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Above the Water
Songs like
Above the Water
by
ASKYA
Based on a tempo of (+/- 10%) and a similar genre
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Tyler Edwards
Delta
130 bpm • A Maj • 03:42 • -14.45db
32% Popularity • 65% Danceability • 25% Energy • 24% Liveness
2% Instrumentalness • 22% Positiveness
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Salt Tree
She's The One
130 bpm • C min • 03:51 • -9db
50% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Riley Pearce
Song for Zula
130 bpm • E Maj • 05:18 • -10.87db
23% Popularity • 61% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Ocie Elliott
Fame
130 bpm • D# Maj • 03:10 • -14db
59% Popularity • 72% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Ed Prosek
The Other Side
130 bpm • A Maj • 03:53 • -13db
47% Popularity • 60% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Colder Shoulders
Pure Shores
130 bpm • G Maj • 03:19 • -13db
46% Popularity • 59% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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ASKYA
Above the Water
130 bpm • E Maj • 03:16 • -14.23db
42% Popularity • 67% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Josh Lee Hamilton
Heart Is Ready (Acoustic)
130 bpm • G# min • 04:29 • -14db
14% Popularity • 68% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Lydia Clowes
Hymn for Her
130 bpm • G min • 03:18 • -11db
31% Popularity • 42% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Noah Derksen
Nothing (Acoustic)
129 bpm • A Maj • 04:19 • -14.14db
20% Popularity • 50% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Morgan Harper-Jones
Lie to Me
131 bpm • C Maj • 03:25 • -17.62db
36% Popularity • 58% Danceability • 11% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Daniel Pearson
The Open Sea
131 bpm • A Maj • 04:55 • -14.31db
43% Popularity • 58% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Ed Patrick
So Glad (I Got You)
131 bpm • D# Maj • 02:59 • -15db
49% Popularity • 74% Danceability • 31% Energy • 12% Liveness
44% Instrumentalness • 58% Positiveness
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Josh Lee Hamilton
Heart Is Ready
131 bpm • C Maj • 04:12 • -10db
20% Popularity • 69% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Jason Piquette
Fill
129 bpm • E Maj • 02:30 • -14db
10% Popularity • 50% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 42% Positiveness
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Jessie Reid
Stay With Me
131 bpm • F# min • 03:01 • -18.28db
17% Popularity • 47% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Emmit Fenn
What Falling in Love Is For - Acoustic
132 bpm • F Maj • 02:17 • -17.74db
41% Popularity • 58% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Noah Derksen
Sanctity of Silence
132 bpm • A Maj • 04:57 • -15db
32% Popularity • 53% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Ed Patrick
Minute Of Your Love
132 bpm • F Maj • 02:16 • -17.97db
55% Popularity • 51% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 36% Positiveness
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ST LUNA
slow dancing in a burning room - strippe...
132 bpm • E Maj • 03:15 • -14.14db
32% Popularity • 61% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Kim Churchill
Please Come Home
132 bpm • G Maj • 03:52 • -8.5db
41% Popularity • 63% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Light the Heat
Belong with You
132 bpm • A# Maj • 03:54 • -8.31db
33% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Salt Tree
Rising Again
128 bpm • C# Maj • 03:23 • -12db
48% Popularity • 72% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Plà si
How Do You Know
132 bpm • G# Maj • 03:02 • -9.79db
36% Popularity • 53% Danceability • 27% Energy • 11% Liveness
41% Instrumentalness • 31% Positiveness
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ASKYA
Standing Strong
132 bpm • G Maj • 03:46 • -14.51db
34% Popularity • 63% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Ocie Elliott
Rainbow and Arrow
132 bpm • D Maj • 03:26 • -14.37db
44% Popularity • 70% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Marti West
The Way Back Home
132 bpm • G# Maj • 03:54 • -14.02db
27% Popularity • 54% Danceability • 23% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Ed Patrick
You In My Life
132 bpm • B Maj • 03:37 • -16.57db
49% Popularity • 56% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
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Cujo Moon
In the Stars
127 bpm • E Maj • 03:47 • -11.57db
21% Popularity • 62% Danceability • 32% Energy • 12% Liveness
50% Instrumentalness • 23% Positiveness
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Sam Moss
Rust
128 bpm • F# min • 02:31 • -16.11db
39% Popularity • 38% Danceability • 29% Energy • 12% Liveness
17% Instrumentalness • 28% Positiveness
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ASKYA
Stay Here
132 bpm • A# Maj • 03:41 • -10.28db
30% Popularity • 68% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Luca Fogale
You Tried
127 bpm • D# Maj • 01:56 • -17.15db
48% Popularity • 54% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Ocie Elliott
What Remains
127 bpm • F# min • 04:16 • -12db
42% Popularity • 64% Danceability • 18% Energy • 11% Liveness
5% Instrumentalness • 17% Positiveness
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Ed Patrick
Mexico
127 bpm • D Maj • 02:52 • -15.18db
