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Ada
Songs like
Ada
by
David Orlowsky
Based on a tempo of (+/- 10%) and a similar genre
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Francisco Tárrega
Endecha
134 bpm • D min • 01:15 • -27.4db
25% Popularity • 56% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 60% Positiveness
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Matan Porat
Lux Aeterna
134 bpm • B min • 04:08 • -20.12db
1% Popularity • 16% Danceability • 5% Energy • 15% Liveness
84% Instrumentalness • 3% Positiveness
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Adrien La Marca
Sous le ciel de Paris (Arr. for Viola & ...
134 bpm • E min • 02:14 • -18.25db
18% Popularity • 23% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 13% Positiveness
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David Orlowsky
Ada
134 bpm • G min • 02:50 • -22.25db
31% Popularity • 57% Danceability • 4% Energy • 10% Liveness
83% Instrumentalness • 76% Positiveness
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Tarkovsky Quartet
Cum Dederit Delectis Suis Somnum
134 bpm • F# min • 05:46 • -21.87db
10% Popularity • 19% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Karl Jenkins
Hymn
133 bpm • F Maj • 02:32 • -29.95db
51% Popularity • 50% Danceability • 1% Energy • 13% Liveness
89% Instrumentalness • 32% Positiveness
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Florian Dohrmann
Insomnia
135 bpm • B min • 06:45 • -22.03db
9% Popularity • 47% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 27% Positiveness
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Carlo Gesualdo
O vos omnes
134 bpm • G Maj • 02:35 • -21.3db
1% Popularity • 16% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Pachelbel
Canon & Gigue in D Major, P. 37: Canon (...
135 bpm • D Maj • 06:46 • -27db
19% Popularity • 59% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Friedrich Burgmüller
3 Nocturnes for Cello & Guitar (Arr. for...
133 bpm • A Maj • 03:26 • -30.19db
0% Popularity • 24% Danceability • 3% Energy • 11% Liveness
79% Instrumentalness • 12% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
133 bpm • D min • 02:19 • -26.37db
42% Popularity • 61% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 66% Positiveness
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Dobrinka Tabakova
Frozen River Flows
135 bpm • D# Maj • 06:12 • -21.4db
19% Popularity • 21% Danceability • 3% Energy • 10% Liveness
20% Instrumentalness • 4% Positiveness
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Thomas Preston
La Mi Re
135 bpm • D min • 03:01 • -16.39db
13% Popularity • 42% Danceability • 2% Energy • 10% Liveness
77% Instrumentalness • 37% Positiveness
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Georgs Pelēcis
Flowering Jasmine
135 bpm • A min • 06:48 • -30db
28% Popularity • 30% Danceability • 3% Energy • 6% Liveness
71% Instrumentalness • 6% Positiveness
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David Orlowsky
Lyra
133 bpm • G Maj • 05:43 • -23.21db
15% Popularity • 48% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 26% Positiveness
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Michel Godard
A Trace of Grace
132 bpm • G min • 05:36 • -25.79db
21% Popularity • 39% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Alberto Iglesias
María Santísima de Araceli
136 bpm • A min • 02:12 • -25db
29% Popularity • 29% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
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Grzegorz Ciechowski
Mamona
132 bpm • B min • 07:11 • -23db
24% Popularity • 38% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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David Bergmüller
Napoli Sketch 2
136 bpm • A min • 03:42 • -17.77db
14% Popularity • 64% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Amine Bouhafa
Shooting The Statues
136 bpm • F min • 01:13 • -21db
44% Popularity • 40% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
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David Orlowsky
North
132 bpm • D min • 05:12 • -33.17db
1% Popularity • 34% Danceability • 1% Energy • 13% Liveness
10% Instrumentalness • 10% Positiveness
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Egberto Gismonti
Água e Vinho
131 bpm • D min • 07:14 • -23.53db
15% Popularity • 28% Danceability • 8% Energy • 28% Liveness
90% Instrumentalness • 5% Positiveness
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Renaud Garcia-Fons
Sylvains d'orient
137 bpm • A min • 03:44 • -12.01db
41% Popularity • 72% Danceability • 48% Energy • 10% Liveness
77% Instrumentalness • 54% Positiveness
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Jean-Louis Matinier
La chanson d'Hélène
137 bpm • A min • 03:46 • -20.03db
13% Popularity • 29% Danceability • 3% Energy • 9% Liveness
60% Instrumentalness • 13% Positiveness
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Giovanni Battista Pergolesi
Qui Est Homo
138 bpm • G min • 04:19 • -23db
