Songs like Acoustic Guitar Solo No. 3 by Jake Longsworth
Based on a tempo of (+/- 10%) and a similar genre
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Lyra
Wayland
116 bpm • D Maj • 02:58 • -16.72db
11% Popularity • 48% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 42% Positiveness
11% Popularity • 48% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 42% Positiveness
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María Luisa Anido
Barcarole
116 bpm • A min • 02:23 • -25.73db
9% Popularity • 50% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
9% Popularity • 50% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
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榊原長紀
くまのプーさん 「くまのプー...
116 bpm • D Maj • 02:48 • -17.3db
12% Popularity • 55% Danceability • 13% Energy • 9% Liveness
95% Instrumentalness • 47% Positiveness
12% Popularity • 55% Danceability • 13% Energy • 9% Liveness
95% Instrumentalness • 47% Positiveness
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David Brandon
French Lullaby
116 bpm • A min • 01:38 • -20.3db
14% Popularity • 46% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
14% Popularity • 46% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
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Kimiyoshi Akiyama
やさしさに包まれたなら(魔女...
116 bpm • G Maj • 02:35 • -15.46db
11% Popularity • 64% Danceability • 19% Energy • 10% Liveness
87% Instrumentalness • 55% Positiveness
11% Popularity • 64% Danceability • 19% Energy • 10% Liveness
87% Instrumentalness • 55% Positiveness
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Jake Longsworth
Acoustic Guitar Solo No. 3
116 bpm • E min • 02:14 • -13.57db
2% Popularity • 47% Danceability • 31% Energy • 23% Liveness
84% Instrumentalness • 42% Positiveness
2% Popularity • 47% Danceability • 31% Energy • 23% Liveness
84% Instrumentalness • 42% Positiveness
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Smooth!E
First Taste of Smooth
117 bpm • G Maj • 02:35 • -21.18db
19% Popularity • 62% Danceability • 19% Energy • 40% Liveness
94% Instrumentalness • 20% Positiveness
19% Popularity • 62% Danceability • 19% Energy • 40% Liveness
94% Instrumentalness • 20% Positiveness
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Wayne Jones
Never Look Back
116 bpm • D min • 04:37 • -20.8db
20% Popularity • 54% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
20% Popularity • 54% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
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Loulou Metellus
Beata
117 bpm • C Maj • 02:11 • -30.34db
19% Popularity • 52% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 35% Positiveness
19% Popularity • 52% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 35% Positiveness
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EUFORIA LA VERSATILIDAD
Nose
115 bpm • C Maj • 00:54 • -35.51db
9% Popularity • 52% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 51% Positiveness
9% Popularity • 52% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 51% Positiveness
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Trần Hoài Phương
Em Còn Nhớ Hay Em Đã Quên
117 bpm • D min • 07:35 • -18.13db
3% Popularity • 48% Danceability • 13% Energy • 20% Liveness
90% Instrumentalness • 12% Positiveness
3% Popularity • 48% Danceability • 13% Energy • 20% Liveness
90% Instrumentalness • 12% Positiveness
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Tim Brace
Interlude 7: Blues in E Minor for Solo G...
115 bpm • E min • 01:26 • -23db
23% Popularity • 61% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 49% Positiveness
23% Popularity • 61% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 49% Positiveness
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Johannes Grill
Leaves in the Wind
115 bpm • G Maj • 02:44 • -15.84db
20% Popularity • 70% Danceability • 22% Energy • 9% Liveness
93% Instrumentalness • 25% Positiveness
20% Popularity • 70% Danceability • 22% Energy • 9% Liveness
93% Instrumentalness • 25% Positiveness
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Joel Karlsson
Eternity
115 bpm • A min • 01:38 • -15.69db
21% Popularity • 51% Danceability • 23% Energy • 11% Liveness
95% Instrumentalness • 55% Positiveness
21% Popularity • 51% Danceability • 23% Energy • 11% Liveness
95% Instrumentalness • 55% Positiveness
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Stevan Pasero
Sonata in E Minor
117 bpm • G Maj • 01:24 • -24.19db
13% Popularity • 53% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 24% Positiveness
13% Popularity • 53% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 24% Positiveness
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Martin Romberg
Nilmë, variasjoner over et gammelt tema...