44% Popularity • 53% Danceability • 26% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
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Marti West
Here
134 bpm • F# Maj • 03:27 • -16.25db
21% Popularity • 48% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Sierra Eagleson
Midnight Hour
134 bpm • F Maj • 03:42 • -17.87db
30% Popularity • 59% Danceability • 22% Energy • 12% Liveness
3% Instrumentalness • 36% Positiveness
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Eli Teplin
Off The Grid
126 bpm • F# Maj • 03:47 • -12.97db
30% Popularity • 55% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Unknown Neighbour
The Fine Line
134 bpm • F# min • 03:21 • -9.4db
24% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Brook St
Slow Down
134 bpm • A Maj • 04:37 • -12.26db
22% Popularity • 70% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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The Neighborly
Only One
134 bpm • D# Maj • 03:25 • -11.51db
27% Popularity • 62% Danceability • 31% Energy • 14% Liveness
74% Instrumentalness • 21% Positiveness
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Joseph & Maia
Choose
134 bpm • D Maj • 02:50 • -12.42db
40% Popularity • 53% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Kyle Lionhart
Dreams
126 bpm • G Maj • 03:39 • -10db
25% Popularity • 39% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Jesse Taylor
Morning Light
126 bpm • D# Maj • 03:36 • -9.44db
27% Popularity • 55% Danceability • 46% Energy • 10% Liveness
2% Instrumentalness • 11% Positiveness
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Lilly Carron
Talk To Me
134 bpm • C Maj • 02:50 • -7.78db
24% Popularity • 33% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 9% Positiveness
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Nathan Ball
Right Place
134 bpm • E Maj • 03:45 • -14.9db
27% Popularity • 64% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Luca Fogale
Nothing is Lost
126 bpm • F# Maj • 03:35 • -15.63db
33% Popularity • 65% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Ocie Elliott
Coming Home
126 bpm • D# Maj • 03:11 • -12.61db
45% Popularity • 55% Danceability • 19% Energy • 11% Liveness
9% Instrumentalness • 7% Positiveness
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Alivan Blu
Embers
125 bpm • C# Maj • 04:12 • -8.52db
32% Popularity • 40% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
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Cujo Moon
Beat of My Heart
135 bpm • C# Maj • 03:35 • -13.6db
43% Popularity • 69% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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John Lingard
We're Almost Home
125 bpm • A# Maj • 03:27 • -13db
30% Popularity • 60% Danceability • 28% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
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J.B. Boone
Vestvågøy
135 bpm • E Maj • 03:14 • -14.12db
25% Popularity • 50% Danceability • 39% Energy • 39% Liveness
7% Instrumentalness • 7% Positiveness
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Salt Tree
Let My Guard Down
135 bpm • F# min • 03:10 • -8.33db
41% Popularity • 67% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Millie Ripa
Have You Ever Seen The Rain
125 bpm • G Maj • 02:22 • -18.43db
23% Popularity • 66% Danceability • 4% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Alivan Blu
In My Head
125 bpm • A# Maj • 03:27 • -8.57db
29% Popularity • 62% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Claremont
Don't Hide (Supermans Feinde Remix)
125 bpm • F min • 05:39 • -7.79db
1% Popularity • 63% Danceability • 87% Energy • 13% Liveness
74% Instrumentalness • 38% Positiveness
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Aisha Badru
Millennial
125 bpm • D Maj • 02:53 • -18.2db
43% Popularity • 58% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Cole Scheifele
Back Then
125 bpm • A Maj • 02:30 • -17.75db
29% Popularity • 36% Danceability • 14% Energy • 8% Liveness
19% Instrumentalness • 8% Positiveness
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Gretta Ray
Re: Stacks
136 bpm • F Maj • 04:25 • -16.29db
40% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Paul Moody
I Don't Wanna Go
136 bpm • E Maj • 03:03 • -18.39db
35% Popularity • 50% Danceability • 18% Energy • 10% Liveness
14% Instrumentalness • 15% Positiveness
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This New Light
Reverie
136 bpm • B Maj • 04:32 • -13.87db
32% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Claremont
Control Over Me
125 bpm • D min • 03:29 • -8.59db
7% Popularity • 71% Danceability • 64% Energy • 9% Liveness
23% Instrumentalness • 20% Positiveness
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Alivan Blu
Home - Acoustic
124 bpm • D Maj • 03:16 • -18.4db
37% Popularity • 55% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Roo Panes
Remember Fall In Montreal
136 bpm • C Maj • 05:00 • -12db
50% Popularity • 45% Danceability • 31% Energy • 11% Liveness
37% Instrumentalness • 18% Positiveness
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Ocie Elliott
Wait for You
136 bpm • C# Maj • 03:13 • -12db
61% Popularity • 65% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Aaron Espe
Only Time
136 bpm • A min • 02:58 • -12.11db
54% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Rod Coote
Wild Pine
136 bpm • D Maj • 03:49 • -12.25db