14% Popularity • 15% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
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Franz Schubert
Ständchen, D. 957
131 bpm • A Maj • 04:27 • -19.21db
13% Popularity • 51% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 18% Positiveness
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David Orlowsky
Music For A While
136 bpm • A min • 04:35 • -15.86db
12% Popularity • 37% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Vittorio Monti
Budapest - Csàrdàs
138 bpm • D Maj • 04:59 • -11db
25% Popularity • 46% Danceability • 31% Energy • 12% Liveness
16% Instrumentalness • 25% Positiveness
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Henry Villca suntura
Improvisation for Sikus, Bass and Guitar
138 bpm • B Maj • 02:53 • -26db
23% Popularity • 70% Danceability • 11% Energy • 9% Liveness
64% Instrumentalness • 56% Positiveness
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Cesare Picco
Castle Dance
138 bpm • D min • 03:13 • -22.94db
23% Popularity • 42% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
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Shigeru Umebayashi
Trishna's Waltz
130 bpm • E min • 02:32 • -18.8db
42% Popularity • 37% Danceability • 14% Energy • 33% Liveness
64% Instrumentalness • 23% Positiveness
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G. I. Gurdjieff
The Spinners
130 bpm • A min • 01:14 • -22.97db
29% Popularity • 34% Danceability • 11% Energy • 11% Liveness
81% Instrumentalness • 7% Positiveness
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David Orlowsky
Vodka Afinata
137 bpm • G min • 04:04 • -9.88db
11% Popularity • 60% Danceability • 44% Energy • 23% Liveness
86% Instrumentalness • 73% Positiveness
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Vassilis Tsabropoulos
Melos
130 bpm • G min • 05:23 • -21db
24% Popularity • 37% Danceability • 9% Energy • 36% Liveness
88% Instrumentalness • 7% Positiveness
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Benedetto Ferrari
Voglio di Vita Uscir
130 bpm • G Maj • 05:09 • -13.58db
0% Popularity • 69% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 42% Positiveness
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Renaud Garcia-Fons
Chacone
129 bpm • C Maj • 02:58 • -13.61db
27% Popularity • 44% Danceability • 36% Energy • 11% Liveness
92% Instrumentalness • 58% Positiveness
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David Helbock
Beethoven #7, 2nd Movement
129 bpm • A min • 02:43 • -23db
38% Popularity • 48% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
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Armand Amar
Peggy
139 bpm • A min • 02:04 • -16.47db
35% Popularity • 20% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
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Joseph Haydn
Keyboard Concerto in G Major, Hob. XVIII...
140 bpm • C Maj • 06:52 • -27.98db
15% Popularity • 15% Danceability • 2% Energy • 11% Liveness
56% Instrumentalness • 5% Positiveness
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José Luis Merlin
Suite del Recuerdo: 1. Evocación
128 bpm • E min • 02:09 • -25.45db
20% Popularity • 32% Danceability • 10% Energy • 7% Liveness
95% Instrumentalness • 20% Positiveness
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David Orlowsky
Toccata Arpeggiata
129 bpm • A min • 03:57 • -24.64db
14% Popularity • 16% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 27% Positiveness
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Vassilis Tsabropoulos
Trois morceaux après des hymnes byzanti...
128 bpm • D min • 04:09 • -31db
16% Popularity • 26% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Renaud Garcia-Fons
Prélude du Bal des Haftan
140 bpm • E min • 01:34 • -14.41db
42% Popularity • 55% Danceability • 32% Energy • 17% Liveness
90% Instrumentalness • 26% Positiveness
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Daprinski
Ouverture
140 bpm • G min • 02:34 • -13.32db
41% Popularity • 58% Danceability • 22% Energy • 14% Liveness
89% Instrumentalness • 31% Positiveness
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Peter Gregson
1.1 Prelude
140 bpm • G Maj • 02:01 • -15db
49% Popularity • 24% Danceability • 27% Energy • 15% Liveness
71% Instrumentalness • 43% Positiveness
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Ana Carla Maza
Astor Piazzolla
140 bpm • F Maj • 03:47 • -12db
21% Popularity • 45% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 58% Positiveness
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G. I. Gurdjieff
Womans Dance
128 bpm • C min • 02:22 • -18.27db
14% Popularity • 21% Danceability • 10% Energy • 18% Liveness
26% Instrumentalness • 8% Positiveness
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Per-Olov Kindgren
Milonga De La Luna
128 bpm • A Maj • 02:26 • -16.82db
31% Popularity • 36% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 38% Positiveness
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Maximo Diego Pujol
Suite del Plata for guitar No. 1: 3. Mil...
