Songs like Ach Wie Sehnlich Wart' Ich Der Zeit by Johann Michael Bach
Based on a tempo of (+/- 10%) and a similar genre
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Jan Dismas Zelenka
Gesu al Calvario, ZWV 62: Chorus: Questo...
98 bpm • B min • 02:02 • -21.7db
10% Popularity • 34% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 34% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Antonio Vivaldi
Credo, RV 591: 3. Crucifixus
98 bpm • A min • 02:53 • -18.03db
11% Popularity • 25% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
11% Popularity • 25% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
98 bpm • C# Maj • 05:15 • -17.56db
11% Popularity • 34% Danceability • 30% Energy • 27% Liveness
96% Instrumentalness • 50% Positiveness
11% Popularity • 34% Danceability • 30% Energy • 27% Liveness
96% Instrumentalness • 50% Positiveness
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Johann Philipp Krieger
Die ausgesöhnte Eifersucht oder Cephalu...
98 bpm • C# Maj • 08:37 • -20.86db
19% Popularity • 27% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
19% Popularity • 27% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Johann Michael Bach
Ach Wie Sehnlich Wart' Ich Der Zeit
98 bpm • F# min • 05:47 • -16.51db
1% Popularity • 28% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
1% Popularity • 28% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Henry Purcell
The Indian Queen, Z. 630: "I attempt fro...
98 bpm • D Maj • 02:03 • -13db
12% Popularity • 40% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 40% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Joseph Haydn
Mass No. 3 in C Major, Hob.XXII:5, "Miss...
99 bpm • E min • 03:04 • -17db
10% Popularity • 37% Danceability • 34% Energy • 38% Liveness
19% Instrumentalness • 23% Positiveness
10% Popularity • 37% Danceability • 34% Energy • 38% Liveness
19% Instrumentalness • 23% Positiveness
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Antonio Caldara
Sinfonia No. 6 in G minor (arrangement o...
99 bpm • D Maj • 04:49 • -23.65db
15% Popularity • 30% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 30% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Sanctus
99 bpm • G# Maj • 01:09 • -15.91db
24% Popularity • 19% Danceability • 28% Energy • 24% Liveness
94% Instrumentalness • 20% Positiveness
24% Popularity • 19% Danceability • 28% Energy • 24% Liveness
94% Instrumentalness • 20% Positiveness
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Johann Christoph Bach
Mit Weinen hebt sichs an (Aria)
99 bpm • G Maj • 06:24 • -29db
7% Popularity • 15% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 15% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Johann Friedrich Fasch
Concerto for 3 Trumpets, Timpani, 2 Oboe...
99 bpm • G# Maj • 03:54 • -20.01db
13% Popularity • 42% Danceability • 23% Energy • 8% Liveness
63% Instrumentalness • 65% Positiveness
13% Popularity • 42% Danceability • 23% Energy • 8% Liveness
63% Instrumentalness • 65% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: X. "In te Domine sperav...
97 bpm • C# Maj • 02:34 • -16.03db
17% Popularity • 45% Danceability • 33% Energy • 8% Liveness
26% Instrumentalness • 74% Positiveness
17% Popularity • 45% Danceability • 33% Energy • 8% Liveness
26% Instrumentalness • 74% Positiveness
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Johannes Brahms
Warum ist das Licht gegeben dem Mühseli...
99 bpm • F Maj • 02:47 • -20db
10% Popularity • 15% Danceability • 15% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 15% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
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George Frideric Handel
Nisi Dominus, HWV 238: I. Nisi Dominus
99 bpm • F# Maj • 02:00 • -21.48db
21% Popularity • 41% Danceability • 23% Energy • 59% Liveness
1% Instrumentalness • 71% Positiveness
21% Popularity • 41% Danceability • 23% Energy • 59% Liveness
1% Instrumentalness • 71% Positiveness
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Wolfgang Amadeus Mozart
Missa brevis in D Major, K. 194: II. Glo...
