Songs like Adeline (feat. Kathleen) by John-Robert
Based on a tempo of (+/- 10%) and a similar genre
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Aquilo
Missing the Mark
126 bpm • A# min • 02:32 • -11.35db
33% Popularity • 51% Danceability • 39% Energy • 20% Liveness
25% Instrumentalness • 16% Positiveness
33% Popularity • 51% Danceability • 39% Energy • 20% Liveness
25% Instrumentalness • 16% Positiveness
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Trousdale
Happy Anymore
126 bpm • D Maj • 03:14 • -9db
42% Popularity • 60% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 60% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Angus Maude
I'm Happy You Exist
126 bpm • A# Maj • 03:05 • -10.66db
32% Popularity • 66% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 66% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Holden Miller
Far Side of the World
126 bpm • F Maj • 02:56 • -15.26db
48% Popularity • 48% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 48% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Madeline The Person
As a Child
126 bpm • G Maj • 03:10 • -10.33db
40% Popularity • 51% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 51% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Eli Teplin
Off The Grid
126 bpm • F# Maj • 03:47 • -12.97db
28% Popularity • 55% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
28% Popularity • 55% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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John-Robert
Adeline
126 bpm • D Maj • 03:49 • -10db
40% Popularity • 39% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 18% Positiveness
40% Popularity • 39% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 18% Positiveness
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James Spaite
Flowers
125 bpm • D Maj • 02:29 • -11.27db
35% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Tommy Ashby
Floorboards
127 bpm • G# Maj • 02:47 • -13.28db
20% Popularity • 61% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 61% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Matthew Mole
Pennsylvania
125 bpm • D Maj • 03:55 • -11db
36% Popularity • 74% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 74% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Jessie Early
Birds
125 bpm • C# Maj • 03:41 • -11.62db
30% Popularity • 48% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 48% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Trousdale
Wouldn't Come Back
125 bpm • B Maj • 03:39 • -9.42db
55% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
55% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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John-Robert
Westward Bound
125 bpm • G# Maj • 02:36 • -11.92db
32% Popularity • 65% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 65% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Oliver Hazard
The Flood
125 bpm • C Maj • 04:04 • -11.9db
42% Popularity • 60% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 60% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Novo Amor
No Fun
127 bpm • B Maj • 03:31 • -14.16db
51% Popularity • 58% Danceability • 15% Energy • 11% Liveness
70% Instrumentalness • 29% Positiveness
51% Popularity • 58% Danceability • 15% Energy • 11% Liveness
70% Instrumentalness • 29% Positiveness
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The Paper Kites
Featherstone
125 bpm • G# Maj • 03:49 • -13.67db
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Natalie Madigan
Remember Why You Fell in Love (Unplugged...
125 bpm • B Maj • 04:32 • -9db
27% Popularity • 63% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 63% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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S. Grant Parker
No Fire
127 bpm • F Maj • 03:48 • -7.42db
22% Popularity • 58% Danceability • 34% Energy • 28% Liveness
1% Instrumentalness • 28% Positiveness
22% Popularity • 58% Danceability • 34% Energy • 28% Liveness
1% Instrumentalness • 28% Positiveness
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John-Robert
Good Days'll Come
125 bpm • E Maj • 03:24 • -11.37db
49% Popularity • 83% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
49% Popularity • 83% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Daniel Nunnelee
Rooftops at Sunset
125 bpm • C Maj • 02:56 • -6.36db
26% Popularity • 48% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 48% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Novo Amor
Oh, Round Lake
125 bpm • C# Maj • 02:55 • -15db
61% Popularity • 56% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
61% Popularity • 56% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Richy Mitch & The Coal Miners
Solstice
127 bpm • G Maj • 05:06 • -16.8db
46% Popularity • 48% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 48% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Lizzy McAlpine
Lady In Blue (Pickup Live Session)
