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After You
Songs like
After You
by
Jason Aldean
Based on a tempo of (+/- 10%) and a similar genre
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Clay Walker
She Won't Be Lonely Long
113 bpm • G Maj • 03:29 • -6db
69% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Eric Church
Drink In My Hand
113 bpm • C Maj • 03:11 • -4.45db
74% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Luke Combs
Does To Me
113 bpm • C Maj • 03:43 • -4.9db
69% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Jason Aldean
When She Says Baby
113 bpm • C Maj • 02:51 • -5.13db
64% Popularity • 67% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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Billy Currington
I Got A Feelin'
112 bpm • D Maj • 03:13 • -5.4db
60% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Cole Swindell
Love You Too Late
114 bpm • A min • 03:24 • -4.45db
56% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Randy Houser
Boots On
112 bpm • G# Maj • 02:50 • -5db
62% Popularity • 71% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Thomas Rhett
Half Of Me
112 bpm • G Maj • 03:03 • -5.06db
69% Popularity • 57% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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LOCASH
I Love This Life
112 bpm • D Maj • 03:28 • -3db
39% Popularity • 59% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Jason Aldean
Johnny Cash
112 bpm • G# Maj • 03:10 • -4.11db
54% Popularity • 63% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Kenny Chesney
Somewhere With You
112 bpm • C# min • 04:03 • -6.48db
61% Popularity • 68% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Josh Turner
Time Is Love
112 bpm • D Maj • 03:20 • -4.99db
58% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Chris Young
Think of You
112 bpm • B Maj • 03:38 • -3.59db
63% Popularity • 62% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Luke Bryan
I Don't Want This Night To End
112 bpm • A min • 03:39 • -4.02db
74% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Toby Keith
Courtesy Of The Red, White And Blue (The...
112 bpm • D Maj • 03:15 • -5.55db
75% Popularity • 42% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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George Strait
Check Yes Or No
111 bpm • F Maj • 03:20 • -12.64db
76% Popularity • 71% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Brooks & Dunn
Cowgirls Don't Cry
115 bpm • A Maj • 03:39 • -5.25db
60% Popularity • 66% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Tyler Hubbard
Dancin’ In The Country
115 bpm • G Maj • 02:59 • -5db
74% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Trace Adkins
Honky Tonk Badonkadonk
115 bpm • D Maj • 04:01 • -3.49db
64% Popularity • 64% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Cole Swindell
Flatliner
115 bpm • C Maj • 02:57 • -3.3db
63% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Dierks Bentley
Gold
115 bpm • C# Maj • 02:47 • -4db
66% Popularity • 68% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Randy Houser
Goodnight Kiss
111 bpm • C# Maj • 03:26 • -4.29db
52% Popularity • 73% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Thomas Rhett
Beer Can’t Fix
111 bpm • G Maj • 03:29 • -4.07db
70% Popularity • 71% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Darius Rucker
Straight To Hell
115 bpm • F Maj • 04:13 • -4.47db
53% Popularity • 58% Danceability • 82% Energy • 77% Liveness
0% Instrumentalness • 44% Positiveness
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Brooks & Dunn
Play Something Country
115 bpm • G Maj • 03:14 • -3db
62% Popularity • 69% Danceability • 94% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
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Chase Rice
Ride
115 bpm • A# Maj • 04:01 • -6.35db
61% Popularity • 67% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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John Michael Montgomery
Sold (The Grundy County Auction Incident...
