Songs like ACCEPTANCE by 30/70
Based on a tempo of (+/- 10%) and a similar genre
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K15
Be Glad You Create Anything
114 bpm • G Maj • 06:59 • -11.18db
14% Popularity • 51% Danceability • 46% Energy • 15% Liveness
66% Instrumentalness • 24% Positiveness
14% Popularity • 51% Danceability • 46% Energy • 15% Liveness
66% Instrumentalness • 24% Positiveness
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Okvsho
Je suis au jardin
114 bpm • A# min • 03:46 • -13db
45% Popularity • 78% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
45% Popularity • 78% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
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KWAME YEBOAH
Aseda
114 bpm • D Maj • 05:27 • -7.34db
28% Popularity • 76% Danceability • 84% Energy • 10% Liveness
73% Instrumentalness • 47% Positiveness
28% Popularity • 76% Danceability • 84% Energy • 10% Liveness
73% Instrumentalness • 47% Positiveness
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30/70
ACCEPTANCE
114 bpm • F Maj • 03:46 • -5db
23% Popularity • 90% Danceability • 74% Energy • 44% Liveness
2% Instrumentalness • 45% Positiveness
23% Popularity • 90% Danceability • 74% Energy • 44% Liveness
2% Instrumentalness • 45% Positiveness
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Kamaal Williams
Rhythm Commission
113 bpm • G min • 02:34 • -11.51db
25% Popularity • 81% Danceability • 68% Energy • 10% Liveness
90% Instrumentalness • 83% Positiveness
25% Popularity • 81% Danceability • 68% Energy • 10% Liveness
90% Instrumentalness • 83% Positiveness
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Galcher Lustwerk
Cig Angel
114 bpm • C# Maj • 02:50 • -11db
28% Popularity • 87% Danceability • 32% Energy • 10% Liveness
6% Instrumentalness • 76% Positiveness
28% Popularity • 87% Danceability • 32% Energy • 10% Liveness
6% Instrumentalness • 76% Positiveness
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Duke Hugh
Canvas
115 bpm • A# Maj • 04:43 • -13.82db
27% Popularity • 78% Danceability • 32% Energy • 11% Liveness
94% Instrumentalness • 71% Positiveness
27% Popularity • 78% Danceability • 32% Energy • 11% Liveness
94% Instrumentalness • 71% Positiveness
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Folamour
I Don't Sleep At Night But I Wake Up At ...
115 bpm • F# min • 05:09 • -7.54db
31% Popularity • 68% Danceability • 91% Energy • 7% Liveness
76% Instrumentalness • 37% Positiveness
31% Popularity • 68% Danceability • 91% Energy • 7% Liveness
76% Instrumentalness • 37% Positiveness
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Dam Swindle
The Girl from Shiraz
115 bpm • G# Maj • 04:16 • -18.23db
15% Popularity • 47% Danceability • 10% Energy • 20% Liveness
79% Instrumentalness • 10% Positiveness
15% Popularity • 47% Danceability • 10% Energy • 20% Liveness
79% Instrumentalness • 10% Positiveness
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30/70
Fluid Motion
114 bpm • C# Maj • 04:07 • -11.37db
11% Popularity • 45% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 45% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Okvsho
Joga Bonito
115 bpm • G# min • 04:47 • -12db
36% Popularity • 87% Danceability • 57% Energy • 18% Liveness
70% Instrumentalness • 67% Positiveness
36% Popularity • 87% Danceability • 57% Energy • 18% Liveness
70% Instrumentalness • 67% Positiveness
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Khruangbin
First Class (Soul in the Horn Remix)
115 bpm • A# min • 06:19 • -8.09db
34% Popularity • 74% Danceability • 81% Energy • 32% Liveness
81% Instrumentalness • 29% Positiveness
34% Popularity • 74% Danceability • 81% Energy • 32% Liveness
81% Instrumentalness • 29% Positiveness
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Duke Hugh
Loft Nights
115 bpm • E Maj • 03:39 • -13.45db
30% Popularity • 80% Danceability • 54% Energy • 6% Liveness
92% Instrumentalness • 65% Positiveness
30% Popularity • 80% Danceability • 54% Energy • 6% Liveness
92% Instrumentalness • 65% Positiveness