118 bpm • A min • 05:54 • -25.64db
15% Popularity • 42% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
15% Popularity • 42% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
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Randy Titus
Anxiety
115 bpm • D min • 02:24 • -10.97db
13% Popularity • 53% Danceability • 26% Energy • 34% Liveness
95% Instrumentalness • 9% Positiveness
13% Popularity • 53% Danceability • 26% Energy • 34% Liveness
95% Instrumentalness • 9% Positiveness
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Tim Brace
Prelude No. 4
117 bpm • E min • 01:42 • -20db
22% Popularity • 57% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
22% Popularity • 57% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
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Andrew Keeping
Love Is Here to Stay
118 bpm • D Maj • 02:47 • -28.17db
13% Popularity • 46% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
13% Popularity • 46% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Phillip Lester
Sweet Dreams
114 bpm • A# Maj • 04:16 • -28.55db
9% Popularity • 37% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 47% Positiveness
9% Popularity • 37% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 47% Positiveness
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Jesús Martínez Torres
Mella's Suite - I. Walking To School
118 bpm • A Maj • 01:26 • -21.83db
14% Popularity • 71% Danceability • 17% Energy • 34% Liveness
94% Instrumentalness • 31% Positiveness
14% Popularity • 71% Danceability • 17% Energy • 34% Liveness
94% Instrumentalness • 31% Positiveness
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Napoléon Coste
Prelude No.3 in F Major
118 bpm • D min • 00:58 • -15.58db
22% Popularity • 37% Danceability • 31% Energy • 10% Liveness
95% Instrumentalness • 47% Positiveness
22% Popularity • 37% Danceability • 31% Energy • 10% Liveness
95% Instrumentalness • 47% Positiveness
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Ferdinando Carulli
Metodo, Op. 27: Andante in A Minor
118 bpm • G# min • 02:46 • -22.01db
20% Popularity • 38% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
20% Popularity • 38% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Tim Brace
Song Without Words No. 1
114 bpm • G Maj • 03:36 • -19db
12% Popularity • 50% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
12% Popularity • 50% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
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Raffy Lata
Friend of Mine
118 bpm • C Maj • 03:17 • -21.46db
17% Popularity • 58% Danceability • 16% Energy • 8% Liveness
95% Instrumentalness • 56% Positiveness
17% Popularity • 58% Danceability • 16% Energy • 8% Liveness
95% Instrumentalness • 56% Positiveness
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Janco de Leeuw
Een Zwerm Spreeuwen
114 bpm • E min • 01:09 • -18.46db
9% Popularity • 32% Danceability • 28% Energy • 7% Liveness
93% Instrumentalness • 26% Positiveness
9% Popularity • 32% Danceability • 28% Energy • 7% Liveness
93% Instrumentalness • 26% Positiveness
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Jack Black
Poker Love
114 bpm • D Maj • 06:08 • -19.62db
11% Popularity • 54% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
11% Popularity • 54% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
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Thomas Hopkins
Comic Moments #1
118 bpm • A# Maj • 00:33 • -12.73db
0% Popularity • 71% Danceability • 53% Energy • 65% Liveness
51% Instrumentalness • 7% Positiveness
0% Popularity • 71% Danceability • 53% Energy • 65% Liveness
51% Instrumentalness • 7% Positiveness
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Chrystian Dozza
Balada
113 bpm • D Maj • 04:55 • -27.04db
9% Popularity • 40% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 12% Positiveness
9% Popularity • 40% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 12% Positiveness
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Thu Le
Quizas, quizas, quizas - Osvaldo Farres
113 bpm • D min • 02:05 • -18.24db
11% Popularity • 58% Danceability • 17% Energy • 14% Liveness
92% Instrumentalness • 65% Positiveness
11% Popularity • 58% Danceability • 17% Energy • 14% Liveness
92% Instrumentalness • 65% Positiveness
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M. Carcassi
MENUET (OP. 21 NR. 12)
113 bpm • C Maj • 01:57 • -24.04db
17% Popularity • 60% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 47% Positiveness
17% Popularity • 60% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 47% Positiveness
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Janco de Leeuw
In de Verte
118 bpm • E min • 01:52 • -16.58db
9% Popularity • 59% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
9% Popularity • 59% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Ray Norris
Green Eyes
113 bpm • A min • 02:14 • -16db
24% Popularity • 47% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 37% Positiveness
24% Popularity • 47% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 37% Positiveness
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Phillip Lester
Prelude In C
113 bpm • D# Maj • 02:36 • -22db
20% Popularity • 52% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 65% Positiveness
20% Popularity • 52% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 65% Positiveness
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Raffy Lata