96 bpm • D Maj • 02:37 • -22.66db
8% Popularity • 29% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 29% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Johann Michael Bach
Fürchtet euch nicht
99 bpm • G Maj • 03:10 • -22.06db
8% Popularity • 21% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 21% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Domenico Scarlatti
Te Deum laudamus pour deux choeurs et ba...
100 bpm • F# Maj • 03:24 • -21.86db
9% Popularity • 18% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 18% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Heinrich Schütz
Concert: "Saul, Saul, was verfolgst du m...
100 bpm • A min • 03:21 • -22db
11% Popularity • 25% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 25% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Gregorio Allegri
Messe vidi turbam magnam: No. 3, Gloria
100 bpm • F Maj • 03:20 • -19db
17% Popularity • 18% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 18% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: Judicabit in nat...
100 bpm • E Maj • 02:29 • -16.64db
11% Popularity • 34% Danceability • 37% Energy • 62% Liveness
1% Instrumentalness • 58% Positiveness
11% Popularity • 34% Danceability • 37% Energy • 62% Liveness
1% Instrumentalness • 58% Positiveness
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Agostino Steffani
Stabat Mater: Virgo virginum praeclara
96 bpm • C min • 01:30 • -20db
13% Popularity • 25% Danceability • 20% Energy • 12% Liveness
49% Instrumentalness • 26% Positiveness
13% Popularity • 25% Danceability • 20% Energy • 12% Liveness
49% Instrumentalness • 26% Positiveness
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Johann Christoph Bach
Merk auf mein Herz, BWV Anh. III 163: II...
99 bpm • F Maj • 01:30 • -22db
7% Popularity • 21% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
7% Popularity • 21% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Johann Michael Bach
Friedens-Cantata: I. Jehova, Vater der W...
96 bpm • D# Maj • 02:08 • -21.51db
0% Popularity • 43% Danceability • 20% Energy • 32% Liveness
2% Instrumentalness • 24% Positiveness
0% Popularity • 43% Danceability • 20% Energy • 32% Liveness
2% Instrumentalness • 24% Positiveness
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Antonio Caldara
Stabat Mater: X. Flammis ne urar succens...
96 bpm • B min • 00:58 • -18.33db
21% Popularity • 34% Danceability • 7% Energy • 27% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 34% Danceability • 7% Energy • 27% Liveness
0% Instrumentalness • 14% Positiveness
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Valeriy Blagovidov
Mischievous Young Princess Lost in the F...
100 bpm • C# Maj • 02:30 • -23.81db
20% Popularity • 31% Danceability • 5% Energy • 12% Liveness
97% Instrumentalness • 24% Positiveness
20% Popularity • 31% Danceability • 5% Energy • 12% Liveness
97% Instrumentalness • 24% Positiveness
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George Frideric Handel
Ode for the Birthday of Queen Anne, HWV ...
96 bpm • C# Maj • 02:37 • -15.25db
12% Popularity • 42% Danceability • 29% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
12% Popularity • 42% Danceability • 29% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
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Jan Dismas Zelenka
Missa Dei Filii, ZWV 20: Kyrie eleison (...
96 bpm • B Maj • 01:34 • -16db
13% Popularity • 24% Danceability • 25% Energy • 17% Liveness
90% Instrumentalness • 11% Positiveness
13% Popularity • 24% Danceability • 25% Energy • 17% Liveness
90% Instrumentalness • 11% Positiveness
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Johann Christoph Bach
Fürchte dich nicht
96 bpm • A min • 04:35 • -26db
10% Popularity • 18% Danceability • 5% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 18% Danceability • 5% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
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Johann Michael Bach
Sei, lieber Tag, willkommen
96 bpm • D Maj • 03:57 • -19.53db
0% Popularity • 28% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 28% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Antonio Caldara
Missa Dolorosa: I. Kyrie
96 bpm • D# min • 06:53 • -20.24db
13% Popularity • 19% Danceability • 8% Energy • 5% Liveness
2% Instrumentalness • 9% Positiveness
13% Popularity • 19% Danceability • 8% Energy • 5% Liveness
2% Instrumentalness • 9% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: III....
