Songs like Adagio for Strings, Op. 11 - Extract by Samuel Barber
Based on a tempo of (+/- 10%) and a similar genre
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Lorne Balfe
Cello Suite No.1 in G – Prelude
79 bpm • G Maj • 02:25 • -13.96db
19% Popularity • 31% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 66% Positiveness
19% Popularity • 31% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 66% Positiveness
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Abel Korzeniowski
And Just Like That
79 bpm • G min • 04:53 • -10.73db
31% Popularity • 13% Danceability • 38% Energy • 30% Liveness
89% Instrumentalness • 5% Positiveness
31% Popularity • 13% Danceability • 38% Energy • 30% Liveness
89% Instrumentalness • 5% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
53% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
53% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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Stephan Zacharias
Eva Brauns letzter Brief
79 bpm • F min • 03:35 • -24db
14% Popularity • 9% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
14% Popularity • 9% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Samuel Barber
Agnus Dei
79 bpm • A# min • 07:21 • -24db
17% Popularity • 8% Danceability • 8% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
17% Popularity • 8% Danceability • 8% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Gabriel Yared
Rearranging Furniture
79 bpm • E min • 02:37 • -19.62db
44% Popularity • 21% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
44% Popularity • 21% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Debbie Wiseman
Elizabeth II
79 bpm • A Maj • 03:40 • -17db
12% Popularity • 13% Danceability • 16% Energy • 7% Liveness
58% Instrumentalness • 8% Positiveness
12% Popularity • 13% Danceability • 16% Energy • 7% Liveness
58% Instrumentalness • 8% Positiveness
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Patrick Cassidy
Funeral March I
79 bpm • G Maj • 04:37 • -19db
15% Popularity • 16% Danceability • 14% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 14% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 9. Adagi...
79 bpm • D# Maj • 06:07 • -23.83db
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Peter Warlock
Capriol Suite: 2. Pavane
80 bpm • G min • 02:10 • -26.42db
37% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
37% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
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Samuel Barber
Violin Concerto, Op. 14: II. Andante - E...
79 bpm • E Maj • 02:37 • -33.01db
2% Popularity • 16% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
2% Popularity • 16% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Gabriel Yared
Ada Plays
79 bpm • D Maj • 03:18 • -21.92db
31% Popularity • 25% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
31% Popularity • 25% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
78 bpm • C min • 04:35 • -30.86db
35% Popularity • 17% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
35% Popularity • 17% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
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Michael Kamen
Band Of Brothers Suite Two - Instrumenta...
80 bpm • D# Maj • 09:13 • -14.67db
30% Popularity • 8% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Nigel Kennedy
Riders on the Storm - The Doors Concerto...
78 bpm • A min • 05:44 • -11.51db
17% Popularity • 18% Danceability • 36% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness
17% Popularity • 18% Danceability • 36% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness
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Justin Hurwitz
The Landing
80 bpm • G min • 05:31 • -15.24db
44% Popularity • 17% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
44% Popularity • 17% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
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Samuel Barber
Piano Sonata in E-Flat Minor, Op. 26: II...
80 bpm • B Maj • 06:11 • -26.36db
3% Popularity • 43% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 6% Positiveness
3% Popularity • 43% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 6% Positiveness
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Ludovico Einaudi
Cache-cache
80 bpm • D min • 03:51 • -15.66db
35% Popularity • 16% Danceability • 11% Energy • 13% Liveness
82% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 11% Energy • 13% Liveness
82% Instrumentalness • 4% Positiveness
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The Romantic Strings Orchestra
Barry Lyndon (Sarabande)
80 bpm • D min • 02:51 • -14.74db
8% Popularity • 19% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
8% Popularity • 19% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
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Franz Schubert
Schubert: Rosamunde, Op. 26, D. 797: Ent...
78 bpm • A# Maj • 06:53 • -21.28db
33% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
33% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Debbie Wiseman
Elizabeth I
80 bpm • A min • 04:21 • -20db
16% Popularity • 19% Danceability • 15% Energy • 8% Liveness
98% Instrumentalness • 7% Positiveness
16% Popularity • 19% Danceability • 15% Energy • 8% Liveness
98% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
Fantasia on a Theme by Thomas Tallis (ex...