33% Popularity • 57% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Rosie Doonan
Leave the Light On
124 bpm • A Maj • 04:18 • -12.3db
33% Popularity • 43% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Matt Hartke
Here I Stand
124 bpm • D Maj • 02:56 • -10.24db
35% Popularity • 67% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Lily Kershaw
Darker Things
123 bpm • C# Maj • 02:02 • -12db
51% Popularity • 77% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Children of Indigo
After All
124 bpm • A Maj • 02:39 • -12.02db
33% Popularity • 56% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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This New Light
103
123 bpm • G Maj • 02:59 • -6.58db
37% Popularity • 62% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Cujo Moon
Diamonds in the Rough
138 bpm • F# Maj • 03:36 • -13.79db
25% Popularity • 66% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Harrison Storm
Breathe Again - Acoustic
123 bpm • A# min • 03:18 • -8db
59% Popularity • 65% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Davis John Patton
Motives
138 bpm • A# Maj • 04:03 • -11.11db
43% Popularity • 51% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Salt Tree
Moving Away
138 bpm • D Maj • 03:40 • -11.95db
41% Popularity • 63% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Freight Train Foxes
Where The Monsters Live
138 bpm • G# Maj • 03:42 • -12.87db
19% Popularity • 60% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Robby Hecht
Not a Number
138 bpm • D Maj • 03:32 • -14.15db
34% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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ASKYA
Life is for Living
122 bpm • F Maj • 03:53 • -14.42db
32% Popularity • 72% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Cujo Moon
Watch You Shine
122 bpm • E Maj • 04:19 • -9.5db
18% Popularity • 43% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Twin Tacoma
Go Careful
122 bpm • B Maj • 02:52 • -12.52db
49% Popularity • 72% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
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Lawson Hull
Mexico - Acoustic
122 bpm • G Maj • 03:45 • -10.56db
31% Popularity • 68% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Salt Tree
Hold You Now
122 bpm • C min • 02:51 • -13db
49% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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OSKA
Honeymoon Phase - Stripped Duet
122 bpm • G# Maj • 03:26 • -15.59db
34% Popularity • 68% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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ASKYA
Cold Heart
138 bpm • D# min • 04:05 • -11.26db
13% Popularity • 76% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Freight Train Foxes
Lucky Penny
122 bpm • G# Maj • 02:48 • -8.76db
24% Popularity • 69% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Tom Speight
Dakota
122 bpm • D# Maj • 04:54 • -9.8db
45% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Woodlock
We Gotta Go
122 bpm • D# Maj • 04:12 • -10db
51% Popularity • 53% Danceability • 44% Energy • 16% Liveness
6% Instrumentalness • 23% Positiveness
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N. Kerbin
Everything Hurts
140 bpm • F Maj • 03:44 • -18.97db
12% Popularity • 47% Danceability • 20% Energy • 10% Liveness
33% Instrumentalness • 12% Positiveness
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Lily Kershaw
Now & Then
121 bpm • C Maj • 03:17 • -9db
51% Popularity • 62% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Luca Fogale
Half-Saved - Acoustic
140 bpm • A Maj • 03:58 • -11.89db
28% Popularity • 57% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Alivan Blu
Solace
140 bpm • C Maj • 02:08 • -11.24db
43% Popularity • 58% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Rod Coote
Easy to Love
140 bpm • G Maj • 03:58 • -14.05db
24% Popularity • 39% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Jon Middleton
I See You
140 bpm • F Maj • 03:02 • -17.26db
40% Popularity • 71% Danceability • 19% Energy • 9% Liveness
6% Instrumentalness • 9% Positiveness
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Cujo Moon
Knockin' On Heaven's Door
140 bpm • G Maj • 02:58 • -11.9db
40% Popularity • 65% Danceability • 36% Energy • 9% Liveness
13% Instrumentalness • 25% Positiveness
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Ed Patrick
Barcelona, Babe
140 bpm • C# Maj • 02:09 • -15.82db
57% Popularity • 46% Danceability • 20% Energy • 9% Liveness
47% Instrumentalness • 41% Positiveness
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Alexander Biggs
Laundromat
140 bpm • E Maj • 03:55 • -12.62db
28% Popularity • 56% Danceability • 30% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
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Hollow Coves
Pictures
140 bpm • C Maj • 05:01 • -11.37db
17% Popularity • 41% Danceability • 38% Energy • 6% Liveness
2% Instrumentalness • 10% Positiveness
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Justin Lee
Come Away With Me
140 bpm • C# min • 02:11 • -19.55db
45% Popularity • 66% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Hati
Mean Something
140 bpm • D Maj • 03:53 • -11.1db
32% Popularity • 53% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Matt Winson
Oscillate
120 bpm • D# min • 02:44 • -8.68db
44% Popularity • 74% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
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Above the Water