96 bpm • G# Maj • 03:34 • -31.14db
12% Popularity • 24% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 24% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Thomas Hengelbrock
Miserere in C minor: Sicut erat
101 bpm • E Maj • 01:14 • -20.46db
15% Popularity • 15% Danceability • 15% Energy • 48% Liveness
94% Instrumentalness • 42% Positiveness
15% Popularity • 15% Danceability • 15% Energy • 48% Liveness
94% Instrumentalness • 42% Positiveness
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Alonso Mudarra
Tres libros de musica en cifras para vih...
96 bpm • F# Maj • 01:34 • -22.59db
16% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 25% Positiveness
16% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 25% Positiveness
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George Frideric Handel
Solomon, HWV 67, Act III: No. 58 Air "Wi...
95 bpm • D# min • 06:22 • -24.01db
9% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Johann Michael Bach
Unser Leben währet siebenzig Jahr
97 bpm • C Maj • 03:54 • -25db
11% Popularity • 18% Danceability • 5% Energy • 11% Liveness
35% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 5% Energy • 11% Liveness
35% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Trio Sonata in B-Flat Major, BuxWV 255
95 bpm • A# Maj • 08:26 • -26db
11% Popularity • 32% Danceability • 13% Energy • 18% Liveness
38% Instrumentalness • 44% Positiveness
11% Popularity • 32% Danceability • 13% Energy • 18% Liveness
38% Instrumentalness • 44% Positiveness
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Heinrich Schütz
Johannes-Passion, SWV 481: II. Gefangenn...
102 bpm • C# Maj • 04:32 • -22.94db
8% Popularity • 38% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 38% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: I. K...
94 bpm • C Maj • 04:44 • -19.22db
17% Popularity • 11% Danceability • 13% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
17% Popularity • 11% Danceability • 13% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
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Chor, Solisten & Orchester von St. Augustin
Spatzenmesse in C-Dur, KV. 220 'Missa - ...
94 bpm • C Maj • 04:01 • -20.56db
10% Popularity • 33% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 28% Positiveness
10% Popularity • 33% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 28% Positiveness
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Georg Philipp Telemann
Gesegnet ist die Zuversicht, TVWV 1:616:...
94 bpm • A Maj • 02:14 • -19.18db
11% Popularity • 26% Danceability • 15% Energy • 14% Liveness
32% Instrumentalness • 49% Positiveness
11% Popularity • 26% Danceability • 15% Energy • 14% Liveness
32% Instrumentalness • 49% Positiveness
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Johann Michael Bach
Sei lieber Tag willkommen
96 bpm • D Maj • 04:44 • -20.64db
5% Popularity • 30% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
5% Popularity • 30% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad genua: ...
94 bpm • F min • 01:15 • -25.85db
29% Popularity • 38% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 11% Positiveness
29% Popularity • 38% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 11% Positiveness
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Antonio Lotti
II. Crucifixus
94 bpm • B min • 03:37 • -20.42db
7% Popularity • 11% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
7% Popularity • 11% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Choir of King's College, Cambridge
Sanctus in C BWV237
94 bpm • B Maj • 01:35 • -17db
8% Popularity • 29% Danceability • 43% Energy • 28% Liveness
1% Instrumentalness • 29% Positiveness
8% Popularity • 29% Danceability • 43% Energy • 28% Liveness
1% Instrumentalness • 29% Positiveness
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Antonio Vivaldi
Magnificat, RV 610: 9. Gloria Patri
103 bpm • G min • 01:55 • -17.21db
12% Popularity • 32% Danceability • 24% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
12% Popularity • 32% Danceability • 24% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
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Georg Philipp Telemann
Ich fahre auf zu meinem Vater, TWV 1:825...
