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Absolution Calling
Songs like
Absolution Calling
by
Incubus
Based on a tempo of (+/- 10%) and a similar genre
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Brad Sucks
Understood by Your Dad
105 bpm • B min • 02:50 • -6.87db
16% Popularity • 60% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Incubus
Absolution Calling
105 bpm • A Maj • 04:37 • -3.48db
44% Popularity • 51% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Sponge
Plowed
105 bpm • F# Maj • 03:24 • -8.4db
37% Popularity • 36% Danceability • 86% Energy • 9% Liveness
95% Instrumentalness • 35% Positiveness
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Stone Sour
Through Glass
106 bpm • D# min • 04:42 • -4.62db
71% Popularity • 55% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 43% Positiveness
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Royal Blood
Better Strangers
104 bpm • A# min • 04:12 • -3.44db
46% Popularity • 29% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Dead Sara
Lemon Scent
104 bpm • B min • 04:22 • -3.32db
23% Popularity • 56% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 25% Positiveness
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A Perfect Circle
The Hollow
104 bpm • C# Maj • 02:58 • -5.56db
62% Popularity • 30% Danceability • 79% Energy • 10% Liveness
9% Instrumentalness • 52% Positiveness
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Alien Ant Farm
Attitude
104 bpm • D Maj • 04:54 • -6db
42% Popularity • 60% Danceability • 86% Energy • 22% Liveness
8% Instrumentalness • 83% Positiveness
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Fuel
Cold Summer
104 bpm • E Maj • 03:56 • -2.77db
23% Popularity • 41% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Our Lady Peace
Drop Me in the Water
104 bpm • G# min • 04:03 • -5db
32% Popularity • 54% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Chevelle
Sleep Apnea
104 bpm • F# Maj • 03:51 • -2.85db
53% Popularity • 50% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Hover
Teeth
104 bpm • D Maj • 04:30 • -6db
11% Popularity • 31% Danceability • 63% Energy • 27% Liveness
9% Instrumentalness • 21% Positiveness
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Wolfmother
White Unicorn
107 bpm • C Maj • 05:01 • -4.99db
37% Popularity • 36% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Jane's Addiction
Superhero
103 bpm • A# Maj • 03:58 • -3.6db
40% Popularity • 46% Danceability • 92% Energy • 56% Liveness
0% Instrumentalness • 52% Positiveness
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Incubus
Isadore
103 bpm • A# min • 04:34 • -7.54db
41% Popularity • 62% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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Tonic
Casual Affair
107 bpm • F# min • 03:32 • -5db
35% Popularity • 43% Danceability • 98% Energy • 8% Liveness
3% Instrumentalness • 34% Positiveness
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Chevelle
Jars
107 bpm • B min • 03:19 • -3.32db
60% Popularity • 53% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Crash Kings
Dressed To The 9's
107 bpm • A# Maj • 03:09 • -4.21db
8% Popularity • 36% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Royal Blood
Come on Over
108 bpm • G Maj • 02:53 • -5.13db
54% Popularity • 50% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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Biffy Clyro
Children's Limbs
102 bpm • D# Maj • 03:00 • -5db
24% Popularity • 54% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Incubus
Look Alive
108 bpm • C# Maj • 04:21 • -5.39db
37% Popularity • 50% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Beware Of Darkness
All Who Remain
108 bpm • A Maj • 03:44 • -7db
34% Popularity • 63% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
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Chevelle
Letter from a Thief
103 bpm • B min • 03:27 • -3.98db
51% Popularity • 46% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Alain Johannes
A Trick with No Sleeve
109 bpm • G Maj • 04:55 • -4.2db
30% Popularity • 48% Danceability • 91% Energy • 9% Liveness
2% Instrumentalness • 41% Positiveness
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Royal Blood
Figure It Out
108 bpm • C Maj • 03:03 • -4.63db
67% Popularity • 66% Danceability • 81% Energy • 22% Liveness
1% Instrumentalness • 69% Positiveness
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Highly Suspect
Mom
109 bpm • E min • 04:57 • -5.59db
39% Popularity • 32% Danceability • 70% Energy • 13% Liveness
2% Instrumentalness • 42% Positiveness
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Cold War Kids
Jailbirds
109 bpm • C# min • 02:43 • -4.53db
32% Popularity • 54% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Our Lady Peace
Fire in the Henhouse
109 bpm • F# min • 03:30 • -6.45db
10% Popularity • 62% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Thrice
Hurricane
109 bpm • F Maj • 04:44 • -5.7db
46% Popularity • 32% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Institute
Mountains
101 bpm • C Maj • 04:05 • -5.11db
28% Popularity • 49% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Royal Blood
You Can Be So Cruel
102 bpm • A Maj • 02:44 • -6.56db
48% Popularity • 33% Danceability • 74% Energy • 15% Liveness
4% Instrumentalness • 70% Positiveness
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Incubus
If Not Now, When?