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Greentea Peng
Jimtastic Blues
115 bpm • E min • 03:33 • -7.83db
35% Popularity • 79% Danceability • 73% Energy • 3% Liveness
51% Instrumentalness • 23% Positiveness
35% Popularity • 79% Danceability • 73% Energy • 3% Liveness
51% Instrumentalness • 23% Positiveness
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Jitwam
wejustcousins
113 bpm • F min • 03:12 • -6.12db
14% Popularity • 29% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 29% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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30/70
Lucid
113 bpm • A# min • 01:01 • -8.81db
22% Popularity • 63% Danceability • 78% Energy • 15% Liveness
84% Instrumentalness • 95% Positiveness
22% Popularity • 63% Danceability • 78% Energy • 15% Liveness
84% Instrumentalness • 95% Positiveness
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Foshe
Nice to Meetcha
115 bpm • D min • 04:17 • -11.53db
10% Popularity • 49% Danceability • 62% Energy • 11% Liveness
87% Instrumentalness • 31% Positiveness
10% Popularity • 49% Danceability • 62% Energy • 11% Liveness
87% Instrumentalness • 31% Positiveness
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Okvsho
Algoriddim (Interlude)
113 bpm • G Maj • 01:04 • -15.35db
38% Popularity • 81% Danceability • 56% Energy • 7% Liveness
82% Instrumentalness • 74% Positiveness
38% Popularity • 81% Danceability • 56% Energy • 7% Liveness
82% Instrumentalness • 74% Positiveness
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Collectivo Arte & Manha
Mystic Brew
116 bpm • B Maj • 05:01 • -10.25db
9% Popularity • 43% Danceability • 50% Energy • 10% Liveness
76% Instrumentalness • 38% Positiveness
9% Popularity • 43% Danceability • 50% Energy • 10% Liveness
76% Instrumentalness • 38% Positiveness
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Mansur Brown
Simese
112 bpm • G min • 02:24 • -11.86db
21% Popularity • 53% Danceability • 60% Energy • 10% Liveness
84% Instrumentalness • 70% Positiveness
21% Popularity • 53% Danceability • 60% Energy • 10% Liveness
84% Instrumentalness • 70% Positiveness
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Lord Echo
Life on Earth
112 bpm • A min • 02:33 • -8.46db
37% Popularity • 66% Danceability • 67% Energy • 30% Liveness
86% Instrumentalness • 78% Positiveness
37% Popularity • 66% Danceability • 67% Energy • 30% Liveness
86% Instrumentalness • 78% Positiveness
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Budgie
Confession 2
112 bpm • C# Maj • 01:08 • -10.05db
35% Popularity • 87% Danceability • 40% Energy • 10% Liveness
84% Instrumentalness • 55% Positiveness
35% Popularity • 87% Danceability • 40% Energy • 10% Liveness
84% Instrumentalness • 55% Positiveness
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The Colours That Rise
Opacity
112 bpm • F# min • 04:08 • -14.77db
16% Popularity • 95% Danceability • 31% Energy • 29% Liveness
60% Instrumentalness • 58% Positiveness
16% Popularity • 95% Danceability • 31% Energy • 29% Liveness
60% Instrumentalness • 58% Positiveness
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Moodymann
Pitch Black City Reunion
116 bpm • G# Maj • 08:41 • -12.76db
24% Popularity • 54% Danceability • 56% Energy • 11% Liveness
78% Instrumentalness • 31% Positiveness
24% Popularity • 54% Danceability • 56% Energy • 11% Liveness
78% Instrumentalness • 31% Positiveness
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Tenderlonious
Isaac's Theme
112 bpm • E Maj • 02:31 • -18.08db
33% Popularity • 43% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 25% Positiveness
33% Popularity • 43% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 25% Positiveness
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Oscar Jerome
Where Are Your Branches (Where Is Your F...
116 bpm • A# Maj • 05:28 • -12.75db
29% Popularity • 82% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 17% Positiveness
29% Popularity • 82% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 17% Positiveness
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Al Dobson Jr.