116 bpm • D Maj • 02:32 • -7.37db
72% Popularity • 77% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Craig Campbell
Outskirts of Heaven
116 bpm • C Maj • 04:04 • -5.73db
56% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jerrod Niemann
Drink to That All Night
116 bpm • A min • 03:44 • -6.18db
59% Popularity • 64% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Tim McGraw
Indian Outlaw
110 bpm • A Maj • 03:02 • -7.23db
65% Popularity • 66% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Blake Shelton
Some Beach
116 bpm • C Maj • 03:24 • -6.33db
63% Popularity • 79% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Jon Pardi
Heartache On The Dance Floor
116 bpm • A Maj • 03:25 • -4.31db
75% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Brett Eldredge
Beat of the Music
110 bpm • A Maj • 02:59 • -4.13db
61% Popularity • 63% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Luke Bryan
That's My Kind Of Night
110 bpm • G Maj • 03:10 • -2.91db
75% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Chris Young
Aw Naw
110 bpm • D Maj • 03:08 • -3.75db
64% Popularity • 65% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Chris Stapleton
Fire Away
116 bpm • A Maj • 04:04 • -9.07db
72% Popularity • 56% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Blake Shelton
Sangria
116 bpm • A Maj • 03:53 • -6.96db
64% Popularity • 65% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Easton Corbin
Lovin' You Is Fun
110 bpm • G# Maj • 03:19 • -3.03db
56% Popularity • 70% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Trace Adkins
Ladies Love Country Boys
116 bpm • G Maj • 03:41 • -4db
62% Popularity • 66% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Toby Keith
How Do You Like Me Now?!
110 bpm • C Maj • 03:29 • -8.99db
75% Popularity • 65% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Gary Allan
Nothing On But The Radio
109 bpm • A Maj • 03:32 • -5.95db
63% Popularity • 68% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Justin Moore
Why We Drink
117 bpm • F# Maj • 03:31 • -3.05db
62% Popularity • 62% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Dierks Bentley
5-1-5-0
117 bpm • C# min • 03:02 • -5.18db
65% Popularity • 55% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Lee Brice
Drinking Class
109 bpm • C# Maj • 03:27 • -10db
61% Popularity • 66% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Jake Owen
Alone With You
109 bpm • G Maj • 03:30 • -3.99db
51% Popularity • 65% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Rascal Flatts
Fast Cars And Freedom
118 bpm • D# min • 04:22 • -4.84db
61% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Carly Pearce
I Hope You’re Happy Now
118 bpm • A# Maj • 03:18 • -4.73db
70% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Luke Bryan
Rain Is A Good Thing
108 bpm • B min • 02:56 • -4.66db
70% Popularity • 62% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Dierks Bentley
I Hold On
118 bpm • C Maj • 04:39 • -6.45db
60% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Jon Pardi
Head Over Boots
108 bpm • G Maj • 03:22 • -4.47db
76% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Luke Combs
Lovin' On You
119 bpm • E Maj • 03:14 • -4.87db
71% Popularity • 57% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Old Dominion
Memory Lane
119 bpm • F# Maj • 02:52 • -5.14db
70% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Toby Keith
Beer For My Horses
119 bpm • A# Maj • 03:24 • -5.33db
75% Popularity • 72% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Thomas Rhett
Sixteen
107 bpm • C# Maj • 02:58 • -7.03db
62% Popularity • 70% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Dierks Bentley
Sideways
108 bpm • F min • 03:04 • -3db
60% Popularity • 62% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
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Jon Pardi
Cowboy Hat
108 bpm • C# Maj • 03:17 • -2.52db
60% Popularity • 68% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Gary Allan
Every Storm (Runs Out Of Rain)
107 bpm • C Maj • 03:45 • -6.97db
61% Popularity • 52% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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Travis Denning
After A Few
107 bpm • A# min • 03:33 • -4.32db
58% Popularity • 62% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Toby Keith
As Good As I Once Was
119 bpm • F Maj • 03:47 • -4db
77% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Chris Young
Gettin' You Home
107 bpm • G Maj • 03:32 • -5.02db
67% Popularity • 64% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Dierks Bentley
Burning Man
119 bpm • F Maj • 03:58 • -7.22db
66% Popularity • 61% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Billy Currington
Pretty Good At Drinkin' Beer
107 bpm • F Maj • 02:59 • -4db
64% Popularity • 77% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Jake Owen
The One That Got Away
120 bpm • C Maj • 03:14 • -3.29db
53% Popularity • 58% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Blake Shelton
Austin
120 bpm • G Maj • 03:50 • -7db
66% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Easton Corbin
Roll With It
