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Act One Finale
Songs like
Act One Finale
by
Urinetown Musicians
Based on a tempo of (+/- 10%) and a similar genre
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Jennifer Damiano
Superboy and the Invisible Girl
127 bpm • D Maj • 02:08 • -6.77db
41% Popularity • 62% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Bryce Pinkham
Stop! Wait! What?!
127 bpm • G min • 01:48 • -10.89db
24% Popularity • 75% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Jeff Bowen
Two Nobodies in New York
127 bpm • C Maj • 02:50 • -9.2db
19% Popularity • 68% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Urinetown Musicians
Act One Finale
127 bpm • C min • 06:28 • -9.2db
30% Popularity • 56% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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You're a Good Man, Charlie Brown Ensemble (1999)
Bows
127 bpm • E Maj • 01:13 • -9.3db
23% Popularity • 49% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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'Come From Away' Company
38 Planes
128 bpm • D min • 01:09 • -9.02db
45% Popularity • 58% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Michael Lanning
God's Arms Are Always Open
126 bpm • G Maj • 04:55 • -9.87db
29% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Daniel Radcliffe
The Company Way
128 bpm • G# min • 02:52 • -12db
28% Popularity • 80% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Jane Krakowski
I Resolve
128 bpm • A# Maj • 02:16 • -8.01db
25% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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John Cullum
Don't Be the Bunny
127 bpm • B min • 03:02 • -13.14db
28% Popularity • 69% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Sara Bareilles
A Very Nice Prince
126 bpm • C# Maj • 01:09 • -10.73db
35% Popularity • 54% Danceability • 30% Energy • 55% Liveness
0% Instrumentalness • 58% Positiveness
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Original StarKid Cast of The Trail To Oregon!
Pays to Be an Animal
128 bpm • F# Maj • 03:55 • -9.84db
29% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Jennifer Damiano
Perfect for You
126 bpm • D Maj • 02:03 • -12.95db
33% Popularity • 54% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Mary Faber
Been A Long Day
128 bpm • D# Maj • 03:15 • -11.89db
22% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Megan Hilty, Marc Kudisch and Ensemble
Cowgirl's Revenge
128 bpm • C# Maj • 02:03 • -7.72db
27% Popularity • 68% Danceability • 59% Energy • 79% Liveness
0% Instrumentalness • 86% Positiveness
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Michael Wartella
You Can't Trust a Man
128 bpm • C Maj • 03:26 • -10.79db
26% Popularity • 73% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Christopher Sieber
The Ballad Of Farquaad
126 bpm • C# Maj • 03:32 • -6.8db
37% Popularity • 56% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Original StarKid Cast of Twisted
Take off Your Clothes
126 bpm • B min • 02:50 • -9.11db
30% Popularity • 46% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Melanie Moore
Matchmaker
126 bpm • E Maj • 04:33 • -8.1db
29% Popularity • 54% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Christopher J. Hanke
The Company Way (Reprise)
128 bpm • A min • 01:39 • -9.65db
17% Popularity • 80% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Brian D'Arcy James
What Is It About Her?
125 bpm • F min • 02:53 • -5.87db
28% Popularity • 51% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Urinetown Musicians
I See a River
129 bpm • A Maj • 04:47 • -14.48db
26% Popularity • 60% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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'Something Rotten' Company
Finale
129 bpm • C Maj • 02:31 • -6.17db
33% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Faith Prince
Marry the Man Today
125 bpm • C min • 02:35 • -18db
30% Popularity • 68% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Bebe Neuwirth
Just Around The Corner
129 bpm • F# Maj • 03:58 • -10db
39% Popularity • 57% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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'Anything Goes' New Broadway Cast Ensemble
There's No Cure Like Travel / Bon Voyage
129 bpm • G Maj • 01:54 • -7.8db
30% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Original StarKid Cast of The Trail To Oregon!