Many Schools
112 bpm • C Maj • 02:23 • -14.69db
37% Popularity • 79% Danceability • 55% Energy • 10% Liveness
86% Instrumentalness • 90% Positiveness
37% Popularity • 79% Danceability • 55% Energy • 10% Liveness
86% Instrumentalness • 90% Positiveness
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Emanative
Love & Light
116 bpm • E min • 06:10 • -10.16db
30% Popularity • 72% Danceability • 71% Energy • 67% Liveness
2% Instrumentalness • 52% Positiveness
30% Popularity • 72% Danceability • 71% Energy • 67% Liveness
2% Instrumentalness • 52% Positiveness
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Foshe
Breadsticks
112 bpm • C Maj • 04:52 • -14db
23% Popularity • 59% Danceability • 51% Energy • 13% Liveness
83% Instrumentalness • 74% Positiveness
23% Popularity • 59% Danceability • 51% Energy • 13% Liveness
83% Instrumentalness • 74% Positiveness
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Clear Path Ensemble
Jerry's Funk
112 bpm • A min • 03:37 • -14.02db
19% Popularity • 67% Danceability • 62% Energy • 14% Liveness
74% Instrumentalness • 64% Positiveness
19% Popularity • 67% Danceability • 62% Energy • 14% Liveness
74% Instrumentalness • 64% Positiveness
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Tenderlonious
Song for My Mother
116 bpm • C min • 09:09 • -12.54db
20% Popularity • 64% Danceability • 60% Energy • 9% Liveness
82% Instrumentalness • 42% Positiveness
20% Popularity • 64% Danceability • 60% Energy • 9% Liveness
82% Instrumentalness • 42% Positiveness
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Allysha Joy
Let It!
116 bpm • D Maj • 05:12 • -7.19db
11% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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RAS
Pharoah
116 bpm • F min • 03:10 • -12.21db
30% Popularity • 84% Danceability • 41% Energy • 12% Liveness
54% Instrumentalness • 74% Positiveness
30% Popularity • 84% Danceability • 41% Energy • 12% Liveness
54% Instrumentalness • 74% Positiveness
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Beatchild
Byram's Groove (Cut a Rug)
112 bpm • B min • 03:24 • -8db
28% Popularity • 85% Danceability • 73% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
28% Popularity • 85% Danceability • 73% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
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30/70
N.Y.P.
116 bpm • D min • 04:18 • -8.18db
10% Popularity • 59% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 59% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
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Horatio Luna
Fuck The System
116 bpm • G Maj • 02:13 • -10.59db
16% Popularity • 79% Danceability • 88% Energy • 9% Liveness
1% Instrumentalness • 83% Positiveness
16% Popularity • 79% Danceability • 88% Energy • 9% Liveness
1% Instrumentalness • 83% Positiveness
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Duke Hugh
Your Number
111 bpm • F# Maj • 05:06 • -12.34db
19% Popularity • 60% Danceability • 43% Energy • 9% Liveness
83% Instrumentalness • 87% Positiveness
19% Popularity • 60% Danceability • 43% Energy • 9% Liveness
83% Instrumentalness • 87% Positiveness
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Hidden Spheres
Words Can't Explain
117 bpm • B min • 05:09 • -10.85db
23% Popularity • 74% Danceability • 55% Energy • 27% Liveness
22% Instrumentalness • 20% Positiveness
23% Popularity • 74% Danceability • 55% Energy • 27% Liveness
22% Instrumentalness • 20% Positiveness
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RAS
Zman Halal
116 bpm • F# Maj • 07:03 • -12.45db
14% Popularity • 86% Danceability • 45% Energy • 62% Liveness
7% Instrumentalness • 84% Positiveness
14% Popularity • 86% Danceability • 45% Energy • 62% Liveness
7% Instrumentalness • 84% Positiveness
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Dan Kye
Raro
117 bpm • B min • 05:37 • -12.02db
29% Popularity • 84% Danceability • 55% Energy • 9% Liveness
84% Instrumentalness • 83% Positiveness
29% Popularity • 84% Danceability • 55% Energy • 9% Liveness
84% Instrumentalness • 83% Positiveness
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30/70
Reprise
116 bpm • A# min • 02:22 • -9.99db
5% Popularity • 41% Danceability • 75% Energy • 52% Liveness
0% Instrumentalness • 59% Positiveness