80 bpm • C min • 06:24 • -26.06db
29% Popularity • 8% Danceability • 5% Energy • 34% Liveness
53% Instrumentalness • 4% Positiveness
29% Popularity • 8% Danceability • 5% Energy • 34% Liveness
53% Instrumentalness • 4% Positiveness
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Samuel Barber
Barber: Adagio for Strings, Op. 11
80 bpm • A# min • 06:21 • -21.58db
39% Popularity • 12% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 12% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Orquesta Sinfonica de Londres
Sinfonische Dichtung für großes Orches...
78 bpm • F Maj • 01:48 • -12.98db
20% Popularity • 22% Danceability • 42% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
20% Popularity • 22% Danceability • 42% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
III. Danza pastorale. Allegro
78 bpm • E Maj • 04:06 • -16.94db
31% Popularity • 34% Danceability • 14% Energy • 62% Liveness
8% Instrumentalness • 15% Positiveness
31% Popularity • 34% Danceability • 14% Energy • 62% Liveness
8% Instrumentalness • 15% Positiveness
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Arvo Pärt
Pärt: Spiegel im Spiegel
80 bpm • F Maj • 08:14 • -33.21db
33% Popularity • 16% Danceability • 1% Energy • 5% Liveness
34% Instrumentalness • 9% Positiveness
33% Popularity • 16% Danceability • 1% Energy • 5% Liveness
34% Instrumentalness • 9% Positiveness
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Rael Jones
Precious to Me
80 bpm • E min • 01:49 • -27.77db
39% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Greensleeves
80 bpm • C min • 04:31 • -23db
23% Popularity • 11% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
23% Popularity • 11% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Samuel Barber
Agnus Dei (Adagio for Strings Op 11)
80 bpm • A# min • 06:55 • -25.52db
13% Popularity • 8% Danceability • 5% Energy • 9% Liveness
52% Instrumentalness • 3% Positiveness
13% Popularity • 8% Danceability • 5% Energy • 9% Liveness
52% Instrumentalness • 3% Positiveness
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William Walton
Battle of Britain Suite: I. Spitfire Mus...
81 bpm • F Maj • 06:00 • -15.16db
11% Popularity • 21% Danceability • 43% Energy • 16% Liveness
84% Instrumentalness • 8% Positiveness
11% Popularity • 21% Danceability • 43% Energy • 16% Liveness
84% Instrumentalness • 8% Positiveness
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Laclede Quartet
Sophie's Choice
81 bpm • E Maj • 03:07 • -17.72db
17% Popularity • 23% Danceability • 12% Energy • 14% Liveness
80% Instrumentalness • 12% Positiveness
17% Popularity • 23% Danceability • 12% Energy • 14% Liveness
80% Instrumentalness • 12% Positiveness
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Joshua Bell
Heavenly Voice II (Alternative Version)
81 bpm • D# Maj • 01:52 • -28.66db
23% Popularity • 17% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 8% Positiveness
23% Popularity • 17% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 8% Positiveness
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Fiachra Garvey
Barber: Piano Sonata Op.26, (ii) Allegro...
77 bpm • C Maj • 02:06 • -26.41db
13% Popularity • 30% Danceability • 14% Energy • 26% Liveness
90% Instrumentalness • 32% Positiveness
13% Popularity • 30% Danceability • 14% Energy • 26% Liveness
90% Instrumentalness • 32% Positiveness
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David Arnold
City of Lovers
81 bpm • F Maj • 03:30 • -23db
33% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
33% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
String Quartet in C-sharp minor, Op. 131...
81 bpm • G# min • 02:10 • -24.27db
25% Popularity • 15% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Erich Wolfgang Korngold
Marian and Robin
81 bpm • G Maj • 04:09 • -18.41db
29% Popularity • 22% Danceability • 20% Energy • 13% Liveness
71% Instrumentalness • 5% Positiveness
29% Popularity • 22% Danceability • 20% Energy • 13% Liveness
71% Instrumentalness • 5% Positiveness
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Samuel Barber
Agnus Dei
77 bpm • A# min • 07:41 • -19.65db
46% Popularity • 11% Danceability • 13% Energy • 16% Liveness
92% Instrumentalness • 3% Positiveness
46% Popularity • 11% Danceability • 13% Energy • 16% Liveness
92% Instrumentalness • 3% Positiveness
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Joseph Canteloube
Bailero (Chants d'Auvergne, 1st series, ...