You Are My Song
119 bpm • A min • 04:15 • -17.24db
13% Popularity • 49% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 44% Positiveness
13% Popularity • 49% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 44% Positiveness
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Javier Miño
Berceuse à fez pour ses jeunes enfants
119 bpm • D Maj • 01:02 • -23.13db
29% Popularity • 74% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
29% Popularity • 74% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Juan Alberto Castillo
Night Song
119 bpm • G min • 03:07 • -17.14db
17% Popularity • 52% Danceability • 19% Energy • 13% Liveness
94% Instrumentalness • 44% Positiveness
17% Popularity • 52% Danceability • 19% Energy • 13% Liveness
94% Instrumentalness • 44% Positiveness
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Napoléon Coste
Les Soirées d’Auteuil, Op. 23: Serena...
113 bpm • A Maj • 03:20 • -20.05db
16% Popularity • 42% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
16% Popularity • 42% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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Jeffrey McFadden
Stepping Lightly
119 bpm • C Maj • 01:38 • -18.65db
17% Popularity • 48% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 69% Positiveness
17% Popularity • 48% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 69% Positiveness
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Edino Krieger
Romanceiro
120 bpm • A Maj • 02:55 • -24.63db
9% Popularity • 40% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 29% Positiveness
9% Popularity • 40% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 29% Positiveness
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Florian Forestino
Walking Easy
112 bpm • G Maj • 01:06 • -34.27db
20% Popularity • 41% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 35% Positiveness
20% Popularity • 41% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 35% Positiveness
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Masatoshi Taruishi
ニュー・シネマ・パラダイス
120 bpm • B min • 02:23 • -16.85db
11% Popularity • 36% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
11% Popularity • 36% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Joaquín Turina
Sonata, Op. 61, II. Andante
120 bpm • D Maj • 04:11 • -23.36db
10% Popularity • 60% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 26% Positiveness
10% Popularity • 60% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 26% Positiveness
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Maximo Deigo Pujol
Suite del Plata No. 1: I. Prelude
120 bpm • F Maj • 01:27 • -14.95db
15% Popularity • 44% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
15% Popularity • 44% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
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Kurt Lanham
Bella Volte
120 bpm • E min • 02:34 • -11db
1% Popularity • 58% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
1% Popularity • 58% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Rick Foster
Near the Cross
112 bpm • G# Maj • 02:12 • -26.04db
12% Popularity • 69% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
12% Popularity • 69% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
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Bret Williams
Time with People
112 bpm • D Maj • 03:54 • -27db
23% Popularity • 40% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
23% Popularity • 40% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
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Rasmus Jenzen
Guidance
120 bpm • E Maj • 02:24 • -11.13db
14% Popularity • 62% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 31% Positiveness
14% Popularity • 62% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 31% Positiveness
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Phillip Lester
Greensleeves
112 bpm • A# min • 03:19 • -25db
19% Popularity • 32% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
19% Popularity • 32% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
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Chansons Instrumentales Pour Enfants
En passant par la Lorraine
120 bpm • F Maj • 01:10 • -20.15db
25% Popularity • 66% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 56% Positiveness
25% Popularity • 66% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 56% Positiveness
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Kai Heumann
Picnic at Sunset
112 bpm • B min • 01:20 • -26.96db
8% Popularity • 74% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 73% Positiveness
8% Popularity • 74% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 73% Positiveness
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Mohammad Taherkhani
Study in E Minor by Francisco Tarrega
112 bpm • E min • 01:22 • -29.12db
40% Popularity • 56% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
40% Popularity • 56% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
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Matthew John Small
Waning Crescent
112 bpm • D# Maj • 03:04 • -14.12db
14% Popularity • 86% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 44% Positiveness
14% Popularity • 86% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 44% Positiveness
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Federico Mompou
Cançó i dansa No. 10 (Version for Guit...