5% Popularity • 41% Danceability • 75% Energy • 52% Liveness
0% Instrumentalness • 59% Positiveness
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Horatio Luna
Boom Boom
116 bpm • G Maj • 06:23 • -9.1db
8% Popularity • 70% Danceability • 77% Energy • 10% Liveness
22% Instrumentalness • 19% Positiveness
8% Popularity • 70% Danceability • 77% Energy • 10% Liveness
22% Instrumentalness • 19% Positiveness
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Neue Grafik
To Peckham Rye
117 bpm • A Maj • 06:35 • -10.59db
15% Popularity • 69% Danceability • 66% Energy • 8% Liveness
83% Instrumentalness • 12% Positiveness
15% Popularity • 69% Danceability • 66% Energy • 8% Liveness
83% Instrumentalness • 12% Positiveness
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Oscar Jerome
No Need - Edit
117 bpm • B min • 03:26 • -11.53db
45% Popularity • 88% Danceability • 47% Energy • 28% Liveness
3% Instrumentalness • 56% Positiveness
45% Popularity • 88% Danceability • 47% Energy • 28% Liveness
3% Instrumentalness • 56% Positiveness
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Hector Plimmer
Communication Control
117 bpm • C Maj • 03:04 • -11.37db
19% Popularity • 81% Danceability • 54% Energy • 7% Liveness
94% Instrumentalness • 96% Positiveness
19% Popularity • 81% Danceability • 54% Energy • 7% Liveness
94% Instrumentalness • 96% Positiveness
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Jay Daniel
Sundance
111 bpm • G# Maj • 05:25 • -7.3db
17% Popularity • 57% Danceability • 40% Energy • 9% Liveness
72% Instrumentalness • 82% Positiveness
17% Popularity • 57% Danceability • 40% Energy • 9% Liveness
72% Instrumentalness • 82% Positiveness
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Kamaal Williams
1989
117 bpm • F# Maj • 03:22 • -12db
32% Popularity • 56% Danceability • 33% Energy • 18% Liveness
60% Instrumentalness • 64% Positiveness
32% Popularity • 56% Danceability • 33% Energy • 18% Liveness
60% Instrumentalness • 64% Positiveness
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Duke Hugh
Greenleaf
117 bpm • A min • 04:29 • -16db
39% Popularity • 80% Danceability • 50% Energy • 11% Liveness
85% Instrumentalness • 23% Positiveness
39% Popularity • 80% Danceability • 50% Energy • 11% Liveness
85% Instrumentalness • 23% Positiveness
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Auntie Flo
Havana Rhythm Dance
117 bpm • C Maj • 03:53 • -11.34db
23% Popularity • 80% Danceability • 53% Energy • 5% Liveness
40% Instrumentalness • 66% Positiveness
23% Popularity • 80% Danceability • 53% Energy • 5% Liveness
40% Instrumentalness • 66% Positiveness
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Oscar Jerome
No Need - Extended Mix
117 bpm • B min • 06:02 • -11db
35% Popularity • 87% Danceability • 56% Energy • 28% Liveness
10% Instrumentalness • 60% Positiveness
35% Popularity • 87% Danceability • 56% Energy • 28% Liveness
10% Instrumentalness • 60% Positiveness
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Jitwam
India
118 bpm • A Maj • 04:56 • -8.22db
21% Popularity • 60% Danceability • 76% Energy • 36% Liveness
1% Instrumentalness • 90% Positiveness
21% Popularity • 60% Danceability • 76% Energy • 36% Liveness
1% Instrumentalness • 90% Positiveness
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Jay Daniel
Razi
111 bpm • A# min • 01:25 • -10.09db
28% Popularity • 69% Danceability • 46% Energy • 34% Liveness
75% Instrumentalness • 18% Positiveness
28% Popularity • 69% Danceability • 46% Energy • 34% Liveness
75% Instrumentalness • 18% Positiveness
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30/70
Tempted
118 bpm • F min • 04:31 • -7.41db
8% Popularity • 38% Danceability • 86% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
8% Popularity • 38% Danceability • 86% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
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Duke Hugh
2005
118 bpm • E min • 03:53 • -13.77db
28% Popularity • 62% Danceability • 44% Energy • 7% Liveness
89% Instrumentalness • 25% Positiveness
28% Popularity • 62% Danceability • 44% Energy • 7% Liveness
89% Instrumentalness • 25% Positiveness
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Aurora Dee Raynes
Crazy That You Love
110 bpm • A min • 03:29 • -5.72db
