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Abgrund
Songs like
Abgrund
by
Rêverie
Based on a tempo of (+/- 10%) and a similar genre
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James Mason
Hey Hey Hey
161 bpm • C# Maj • 01:58 • -9.99db
10% Popularity • 61% Danceability • 79% Energy • 17% Liveness
1% Instrumentalness • 87% Positiveness
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Rêverie
Abgrund
160 bpm • C Maj • 04:11 • -4.16db
0% Popularity • 41% Danceability • 95% Energy • 33% Liveness
4% Instrumentalness • 33% Positiveness
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Oneness Of Juju
Tarishi
159 bpm • G# min • 03:51 • -9.75db
9% Popularity • 56% Danceability • 73% Energy • 11% Liveness
39% Instrumentalness • 83% Positiveness
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Chico Hamilton
Denise
162 bpm • D min • 07:43 • -17db
9% Popularity • 54% Danceability • 42% Energy • 9% Liveness
15% Instrumentalness • 76% Positiveness
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Gene Harris
Koko And Lee Roe
162 bpm • F min • 06:03 • -9db
8% Popularity • 50% Danceability • 92% Energy • 8% Liveness
47% Instrumentalness • 93% Positiveness
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Kalima
(Where Is The) Sunshine - Pt. II
163 bpm • G# Maj • 03:37 • -9.53db
20% Popularity • 60% Danceability • 65% Energy • 7% Liveness
44% Instrumentalness • 93% Positiveness
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Leon Spencer
Where I’m Coming From
157 bpm • G Maj • 05:37 • -19db
13% Popularity • 62% Danceability • 42% Energy • 8% Liveness
71% Instrumentalness • 72% Positiveness
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Rêverie
Caribbean
156 bpm • F# min • 05:15 • -19.04db
1% Popularity • 37% Danceability • 28% Energy • 10% Liveness
76% Instrumentalness • 36% Positiveness
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Pleasure
2 For 1
156 bpm • D Maj • 04:22 • -9.21db
12% Popularity • 37% Danceability • 94% Energy • 6% Liveness
80% Instrumentalness • 57% Positiveness
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Steve Parks
Sadness in My Samba
156 bpm • F Maj • 03:06 • -8.41db
9% Popularity • 55% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 90% Positiveness
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Max Roach
Abstrutions
156 bpm • C# min • 03:38 • -13.66db
23% Popularity • 62% Danceability • 42% Energy • 64% Liveness
88% Instrumentalness • 64% Positiveness
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Oneness Of Juju
Space Jungle Funk
164 bpm • F Maj • 09:41 • -12.05db
7% Popularity • 41% Danceability • 63% Energy • 20% Liveness
89% Instrumentalness • 42% Positiveness
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Roy Ayers Ubiquity
He's Coming
156 bpm • A# Maj • 06:17 • -15.45db
10% Popularity • 42% Danceability • 54% Energy • 23% Liveness
55% Instrumentalness • 96% Positiveness
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Chico Hamilton
The Dream
165 bpm • F min • 03:11 • -12.28db
27% Popularity • 47% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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'Thesda
Bongo Lumbo
155 bpm • F Maj • 03:50 • -10.79db
12% Popularity • 48% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Bethlehem Progressive Ensemble
Call to Worship (Make Way)
156 bpm • D min • 03:53 • -7.54db
13% Popularity • 31% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Clifford Jordan Quartet
Eddie Harris
155 bpm • C# Maj • 04:19 • -16.96db
13% Popularity • 46% Danceability • 32% Energy • 11% Liveness
18% Instrumentalness • 59% Positiveness
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Jon Lucien
Luella
166 bpm • D min • 03:51 • -11.44db
15% Popularity • 48% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Ronnie Foster
Tuesday Heartbreak
154 bpm • F min • 04:51 • -12db
17% Popularity • 41% Danceability • 67% Energy • 7% Liveness
77% Instrumentalness • 80% Positiveness
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Gary Bartz
For My Baby
154 bpm • A min • 04:58 • -7.71db
8% Popularity • 42% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Mary Lou Williams
Ode to Saint Cecilie
167 bpm • A# min • 05:55 • -23.89db
18% Popularity • 47% Danceability • 22% Energy • 11% Liveness
82% Instrumentalness • 63% Positiveness
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Pharoah Sanders
Thembi
167 bpm • C min • 07:04 • -12.46db
29% Popularity • 32% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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David Axelrod
1,000 Rads
153 bpm • F min • 08:07 • -11.54db
8% Popularity • 71% Danceability • 56% Energy • 7% Liveness
85% Instrumentalness • 96% Positiveness
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Hilton Felton
Spreading Fever
153 bpm • G# Maj • 08:13 • -10.19db
9% Popularity • 76% Danceability • 56% Energy • 11% Liveness
89% Instrumentalness • 74% Positiveness
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Chester Thompson
Power House
168 bpm • D Maj • 06:32 • -13.42db
4% Popularity • 46% Danceability • 48% Energy • 30% Liveness
89% Instrumentalness • 55% Positiveness
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Larry Willis
153rd Street Theme
168 bpm • F min • 06:48 • -11.23db