Naked in a Lake
125 bpm • E Maj • 04:20 • -6.78db
24% Popularity • 51% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Rebecca Naomi Jones
Many A New Day
130 bpm • C Maj • 03:09 • -9.56db
25% Popularity • 65% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
Give Them What They Want
125 bpm • A# Maj • 03:13 • -11.63db
17% Popularity • 72% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Gary Beach
Prisoners of Love
124 bpm • G# Maj • 04:14 • -8.25db
21% Popularity • 56% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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Bebe Neuwirth
Where Did We Go Wrong
124 bpm • G# Maj • 02:20 • -10db
35% Popularity • 66% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 91% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Two Kinsmen
130 bpm • D Maj • 01:32 • -8.93db
17% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Original Broadway Cast "Rent"
Tango: Maureen - Best Of Version
130 bpm • G min • 03:09 • -10.54db
33% Popularity • 70% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Mitch Tebo
The Farmer And The Cowman
124 bpm • D Maj • 03:22 • -9.21db
18% Popularity • 76% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Marc Kudisch
Here For You
124 bpm • C min • 03:45 • -8db
29% Popularity • 71% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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'Come From Away' Company
Blankets And Bedding
124 bpm • E min • 02:51 • -6.8db
44% Popularity • 63% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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'The Drowsy Chaperone' Original Broadway Cast
Fancy Dress
131 bpm • C# Maj • 04:55 • -8db
28% Popularity • 68% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 81% Positiveness
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Zachary Levi
She Loves Me
124 bpm • G# Maj • 02:50 • -8.24db
32% Popularity • 53% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
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James Moye
That Face
123 bpm • A Maj • 03:11 • -6.65db
25% Popularity • 60% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Mindi Dickstein
Five Forever
131 bpm • E Maj • 02:38 • -8.05db
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Nancy Opel
It's a Privilege to Pee
131 bpm • C min • 03:47 • -11db
33% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Andy Karl
Day One
131 bpm • D Maj • 10:19 • -7.26db
31% Popularity • 48% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Jenn Colella
28 Hours / Wherever We Are
131 bpm • E min • 07:33 • -8.57db
42% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Michael James Scott
Welcome to the Renaissance
131 bpm • C Maj • 04:45 • -7.22db
42% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Heidi Blickenstaff
What Kind of Girl Is She?
131 bpm • B Maj • 01:50 • -15.16db
19% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Henry Krieger
Side Show: The Texas Centennial: Tunnel ...
123 bpm • C Maj • 06:29 • -12.16db
8% Popularity • 68% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
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James Davis
Kansas City
122 bpm • G# Maj • 02:02 • -8.91db
24% Popularity • 70% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Stephanie D'Abruzzo
I Wish I Could Go Back to College
132 bpm • A Maj • 02:09 • -8.8db
11% Popularity • 54% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Andy Karl
Day Two
132 bpm • D Maj • 04:26 • -8.2db
29% Popularity • 50% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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David Engel
Monkey Around - Original Broadway Cast R...
122 bpm • G min • 01:50 • -12.75db
33% Popularity • 83% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
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Alice By Heart Original Cast Recording Company
Do You Think We Think You're Alice?
132 bpm • G# Maj • 01:18 • -10.86db
32% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Michael Mulheren
Please, Don't Take Him
132 bpm • E min • 02:27 • -8.08db
28% Popularity • 54% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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James Snyder
I'm Infected
122 bpm • E min • 03:28 • -6.51db
23% Popularity • 59% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Brent Carver
This Is Not Over Yet
132 bpm • A Maj • 02:49 • -10.07db
29% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Cole Thompson
Giants In The Sky
132 bpm • A# min • 02:23 • -10.78db
38% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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The Original Broadway Cast Of 'Curtains'
He Did It
122 bpm • C# Maj • 03:07 • -18.32db
19% Popularity • 65% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Ragtime Ensemble
Prologue: Ragtime
121 bpm • F Maj • 09:24 • -10db
28% Popularity • 56% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Original StarKid Cast of The Trail To Oregon!
Lost Without You
132 bpm • G Maj • 03:40 • -6db
29% Popularity • 61% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Kate Wetherhead
Dear Professor Thompson (Pt. 1)
121 bpm • G Maj • 02:01 • -13.31db
22% Popularity • 72% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Sarah Jessica Parker
Happily Ever After
134 bpm • F Maj • 04:10 • -15db
22% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Capathia Jenkins
That's Rich
134 bpm • F Maj • 02:32 • -10.26db
42% Popularity • 64% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Louis Hobson
You Can Do Better Than Him
134 bpm • A Maj • 03:11 • -12.44db
32% Popularity • 41% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Nicholas Belton
The Private and Intimate Life of the Hou...