30% Popularity • 60% Danceability • 70% Energy • 68% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 60% Danceability • 70% Energy • 68% Liveness
0% Instrumentalness • 18% Positiveness
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Jazzbois
DISCOBOIZ
118 bpm • E min • 08:28 • -9.88db
22% Popularity • 72% Danceability • 66% Energy • 60% Liveness
88% Instrumentalness • 60% Positiveness
22% Popularity • 72% Danceability • 66% Energy • 60% Liveness
88% Instrumentalness • 60% Positiveness
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Ash Walker
Brave New World
118 bpm • F min • 03:44 • -13.78db
7% Popularity • 61% Danceability • 47% Energy • 14% Liveness
86% Instrumentalness • 26% Positiveness
7% Popularity • 61% Danceability • 47% Energy • 14% Liveness
86% Instrumentalness • 26% Positiveness
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Jay Daniel
Paradise Valley
118 bpm • A# min • 04:42 • -8.29db
33% Popularity • 79% Danceability • 89% Energy • 11% Liveness
89% Instrumentalness • 41% Positiveness
33% Popularity • 79% Danceability • 89% Energy • 11% Liveness
89% Instrumentalness • 41% Positiveness
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30/70
N.Y.P. - SAUL Remix
118 bpm • A# Maj • 05:17 • -6db
11% Popularity • 71% Danceability • 77% Energy • 8% Liveness
7% Instrumentalness • 38% Positiveness
11% Popularity • 71% Danceability • 77% Energy • 8% Liveness
7% Instrumentalness • 38% Positiveness
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WheelUP
Good Love
118 bpm • C# min • 04:04 • -6.71db
13% Popularity • 72% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 72% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Okvsho
Orange Wine
118 bpm • D# min • 04:45 • -12.27db
40% Popularity • 86% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 41% Positiveness
40% Popularity • 86% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 41% Positiveness
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The Colours That Rise
Get Away
110 bpm • C min • 05:26 • -14.66db
15% Popularity • 71% Danceability • 50% Energy • 18% Liveness
89% Instrumentalness • 63% Positiveness
15% Popularity • 71% Danceability • 50% Energy • 18% Liveness
89% Instrumentalness • 63% Positiveness
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Ladi6
Royal Blue (Silentjay, Sensible J & Leig...
110 bpm • C# Maj • 03:11 • -7.74db
28% Popularity • 86% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 86% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Jay Daniel
Aja
118 bpm • C min • 04:38 • -8db
22% Popularity • 79% Danceability • 46% Energy • 9% Liveness
89% Instrumentalness • 22% Positiveness
22% Popularity • 79% Danceability • 46% Energy • 9% Liveness
89% Instrumentalness • 22% Positiveness
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Figmore
Wormhole Teatime
110 bpm • C# Maj • 02:54 • -10.81db
16% Popularity • 59% Danceability • 68% Energy • 9% Liveness
17% Instrumentalness • 67% Positiveness
16% Popularity • 59% Danceability • 68% Energy • 9% Liveness
17% Instrumentalness • 67% Positiveness
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Simon Mavin
Good Hair Day
110 bpm • F# min • 05:55 • -9.49db
27% Popularity • 66% Danceability • 77% Energy • 16% Liveness
53% Instrumentalness • 59% Positiveness
27% Popularity • 66% Danceability • 77% Energy • 16% Liveness
53% Instrumentalness • 59% Positiveness
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Kamaal Williams
High Roller
110 bpm • C# Maj • 03:00 • -9.54db
29% Popularity • 66% Danceability • 63% Energy • 18% Liveness
91% Instrumentalness • 68% Positiveness
29% Popularity • 66% Danceability • 63% Energy • 18% Liveness
91% Instrumentalness • 68% Positiveness
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Dego
Orbiting Uhura
110 bpm • C# min • 06:09 • -9db
18% Popularity • 82% Danceability • 59% Energy • 10% Liveness
91% Instrumentalness • 71% Positiveness
18% Popularity • 82% Danceability • 59% Energy • 10% Liveness
91% Instrumentalness • 71% Positiveness
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Neue Grafik
Why You
110 bpm • C# Maj • 05:09 • -9.03db
10% Popularity • 79% Danceability • 55% Energy • 9% Liveness
88% Instrumentalness • 60% Positiveness
10% Popularity • 79% Danceability • 55% Energy • 9% Liveness
88% Instrumentalness • 60% Positiveness