13% Popularity • 54% Danceability • 53% Energy • 9% Liveness
86% Instrumentalness • 76% Positiveness
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Smoke
Shelda
151 bpm • A# min • 05:26 • -20.2db
31% Popularity • 50% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Rêverie
Simple Notions
169 bpm • D Maj • 02:57 • -14.23db
0% Popularity • 30% Danceability • 33% Energy • 16% Liveness
86% Instrumentalness • 26% Positiveness
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Jon Lucien
War Song
170 bpm • D min • 03:18 • -13.04db
15% Popularity • 45% Danceability • 63% Energy • 34% Liveness
1% Instrumentalness • 94% Positiveness
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Archie Whitewater
Cross Country
151 bpm • B Maj • 03:21 • -9.52db
30% Popularity • 42% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 39% Positiveness
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Gene Russell
Get Down
170 bpm • F min • 03:47 • -16.27db
24% Popularity • 65% Danceability • 43% Energy • 11% Liveness
82% Instrumentalness • 60% Positiveness
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David Axelrod
The Signs Part One - Instrumental
170 bpm • A# Maj • 03:45 • -9.3db
22% Popularity • 38% Danceability • 54% Energy • 9% Liveness
72% Instrumentalness • 52% Positiveness
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The Tropicals
African Popcorn
170 bpm • F min • 03:02 • -13.95db
12% Popularity • 51% Danceability • 54% Energy • 14% Liveness
31% Instrumentalness • 83% Positiveness
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Alan Tew
Money Runner
170 bpm • G Maj • 02:14 • -18.53db
29% Popularity • 48% Danceability • 37% Energy • 17% Liveness
87% Instrumentalness • 70% Positiveness
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Ronald Snijders
Lenox
171 bpm • C Maj • 04:44 • -12.74db
9% Popularity • 53% Danceability • 39% Energy • 12% Liveness
81% Instrumentalness • 54% Positiveness
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Roy Haynes
Dorian
150 bpm • C min • 06:48 • -15.22db
3% Popularity • 40% Danceability • 32% Energy • 10% Liveness
10% Instrumentalness • 58% Positiveness
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The Montgomery Express
Montgomery Movement
172 bpm • D Maj • 04:47 • -18.19db
11% Popularity • 64% Danceability • 30% Energy • 11% Liveness
80% Instrumentalness • 83% Positiveness
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Rêverie
Southern Reflection
172 bpm • G Maj • 04:13 • -15.17db
0% Popularity • 38% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
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Doug Hammond
Wake Up Brothers
149 bpm • G# min • 03:13 • -9.18db
12% Popularity • 51% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Max Roach
Absolutions
173 bpm • G# min • 04:40 • -13.15db
17% Popularity • 26% Danceability • 60% Energy • 21% Liveness
8% Instrumentalness • 66% Positiveness
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2tone
All Hustle No Love
172 bpm • A min • 03:36 • -6.6db
4% Popularity • 51% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Bennie Maupin
Water Torture
148 bpm • C Maj • 04:53 • -14db
20% Popularity • 46% Danceability • 39% Energy • 10% Liveness
77% Instrumentalness • 48% Positiveness
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Peter Giger
Here Comes the Family
148 bpm • C min • 07:23 • -8.3db
8% Popularity • 68% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Rêverie
The Morning Light
148 bpm • G# Maj • 04:29 • -12.37db
0% Popularity • 52% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Jack DeJohnette
Epilog
148 bpm • B min • 03:14 • -12.35db
32% Popularity • 68% Danceability • 47% Energy • 10% Liveness
33% Instrumentalness • 97% Positiveness
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David Axelrod
The Signs Part I
174 bpm • A# Maj • 03:43 • -11.96db
10% Popularity • 34% Danceability • 37% Energy • 9% Liveness
1% Instrumentalness • 51% Positiveness
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Gene Harris
Feeling You, Feeling Me Too!
174 bpm • C Maj • 01:36 • -10.04db
27% Popularity • 46% Danceability • 76% Energy • 46% Liveness
82% Instrumentalness • 68% Positiveness
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Charles Kynard
Afro-Disiac
147 bpm • A# Maj • 04:58 • -16.68db
20% Popularity • 63% Danceability • 49% Energy • 7% Liveness
92% Instrumentalness • 87% Positiveness
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James Mason
Slick City
175 bpm • C Maj • 03:03 • -8.09db
15% Popularity • 59% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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Johnny Pate
Headman - Soundtrack
147 bpm • E min • 02:15 • -12.01db
23% Popularity • 64% Danceability • 30% Energy • 12% Liveness
91% Instrumentalness • 84% Positiveness
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Chocolate Milk
Time Machine
175 bpm • A min • 04:34 • -11.71db
27% Popularity • 39% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Lonnie Liston Smith
Devika (Goddess)
147 bpm • D# min • 05:15 • -10.92db
31% Popularity • 47% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
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Gene Harris
Feeling You, Feeling Me Too!
