Songs like Accent on Fate by Frank Kelly
Based on a tempo of (+/- 10%) and a similar genre
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Andy Stewart
I Belong to Glasgow / Sailing Up the Cly...
96 bpm • G Maj • 05:45 • -11.44db
13% Popularity • 48% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 48% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Robson & Jerome
A Nightingale Sang In Berkeley Square
96 bpm • C min • 03:23 • -12.05db
10% Popularity • 51% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 51% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Val Doonican
Elusive Butterfly
96 bpm • C Maj • 02:43 • -13.85db
29% Popularity • 57% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 57% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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The Wombles
Superwomble
96 bpm • A Maj • 03:26 • -9.25db
10% Popularity • 56% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 56% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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Flanders & Swann
A Song of the Weather
96 bpm • F# Maj • 02:02 • -13db
16% Popularity • 63% Danceability • 40% Energy • 64% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 63% Danceability • 40% Energy • 64% Liveness
0% Instrumentalness • 90% Positiveness
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Majella
The Spinning Wheel
97 bpm • C# Maj • 03:54 • -13.65db
10% Popularity • 52% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 52% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Ivor Biggun
Dorothy Please Trim Your Hinge (Misprint...
95 bpm • G Maj • 02:41 • -6.07db
11% Popularity • 48% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 48% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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George Formby
Guarding The Homes Of The Home Garden
97 bpm • A# Maj • 04:01 • -16.74db
9% Popularity • 78% Danceability • 44% Energy • 62% Liveness
7% Instrumentalness • 91% Positiveness
9% Popularity • 78% Danceability • 44% Energy • 62% Liveness
7% Instrumentalness • 91% Positiveness
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LadBaby
Sausage Rolls for Everyone - Foodbank Ch...
95 bpm • C Maj • 04:07 • -7.32db
9% Popularity • 57% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 57% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
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Frank Kelly
Man Watch
97 bpm • D Maj • 03:37 • -15.99db
0% Popularity • 49% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
0% Popularity • 49% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Victoria Wood
They Call Me Pam
95 bpm • A Maj • 08:29 • -15.46db
10% Popularity • 59% Danceability • 68% Energy • 97% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 59% Danceability • 68% Energy • 97% Liveness
0% Instrumentalness • 52% Positiveness
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Jona Lewie
Stop The Cavalry
97 bpm • A Maj • 02:56 • -9db
46% Popularity • 70% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
46% Popularity • 70% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Kenneth McKellar
Scotland The Brave
95 bpm • C# Maj • 03:02 • -14db
14% Popularity • 65% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 65% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Wild Thing
A Wanker (With White Socks)
95 bpm • G Maj • 02:38 • -10.32db
18% Popularity • 81% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 81% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Bud Flanagan
Who Do You Think You Are Kidding, Mr Hit...
98 bpm • A# Maj • 01:06 • -14.48db
30% Popularity • 60% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 60% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Frank Kelly
Jumbo Trade-In
95 bpm • D Maj • 05:05 • -14.72db
2% Popularity • 64% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
2% Popularity • 64% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Peter Cook
Goodbye-ee
98 bpm • A# Maj • 02:01 • -12db
10% Popularity • 52% Danceability • 29% Energy • 50% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 52% Danceability • 29% Energy • 50% Liveness
0% Instrumentalness • 55% Positiveness
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The Settlers
The Lightning Tree
98 bpm • G Maj • 02:44 • -4.54db
22% Popularity • 55% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 55% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Northmen
Over The River And Through The Woods
98 bpm • D Maj • 00:58 • -6.33db
14% Popularity • 74% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 74% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Ivor Biggun
The Majorca Song
94 bpm • C Maj • 02:42 • -5.83db
10% Popularity • 67% Danceability • 90% Energy • 62% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 67% Danceability • 90% Energy • 62% Liveness
0% Instrumentalness • 93% Positiveness
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Benny Hill
What a World
98 bpm • E Maj • 02:45 • -8.66db
9% Popularity • 62% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 62% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Frank Kelly
Swine Festival
98 bpm • A Maj • 04:16 • -14.66db
0% Popularity • 67% Danceability • 36% Energy • 64% Liveness
0% Instrumentalness • 63% Positiveness
0% Popularity • 67% Danceability • 36% Energy • 64% Liveness
0% Instrumentalness • 63% Positiveness
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Smacka Fitzgibbon
The Adventures of Barry McKenzie
98 bpm • C Maj • 03:11 • -12.11db
11% Popularity • 63% Danceability • 35% Energy • 23% Liveness
1% Instrumentalness • 60% Positiveness
11% Popularity • 63% Danceability • 35% Energy • 23% Liveness
1% Instrumentalness • 60% Positiveness
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Kirsty MacColl
Days
98 bpm • A Maj • 03:00 • -6.63db
42% Popularity • 56% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 56% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Bernard Cribbins
Right Said Fred
98 bpm • C# Maj • 02:20 • -8.02db
26% Popularity • 78% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 78% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Max Boyce
The Ballad of Morgan the Moon - Live at ...