112 bpm • A min • 01:40 • -26.48db
15% Popularity • 68% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 34% Positiveness
15% Popularity • 68% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 34% Positiveness
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Jean Charnaux
Estudo em Mi Maior
112 bpm • E Maj • 01:40 • -17.83db
20% Popularity • 39% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 48% Positiveness
20% Popularity • 39% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 48% Positiveness
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Timothy Lane Brace
Interlude 4 - Arpeggios
121 bpm • D Maj • 01:23 • -15.17db
12% Popularity • 57% Danceability • 30% Energy • 11% Liveness
97% Instrumentalness • 18% Positiveness
12% Popularity • 57% Danceability • 30% Energy • 11% Liveness
97% Instrumentalness • 18% Positiveness
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Marek Pasieczny
Little Sonata, Pt. I. Moderto Galante
121 bpm • D Maj • 01:43 • -15.55db
13% Popularity • 62% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 47% Positiveness
13% Popularity • 62% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 47% Positiveness
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Volker Niehusmann
Suite No. 3 "Noa-Noa": I. Arearea "Zeitv...
111 bpm • B min • 04:35 • -19.17db
11% Popularity • 47% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
11% Popularity • 47% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Rick Alexander
Finding Sheemore (Improvisation)
111 bpm • D Maj • 03:33 • -16.15db
16% Popularity • 56% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
16% Popularity • 56% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
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Ferdinando Carulli
Andantino, Op. 241: No. 5
111 bpm • D Maj • 02:36 • -17.9db
9% Popularity • 45% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 55% Positiveness
9% Popularity • 45% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 55% Positiveness
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Baden Powell
Valsa Sem Nome
122 bpm • A min • 02:40 • -21.12db
10% Popularity • 38% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 41% Positiveness
10% Popularity • 38% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 41% Positiveness
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Tony Sandate
Dios Y Hombre
111 bpm • B min • 02:45 • -18db
9% Popularity • 50% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
9% Popularity • 50% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
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Melodías Eternas
O How I Love Jesus
111 bpm • G Maj • 02:11 • -16.91db
16% Popularity • 52% Danceability • 24% Energy • 13% Liveness
95% Instrumentalness • 58% Positiveness
16% Popularity • 52% Danceability • 24% Energy • 13% Liveness
95% Instrumentalness • 58% Positiveness
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Jerry Martin
Dance of the Sugar Plums
111 bpm • F min • 01:36 • -13.38db
11% Popularity • 83% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
11% Popularity • 83% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
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Hucky Eichelmann
Gleensleeves
110 bpm • G Maj • 01:34 • -16.98db
23% Popularity • 53% Danceability • 35% Energy • 11% Liveness
94% Instrumentalness • 73% Positiveness
23% Popularity • 53% Danceability • 35% Energy • 11% Liveness
94% Instrumentalness • 73% Positiveness
► Preview
Ferdinando Carulli
Andantino Carulli
111 bpm • A min • 03:16 • -29.49db
19% Popularity • 45% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 63% Positiveness
19% Popularity • 45% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 63% Positiveness
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Nhạc Cho Bé Ngủ
Vo Vong (Em be đang ngủ)
122 bpm • D# Maj • 02:21 • -14.37db
23% Popularity • 71% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