94 bpm • E Maj • 03:54 • -14.37db
25% Popularity • 34% Danceability • 31% Energy • 28% Liveness
12% Instrumentalness • 50% Positiveness
25% Popularity • 34% Danceability • 31% Energy • 28% Liveness
12% Instrumentalness • 50% Positiveness
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Johann Bernhard Bach
Ouverture in G Minor: V. Fantaisie
103 bpm • F min • 03:11 • -21.29db
10% Popularity • 36% Danceability • 15% Energy • 19% Liveness
81% Instrumentalness • 40% Positiveness
10% Popularity • 36% Danceability • 15% Energy • 19% Liveness
81% Instrumentalness • 40% Positiveness
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Johann Michael Bach
Sei, lieber Tag, willkommen
95 bpm • D Maj • 03:17 • -24.01db
0% Popularity • 22% Danceability • 8% Energy • 25% Liveness
18% Instrumentalness • 18% Positiveness
0% Popularity • 22% Danceability • 8% Energy • 25% Liveness
18% Instrumentalness • 18% Positiveness
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Giulio Caccini
All'imperio d'Amore: 7. Ineffabile ardor...
103 bpm • A# Maj • 00:54 • -16db
21% Popularity • 18% Danceability • 26% Energy • 30% Liveness
99% Instrumentalness • 5% Positiveness
21% Popularity • 18% Danceability • 26% Energy • 30% Liveness
99% Instrumentalness • 5% Positiveness
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Dietrich Buxtehude
Jesu meines Lebens Leben, BuxWV 62: Jesu...
103 bpm • D min • 07:05 • -18.09db
11% Popularity • 21% Danceability • 12% Energy • 33% Liveness
20% Instrumentalness • 6% Positiveness
11% Popularity • 21% Danceability • 12% Energy • 33% Liveness
20% Instrumentalness • 6% Positiveness
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Jan Dismas Zelenka
Missa Divi Xaverii, ZWV 12: Kyrie eleiso...
93 bpm • G# Maj • 03:35 • -21db
12% Popularity • 42% Danceability • 14% Energy • 19% Liveness
47% Instrumentalness • 47% Positiveness
12% Popularity • 42% Danceability • 14% Energy • 19% Liveness
47% Instrumentalness • 47% Positiveness
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Domenico Scarlatti
Salve Regina pour soprano, contre-ténor...
103 bpm • G# min • 02:07 • -27db
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
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Crato B?er
Aria Sunamithica
103 bpm • G min • 05:19 • -18.27db
9% Popularity • 32% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 32% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Johann Michael Bach
Halt, was du hast
102 bpm • D# min • 04:41 • -23.59db
2% Popularity • 31% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
2% Popularity • 31% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Antonio Vivaldi
Kyrie, R. 587: 3. Adagio - Allegro: Kyri...
103 bpm • G min • 02:20 • -16.24db
10% Popularity • 33% Danceability • 24% Energy • 17% Liveness
69% Instrumentalness • 18% Positiveness
10% Popularity • 33% Danceability • 24% Energy • 17% Liveness
69% Instrumentalness • 18% Positiveness
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Louis Vierne
Messe Solennelle, Op. 16 - Sanctus
93 bpm • E Maj • 02:32 • -14.64db
8% Popularity • 17% Danceability • 23% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 23% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Michael Haydn
Missa Quadragesimalis, MH 552: Dona nobi...
103 bpm • G# min • 02:05 • -20.05db
19% Popularity • 25% Danceability • 10% Energy • 22% Liveness
13% Instrumentalness • 19% Positiveness
19% Popularity • 25% Danceability • 10% Energy • 22% Liveness
13% Instrumentalness • 19% Positiveness
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Domenico Scarlatti
Salve Regina pour soprano, contre-ténor...
93 bpm • B Maj • 00:52 • -25.31db
10% Popularity • 26% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 26% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Johan Helmich Roman
Then Svenska Messan, HRV 404: Herre för...