98 bpm • D# Maj • 06:34 • -19.98db
15% Popularity • 47% Danceability • 37% Energy • 78% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 47% Danceability • 37% Energy • 78% Liveness
0% Instrumentalness • 24% Positiveness
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Peter Sellers
Goodness Gracious Me
98 bpm • G# Maj • 03:03 • -14db
25% Popularity • 67% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 67% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Allan Sherman
Return to Camp Granada
94 bpm • G# Maj • 03:17 • -12.13db
23% Popularity • 50% Danceability • 40% Energy • 66% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 50% Danceability • 40% Energy • 66% Liveness
0% Instrumentalness • 38% Positiveness
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The Saw Doctors
Clare Island - Radio Edit
94 bpm • B Maj • 04:01 • -9.35db
39% Popularity • 58% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 58% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Lazy Harry
Redback On the Toilet Seat
98 bpm • C Maj • 02:39 • -13.7db
12% Popularity • 72% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 72% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Bernard Cribbins
Right Said Fred
99 bpm • G Maj • 02:17 • -6.18db
17% Popularity • 77% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 77% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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B. Bumble & The Stingers
Nutrocker
99 bpm • G Maj • 02:00 • -2.15db
17% Popularity • 51% Danceability • 98% Energy • 41% Liveness
88% Instrumentalness • 56% Positiveness
17% Popularity • 51% Danceability • 98% Energy • 41% Liveness
88% Instrumentalness • 56% Positiveness
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Rolf Harris
Tie Me Kangaroo Down Sport
93 bpm • A Maj • 02:42 • -14.92db
26% Popularity • 71% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 71% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Captain Sensible
Happy Talk
99 bpm • C# Maj • 03:31 • -7db
32% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Sir Harry Lauder
Roaming in the Gloaming
93 bpm • F# Maj • 03:52 • -11.92db
9% Popularity • 72% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 72% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Chas & Dave
Beer Belly
99 bpm • G Maj • 03:25 • -7.82db
9% Popularity • 88% Danceability • 70% Energy • 6% Liveness
1% Instrumentalness • 97% Positiveness
9% Popularity • 88% Danceability • 70% Energy • 6% Liveness
1% Instrumentalness • 97% Positiveness
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The Oldham Tinkers
Hop Hop Hop
99 bpm • E Maj • 02:47 • -11.15db
9% Popularity • 63% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 63% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Anita Dobson
Anyone Can Fall in Love
99 bpm • C# Maj • 03:33 • -10.48db
13% Popularity • 69% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 69% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Richard Burton
Desiderata
93 bpm • A Maj • 02:02 • -19.72db
12% Popularity • 69% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 69% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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Kenneth McKellar
The Midges
99 bpm • D# Maj • 03:45 • -13.27db
16% Popularity • 73% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 73% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Konstantin Kirchoff
Water Street
100 bpm • C Maj • 03:20 • -11.75db
21% Popularity • 52% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 52% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Heywood Banks
You Ain't Getting Diddly Squat
100 bpm • C Maj • 02:24 • -6.68db
11% Popularity • 76% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 76% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Chas & Dave
Wish I Could Write a Love Song
100 bpm • G Maj • 04:01 • -9.07db
14% Popularity • 50% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 50% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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James Kilbane
If Ma Could See Me Now.
100 bpm • A# Maj • 03:24 • -10.26db
12% Popularity • 66% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 66% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Joel Samberg & Benny Bell
Holiday Shaving Cream
100 bpm • A# Maj • 02:59 • -12db
15% Popularity • 67% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 67% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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Anthony Newley
Pop Goes The Weasel
101 bpm • F Maj • 02:47 • -8.34db
13% Popularity • 69% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 69% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Paul Robeson
Jerusalem - Remastered
92 bpm • A# Maj • 02:23 • -9.31db
13% Popularity • 18% Danceability • 34% Energy • 12% Liveness
68% Instrumentalness • 34% Positiveness
13% Popularity • 18% Danceability • 34% Energy • 12% Liveness
68% Instrumentalness • 34% Positiveness
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Arthur Askey
The Bee Song
101 bpm • A# Maj • 02:42 • -17db
16% Popularity • 83% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 83% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Frank Kelly
Operation Enterprise
101 bpm • B min • 03:19 • -14.81db
0% Popularity • 68% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 68% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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The Fivepenny Piece
Pete Was a Lonely Dog Who Lived in Centr...