23% Popularity • 71% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
► Preview
Jeff Peterson
Paniolo Pa'ina
122 bpm • G Maj • 03:11 • -17.42db
16% Popularity • 60% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 41% Positiveness
16% Popularity • 60% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 41% Positiveness
► Preview
Luca Cabella
OsnaReise
110 bpm • E Maj • 03:31 • -18db
25% Popularity • 53% Danceability • 18% Energy • 11% Liveness
78% Instrumentalness • 54% Positiveness
25% Popularity • 53% Danceability • 18% Energy • 11% Liveness
78% Instrumentalness • 54% Positiveness
► Preview
Lennie Rhoads
Place in the Sun
110 bpm • A min • 02:26 • -17.87db
27% Popularity • 76% Danceability • 16% Energy • 10% Liveness
72% Instrumentalness • 27% Positiveness
27% Popularity • 76% Danceability • 16% Energy • 10% Liveness
72% Instrumentalness • 27% Positiveness
► Preview
Drej Nil Zurago
Tlaocoyaliztli
122 bpm • E min • 02:08 • -18.55db
11% Popularity • 60% Danceability • 19% Energy • 11% Liveness
85% Instrumentalness • 52% Positiveness
11% Popularity • 60% Danceability • 19% Energy • 11% Liveness
85% Instrumentalness • 52% Positiveness
► Preview
Ferdinando Carulli
Waltz, Op. 121, No. 1
111 bpm • C Maj • 02:13 • -24db
11% Popularity • 54% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
11% Popularity • 54% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
► Preview
Alessandro Corsi
Wicked Game
110 bpm • A Maj • 03:13 • -24.67db
29% Popularity • 75% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 30% Positiveness
29% Popularity • 75% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 30% Positiveness
► Preview
Stuart Buck
First Minuet in A
110 bpm • A Maj • 01:19 • -25.85db
14% Popularity • 53% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 54% Positiveness
14% Popularity • 53% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 54% Positiveness
► Preview
Francois Couture
Sonate pour deux guitares No. 1: III.
110 bpm • A Maj • 01:36 • -23db
27% Popularity • 75% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
27% Popularity • 75% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
► Preview
David Walter
Contemplation
110 bpm • G Maj • 02:15 • -14.93db
18% Popularity • 64% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
18% Popularity • 64% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
► Preview
Dominik Rueegg
Choices
110 bpm • D min • 02:40 • -16.4db
8% Popularity • 45% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 32% Positiveness
8% Popularity • 45% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 32% Positiveness
► Preview
Janco de Leeuw
Vier Jaargetijden - Winter
110 bpm • E min • 03:26 • -21.93db
13% Popularity • 37% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
13% Popularity • 37% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
► Preview
Jesús Martínez Torres
Mella's Suite - V. Back Home
122 bpm • A Maj • 01:27 • -22.03db
22% Popularity • 61% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 29% Positiveness
22% Popularity • 61% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 29% Positiveness
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Oscar Ohlsen
Siete Canciones Tradicionales Chilenas: ...
110 bpm • G Maj • 01:13 • -25.88db
12% Popularity • 45% Danceability • 5% Energy • 30% Liveness
91% Instrumentalness • 20% Positiveness
12% Popularity • 45% Danceability • 5% Energy • 30% Liveness
91% Instrumentalness • 20% Positiveness
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Andrei Krylov
Sunset on the Beautiful Mexican Beach in...
123 bpm • G Maj • 02:03 • -13.3db
11% Popularity • 51% Danceability • 36% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
11% Popularity • 51% Danceability • 36% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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Antonio Chover Salom
IV Cántico a la infinidad (de Preludios...