101 bpm • D Maj • 05:05 • -10db
43% Popularity • 57% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 25% Positiveness
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The Dose
Truth Lies Inside
109 bpm • F Maj • 03:47 • -9db
11% Popularity • 59% Danceability • 54% Energy • 17% Liveness
38% Instrumentalness • 19% Positiveness
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A Perfect Circle
Disillusioned
109 bpm • F Maj • 05:53 • -6.44db
49% Popularity • 29% Danceability • 57% Energy • 40% Liveness
0% Instrumentalness • 9% Positiveness
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Seether
Words As Weapons
110 bpm • F min • 04:00 • -5.54db
63% Popularity • 59% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 61% Positiveness
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Dead Sara
Something Good
100 bpm • D Maj • 04:11 • -7.81db
27% Popularity • 59% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Evans Blue
Possession
110 bpm • F# Maj • 03:32 • -4.85db
36% Popularity • 51% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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The Afghan Whigs
Parked Outside
110 bpm • C# min • 04:36 • -6.99db
26% Popularity • 64% Danceability • 72% Energy • 8% Liveness
4% Instrumentalness • 38% Positiveness
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Jane's Addiction
Twisted Tales
100 bpm • C# Maj • 04:29 • -4.05db
29% Popularity • 55% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Black Light Burns
4 Walls
100 bpm • C# min • 03:51 • -5db
31% Popularity • 50% Danceability • 98% Energy • 27% Liveness
10% Instrumentalness • 49% Positiveness
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Muse
Dead Inside
100 bpm • G# Maj • 04:22 • -5.02db
56% Popularity • 65% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Dead Sara
Sorry For It All
110 bpm • G Maj • 04:48 • -5.95db
15% Popularity • 47% Danceability • 58% Energy • 49% Liveness
0% Instrumentalness • 21% Positiveness
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Wolfmother
Cosmic Egg
110 bpm • A Maj • 04:04 • -4.56db
35% Popularity • 32% Danceability • 90% Energy • 46% Liveness
4% Instrumentalness • 56% Positiveness
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Finger Eleven
Wolves And Doors
100 bpm • E min • 03:07 • -4.97db
24% Popularity • 57% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Biffy Clyro
Wolves of Winter
110 bpm • F Maj • 04:08 • -4.75db
44% Popularity • 55% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
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Jimmy Eat World
Sure and Certain
99 bpm • G Maj • 03:35 • -5.88db
39% Popularity • 50% Danceability • 92% Energy • 20% Liveness
13% Instrumentalness • 27% Positiveness
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Jane's Addiction
Just Because
98 bpm • A# min • 03:51 • -1.53db
53% Popularity • 37% Danceability • 100% Energy • 25% Liveness
14% Instrumentalness • 21% Positiveness
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Mutemath
Blood Pressure
112 bpm • G Maj • 03:03 • -3.26db
34% Popularity • 57% Danceability • 94% Energy • 3% Liveness
14% Instrumentalness • 63% Positiveness
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Dredg
Sang Real
99 bpm • F Maj • 04:29 • -7.22db
32% Popularity • 32% Danceability • 92% Energy • 33% Liveness
46% Instrumentalness • 58% Positiveness
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Finger Eleven
Thousand Mile Wish
111 bpm • F# min • 04:59 • -7.32db
31% Popularity • 62% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Nothing But Thieves
Wake Up Call
98 bpm • F Maj • 02:45 • -3db
44% Popularity • 56% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Highly Suspect
Bloodfeather
98 bpm • A min • 03:54 • -5.65db
53% Popularity • 55% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Alien Ant Farm
Movies
113 bpm • A Maj • 03:15 • -5.08db
59% Popularity • 55% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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The Mud Howlers
Give Me Something