127 bpm • F Maj • 03:10 • -14.9db
40% Popularity • 40% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
40% Popularity • 40% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Matilda Mann
As It Is
128 bpm • A# Maj • 03:04 • -12.61db
44% Popularity • 66% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 66% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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John-Robert
Damn Bean
128 bpm • C Maj • 02:54 • -8.21db
42% Popularity • 72% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 72% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Mountain Boy
From the Dust
128 bpm • C Maj • 05:40 • -13.05db
33% Popularity • 24% Danceability • 48% Energy • 14% Liveness
37% Instrumentalness • 7% Positiveness
33% Popularity • 24% Danceability • 48% Energy • 14% Liveness
37% Instrumentalness • 7% Positiveness
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Jeff Pianki
Song About
128 bpm • B Maj • 03:39 • -11.1db
33% Popularity • 76% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 76% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Mōzi
Honey + Tea (Acoustic)
128 bpm • F Maj • 03:44 • -11.62db
33% Popularity • 65% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 65% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Cece Coakley
Listerine
128 bpm • A Maj • 03:28 • -8.19db
24% Popularity • 72% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 72% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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John Vincent III
Back to My Ways
124 bpm • C min • 05:47 • -10.1db
43% Popularity • 33% Danceability • 34% Energy • 38% Liveness
5% Instrumentalness • 10% Positiveness
43% Popularity • 33% Danceability • 34% Energy • 38% Liveness
5% Instrumentalness • 10% Positiveness
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Peter McPoland
String Lights
128 bpm • F Maj • 03:50 • -6.09db
37% Popularity • 49% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 49% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Swimmingly
Fred Astaire
128 bpm • A Maj • 02:46 • -11.67db
25% Popularity • 69% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 69% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Kathleen Regan
Halfway There
128 bpm • G# Maj • 03:14 • -8.73db
35% Popularity • 72% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 72% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Kathleen
August
128 bpm • A Maj • 02:27 • -8.67db
19% Popularity • 54% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
19% Popularity • 54% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Vancouver Sleep Clinic
Middle Of Nowhere
124 bpm • G# Maj • 06:42 • -11.41db
51% Popularity • 47% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
51% Popularity • 47% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Joy Oladokun
too high
129 bpm • F# Maj • 03:16 • -12.44db
27% Popularity • 49% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 49% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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The Greeting Committee
Elise
123 bpm • C Maj • 04:14 • -13.16db
44% Popularity • 64% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 64% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Charli Adams
10th Avenue
129 bpm • D# Maj • 03:23 • -7.4db
28% Popularity • 47% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 47% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Sophie Odira
Little Love
129 bpm • G Maj • 02:53 • -13.64db
33% Popularity • 66% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 66% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Delaney Bailey
Praying for July - Spotify Singles
129 bpm • B Maj • 03:06 • -18.18db
36% Popularity • 50% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 50% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Emily James
that'd be alright
129 bpm • A# Maj • 02:58 • -13.08db
35% Popularity • 66% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 66% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Harrison Storm
Breathe Again - Acoustic
123 bpm • A# min • 03:18 • -8db
57% Popularity • 65% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
57% Popularity • 65% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Son of Cloud
I Love You More
130 bpm • C Maj • 01:53 • -15.82db
38% Popularity • 48% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
38% Popularity • 48% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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Joe P
Going to California
130 bpm • G Maj • 04:04 • -11.31db
34% Popularity • 32% Danceability • 35% Energy • 36% Liveness
2% Instrumentalness • 8% Positiveness
34% Popularity • 32% Danceability • 35% Energy • 36% Liveness
2% Instrumentalness • 8% Positiveness
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Gatlin
Cold Night in Brooklyn (Alternate Versio...