120 bpm • G# Maj • 05:38 • -9.97db
36% Popularity • 56% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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B.D. Wong
My Blanket and Me
134 bpm • F Maj • 03:51 • -16.59db
26% Popularity • 57% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Hunter Foster
The Space Between
134 bpm • G Maj • 02:27 • -9.99db
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Zachary Levi
Three Letters
134 bpm • A min • 02:56 • -11db
24% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Nikki M. James
Sal Tlay Ka Siti
134 bpm • C Maj • 03:41 • -11db
43% Popularity • 44% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Danny Burstein
Sunrise, Sunset
120 bpm • D min • 03:27 • -7db
26% Popularity • 33% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Aaron Tveit
Aftershocks
120 bpm • F# min • 01:47 • -19db
32% Popularity • 58% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Alex Joseph Grayson
That’s What He Said
120 bpm • D Maj • 03:32 • -6.72db
28% Popularity • 67% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Michael Potts
We Look to You
135 bpm • C Maj • 02:45 • -11.3db
26% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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John Cullum
Mr. Cladwell
119 bpm • C# Maj • 02:43 • -10.67db
30% Popularity • 58% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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The Original Broadway Cast Of 'Curtains'
Wide Open Spaces
135 bpm • C Maj • 03:04 • -12.84db
23% Popularity • 69% Danceability • 37% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
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Gwen Verdon
Roxie
135 bpm • B Maj • 05:16 • -17.39db
20% Popularity • 67% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Brian D'Arcy James
To Thine Own Self - Reprise
135 bpm • E min • 01:50 • -13.56db
32% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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A Gentleman's Guide To Love And Murder Original Broadway Cast
Finale
119 bpm • A# Maj • 02:22 • -8.72db
18% Popularity • 64% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Christopher Sieber
Love Thy Neighbor
119 bpm • G Maj • 04:19 • -5.24db
37% Popularity • 56% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Mindi Dickstein
Off to Massachusetts
136 bpm • A Maj • 01:40 • -10.32db
29% Popularity • 73% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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The Original Broadway Cast Of 'Curtains'
Thataway!
119 bpm • C# min • 06:56 • -11db
23% Popularity • 58% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Jennifer Damiano
Hey #3 / Perfect for You - Reprise
136 bpm • E min • 02:23 • -13.98db
29% Popularity • 45% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Andrew Lloyd Webber
Mungojerrie And Rumpelteazer
119 bpm • D Maj • 04:28 • -8.14db
31% Popularity • 76% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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A Gentleman's Guide To Love And Murder Original Broadway Cast
The Last One You'd Expect
119 bpm • A Maj • 06:21 • -9.62db
20% Popularity • 58% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
Great Big Stuff
119 bpm • D Maj • 04:02 • -11.21db
22% Popularity • 75% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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The Fantasticks New Off-Broadway Cast
Much More
119 bpm • E min • 02:42 • -7.54db
16% Popularity • 57% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Beth Leavel
As We Stumble Along
118 bpm • A# Maj • 03:25 • -8.2db
31% Popularity • 51% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Brian Rosenthal
Not so Bad (Reprise)
118 bpm • F Maj • 01:32 • -12.93db
23% Popularity • 61% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Hunter Parrish
All for the Best
136 bpm • G Maj • 03:16 • -10.76db
39% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Bebe Neuwirth
When Velma Takes the Stand
118 bpm • C Maj • 02:13 • -11.97db
29% Popularity • 70% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
► Preview
Brian D'Arcy James
Finale: Children Will Listen
137 bpm • C Maj • 06:20 • -10.04db
33% Popularity • 46% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Christopher J. Hanke
Coffee Break
118 bpm • G min • 03:30 • -11db
20% Popularity • 75% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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John Tartaglia
Purpose
137 bpm • G Maj • 02:28 • -8db
15% Popularity • 49% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Stephen Flaherty
How Lucky You Are - Original Broadway Ca...
137 bpm • F Maj • 01:40 • -12db
31% Popularity • 70% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Lauren Worsham
I've Decided to Marry You
118 bpm • E Maj • 04:03 • -9.02db
34% Popularity • 77% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Patina Miller
Glory
118 bpm • G# Maj • 05:54 • -8db
34% Popularity • 52% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Brian D'Arcy James
Make Me Happy
118 bpm • G Maj • 04:14 • -6db
26% Popularity • 56% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Michael Berresse
Cell Block Tango
137 bpm • F Maj • 06:14 • -12.75db
41% Popularity • 64% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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John Tartaglia
Fantasies Come True
138 bpm • F# min • 04:18 • -11.73db
8% Popularity • 52% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Jared Gertner
Life Story (Reprise)
138 bpm • G Maj • 01:57 • -17.72db
17% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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John Dossett
The Bottom Line
138 bpm • G Maj • 02:16 • -11.94db
42% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Act One Finale