113 bpm • D# Maj • 03:07 • -4.84db
18% Popularity • 33% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Incubus
Southern Girl
98 bpm • A min • 03:40 • -7db
45% Popularity • 56% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Finger Eleven
Gods Of Speed
111 bpm • C# Maj • 03:31 • -5.38db
24% Popularity • 47% Danceability • 96% Energy • 68% Liveness
0% Instrumentalness • 15% Positiveness
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A Perfect Circle
By And Down The River
98 bpm • A min • 05:04 • -5.45db
47% Popularity • 23% Danceability • 64% Energy • 12% Liveness
10% Instrumentalness • 5% Positiveness
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Vex Red
Burn This Place
97 bpm • F# Maj • 04:10 • -7.78db
21% Popularity • 48% Danceability • 82% Energy • 17% Liveness
15% Instrumentalness • 23% Positiveness
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Chevelle
Same Old Trip
114 bpm • G Maj • 03:09 • -3.62db
41% Popularity • 54% Danceability • 92% Energy • 9% Liveness
44% Instrumentalness • 31% Positiveness
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Our Lady Peace
Heavyweight
114 bpm • F# Maj • 04:15 • -6.18db
22% Popularity • 50% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Incubus
Mexico
113 bpm • F Maj • 04:18 • -13.87db
50% Popularity • 52% Danceability • 31% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
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Lower Than Atlantis
Here We Go
96 bpm • F Maj • 03:42 • -4.64db
39% Popularity • 51% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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A Perfect Circle
The Outsider
113 bpm • F# Maj • 04:06 • -6.64db
65% Popularity • 33% Danceability • 84% Energy • 5% Liveness
80% Instrumentalness • 42% Positiveness
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Dredg
Spitshine
96 bpm • B Maj • 03:34 • -4.55db
23% Popularity • 46% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Chevelle
Fizgig
96 bpm • F min • 04:55 • -4.46db
38% Popularity • 52% Danceability • 77% Energy • 14% Liveness
4% Instrumentalness • 59% Positiveness
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Royal Blood
Little Monster
96 bpm • F Maj • 03:32 • -4.25db
60% Popularity • 45% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Incubus
Black Heart Inertia
114 bpm • A min • 04:53 • -5db
43% Popularity • 56% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Matthew Good
Arrows Of Desire
115 bpm • A# Maj • 04:06 • -5.22db
5% Popularity • 45% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Muse
Reapers
96 bpm • G Maj • 05:59 • -4.24db
54% Popularity • 42% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Silversun Pickups
Catch & Release
115 bpm • E min • 04:39 • -8.21db
39% Popularity • 64% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Chevelle
Clones
96 bpm • G# Maj • 03:27 • -5db
52% Popularity • 47% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Hoobastank
The Fallen
96 bpm • C# Maj • 03:16 • -3.97db
22% Popularity • 48% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Incubus
Talk Shows on Mute
114 bpm • C Maj • 03:48 • -6db
53% Popularity • 72% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Biffy Clyro
Milky
116 bpm • F# Maj • 03:40 • -6.3db
23% Popularity • 52% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Institute
When Animals Attack
95 bpm • F# Maj • 04:00 • -5.25db
25% Popularity • 55% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Queens of the Stone Age
Smooth Sailing
95 bpm • B Maj • 04:51 • -3.6db
54% Popularity • 59% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Chevelle
An Island
96 bpm • C Maj • 05:11 • -5.92db
41% Popularity • 48% Danceability • 86% Energy • 8% Liveness
35% Instrumentalness • 35% Positiveness
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Fuel
Empty Spaces
116 bpm • C Maj • 03:25 • -4db
12% Popularity • 50% Danceability • 94% Energy • 17% Liveness
5% Instrumentalness • 36% Positiveness
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Crash Kings
Six Foot Tall
116 bpm • G Maj • 04:02 • -6.92db