130 bpm • C Maj • 04:33 • -9.87db
14% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Natalie Madigan
Remember Why You Fell in Love
130 bpm • B Maj • 04:25 • -10.76db
37% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Jensen McRae
My Ego Dies At The End
130 bpm • D# Maj • 04:02 • -6.36db
52% Popularity • 70% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
52% Popularity • 70% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Charlie Burg
Bookstore Girl
130 bpm • D Maj • 03:23 • -7.82db
49% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Charlie Brennan
May Flowers
130 bpm • D# Maj • 03:30 • -14.04db
30% Popularity • 67% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 67% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Twin Tacoma
Go Careful
122 bpm • B Maj • 02:52 • -12.52db
44% Popularity • 72% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
44% Popularity • 72% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
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Cece Coakley
Anything
130 bpm • G# Maj • 03:40 • -10.55db
32% Popularity • 64% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 64% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Gatlin
Grown
130 bpm • D# Maj • 03:30 • -6.31db
32% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Oh Wonder
Don't You Worry
130 bpm • A Maj • 03:39 • -11.18db
50% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Sam Lynch
Good Year
122 bpm • D Maj • 04:28 • -13db
26% Popularity • 41% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 41% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Matilda Mann
Doomsday
122 bpm • F# Maj • 03:09 • -11db
46% Popularity • 56% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 56% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Morgan Harper-Jones
Lie to Me
131 bpm • C Maj • 03:25 • -17.62db
34% Popularity • 58% Danceability • 11% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 58% Danceability • 11% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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John-Robert
Come Pick Me Up
131 bpm • G Maj • 02:47 • -10.57db
47% Popularity • 73% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
47% Popularity • 73% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Lily Kershaw
Now & Then
121 bpm • C Maj • 03:17 • -9db
49% Popularity • 62% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
49% Popularity • 62% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Taylor Swift
evermore
121 bpm • C# Maj • 05:04 • -10.67db
65% Popularity • 40% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
65% Popularity • 40% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Vian Izak
Things Will Get Better
121 bpm • D Maj • 01:53 • -10.25db
52% Popularity • 77% Danceability • 40% Energy • 7% Liveness
48% Instrumentalness • 76% Positiveness
52% Popularity • 77% Danceability • 40% Energy • 7% Liveness
48% Instrumentalness • 76% Positiveness
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Lucy Clearwater
Cycle
131 bpm • C Maj • 03:45 • -11.13db
15% Popularity • 44% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 44% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Ed Patrick
Minute Of Your Love
132 bpm • F Maj • 02:16 • -17.97db
50% Popularity • 51% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 36% Positiveness
50% Popularity • 51% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 36% Positiveness
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John-Robert
Come Pick Me Up (With The Thistle Brothe...
121 bpm • G Maj • 01:40 • -11.93db
41% Popularity • 70% Danceability • 18% Energy • 16% Liveness
2% Instrumentalness • 53% Positiveness
41% Popularity • 70% Danceability • 18% Energy • 16% Liveness
2% Instrumentalness • 53% Positiveness
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Colouring
I Can't Make You Love Me
121 bpm • F Maj • 04:37 • -15.79db
37% Popularity • 36% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 36% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Gregory Alan Isakov
Honey, It's Alright
132 bpm • C Maj • 03:11 • -15.66db
59% Popularity • 47% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
59% Popularity • 47% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Young Mister
Everything Has Its Place
132 bpm • A Maj • 04:12 • -12db
43% Popularity • 39% Danceability • 25% Energy • 9% Liveness
12% Instrumentalness • 30% Positiveness
43% Popularity • 39% Danceability • 25% Energy • 9% Liveness
12% Instrumentalness • 30% Positiveness
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Vacation Manor
Hourglass
120 bpm • E Maj • 03:44 • -13db
29% Popularity • 54% Danceability • 22% Energy • 36% Liveness
2% Instrumentalness • 10% Positiveness
29% Popularity • 54% Danceability • 22% Energy • 36% Liveness
2% Instrumentalness • 10% Positiveness
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Kathleen
Asking the Aspens
132 bpm • D# Maj • 02:49 • -10db
31% Popularity • 62% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 62% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Luz
permanent +1
132 bpm • B Maj • 03:32 • -12.29db
37% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Garden Gloves
Lover, I
132 bpm • G Maj • 02:41 • -10.92db
24% Popularity • 48% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 48% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Henry Jamison
Still Life
132 bpm • E Maj • 03:48 • -8.74db
37% Popularity • 52% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 52% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Common Jack
The Lake
132 bpm • G# min • 02:09 • -15.47db
31% Popularity • 55% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 55% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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John Vincent III