81 bpm • A# Maj • 05:50 • -20db
24% Popularity • 16% Danceability • 14% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 14% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Edward Elgar
Serenade for strings in E Minor, Op. 20
81 bpm • E min • 03:27 • -18.56db
27% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
27% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Johann Pachelbel
Canon in D for Strings and Continuo
81 bpm • D Maj • 04:48 • -17.42db
22% Popularity • 19% Danceability • 20% Energy • 19% Liveness
87% Instrumentalness • 17% Positiveness
22% Popularity • 19% Danceability • 20% Energy • 19% Liveness
87% Instrumentalness • 17% Positiveness
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Ludwig van Beethoven
Beethoven: Epilogue ( Beethoven Piano Co...
81 bpm • B Maj • 03:57 • -29.33db
26% Popularity • 26% Danceability • 3% Energy • 5% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 26% Danceability • 3% Energy • 5% Liveness
92% Instrumentalness • 4% Positiveness
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Joseph Haydn
Symphony No. 45 in F-Sharp Minor, Hob.I:...
81 bpm • F# Maj • 03:36 • -23.76db
1% Popularity • 22% Danceability • 1% Energy • 9% Liveness
85% Instrumentalness • 19% Positiveness
1% Popularity • 22% Danceability • 1% Energy • 9% Liveness
85% Instrumentalness • 19% Positiveness
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Samuel Barber
Barber: Excursions, Op. 20: I. Un poco a...
81 bpm • C min • 02:53 • -24.71db
7% Popularity • 42% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 75% Positiveness
7% Popularity • 42% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 75% Positiveness
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John Tavener
Mother Of God
81 bpm • G Maj • 03:29 • -17db
10% Popularity • 9% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
10% Popularity • 9% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Paavo Berglund
Peer Gynt Opp.46 & 55, Excerpts, Suite N...
77 bpm • E Maj • 04:17 • -22.41db
4% Popularity • 16% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
4% Popularity • 16% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Justin Hurwitz
Docking Waltz
77 bpm • D Maj • 03:22 • -21db
35% Popularity • 22% Danceability • 8% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
35% Popularity • 22% Danceability • 8% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
81 bpm • D# Maj • 09:23 • -23db
29% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
29% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
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Academy of St. Martin in the Fields
The Four Seasons: Winter, I. Allegro non...
77 bpm • F min • 03:22 • -17.58db
32% Popularity • 50% Danceability • 20% Energy • 8% Liveness
73% Instrumentalness • 19% Positiveness
32% Popularity • 50% Danceability • 20% Energy • 8% Liveness
73% Instrumentalness • 19% Positiveness
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Samuel Barber
Adagio for Strings, Op. 11
77 bpm • A# min • 07:46 • -33.12db
29% Popularity • 7% Danceability • 1% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
29% Popularity • 7% Danceability • 1% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
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Philip Glass
Violin Concerto: II. -
82 bpm • C min • 08:32 • -22db
26% Popularity • 10% Danceability • 11% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
26% Popularity • 10% Danceability • 11% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
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Gabriel Yared
Theresa
82 bpm • D min • 03:02 • -15.99db
29% Popularity • 19% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
29% Popularity • 19% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
76 bpm • C# Maj • 02:44 • -23db
47% Popularity • 17% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
47% Popularity • 17% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Gianni Schicchi: "O mio Babbino caro"
82 bpm • G# Maj • 04:03 • -15.4db
39% Popularity • 15% Danceability • 19% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 19% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Samuel Barber
Barber: Cello Sonata, Op. 6: II. Adagio
81 bpm • D# Maj • 04:22 • -27.43db
6% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
6% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Henry Purcell
Purcell: March and Canzona for Queen Mar...
82 bpm • C min • 02:17 • -24.6db
30% Popularity • 19% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
30% Popularity • 19% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 3 in D Major, BWV 1...
82 bpm • E min • 07:12 • -32.23db
28% Popularity • 8% Danceability • 5% Energy • 18% Liveness
93% Instrumentalness • 4% Positiveness
28% Popularity • 8% Danceability • 5% Energy • 18% Liveness
93% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
III. Allegro
82 bpm • F min • 03:16 • -19.67db
30% Popularity • 34% Danceability • 11% Energy • 8% Liveness
5% Instrumentalness • 18% Positiveness
30% Popularity • 34% Danceability • 11% Energy • 8% Liveness
5% Instrumentalness • 18% Positiveness
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Polish Radio Symphony Orchestra
Bach: Air on G String
82 bpm • D Maj • 03:19 • -23db
35% Popularity • 11% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 6% Positiveness
35% Popularity • 11% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 6% Positiveness
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John Lunn
A Royal Command
82 bpm • A min • 04:49 • -16.24db
29% Popularity • 23% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
29% Popularity • 23% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
► Preview
Peter Best
Never Never Land
76 bpm • B Maj • 01:01 • -24.32db
30% Popularity • 10% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 21% Positiveness
30% Popularity • 10% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 21% Positiveness
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Samuel Barber
Symphony No. 2, Op. 19: III. Presto, sen...