175 bpm • C Maj • 01:58 • -11db
39% Popularity • 48% Danceability • 73% Energy • 10% Liveness
83% Instrumentalness • 65% Positiveness
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Maynard Ferguson
Mister Mellow
146 bpm • C min • 06:27 • -10db
25% Popularity • 59% Danceability • 52% Energy • 13% Liveness
83% Instrumentalness • 51% Positiveness
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Rêverie
Who I Was and What I've Become
175 bpm • F Maj • 04:01 • -4.36db
0% Popularity • 22% Danceability • 96% Energy • 44% Liveness
0% Instrumentalness • 23% Positiveness
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Magnum
Composition Seven
146 bpm • G Maj • 09:57 • -14db
7% Popularity • 55% Danceability • 63% Energy • 7% Liveness
15% Instrumentalness • 31% Positiveness
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Jon Lucien
Zenzile
176 bpm • G Maj • 05:38 • -12.56db
8% Popularity • 30% Danceability • 66% Energy • 35% Liveness
84% Instrumentalness • 63% Positiveness
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Yusef Lateef
Nubian Lady - 1972
145 bpm • B min • 06:38 • -15db
27% Popularity • 44% Danceability • 47% Energy • 7% Liveness
86% Instrumentalness • 78% Positiveness
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James Mason
Mbewe
145 bpm • D Maj • 02:29 • -7.89db
18% Popularity • 59% Danceability • 60% Energy • 16% Liveness
3% Instrumentalness • 73% Positiveness
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Andy Bey
Hisbiscus
145 bpm • C Maj • 04:38 • -13.5db
9% Popularity • 44% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Rêverie
Sweet November
144 bpm • F# min • 04:32 • -13.38db
0% Popularity • 61% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Jeremy Steig
Waves
144 bpm • F Maj • 05:54 • -13.48db
8% Popularity • 41% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Roger Glenn
Don't Leave
144 bpm • F Maj • 04:06 • -9.77db
14% Popularity • 55% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Les Hooper
Lady of the Night
144 bpm • A min • 05:49 • -7.12db
11% Popularity • 41% Danceability • 61% Energy • 8% Liveness
33% Instrumentalness • 55% Positiveness
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Ramon Morris
First Come, First Served
178 bpm • C Maj • 04:47 • -8.38db
10% Popularity • 51% Danceability • 64% Energy • 7% Liveness
78% Instrumentalness • 82% Positiveness
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The Pazant Brothers and The Beaufort Express
You've Got To Do Your Best
178 bpm • C Maj • 05:29 • -7.99db
10% Popularity • 63% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
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Chico Hamilton
V-O
143 bpm • C min • 03:59 • -10.75db
11% Popularity • 30% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Antonio Adolfo
Cascavel
179 bpm • G Maj • 02:56 • -10.93db
33% Popularity • 54% Danceability • 68% Energy • 17% Liveness
93% Instrumentalness • 71% Positiveness
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Lonnie Liston Smith
Summer Days
143 bpm • D# Maj • 05:51 • -10.77db
24% Popularity • 54% Danceability • 72% Energy • 47% Liveness
9% Instrumentalness • 94% Positiveness
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Rêverie
Long Enough Dead
143 bpm • G# Maj • 04:17 • -11.37db
0% Popularity • 65% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Lorez Alexandria
Baltimore Oriole
143 bpm • F min • 03:11 • -16.58db
13% Popularity • 66% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Idris Muhammad
By The Red Sea
142 bpm • F min • 08:53 • -17.39db
18% Popularity • 58% Danceability • 48% Energy • 4% Liveness
85% Instrumentalness • 81% Positiveness
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Tamba 4
California Soul
142 bpm • E min • 03:02 • -15.83db
15% Popularity • 67% Danceability • 45% Energy • 9% Liveness
9% Instrumentalness • 63% Positiveness
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Catalyst
Bahia
142 bpm • A min • 06:11 • -15.12db
9% Popularity • 66% Danceability • 41% Energy • 9% Liveness
80% Instrumentalness • 60% Positiveness
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Lonnie Liston Smith
Naima
142 bpm • A# min • 04:00 • -12.01db
15% Popularity • 21% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Rêverie
Heliodromus
180 bpm • C Maj • 03:55 • -4.58db
0% Popularity • 47% Danceability • 95% Energy • 13% Liveness
40% Instrumentalness • 33% Positiveness
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Chico Hamilton
Helena
142 bpm • A# min • 04:25 • -11.23db
25% Popularity • 60% Danceability • 66% Energy • 7% Liveness
69% Instrumentalness • 76% Positiveness
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The John Betsch Society
Ode to Ethiopia
181 bpm • F Maj • 04:28 • -6.63db
8% Popularity • 34% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Yusef Lateef
Livingston Playground
142 bpm • C# min • 03:43 • -12.63db
22% Popularity • 48% Danceability • 44% Energy • 10% Liveness
90% Instrumentalness • 78% Positiveness
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Walter Bishop, Jr.