Next to You
132 bpm • G Maj • 04:16 • -7.98db
73% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
73% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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John-Robert
Move It to the Side
120 bpm • C Maj • 02:33 • -8.12db
30% Popularity • 79% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 79% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Samuel Lim
Eleanor
120 bpm • C# Maj • 03:30 • -13.91db
36% Popularity • 60% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
36% Popularity • 60% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Aayushi
My Space Is Overgrown
120 bpm • C# Maj • 03:53 • -24.07db
31% Popularity • 69% Danceability • 5% Energy • 32% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 69% Danceability • 5% Energy • 32% Liveness
0% Instrumentalness • 5% Positiveness
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BAILEN
Something Tells Me
120 bpm • F min • 04:01 • -9db
51% Popularity • 66% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
51% Popularity • 66% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Noah Floersch
Green Flash Sunset
120 bpm • C Maj • 02:55 • -4.81db
45% Popularity • 41% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 41% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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John Vincent III
Slow Song
120 bpm • A# Maj • 04:51 • -7db
45% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
45% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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This New Light
End of the Line
120 bpm • E Maj • 04:20 • -10.68db
44% Popularity • 34% Danceability • 25% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
44% Popularity • 34% Danceability • 25% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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Hayden Everett
Honeycomb
120 bpm • C Maj • 03:20 • -11.97db
35% Popularity • 73% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 73% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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John-Robert
Road Trip
120 bpm • A Maj • 03:05 • -9.95db
38% Popularity • 78% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
38% Popularity • 78% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Sophie May
Some Italian Mountain
120 bpm • G Maj • 02:37 • -15db
50% Popularity • 65% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
50% Popularity • 65% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Kathleen
Can't Sleep
120 bpm • E Maj • 03:20 • -4.99db
13% Popularity • 61% Danceability • 76% Energy • 61% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 61% Danceability • 76% Energy • 61% Liveness
0% Instrumentalness • 22% Positiveness
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Woodlock
I Loved You Then (And I Love You Still)
120 bpm • B Maj • 02:38 • -12db
63% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
63% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Wes Reeve
Honey, I
120 bpm • F# Maj • 02:33 • -10.78db
39% Popularity • 54% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 54% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Rachael Jenkins
untitled
119 bpm • C# Maj • 03:45 • -13db
40% Popularity • 37% Danceability • 24% Energy • 10% Liveness
42% Instrumentalness • 10% Positiveness
40% Popularity • 37% Danceability • 24% Energy • 10% Liveness
42% Instrumentalness • 10% Positiveness
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Charli Adams
Heroes / Dying
120 bpm • E Maj • 03:50 • -8.93db
38% Popularity • 69% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 69% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Hunter Metts
The River
133 bpm • A min • 04:18 • -12.77db
33% Popularity • 57% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 57% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Kathleen
Half My Mind Ago
120 bpm • C Maj • 02:56 • -10db
18% Popularity • 55% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 55% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Hayden Everett
Kennecott
133 bpm • G Maj • 03:28 • -10.21db
26% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Genevieve Stokes
Surface Tension - Stripped
119 bpm • A min • 03:34 • -15db
35% Popularity • 63% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 63% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Tommy Ashby
High Moon
119 bpm • B Maj • 03:51 • -15.82db
24% Popularity • 65% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 65% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Ethan Tasch
Sang About It
119 bpm • A# Maj • 02:13 • -11.95db
33% Popularity • 66% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 66% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Noah Kahan
Anyway
134 bpm • G Maj • 05:12 • -10.69db
64% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
64% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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The Brazen Youth
If These Wild Winds Are Yours
134 bpm • F# Maj • 03:32 • -11.07db
20% Popularity • 55% Danceability • 44% Energy • 16% Liveness
14% Instrumentalness • 18% Positiveness
20% Popularity • 55% Danceability • 44% Energy • 16% Liveness
14% Instrumentalness • 18% Positiveness
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Sam Burchfield
Strawberry Blonde
118 bpm • C# Maj • 04:10 • -12.01db
38% Popularity • 35% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
38% Popularity • 35% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Stephen Sanchez
Mountain Peaks
118 bpm • G Maj • 03:28 • -8.14db
57% Popularity • 47% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 47% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