76 bpm • G Maj • 09:02 • -19.7db
5% Popularity • 17% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 10% Positiveness
5% Popularity • 17% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 10% Positiveness
► Preview
![Adagio in G Minor (Attrib. Albinoni) [Arr. for Chamber Orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02f959703e0f21ad1af9d01998)
Remo Giazotto
Adagio in G Minor (Attrib. Albinoni) [Ar...
82 bpm • C min • 08:23 • -18db
28% Popularity • 9% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
28% Popularity • 9% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Georg Philipp Telemann
Telemann: Ouverture-Suite for Recorder a...
82 bpm • A min • 05:28 • -17.18db
24% Popularity • 34% Danceability • 17% Energy • 7% Liveness
79% Instrumentalness • 37% Positiveness
24% Popularity • 34% Danceability • 17% Energy • 7% Liveness
79% Instrumentalness • 37% Positiveness
► Preview
Diverse
The Quickering Highlander - The Final Di...
76 bpm • G Maj • 03:18 • -24.94db
22% Popularity • 7% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 7% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Christopher Gunning
Firelight
82 bpm • B min • 07:19 • -21.69db
8% Popularity • 11% Danceability • 7% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 11% Danceability • 7% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
The Chamber Orchestra Of London
Downton Abbey - The Suite
82 bpm • A min • 07:08 • -14db
44% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
44% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
► Preview
Nicola Piovani
Buongiorno Principessa
82 bpm • A Maj • 03:23 • -31db
47% Popularity • 15% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
47% Popularity • 15% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Charlie Chaplin
The Terry Theme From "Limelight" / La Vi...
82 bpm • C min • 07:15 • -20db
29% Popularity • 14% Danceability • 17% Energy • 33% Liveness
40% Instrumentalness • 5% Positiveness
29% Popularity • 14% Danceability • 17% Energy • 33% Liveness
40% Instrumentalness • 5% Positiveness
► Preview
Peter Hamilton Orchestra
Morte a Venezia - Adagietto From the 5th...
83 bpm • F Maj • 03:37 • -18.6db
24% Popularity • 14% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Johan Söderqvist
Eli's Theme
76 bpm • F min • 02:40 • -13db
29% Popularity • 18% Danceability • 23% Energy • 19% Liveness
94% Instrumentalness • 8% Positiveness
29% Popularity • 18% Danceability • 23% Energy • 19% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Tan Dun
The Eternal Vow
83 bpm • D min • 02:57 • -24db
28% Popularity • 10% Danceability • 5% Energy • 30% Liveness
95% Instrumentalness • 11% Positiveness
28% Popularity • 10% Danceability • 5% Energy • 30% Liveness
95% Instrumentalness • 11% Positiveness
► Preview
Howard Shore
The Breaking of the Fellowship
83 bpm • D Maj • 06:45 • -20db
23% Popularity • 13% Danceability • 10% Energy • 38% Liveness
55% Instrumentalness • 8% Positiveness
23% Popularity • 13% Danceability • 10% Energy • 38% Liveness
55% Instrumentalness • 8% Positiveness
► Preview
Johann Sebastian Bach
Violin Partita No. 3 in E Major, BWV 100...
75 bpm • E Maj • 02:49 • -13db
35% Popularity • 55% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 55% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
► Preview
Christoph Willibald Gluck
Gluck: Orphée et Eurydice, Wq. 41, Act ...
75 bpm • F Maj • 06:04 • -26.8db
29% Popularity • 17% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
29% Popularity • 17% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Ludwig van Beethoven
Speaking Unto Nations (Beethoven Symphon...
83 bpm • E min • 05:02 • -20.74db
44% Popularity • 10% Danceability • 2% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
44% Popularity • 10% Danceability • 2% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madame Butterfly, 1. Akt: Vogliatemi ben...