104 bpm • E Maj • 02:01 • -16db
11% Popularity • 15% Danceability • 20% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 20% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Johann Michael Bach
Ich weiß, daß mein Erlöser lebt (Arr....
94 bpm • G Maj • 02:08 • -23.74db
1% Popularity • 17% Danceability • 11% Energy • 12% Liveness
2% Instrumentalness • 11% Positiveness
1% Popularity • 17% Danceability • 11% Energy • 12% Liveness
2% Instrumentalness • 11% Positiveness
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Gioachino Rossini
Petite messe solennelle: X. Gloria. Cum ...
104 bpm • F Maj • 05:35 • -16db
9% Popularity • 25% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
9% Popularity • 25% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
► Preview
Marc-Antoine Charpentier
A la venue de noël
92 bpm • C# min • 01:00 • -22.24db
26% Popularity • 46% Danceability • 17% Energy • 4% Liveness
54% Instrumentalness • 78% Positiveness
26% Popularity • 46% Danceability • 17% Energy • 4% Liveness
54% Instrumentalness • 78% Positiveness
► Preview
Jan Dismas Zelenka
Missa Sancti Spiritus, ZWV 4: Et unam Sa...
92 bpm • G# Maj • 01:18 • -22.81db
11% Popularity • 26% Danceability • 4% Energy • 11% Liveness
48% Instrumentalness • 9% Positiveness
11% Popularity • 26% Danceability • 4% Energy • 11% Liveness
48% Instrumentalness • 9% Positiveness
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George Frideric Handel
Solomon, HWV 67, Act III: No. 61 Double ...
104 bpm • C# Maj • 04:21 • -14.62db
11% Popularity • 26% Danceability • 25% Energy • 9% Liveness
18% Instrumentalness • 30% Positiveness
11% Popularity • 26% Danceability • 25% Energy • 9% Liveness
18% Instrumentalness • 30% Positiveness
► Preview
Michael Haydn
Missa pro Quadragesima, MH 551: Credo: E...
92 bpm • E Maj • 02:41 • -18.72db
16% Popularity • 28% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 28% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Orquesta de Cámara de BerlÃn
La Pasión según San Mateo, BWV 244: No...
92 bpm • B min • 05:19 • -18.69db
10% Popularity • 25% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 25% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Jan Pieterszoon Sweelinck
Allein Gott in der Hoh sei Ehr, SwWV 299...
92 bpm • E Maj • 00:57 • -13.98db
21% Popularity • 15% Danceability • 18% Energy • 54% Liveness
72% Instrumentalness • 49% Positiveness
21% Popularity • 15% Danceability • 18% Energy • 54% Liveness
72% Instrumentalness • 49% Positiveness
► Preview
Francesc Valls i Galan
Kyrie de quarti toni
105 bpm • G# min • 02:02 • -15.95db
11% Popularity • 18% Danceability • 5% Energy • 21% Liveness
49% Instrumentalness • 17% Positiveness
11% Popularity • 18% Danceability • 5% Energy • 21% Liveness
49% Instrumentalness • 17% Positiveness
► Preview
Johann Christoph Bach
Merk auf mein Herz, BWV Anh. III 163: VI...
92 bpm • F Maj • 01:59 • -22.63db
6% Popularity • 21% Danceability • 11% Energy • 13% Liveness
22% Instrumentalness • 37% Positiveness
6% Popularity • 21% Danceability • 11% Energy • 13% Liveness
22% Instrumentalness • 37% Positiveness
► Preview
George Frideric Handel
Nisi Dominus, HWV 238: Cum dederit
92 bpm • B Maj • 01:26 • -25.81db
14% Popularity • 31% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 31% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Dietrich Buxtehude
Klag-Lied Variation/Auf lass uns den H
92 bpm • D min • 06:41 • -17.09db
0% Popularity • 11% Danceability • 5% Energy • 11% Liveness
15% Instrumentalness • 4% Positiveness
0% Popularity • 11% Danceability • 5% Energy • 11% Liveness
15% Instrumentalness • 4% Positiveness
► Preview
Michael Haydn
Missa pro Quadragesima, MH 551: Credo: E...