91 bpm • E Maj • 03:29 • -13.47db
10% Popularity • 65% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 65% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Sandra Kerr
The Bony King of Nowhere
91 bpm • F Maj • 03:26 • -11.54db
8% Popularity • 58% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 58% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Herman's Hermits
Oh You Pretty Things
91 bpm • C# Maj • 03:04 • -12.84db
17% Popularity • 64% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 64% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Ivor Biggun
The Winker's Song (Misprint)
102 bpm • D Maj • 03:11 • -8.08db
17% Popularity • 82% Danceability • 65% Energy • 51% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 82% Danceability • 65% Energy • 51% Liveness
0% Instrumentalness • 94% Positiveness
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John Shuttleworth
The A1111
90 bpm • F Maj • 02:37 • -10.89db
10% Popularity • 78% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 78% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Brendan Grace
The Dutchman
90 bpm • D Maj • 05:09 • -17db
20% Popularity • 40% Danceability • 27% Energy • 18% Liveness
4% Instrumentalness • 39% Positiveness
20% Popularity • 40% Danceability • 27% Energy • 18% Liveness
4% Instrumentalness • 39% Positiveness
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Adonis Augustus
Feeling Pollution
102 bpm • C Maj • 02:35 • -6.69db
13% Popularity • 70% Danceability • 49% Energy • 43% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 70% Danceability • 49% Energy • 43% Liveness
0% Instrumentalness • 61% Positiveness
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Nigel Westlake
If I Had Words - Version Two
102 bpm • G Maj • 01:51 • -16.62db
19% Popularity • 53% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 53% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Frank Kelly
85,000 Country Singers in Ireland
102 bpm • F# Maj • 03:12 • -12.96db
0% Popularity • 62% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
0% Popularity • 62% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Peter Skellern
Love Is The Sweetest Thing
103 bpm • A# Maj • 03:22 • -19.62db
22% Popularity • 54% Danceability • 12% Energy • 15% Liveness
2% Instrumentalness • 33% Positiveness
22% Popularity • 54% Danceability • 12% Energy • 15% Liveness
2% Instrumentalness • 33% Positiveness
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The Wombles
Wellington Goes To Waterloo
90 bpm • F Maj • 03:36 • -13db
10% Popularity • 55% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 55% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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The Wayfarers
Waltzing Matlida
103 bpm • C Maj • 02:55 • -14.18db
17% Popularity • 65% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 65% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Des O'Connor
Dick-a-Dum-Dum (King's Road)
89 bpm • F Maj • 02:14 • -8db
18% Popularity • 74% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
18% Popularity • 74% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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Chas & Dave
I Can Get Along Without You
104 bpm • C Maj • 03:31 • -9.48db
7% Popularity • 70% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
7% Popularity • 70% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Frank Kelly
Pianissimo
89 bpm • B min • 04:14 • -13.39db
0% Popularity • 65% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
0% Popularity • 65% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Matt Monro
We're Gonna Change The World
103 bpm • G Maj • 03:34 • -11db
24% Popularity • 62% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 62% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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TheCorries
Flower Of Scotland
89 bpm • G Maj • 03:29 • -12.59db
8% Popularity • 47% Danceability • 45% Energy • 90% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 47% Danceability • 45% Energy • 90% Liveness
0% Instrumentalness • 14% Positiveness
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Frank Patterson
The Fields of Athenry
89 bpm • G# Maj • 05:18 • -10.46db
11% Popularity • 25% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 25% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Jeff Meegan
The Very Best Day This Year
104 bpm • C min • 02:56 • -8.69db
16% Popularity • 60% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 60% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Winston Churchill
Churchill - Fight Them On The Beeches - ...