128 bpm • D min • 02:43 • -27.01db
20% Popularity • 31% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 24% Positiveness
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Lino Cannavacciuolo
Partenza
128 bpm • A min • 04:49 • -9.32db
28% Popularity • 32% Danceability • 46% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Friedrich Burgmüller
3 Nocturnes for Cello & Guitar (Arr. for...
128 bpm • C Maj • 02:20 • -27.6db
0% Popularity • 25% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 29% Positiveness
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François Dufaux
Allemande
141 bpm • C# min • 04:04 • -24.92db
7% Popularity • 36% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 23% Positiveness
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François Couturier
Voyage
141 bpm • E Maj • 05:27 • -25.05db
11% Popularity • 31% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Isaac Albéniz
Asturias
127 bpm • E min • 05:13 • -21db
18% Popularity • 28% Danceability • 22% Energy • 32% Liveness
87% Instrumentalness • 21% Positiveness
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Mark Orton
The Return
141 bpm • A# Maj • 01:50 • -12.49db
32% Popularity • 48% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 39% Positiveness
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Michael Jones
Sunshine Canyon
141 bpm • E min • 04:33 • -29db
37% Popularity • 34% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 27% Positiveness
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Guillaume Poncelet
Peyo
127 bpm • D min • 05:21 • -22db
29% Popularity • 31% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Robert de Visée
Chaconne en sol majeur
127 bpm • F# Maj • 04:51 • -23.71db
3% Popularity • 34% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 48% Positiveness
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Paulinho Nogueira
Bachianinha No. 1 (Arr. for Guitar by S�...
142 bpm • A min • 03:20 • -21.61db
38% Popularity • 38% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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Alessandro Piccinini
Partite Variate Sopra La Folia Aria Roma...
142 bpm • G min • 03:34 • -20.09db
0% Popularity • 43% Danceability • 28% Energy • 9% Liveness
88% Instrumentalness • 45% Positiveness
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François Couperin
Le Tic-Toc-Choc
127 bpm • F Maj • 02:27 • -31db
43% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
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Daniel Herskedal
Sunrise in Ramallah
142 bpm • B min • 04:24 • -18.17db
18% Popularity • 21% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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Titas Petrikis
Stalo Dvikova
142 bpm • F# min • 01:12 • -31db
32% Popularity • 59% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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Ennemond Gaultier
Tombeau de L'Enclos
142 bpm • G# Maj • 03:48 • -24.93db
3% Popularity • 45% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 20% Positiveness
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Alexei Aigui
Trio Li?
142 bpm • G Maj • 02:37 • -17.1db
30% Popularity • 66% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 42% Positiveness
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Salif Keita
Ana Na Ming - Cello and Guitar
126 bpm • B min • 03:18 • -14.65db
21% Popularity • 66% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 61% Positiveness
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François Couperin
Second livre de pièces de clavecin / Si...
126 bpm • D Maj • 03:12 • -23.15db
27% Popularity • 31% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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吳彤
Rain Falling from the Roof
126 bpm • B min • 05:27 • -33.26db
19% Popularity • 33% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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Renaud Garcia-Fons
Tavalod
126 bpm • D min • 04:35 • -13.33db
32% Popularity • 71% Danceability • 36% Energy • 8% Liveness
93% Instrumentalness • 40% Positiveness
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Orchestra of the Swan
Les Barricades Mysterieuses - Arr. David...
126 bpm • A# Maj • 02:45 • -22.93db
14% Popularity • 34% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
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Ennemond Gaultier
La belle homicide
125 bpm • B Maj • 04:05 • -23.24db
3% Popularity • 36% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 43% Positiveness