Coral Keys
141 bpm • D min • 05:37 • -21.15db
10% Popularity • 58% Danceability • 18% Energy • 12% Liveness
31% Instrumentalness • 59% Positiveness
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Phil Ranelin
Vibes From The Tribe (Prelude)
141 bpm • F# Maj • 03:32 • -20.11db
20% Popularity • 60% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 70% Positiveness
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Rêverie
Sturm
180 bpm • F Maj • 05:13 • -5.72db
0% Popularity • 37% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Lonnie Liston Smith
Shadows
141 bpm • G# Maj • 06:11 • -12.25db
25% Popularity • 48% Danceability • 55% Energy • 24% Liveness
52% Instrumentalness • 60% Positiveness
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John Klemmer
My Heart Sings
141 bpm • A# min • 04:06 • -11.32db
8% Popularity • 28% Danceability • 65% Energy • 32% Liveness
32% Instrumentalness • 35% Positiveness
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Jack McDuff
Made In Sweden
182 bpm • C# Maj • 07:37 • -10.13db
11% Popularity • 43% Danceability • 70% Energy • 8% Liveness
79% Instrumentalness • 51% Positiveness
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Airto Moreira
Heartbeat
141 bpm • E min • 04:22 • -12.61db
7% Popularity • 60% Danceability • 56% Energy • 6% Liveness
76% Instrumentalness • 90% Positiveness
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Marion Brown
Maimoun
141 bpm • C Maj • 07:33 • -10.91db
15% Popularity • 41% Danceability • 67% Energy • 10% Liveness
40% Instrumentalness • 27% Positiveness
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Rêverie
Schwarze See - Bonus Track
140 bpm • E Maj • 07:19 • -5.07db
0% Popularity • 42% Danceability • 77% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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Lonnie Liston Smith
Peace
140 bpm • C Maj • 04:17 • -13.47db
18% Popularity • 31% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Stanley Cowell
Equipoise
140 bpm • B min • 04:51 • -15.55db
13% Popularity • 51% Danceability • 36% Energy • 12% Liveness
90% Instrumentalness • 37% Positiveness
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Yusef Lateef
Russell and Eliot
140 bpm • A min • 04:53 • -13.83db
23% Popularity • 56% Danceability • 41% Energy • 6% Liveness
78% Instrumentalness • 62% Positiveness
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Pucho
Chitterlings Con Carne
140 bpm • C Maj • 04:43 • -21db
23% Popularity • 60% Danceability • 29% Energy • 11% Liveness
31% Instrumentalness • 80% Positiveness
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James Tatum
Introduction/Lord Have Mercy
139 bpm • D min • 06:12 • -11.42db
7% Popularity • 32% Danceability • 29% Energy • 10% Liveness
62% Instrumentalness • 20% Positiveness
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Rêverie
Tarot Card
140 bpm • G Maj • 03:33 • -17.26db
0% Popularity • 42% Danceability • 15% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
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The Awakening
When Will It Ever End
139 bpm • A min • 07:18 • -20.68db
15% Popularity • 40% Danceability • 15% Energy • 20% Liveness
53% Instrumentalness • 35% Positiveness
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Reuben Wilson
Stormy - Remastered 1997
138 bpm • E min • 05:46 • -12db
11% Popularity • 75% Danceability • 52% Energy • 32% Liveness
87% Instrumentalness • 87% Positiveness
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Eddie Harris
Happy Gemini
139 bpm • C# Maj • 03:00 • -15.74db
17% Popularity • 85% Danceability • 38% Energy • 6% Liveness
75% Instrumentalness • 79% Positiveness
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The Lyman Woodard Organization
Cheeba
138 bpm • D min • 09:55 • -10.95db
7% Popularity • 52% Danceability • 82% Energy • 11% Liveness
82% Instrumentalness • 67% Positiveness
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Judy Roberts
The Other World
137 bpm • D min • 05:04 • -12.43db
8% Popularity • 55% Danceability • 75% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
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Rêverie
Sommer
140 bpm • E Maj • 05:07 • -3.9db
0% Popularity • 52% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
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Abgrund