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Lord
Faith Must Have Reason
110 bpm • A# Maj • 03:42 • -10.74db
19% Popularity • 78% Danceability • 87% Energy • 8% Liveness
92% Instrumentalness • 86% Positiveness
19% Popularity • 78% Danceability • 87% Energy • 8% Liveness
92% Instrumentalness • 86% Positiveness
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Hemai
Eyes, Closed
110 bpm • C# Maj • 03:53 • -15.27db
26% Popularity • 84% Danceability • 48% Energy • 26% Liveness
39% Instrumentalness • 90% Positiveness
26% Popularity • 84% Danceability • 48% Energy • 26% Liveness
39% Instrumentalness • 90% Positiveness
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30/70
HOLY ROLLER
110 bpm • G# Maj • 04:36 • -7.1db
24% Popularity • 85% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
24% Popularity • 85% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
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Reginald Omas Mamode IV
400 Years
119 bpm • C Maj • 03:12 • -12.48db
12% Popularity • 78% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 45% Positiveness
12% Popularity • 78% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 45% Positiveness
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Henry Wu
Natural Complexion - Tenderlonious
119 bpm • A min • 04:08 • -15db
15% Popularity • 79% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
15% Popularity • 79% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
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Moodymann
Downtown
109 bpm • C# Maj • 08:35 • -12db
31% Popularity • 49% Danceability • 54% Energy • 10% Liveness
80% Instrumentalness • 32% Positiveness
31% Popularity • 49% Danceability • 54% Energy • 10% Liveness
80% Instrumentalness • 32% Positiveness
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Summer Vee
Judas
119 bpm • F# min • 04:55 • -7db
37% Popularity • 77% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 87% Positiveness
37% Popularity • 77% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 87% Positiveness
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Ebi Soda
Summer One
109 bpm • F min • 04:57 • -9.02db
27% Popularity • 73% Danceability • 57% Energy • 7% Liveness
31% Instrumentalness • 75% Positiveness
27% Popularity • 73% Danceability • 57% Energy • 7% Liveness
31% Instrumentalness • 75% Positiveness
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30/70
PLEASURE
110 bpm • F min • 03:24 • -8.07db
9% Popularity • 54% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 54% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Jitwam
busstop
119 bpm • G Maj • 03:39 • -8db
41% Popularity • 76% Danceability • 61% Energy • 37% Liveness
31% Instrumentalness • 47% Positiveness
41% Popularity • 76% Danceability • 61% Energy • 37% Liveness
31% Instrumentalness • 47% Positiveness
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Nikitch
Francis' Theme
109 bpm • G# min • 05:19 • -6.69db
10% Popularity • 78% Danceability • 90% Energy • 9% Liveness
89% Instrumentalness • 59% Positiveness
10% Popularity • 78% Danceability • 90% Energy • 9% Liveness
89% Instrumentalness • 59% Positiveness
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Horatio Luna
Patrice
119 bpm • F min • 03:32 • -9.36db
18% Popularity • 74% Danceability • 75% Energy • 10% Liveness
58% Instrumentalness • 68% Positiveness
18% Popularity • 74% Danceability • 75% Energy • 10% Liveness
58% Instrumentalness • 68% Positiveness
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Henry Wu
A3
120 bpm • C min • 01:25 • -19.78db
27% Popularity • 93% Danceability • 17% Energy • 56% Liveness
71% Instrumentalness • 74% Positiveness
27% Popularity • 93% Danceability • 17% Energy • 56% Liveness
71% Instrumentalness • 74% Positiveness
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Admin
Bright Moments
120 bpm • G Maj • 05:51 • -11.16db
15% Popularity • 78% Danceability • 65% Energy • 25% Liveness
18% Instrumentalness • 39% Positiveness
15% Popularity • 78% Danceability • 65% Energy • 25% Liveness
18% Instrumentalness • 39% Positiveness
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dreamcastmoe
Replaceable
109 bpm • F# Maj • 05:14 • -10.05db
12% Popularity • 56% Danceability • 25% Energy • 7% Liveness
42% Instrumentalness • 59% Positiveness