92 bpm • E Maj • 01:01 • -23.95db
21% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Johann Pachelbel
Magnificat Fugue Quinti Toni III, P316
92 bpm • F Maj • 01:19 • -32.01db
7% Popularity • 11% Danceability • 9% Energy • 40% Liveness
95% Instrumentalness • 65% Positiveness
7% Popularity • 11% Danceability • 9% Energy • 40% Liveness
95% Instrumentalness • 65% Positiveness
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Jean-Jacques Beauvarlet-Charpentier
Noël "Votre bonté grand Dieu"
92 bpm • A Maj • 06:48 • -21.75db
9% Popularity • 18% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 30% Positiveness
9% Popularity • 18% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 30% Positiveness
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Francesco Durante
Magnificat in B flat major: Suscepit Isr...
105 bpm • B Maj • 02:03 • -25db
13% Popularity • 20% Danceability • 5% Energy • 28% Liveness
1% Instrumentalness • 11% Positiveness
13% Popularity • 20% Danceability • 5% Energy • 28% Liveness
1% Instrumentalness • 11% Positiveness
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Johann Hermann Schein
Wie lieblich sind deine Wohnungen
105 bpm • D min • 03:58 • -23.04db
11% Popularity • 15% Danceability • 9% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 9% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
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La Capella Reial De Catalunya
Messe in H-moll, BWV 232: Gloria in exce...
91 bpm • G# Maj • 01:39 • -17db
10% Popularity • 44% Danceability • 34% Energy • 58% Liveness
20% Instrumentalness • 92% Positiveness
10% Popularity • 44% Danceability • 34% Energy • 58% Liveness
20% Instrumentalness • 92% Positiveness
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Antonio Vivaldi
Kyrie, RV 587: Kyrie eleison
91 bpm • F# min • 02:07 • -19.62db
21% Popularity • 20% Danceability • 16% Energy • 14% Liveness
5% Instrumentalness • 22% Positiveness
21% Popularity • 20% Danceability • 16% Energy • 14% Liveness
5% Instrumentalness • 22% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: Psal...
91 bpm • G min • 07:02 • -16.21db
16% Popularity • 15% Danceability • 25% Energy • 10% Liveness
13% Instrumentalness • 14% Positiveness
16% Popularity • 15% Danceability • 25% Energy • 10% Liveness
13% Instrumentalness • 14% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": V. A...
91 bpm • F# min • 01:32 • -19db
28% Popularity • 57% Danceability • 18% Energy • 19% Liveness
90% Instrumentalness • 26% Positiveness
28% Popularity • 57% Danceability • 18% Energy • 19% Liveness
90% Instrumentalness • 26% Positiveness
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Johann Michael Bach
Friedens-Cantata: VIII. Heilig ist Gott,...
91 bpm • D# Maj • 03:34 • -18.46db
0% Popularity • 26% Danceability • 18% Energy • 14% Liveness
88% Instrumentalness • 6% Positiveness
0% Popularity • 26% Danceability • 18% Energy • 14% Liveness
88% Instrumentalness • 6% Positiveness
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Dietrich Buxtehude
Jesu, meine Freude, BuxWV 60: IV. Trotz ...
91 bpm • E min • 01:38 • -22db
13% Popularity • 40% Danceability • 4% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 40% Danceability • 4% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
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Pier Giuseppe Sandoni
Organ Sonata in C Major
91 bpm • C Maj • 04:39 • -35.24db
10% Popularity • 24% Danceability • 1% Energy • 8% Liveness
57% Instrumentalness • 30% Positiveness
10% Popularity • 24% Danceability • 1% Energy • 8% Liveness
57% Instrumentalness • 30% Positiveness
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Wolfgang Carl Briegel
Ach, Herr, lehre doch mich
106 bpm • A# Maj • 04:59 • -21.11db
8% Popularity • 22% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 22% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Ben...