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Komitas
12 Pieces for Children: No. 6, My Darlin...
125 bpm • E Maj • 01:17 • -37db
50% Popularity • 56% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
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Girolamo Frescobaldi
Gagliarda seconda
142 bpm • F Maj • 01:00 • -28.38db
0% Popularity • 30% Danceability • 7% Energy • 8% Liveness
15% Instrumentalness • 88% Positiveness
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Alessandro Marcello
Concerto in D Minor: II. Adagio
144 bpm • D min • 03:42 • -27.14db
26% Popularity • 26% Danceability • 3% Energy • 9% Liveness
83% Instrumentalness • 12% Positiveness
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Amina Alaoui
Moradía
144 bpm • C min • 03:59 • -25.96db
16% Popularity • 39% Danceability • 3% Energy • 10% Liveness
75% Instrumentalness • 20% Positiveness
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Marina Baranova
The Canopy of Heaven
124 bpm • C# Maj • 02:15 • -24db
36% Popularity • 40% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Isaac Albéniz
Mallorca (Barcarola), Op. 202
124 bpm • F min • 06:14 • -27.05db
21% Popularity • 33% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Stéphane Grappelli
Les Valseuses
145 bpm • B min • 02:20 • -16db
40% Popularity • 27% Danceability • 15% Energy • 8% Liveness
24% Instrumentalness • 10% Positiveness
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Federico Mompou
Secreto
145 bpm • C# Maj • 05:04 • -29db
23% Popularity • 30% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Antoine Forqueray
Pièce de viole, Suite No. 4 en Sol Mine...
124 bpm • G Maj • 04:21 • -20.48db
20% Popularity • 27% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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John Dowland
Come Again, Sweet Love Doth Now Invite
123 bpm • G Maj • 05:12 • -21db
23% Popularity • 55% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 31% Positiveness
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Nemanja Radulović
Takeda Lullaby
123 bpm • D min • 02:51 • -25db
16% Popularity • 38% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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David Bergmüller
Eileen
146 bpm • D min • 03:51 • -20.48db
30% Popularity • 42% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 22% Positiveness
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Giovanni Girolamo Kapsberger
Excerpts of "Toccata Terza"
146 bpm • D Maj • 00:54 • -35.53db
0% Popularity • 28% Danceability • 2% Energy • 10% Liveness
43% Instrumentalness • 53% Positiveness
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Jordan Cauvin
Théâtre du Châtelet
123 bpm • G Maj • 03:04 • -14.64db
20% Popularity • 50% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Adam Baldych
Poetry
123 bpm • A Maj • 03:52 • -21.13db
28% Popularity • 50% Danceability • 5% Energy • 8% Liveness
49% Instrumentalness • 42% Positiveness
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Paolo Conte
Sirat Al Bunduqiyyah
123 bpm • A min • 04:07 • -12.71db
32% Popularity • 29% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
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Grzegorz Ciechowski
Śmierć na pięć
122 bpm • G min • 05:43 • -24db
39% Popularity • 35% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 17% Positiveness
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Benedict Larsen
Etude in E Minor
147 bpm • E min • 01:12 • -12.29db
23% Popularity • 25% Danceability • 42% Energy • 9% Liveness
88% Instrumentalness • 41% Positiveness
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Giovanni Girolamo Kapsberger
Canario
146 bpm • G Maj • 03:07 • -21.8db
0% Popularity • 33% Danceability • 30% Energy • 8% Liveness
86% Instrumentalness • 60% Positiveness
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Mathias Duplessy
Oriental Little Paris
122 bpm • A min • 03:17 • -11.54db
23% Popularity • 48% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
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Henning Fuchs
As Time Passes
147 bpm • A min • 05:46 • -20.24db
17% Popularity • 34% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Lucie Horsch
Nyami
148 bpm • G# min • 02:47 • -28.68db
10% Popularity • 50% Danceability • 5% Energy • 15% Liveness
80% Instrumentalness • 46% Positiveness
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Robert de Visée
Chaconne en la mineur
148 bpm • G# min • 02:29 • -21.61db
2% Popularity • 32% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
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René Bartoli
Valse en mi mineur "Dolinda"
148 bpm • E min • 02:09 • -23.79db
36% Popularity • 41% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
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Hauschka
David Melrose Theme
148 bpm • D min • 01:18 • -28db
54% Popularity • 28% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
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Mathias Duplessy
Gibraltar
122 bpm • C min • 03:52 • -9db
16% Popularity • 33% Danceability • 36% Energy • 11% Liveness
50% Instrumentalness • 16% Positiveness
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Mark Batson
Moving Mountains (Arr. Metcalfe, Ryan)
148 bpm • C min • 03:42 • -20.6db
16% Popularity • 38% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Nicolas Parent trio
Doux mirage
121 bpm • E min • 03:32 • -15.28db
31% Popularity • 43% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
► Preview
Saint-Preux
Chanson De La Pluie
121 bpm • D min • 02:01 • -31.25db
46% Popularity • 38% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 22% Positiveness
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