89 bpm • D Maj • 01:01 • -12db
20% Popularity • 55% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 55% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Frank Kelly
Feshty Veruka
89 bpm • C# min • 05:12 • -15.29db
0% Popularity • 65% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 65% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Neil
Hole in My Shoe
104 bpm • D# Maj • 03:40 • -10db
21% Popularity • 52% Danceability • 65% Energy • 88% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 52% Danceability • 65% Energy • 88% Liveness
0% Instrumentalness • 58% Positiveness
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Hamish Imlach
D. Day Dodgers
89 bpm • C Maj • 03:23 • -13db
11% Popularity • 33% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 33% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Hera Skyholder
Tides Flowing in the Celestial River
88 bpm • E min • 01:52 • -16.48db
8% Popularity • 76% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 76% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Rolf Harris
Nick Teen and Al K.Hall
104 bpm • G Maj • 03:00 • -13db
10% Popularity • 84% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 84% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Ken Dodd
Tears
88 bpm • C Maj • 02:51 • -11db
26% Popularity • 25% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 25% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Clive Dunn
Grandad - 2003 Remaster
104 bpm • D# Maj • 03:25 • -9.63db
26% Popularity • 85% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 85% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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The Central Band of The Royal British Legion
Keep The Home Fires Burning
105 bpm • A Maj • 04:13 • -11.9db
9% Popularity • 41% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 41% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Danger Danger Danger
Captains log #17
88 bpm • E Maj • 01:03 • -16.89db
37% Popularity • 72% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 72% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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The Goodies
The Funky Gibbon
105 bpm • A# min • 02:53 • -5db
18% Popularity • 74% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 74% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
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Benny Hill
Ernie (The Fastest Milkman in the West)
105 bpm • G Maj • 03:51 • -10.92db
36% Popularity • 49% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 49% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Shirley Temple
Toyland Reprise
106 bpm • C min • 00:59 • -8db
8% Popularity • 16% Danceability • 60% Energy • 94% Liveness
56% Instrumentalness • 71% Positiveness
8% Popularity • 16% Danceability • 60% Energy • 94% Liveness
56% Instrumentalness • 71% Positiveness
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Keith Hopwood
Schusboomer
106 bpm • E Maj • 02:26 • -11.34db
10% Popularity • 86% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 86% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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![Exercise Is Good For You [Laziness Is Not] cover art](https://i.scdn.co/image/ab67616d00001e02142cb6902288060b196eebef)
The Wombles
Exercise Is Good For You [Laziness Is No...
106 bpm • G Maj • 02:33 • -9.96db
14% Popularity • 53% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 53% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Val Doonican
Walk Tall
106 bpm • G# Maj • 02:35 • -13db
29% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Ivor Biggun
The Cockerel Song
106 bpm • G Maj • 02:21 • -6db
11% Popularity • 81% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 81% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Flanders & Swann
The Hippopotamus Song
107 bpm • G# Maj • 04:05 • -13db
20% Popularity • 63% Danceability • 42% Energy • 80% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 63% Danceability • 42% Energy • 80% Liveness
0% Instrumentalness • 52% Positiveness
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Wet The Shamrock
Danny Boy
107 bpm • A# Maj • 02:47 • -10.6db
0% Popularity • 39% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 39% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Andy Stewart
Donald, Where's Your Troosers
107 bpm • A# Maj • 03:18 • -15db
17% Popularity • 72% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 72% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Stanley Holloway
Where Did You Get That Hat
108 bpm • C Maj • 03:11 • -10.22db
14% Popularity • 72% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 72% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Laurie Lingo & The Dipsticks
Convoy GB
108 bpm • B min • 04:06 • -13.21db
18% Popularity • 67% Danceability • 61% Energy • 69% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 67% Danceability • 61% Energy • 69% Liveness
0% Instrumentalness • 56% Positiveness
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Max Bygraves
Out of Town
108 bpm • F# Maj • 02:27 • -10.3db
10% Popularity • 54% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 54% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Ivor Biggun
I've Parted (Misprint)
108 bpm • G Maj • 02:30 • -11db
14% Popularity • 70% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 70% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Keith Ferreira
Maybe Tomorrow
108 bpm • F Maj • 02:39 • -8.88db
30% Popularity • 61% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 61% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Andy Stewart
Donald Where's Your Troosers?
108 bpm • A# Maj • 03:18 • -14db
34% Popularity • 70% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 70% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Ken Bruce
Macpherson's Lament
85 bpm • A# Maj • 00:59 • -12.28db
15% Popularity • 76% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 76% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Brendan O'Brien & The Dixies
Little Arrows
108 bpm • A# Maj • 02:31 • -8.98db
8% Popularity • 59% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
8% Popularity • 59% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Max Bygraves
Run Rabbit Run
108 bpm • D Maj • 02:53 • -6.16db
10% Popularity • 68% Danceability • 82% Energy • 50% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 68% Danceability • 82% Energy • 50% Liveness
0% Instrumentalness • 81% Positiveness
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Mel Blanc
I Taut I Taw a Puddy Tat
108 bpm • G# Maj • 02:58 • -8.56db
19% Popularity • 87% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 87% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