8% Popularity • 51% Danceability • 75% Energy • 52% Liveness
0% Instrumentalness • 54% Positiveness
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The New Regime
Haunt My Mind
95 bpm • C# min • 04:03 • -7.78db
10% Popularity • 56% Danceability • 75% Energy • 21% Liveness
1% Instrumentalness • 18% Positiveness
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ANTEMASQUE
In The Lurch
95 bpm • C Maj • 03:07 • -3db
19% Popularity • 45% Danceability • 98% Energy • 31% Liveness
1% Instrumentalness • 32% Positiveness
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Incubus
Light Grenades
117 bpm • E Maj • 02:19 • -3.33db
38% Popularity • 50% Danceability • 99% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Queens of the Stone Age
I Sat by the Ocean
117 bpm • G# min • 03:55 • -4db
66% Popularity • 52% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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City and Colour
Wasted Love
116 bpm • D min • 02:58 • -4db
24% Popularity • 54% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Beware Of Darkness
Heart Attack
94 bpm • D Maj • 03:34 • -3.73db
8% Popularity • 26% Danceability • 96% Energy • 50% Liveness
0% Instrumentalness • 39% Positiveness
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The Black Keys
Little Black Submarines - Radio Edit [ra...
94 bpm • D Maj • 03:24 • -5.42db
41% Popularity • 30% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Days Of The New
Enemy
117 bpm • B min • 05:11 • -7.37db
37% Popularity • 68% Danceability • 77% Energy • 15% Liveness
16% Instrumentalness • 69% Positiveness
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Chevelle
Hats Off to the Bull
94 bpm • C Maj • 03:55 • -5db
49% Popularity • 50% Danceability • 84% Energy • 14% Liveness
22% Instrumentalness • 40% Positiveness
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Pilot Speed
Barely Listening
94 bpm • D# min • 04:02 • -5.21db
21% Popularity • 42% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Hoobastank
Crawling In The Dark
94 bpm • F# min • 02:55 • -4.78db
69% Popularity • 59% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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No Devotion
10,000 Summers
94 bpm • C Maj • 04:15 • -3.4db
14% Popularity • 44% Danceability • 91% Energy • 17% Liveness
44% Instrumentalness • 38% Positiveness
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IAMDYNAMITE
Carolina
118 bpm • G# min • 03:46 • -7.64db
12% Popularity • 69% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Seether
Same Damn Life
118 bpm • F Maj • 03:19 • -4.33db
61% Popularity • 60% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Chevelle
One Ocean
94 bpm • F min • 05:49 • -9.79db
33% Popularity • 43% Danceability • 69% Energy • 10% Liveness
6% Instrumentalness • 16% Positiveness
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Cold War Kids
All This Could Be Yours
118 bpm • E min • 03:08 • -2db
49% Popularity • 63% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
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Turbowolf
Rabbits Foot
118 bpm • D min • 02:44 • -3.93db
38% Popularity • 58% Danceability • 88% Energy • 14% Liveness
2% Instrumentalness • 53% Positiveness
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Halo
3rd Movement of the Odyssey
119 bpm • E min • 06:40 • -10.75db
25% Popularity • 64% Danceability • 63% Energy • 14% Liveness
85% Instrumentalness • 4% Positiveness
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Jack White
Would You Fight For My Love?
120 bpm • C Maj • 04:07 • -9db
41% Popularity • 51% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 51% Positiveness
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Dead Sara
Whispers & Ashes
93 bpm • G Maj • 03:51 • -4.72db
15% Popularity • 44% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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Jane's Addiction
True Nature
92 bpm • G Maj • 03:49 • -3.46db
45% Popularity • 42% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Absolution Calling