110 bpm • F Maj • 03:25 • -22db
17% Popularity • 35% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 27% Positiveness
17% Popularity • 35% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 27% Positiveness
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Kresten Korsbæk
With a Little Help from My Friends
110 bpm • C Maj • 02:02 • -18.71db
11% Popularity • 49% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
11% Popularity • 49% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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Antoine Corvaisier
The Book of Love
110 bpm • C Maj • 01:19 • -20.5db
16% Popularity • 60% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 72% Positiveness
16% Popularity • 60% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 72% Positiveness
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Francis Kleynjans
Barcarolle #1
110 bpm • D Maj • 02:38 • -20db
20% Popularity • 32% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 35% Positiveness
20% Popularity • 32% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 35% Positiveness
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Stelios Kyriakidis
Optica Suite: II. Sunset
110 bpm • A Maj • 02:48 • -22.92db
11% Popularity • 42% Danceability • 16% Energy • 13% Liveness
93% Instrumentalness • 16% Positiveness
11% Popularity • 42% Danceability • 16% Energy • 13% Liveness
93% Instrumentalness • 16% Positiveness
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![Einhorn Plays Bach: Air On a G String (From Suite No. 3, BWV 1068) [Solo Guitar] cover art](https://i.scdn.co/image/ab67616d00001e02593adf6434205c47c03baab7)
Craig Einhorn
Einhorn Plays Bach: Air On a G String [...
110 bpm • C Maj • 03:44 • -16.25db
8% Popularity • 68% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
8% Popularity • 68% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
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Pat Metheny
Letter From Home
109 bpm • F Maj • 02:24 • -19.31db
8% Popularity • 46% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
8% Popularity • 46% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
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Raffy Lata
Sana Ay Ikaw Na Nga
109 bpm • A Maj • 01:28 • -17.78db
27% Popularity • 62% Danceability • 9% Energy • 8% Liveness
96% Instrumentalness • 52% Positiveness
27% Popularity • 62% Danceability • 9% Energy • 8% Liveness
96% Instrumentalness • 52% Positiveness
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Nello Milotti
Istro Ti
123 bpm • A Maj • 03:53 • -16.91db
13% Popularity • 39% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 47% Positiveness
13% Popularity • 39% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 47% Positiveness
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Vincenzo Galilei
26 Ricercares: No. 4, Ricercare del quar...
109 bpm • A min • 01:29 • -24.89db
22% Popularity • 65% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 40% Positiveness
22% Popularity • 65% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 40% Positiveness
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Antonio Chover Salom
I Contemplación (de Preludios cósmicos...
109 bpm • D Maj • 02:08 • -20.96db
18% Popularity • 41% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 32% Positiveness
18% Popularity • 41% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 32% Positiveness
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Alain Everts
She Beg She Mor
124 bpm • G Maj • 02:35 • -15.33db
12% Popularity • 45% Danceability • 16% Energy • 23% Liveness
88% Instrumentalness • 52% Positiveness
12% Popularity • 45% Danceability • 16% Energy • 23% Liveness
88% Instrumentalness • 52% Positiveness
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Hermann Ambrosius
Small Concert in Old Style: III. Vivace
124 bpm • D Maj • 03:00 • -15db
11% Popularity • 68% Danceability • 30% Energy • 11% Liveness
89% Instrumentalness • 82% Positiveness
11% Popularity • 68% Danceability • 30% Energy • 11% Liveness
89% Instrumentalness • 82% Positiveness
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Thanasis Alevropoulos
Foodsteps Skg (Intro)
124 bpm • D Maj • 01:26 • -20.05db
21% Popularity • 60% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 45% Positiveness
21% Popularity • 60% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 45% Positiveness
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Roy Permana
Bias Mentari - Acoustic
109 bpm • C Maj • 01:23 • -19.27db
13% Popularity • 67% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 48% Positiveness
13% Popularity • 67% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 48% Positiveness
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Jerry Martin
Brandenburg Concerto
124 bpm • E Maj • 02:03 • -16.2db
14% Popularity • 46% Danceability • 15% Energy • 9% Liveness
89% Instrumentalness • 43% Positiveness
14% Popularity • 46% Danceability • 15% Energy • 9% Liveness
89% Instrumentalness • 43% Positiveness
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John Oeth
10 Sketches: III. Ballad
108 bpm • C Maj • 02:00 • -20.56db
10% Popularity • 41% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
10% Popularity • 41% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