120 bpm • F Maj • 03:27 • -8db
59% Popularity • 71% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Eric Paslay
Friday Night
120 bpm • A Maj • 02:47 • -4.19db
62% Popularity • 66% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Dierks Bentley
Black
120 bpm • C# Maj • 03:31 • -6.69db
62% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Jameson Rodgers
Midnight Daydream
120 bpm • E Maj • 03:09 • -5.76db
58% Popularity • 62% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Joe Nichols
Sunny and 75
120 bpm • C Maj • 03:26 • -4.42db
58% Popularity • 53% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Justin Moore
With A Woman You Love
106 bpm • G Maj • 02:47 • -4.65db
63% Popularity • 62% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Chris Young
Lonely Eyes
106 bpm • C# Maj • 03:37 • -5.27db
59% Popularity • 66% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Tyler Hubbard
5 Foot 9
106 bpm • F Maj • 03:09 • -6db
72% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Dierks Bentley
Free And Easy (Down The Road I Go)
120 bpm • F# Maj • 03:19 • -5db
61% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Kenny Chesney
All the Pretty Girls
121 bpm • F# Maj • 03:32 • -3.74db
64% Popularity • 61% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Parker McCollum
Handle On You
105 bpm • F# Maj • 03:39 • -3.93db
69% Popularity • 59% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Justin Moore
You Look Like I Need A Drink
106 bpm • B Maj • 03:07 • -3.63db
57% Popularity • 61% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Jason Aldean
Hicktown
122 bpm • F# Maj • 05:06 • -3.78db
38% Popularity • 70% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Chris Janson
Done
105 bpm • A Maj • 03:40 • -3.38db
56% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Zac Brown Band
Homegrown
105 bpm • F# Maj • 03:25 • -4db
70% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Easton Corbin
A Girl Like You
105 bpm • F Maj • 03:37 • -4db
54% Popularity • 74% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Jon Pardi
Tequila Little Time
105 bpm • D Maj • 03:27 • -5.08db
62% Popularity • 76% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Randy Houser
How Country Feels
105 bpm • G Maj • 03:05 • -3.62db
70% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Kenny Chesney
When the Sun Goes Down
105 bpm • A Maj • 04:50 • -6.8db
67% Popularity • 80% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Josh Turner
Why Don't We Just Dance
122 bpm • F Maj • 03:12 • -5.93db
72% Popularity • 68% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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George Strait
Every Little Honky Tonk Bar
122 bpm • F Maj • 03:14 • -5.1db
62% Popularity • 66% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Billy Currington
Good Directions
123 bpm • F Maj • 03:35 • -2.18db
73% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Jake Owen
American Country Love Song
104 bpm • G# Maj • 03:19 • -4db
60% Popularity • 53% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Chris Cagle
Chicks Dig It - Single Edit
104 bpm • G Maj • 03:30 • -5db
57% Popularity • 60% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Kenny Chesney
She Thinks My Tractor's Sexy
122 bpm • A# min • 04:08 • -7.07db
67% Popularity • 69% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Eric Church
Springsteen
104 bpm • D Maj • 04:23 • -5.94db
78% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Joe Nichols
Brokenheartsville
104 bpm • A# Maj • 03:50 • -5.18db
63% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Toby Keith
Whiskey Girl
123 bpm • F# Maj • 03:59 • -5.27db
65% Popularity • 65% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Brothers Osborne
It Ain't My Fault
123 bpm • A Maj • 03:36 • -5.9db
66% Popularity • 74% Danceability • 83% Energy • 29% Liveness
22% Instrumentalness • 76% Positiveness
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Luke Combs
Beautiful Crazy
103 bpm • B Maj • 03:13 • -7.43db
83% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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George Strait
Write This Down
124 bpm • D# Maj • 03:39 • -7.47db
71% Popularity • 73% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Eric Church
Hell On The Heart
123 bpm • C Maj • 02:44 • -3.88db
59% Popularity • 64% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Cole Swindell
Drinkaby
124 bpm • A Maj • 03:02 • -2.99db
59% Popularity • 59% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
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Chris Janson
All I Need Is You
103 bpm • C# Maj • 02:42 • -6.21db
61% Popularity • 61% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Lee Brice
Hard To Love
103 bpm • A Maj • 03:44 • -6.18db
69% Popularity • 64% Danceability • 72% Energy • 19% Liveness
1% Instrumentalness • 47% Positiveness
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Jon Pardi
Last Night Lonely
103 bpm • F# Maj • 03:02 • -2.84db
73% Popularity • 65% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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After You