91 bpm • C# min • 01:09 • -21db
27% Popularity • 19% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 19% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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Heinrich Schütz
Das ist je gewißlich wahr, SWV 277
106 bpm • A min • 04:43 • -18.71db
14% Popularity • 22% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
14% Popularity • 22% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
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Johann Michael Bach
Herr, ich warte auf dein Heil
106 bpm • C Maj • 04:52 • -23.01db
11% Popularity • 19% Danceability • 7% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 7% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Magnificat, RV 610: 8. Sicut locutus est
106 bpm • F Maj • 01:37 • -20.48db
9% Popularity • 48% Danceability • 15% Energy • 13% Liveness
7% Instrumentalness • 72% Positiveness
9% Popularity • 48% Danceability • 15% Energy • 13% Liveness
7% Instrumentalness • 72% Positiveness
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Dietrich Becker
Sonata & Suite in D-Dur: Sonata & Suite ...
90 bpm • C# Maj • 01:29 • -18db
14% Popularity • 21% Danceability • 10% Energy • 11% Liveness
60% Instrumentalness • 11% Positiveness
14% Popularity • 21% Danceability • 10% Energy • 11% Liveness
60% Instrumentalness • 11% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 4. Quae moerabat
90 bpm • D Maj • 02:24 • -22db
16% Popularity • 31% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 31% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Dietrich Buxtehude
Das neugeborne Kindelein, BuxWV 13
89 bpm • B Maj • 06:39 • -21db
8% Popularity • 27% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 27% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Johannes Brahms
Fünf Gesänge, Op. 104: II. Nachtwache ...
89 bpm • D# Maj • 01:24 • -23db
12% Popularity • 15% Danceability • 10% Energy • 7% Liveness
4% Instrumentalness • 8% Positiveness
12% Popularity • 15% Danceability • 10% Energy • 7% Liveness
4% Instrumentalness • 8% Positiveness
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Johann Michael Bach
Herr, ich warte auf dein Heil (Arr. for ...
107 bpm • C Maj • 04:37 • -21.55db
1% Popularity • 18% Danceability • 18% Energy • 20% Liveness
22% Instrumentalness • 6% Positiveness
1% Popularity • 18% Danceability • 18% Energy • 20% Liveness
22% Instrumentalness • 6% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Cre...
89 bpm • C# min • 00:51 • -25.91db
21% Popularity • 20% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 20% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Lennart Hultin
3 Folkliga koraler: No. 1. MÃ¥ vi olja i...
108 bpm • G min • 02:49 • -28.96db
9% Popularity • 16% Danceability • 0% Energy • 14% Liveness
95% Instrumentalness • 6% Positiveness
9% Popularity • 16% Danceability • 0% Energy • 14% Liveness
95% Instrumentalness • 6% Positiveness
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Henry Purcell
Fantasias & In Nomines: No. 15 in G Mino...
108 bpm • F# min • 02:10 • -18.92db
11% Popularity • 21% Danceability • 8% Energy • 12% Liveness
59% Instrumentalness • 6% Positiveness
11% Popularity • 21% Danceability • 8% Energy • 12% Liveness
59% Instrumentalness • 6% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: De torrente - Aft...
108 bpm • D# min • 02:39 • -20.05db
18% Popularity • 37% Danceability • 27% Energy • 11% Liveness
23% Instrumentalness • 45% Positiveness
18% Popularity • 37% Danceability • 27% Energy • 11% Liveness
23% Instrumentalness • 45% Positiveness
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Claudio Monteverdi
Il secondo libro de madrigali a cinque v...
89 bpm • D# min • 04:25 • -25.81db
15% Popularity • 14% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