12% Popularity • 56% Danceability • 25% Energy • 7% Liveness
42% Instrumentalness • 59% Positiveness
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Neue Grafik
Dance to Yemanja
120 bpm • B min • 05:08 • -10.98db
12% Popularity • 74% Danceability • 83% Energy • 30% Liveness
85% Instrumentalness • 30% Positiveness
12% Popularity • 74% Danceability • 83% Energy • 30% Liveness
85% Instrumentalness • 30% Positiveness
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The Colours That Rise
The Juice
120 bpm • C# Maj • 06:31 • -16.97db
13% Popularity • 44% Danceability • 48% Energy • 26% Liveness
86% Instrumentalness • 33% Positiveness
13% Popularity • 44% Danceability • 48% Energy • 26% Liveness
86% Instrumentalness • 33% Positiveness
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30/70
Impermanence
108 bpm • C# Maj • 04:46 • -8.73db
5% Popularity • 55% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
5% Popularity • 55% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Mansur Brown
Flight
120 bpm • F# Maj • 04:59 • -9db
23% Popularity • 81% Danceability • 53% Energy • 12% Liveness
88% Instrumentalness • 71% Positiveness
23% Popularity • 81% Danceability • 53% Energy • 12% Liveness
88% Instrumentalness • 71% Positiveness
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Saul
Can't Wait
120 bpm • A# Maj • 04:31 • -8.34db
9% Popularity • 65% Danceability • 66% Energy • 9% Liveness
26% Instrumentalness • 31% Positiveness
9% Popularity • 65% Danceability • 66% Energy • 9% Liveness
26% Instrumentalness • 31% Positiveness
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Henry Wu
Don't Want The Regular
120 bpm • B min • 03:41 • -8.26db
14% Popularity • 81% Danceability • 61% Energy • 10% Liveness
60% Instrumentalness • 26% Positiveness
14% Popularity • 81% Danceability • 61% Energy • 10% Liveness
60% Instrumentalness • 26% Positiveness
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Al Dobson Jr.
Xingu
120 bpm • C# min • 02:33 • -14.38db
41% Popularity • 88% Danceability • 74% Energy • 13% Liveness
94% Instrumentalness • 83% Positiveness
41% Popularity • 88% Danceability • 74% Energy • 13% Liveness
94% Instrumentalness • 83% Positiveness
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The Colours That Rise
Deep Space - Extended Version
120 bpm • C min • 08:06 • -13.95db
12% Popularity • 72% Danceability • 34% Energy • 33% Liveness
23% Instrumentalness • 60% Positiveness
12% Popularity • 72% Danceability • 34% Energy • 33% Liveness
23% Instrumentalness • 60% Positiveness
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30/70
Tempted - Athlete Whippet Remix
120 bpm • F min • 04:19 • -9.16db
31% Popularity • 63% Danceability • 81% Energy • 12% Liveness
23% Instrumentalness • 33% Positiveness
31% Popularity • 63% Danceability • 81% Energy • 12% Liveness
23% Instrumentalness • 33% Positiveness
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Okvsho
Jazz Jam 3
120 bpm • E min • 03:11 • -10.28db
19% Popularity • 79% Danceability • 84% Energy • 10% Liveness
92% Instrumentalness • 94% Positiveness
19% Popularity • 79% Danceability • 84% Energy • 10% Liveness
92% Instrumentalness • 94% Positiveness
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Saul
Coalesce
120 bpm • F# Maj • 04:51 • -8.59db
11% Popularity • 67% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 67% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Duke Hugh
Say No More
120 bpm • B Maj • 03:14 • -8.81db
29% Popularity • 65% Danceability • 53% Energy • 11% Liveness
12% Instrumentalness • 51% Positiveness
29% Popularity • 65% Danceability • 53% Energy • 11% Liveness
12% Instrumentalness • 51% Positiveness
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NATE08
Hold Up
120 bpm • E min • 02:40 • -11.66db
34% Popularity • 82% Danceability • 39% Energy • 9% Liveness
52% Instrumentalness • 37% Positiveness
34% Popularity • 82% Danceability • 39% Energy • 9% Liveness
52% Instrumentalness • 37% Positiveness
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Steve Spacek
Waiting 4 You
120 bpm • C Maj • 07:30 • -10.53db
21% Popularity • 81% Danceability • 54% Energy • 9% Liveness
12% Instrumentalness • 45% Positiveness
21% Popularity • 81% Danceability • 54% Energy • 9% Liveness
12% Instrumentalness • 45% Positiveness