83 bpm • A# Maj • 02:54 • -50.14db
39% Popularity • 14% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: Le cygn...
83 bpm • C Maj • 04:11 • -41.12db
41% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: Prelude...
83 bpm • A# Maj • 01:45 • -13.96db
13% Popularity • 16% Danceability • 22% Energy • 19% Liveness
60% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 22% Energy • 19% Liveness
60% Instrumentalness • 4% Positiveness
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Stephen Edwards
E-Flat Piano Trio
75 bpm • C min • 01:15 • -22.91db
18% Popularity • 45% Danceability • 1% Energy • 10% Liveness
80% Instrumentalness • 8% Positiveness
18% Popularity • 45% Danceability • 1% Energy • 10% Liveness
80% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
Fantasia on a Theme by Thomas Tallis - E...
83 bpm • C min • 05:14 • -19db
29% Popularity • 14% Danceability • 18% Energy • 27% Liveness
78% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 18% Energy • 27% Liveness
78% Instrumentalness • 4% Positiveness
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Edvard Grieg
Grieg: Suite No. 2 from Peer Gynt, Op. 5...
83 bpm • A min • 05:25 • -28db
6% Popularity • 8% Danceability • 5% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
6% Popularity • 8% Danceability • 5% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
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Samuel Barber
Adagio for Strings, Op. 11
83 bpm • A# min • 07:30 • -25db
25% Popularity • 9% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
25% Popularity • 9% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Wojciech Kilar
Witek & Alina
75 bpm • E Maj • 04:07 • -20.45db
16% Popularity • 16% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Jim Parker
Foyle's War - Main Title
75 bpm • D min • 02:12 • -16db
24% Popularity • 25% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 30% Positiveness
24% Popularity • 25% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 30% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 14 in C-Sharp Minor, Op...
75 bpm • C# min • 06:08 • -40.72db
28% Popularity • 25% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
28% Popularity • 25% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Stephan Zacharias
Hoffnung am Ende der Welt
84 bpm • D min • 03:21 • -24.57db
19% Popularity • 15% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
Stillness Of The Mind
74 bpm • G min • 03:54 • -12.02db
34% Popularity • 24% Danceability • 34% Energy • 10% Liveness
81% Instrumentalness • 9% Positiveness
34% Popularity • 24% Danceability • 34% Energy • 10% Liveness
81% Instrumentalness • 9% Positiveness
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Samuel Barber
Barber: Adagio for Strings, Op. 11
84 bpm • F# Maj • 03:39 • -24.09db
10% Popularity • 11% Danceability • 9% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
10% Popularity • 11% Danceability • 9% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
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Jack Brymer
Mozart: Mozart: Concerto For Clarinet An...
84 bpm • D Maj • 02:50 • -27.87db
46% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
46% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
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Arvo Pärt
Spiegel im Spiegel, for Cello & Piano
84 bpm • F Maj • 09:33 • -39.22db
37% Popularity • 23% Danceability • 0% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
37% Popularity • 23% Danceability • 0% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
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Richard Addinsell
Warsaw Concerto
74 bpm • B Maj • 09:00 • -19db
32% Popularity • 15% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Christopher Warren-Green
Façades
84 bpm • A# Maj • 07:52 • -23.94db
25% Popularity • 15% Danceability • 7% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
25% Popularity • 15% Danceability • 7% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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Edvard Grieg
Peer Gynt-Suite Nr. 1, Op. 46: II. Ases ...
84 bpm • B min • 05:06 • -29.72db
25% Popularity • 8% Danceability • 1% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
25% Popularity • 8% Danceability • 1% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
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Samuel Barber
Excursions, Op. 20: II. In Slow Blues Te...
74 bpm • C Maj • 04:45 • -35.52db
6% Popularity • 37% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
6% Popularity • 37% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Philip Glass
The Poet Acts
84 bpm • G min • 03:43 • -29.62db
46% Popularity • 25% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
46% Popularity • 25% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
The Girl with Flaxen Hair
84 bpm • G Maj • 02:32 • -24db
30% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
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Erik Satie
Satie: Gymnopédie No. 3
84 bpm • G Maj • 02:52 • -30.29db
27% Popularity • 18% Danceability • 4% Energy • 13% Liveness
82% Instrumentalness • 8% Positiveness
27% Popularity • 18% Danceability • 4% Energy • 13% Liveness
82% Instrumentalness • 8% Positiveness
