Language: Tamil
91 bpm • G# Maj • 04:31 • -6.75db
15% Popularity • 66% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 66% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Trivendram Sisters
Oru Kulanthaiyin
83 bpm • G Maj • 08:37 • -6.38db
6% Popularity • 60% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
6% Popularity • 60% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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T. M. Soundararajan
Thiththikkum
92 bpm • F# min • 03:10 • -7.99db
29% Popularity • 69% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 69% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Ranjani-Gayatri
Kurai Ondrum
83 bpm • G Maj • 04:29 • -9db
18% Popularity • 44% Danceability • 38% Energy • 41% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 44% Danceability • 38% Energy • 41% Liveness
0% Instrumentalness • 51% Positiveness
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Sikkil Gurucharan
Naan Oru Vilayattu - Navarasa Kanada - A...
92 bpm • D Maj • 08:27 • -12.34db
21% Popularity • 42% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 42% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Sanjay Subrahmanyan
Paratpara Parameswara - Vachaspathi - Ad...
92 bpm • A Maj • 00:55 • -7.99db
36% Popularity • 58% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 58% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Sundar C. Babu
Jai Kaali Maa
83 bpm • C# Maj • 02:20 • -7.63db
2% Popularity • 45% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
2% Popularity • 45% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Mahanadi Shobana
Mahalakshmiye
92 bpm • G min • 05:18 • -6.71db
13% Popularity • 65% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 65% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Veeramani Kannan
Munni Kadalai
83 bpm • B min • 01:27 • -7.87db
14% Popularity • 68% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 68% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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Ranjani-Gayatri
Thumani Madatthu - Hamirkalyani - Adi
91 bpm • G Maj • 04:36 • -6.86db
17% Popularity • 49% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 49% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Mambalam Sisters Vijayalakshmi & Chitra
Sri Ashtalakshmi Stothram
92 bpm • G min • 07:43 • -14.74db
14% Popularity • 65% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 65% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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S. Sowmya
Himagiri Thanaye
83 bpm • F# Maj • 06:11 • -12.62db
31% Popularity • 59% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 59% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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K. Veeramani
Pallikkattu Sabarimalaikku
82 bpm • D min • 06:18 • -7db
29% Popularity • 39% Danceability • 64% Energy • 71% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 39% Danceability • 64% Energy • 71% Liveness
0% Instrumentalness • 59% Positiveness
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Maharajapuram Santhanam
Bho Sambho
82 bpm • F Maj • 05:27 • -7.26db
28% Popularity • 44% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 44% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
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Veeramani Kannan
Padhalam
83 bpm • E Maj • 01:28 • -7.83db
12% Popularity • 64% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 64% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Soolamangalam Sisters
Marudhasalathirkku
82 bpm • C Maj • 03:36 • -11.34db
2% Popularity • 52% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
2% Popularity • 52% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Sikkil Gurucharan
Vaiyattu Vaazhveergaal
92 bpm • D min • 02:55 • -9.23db
19% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Meera Krishna
Muththana Muthu
92 bpm • E Maj • 06:06 • -9.31db
13% Popularity • 72% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 72% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Sam Vishal
AARUYIR AYYAPPA
92 bpm • C# min • 03:35 • -4db
20% Popularity • 75% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 75% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Mahanadhi Shobana
Saravana Poigaiyil
92 bpm • G Maj • 04:19 • -9db
44% Popularity • 55% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
44% Popularity • 55% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Krishh
Thiruparankundram
93 bpm • D Maj • 06:17 • -11.16db
27% Popularity • 50% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 50% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Krithika
Durga Nivaarana Ashtakam
81 bpm • G Maj • 09:32 • -10.96db
17% Popularity • 66% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 66% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
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Veeramanidaasan
Yettanai Peraiyya
93 bpm • B Maj • 05:16 • -4.03db
1% Popularity • 62% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
1% Popularity • 62% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Nithyasri
Manamathai Manaiyaai Ittu
94 bpm • F Maj • 04:58 • -5db
16% Popularity • 49% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 49% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Kalabhavan Mani
Kando Ayyane
94 bpm • G Maj • 04:45 • -6.72db
28% Popularity • 40% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 40% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Veeramani Kannan
Sangai Thanondru
81 bpm • D Maj • 02:28 • -4.53db
19% Popularity • 48% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 48% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Savitha Sriram
Periyavaa Ashtothram
81 bpm • G Maj • 09:35 • -6.76db
2% Popularity • 58% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
2% Popularity • 58% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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G Ravi
Sottrunai Vediyan
80 bpm • D min • 03:34 • -16.46db
8% Popularity • 62% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 62% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Sulamangalam Sisters
Kezhvaanam
94 bpm • C Maj • 01:39 • -6.4db
4% Popularity • 72% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
4% Popularity • 72% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Veeramani Raju
Bhagavan Saranam Bhagavathi Saranam
80 bpm • A Maj • 05:38 • -14db
38% Popularity • 52% Danceability • 35% Energy • 41% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 52% Danceability • 35% Energy • 41% Liveness
0% Instrumentalness • 53% Positiveness
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IDHAYAM MUSICALS
ARUMUGAM KONDAVANE
80 bpm • F min • 05:36 • -5.91db
5% Popularity • 60% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
5% Popularity • 60% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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Kash Villanz,Kajen Villanz
Vetri Vel Muruga
80 bpm • C# Maj • 03:52 • -6db
22% Popularity • 66% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 66% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Savitha Sriram
Periyavaa Sthuthi
80 bpm • G# Maj • 03:19 • -9.35db
0% Popularity • 50% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 50% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Maharajapuram Santhanam
Sri Chakraraja
80 bpm • B min • 07:04 • -8.26db
16% Popularity • 34% Danceability • 52% Energy • 82% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 34% Danceability • 52% Energy • 82% Liveness
0% Instrumentalness • 35% Positiveness
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Sivapuranam D. V. Ramani
Vaazhi Vaazhi
95 bpm • D# min • 01:00 • -8.88db
1% Popularity • 49% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
1% Popularity • 49% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Sakthiraj
Sathyam Om Sai
95 bpm • F# min • 04:28 • -8.12db
20% Popularity • 68% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 68% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Ganapathi Manthiram 4
108 Vinayagar Pottri
95 bpm • A# Maj • 08:37 • -10db
35% Popularity • 66% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 66% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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T. L. Maharajan
Aavani Thingal
95 bpm • F min • 04:52 • -7db
20% Popularity • 77% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 77% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Mahanadi Shobana
Senkamalam
95 bpm • D min • 05:01 • -6.46db
14% Popularity • 59% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 59% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Srihari
Kaavadiyam Kaavadi
80 bpm • A Maj • 06:16 • -6db
36% Popularity • 66% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
36% Popularity • 66% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
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Anirudh Sharma
Bhavaye Paramathmanam - Arabhi - Tala Ad...
95 bpm • D Maj • 04:23 • -8.72db
20% Popularity • 69% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 69% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Sakthiraj
Anbu Om Sai
95 bpm • F# min • 04:01 • -8.37db
19% Popularity • 68% Danceability • 53% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 68% Danceability • 53% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
