Songs like Agape by Nicholas Britell
Based on a tempo of (+/- 10%) and a similar genre
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Nicholas Britell
Agape
69 bpm • A# Maj • 02:55 • -19.61db
67% Popularity • 15% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
67% Popularity • 15% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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Max Richter
Dream 1 (before the wind blows it all aw...
69 bpm • F# Maj • 01:58 • -38db
60% Popularity • 17% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
60% Popularity • 17% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
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Austin Farwell
By the Seaside - Slowed
69 bpm • G Maj • 02:41 • -27.25db
36% Popularity • 27% Danceability • 1% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
36% Popularity • 27% Danceability • 1% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Elijah Fox
Vinegar Hill
69 bpm • C# Maj • 01:12 • -22.53db
57% Popularity • 46% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
57% Popularity • 46% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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Claude Debussy
Rêverie, L. 68: Rêverie
69 bpm • G min • 04:17 • -31.95db
58% Popularity • 30% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
58% Popularity • 30% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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James Heather
Ultraviolet
69 bpm • F Maj • 01:33 • -31db
65% Popularity • 25% Danceability • 6% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
65% Popularity • 25% Danceability • 6% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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Jon Brion
Consolation
68 bpm • F Maj • 01:18 • -21db
41% Popularity • 22% Danceability • 4% Energy • 8% Liveness
97% Instrumentalness • 7% Positiveness
41% Popularity • 22% Danceability • 4% Energy • 8% Liveness
97% Instrumentalness • 7% Positiveness
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Joep Beving
Sleeping Lotus
69 bpm • G min • 02:32 • -26.54db
60% Popularity • 31% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
60% Popularity • 31% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
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Austin Farwell
City Lights
69 bpm • D# Maj • 02:01 • -25.96db
60% Popularity • 27% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
60% Popularity • 27% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
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Øneheart
rain inside
68 bpm • B Maj • 01:46 • -31.33db
65% Popularity • 23% Danceability • 1% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
65% Popularity • 23% Danceability • 1% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Hans Zimmer
Honor Him
68 bpm • F# min • 01:19 • -24db
65% Popularity • 19% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
65% Popularity • 19% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Trent Reznor and Atticus Ross
Epiphany
70 bpm • C Maj • 03:48 • -27.87db
53% Popularity • 31% Danceability • 4% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
53% Popularity • 31% Danceability • 4% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
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Nicholas Britell
End Credits - "Action That"
68 bpm • A# min • 02:05 • -13.45db
43% Popularity • 7% Danceability • 40% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
43% Popularity • 7% Danceability • 40% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Oberhofer
Following the Clock to Sleep
70 bpm • C Maj • 02:09 • -34db
47% Popularity • 52% Danceability • 0% Energy • 33% Liveness
97% Instrumentalness • 4% Positiveness
47% Popularity • 52% Danceability • 0% Energy • 33% Liveness
97% Instrumentalness • 4% Positiveness
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Austin Farwell
Once Upon a Time
69 bpm • F# Maj • 01:32 • -25.45db
64% Popularity • 35% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
64% Popularity • 35% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Jon Brion
Peer Pressure
68 bpm • E Maj • 01:12 • -21.73db
47% Popularity • 23% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
47% Popularity • 23% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
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Charlie
Pretending
70 bpm • G# Maj • 01:18 • -17.74db
53% Popularity • 30% Danceability • 23% Energy • 12% Liveness
85% Instrumentalness • 10% Positiveness
53% Popularity • 30% Danceability • 23% Energy • 12% Liveness
85% Instrumentalness • 10% Positiveness
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Hans Zimmer
Rain
68 bpm • G Maj • 02:26 • -27.53db
50% Popularity • 23% Danceability • 7% Energy • 5% Liveness
93% Instrumentalness • 3% Positiveness
50% Popularity • 23% Danceability • 7% Energy • 5% Liveness
93% Instrumentalness • 3% Positiveness
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analog_mannequin
milk cassette x.mp3 (demo) (slowed + rev...
70 bpm • F# min • 03:44 • -31.27db
63% Popularity • 19% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
63% Popularity • 19% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Piero Piccioni
Easy Lovers
70 bpm • C min • 03:45 • -13.95db
62% Popularity • 34% Danceability • 33% Energy • 12% Liveness
42% Instrumentalness • 18% Positiveness
62% Popularity • 34% Danceability • 33% Energy • 12% Liveness
42% Instrumentalness • 18% Positiveness
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Austin Farwell
Together
70 bpm • D# Maj • 02:12 • -26.98db
48% Popularity • 21% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
48% Popularity • 21% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Kris Bowers
Strange
70 bpm • D Maj • 03:18 • -15.08db
58% Popularity • 25% Danceability • 15% Energy • 11% Liveness
97% Instrumentalness • 7% Positiveness
58% Popularity • 25% Danceability • 15% Energy • 11% Liveness
97% Instrumentalness • 7% Positiveness
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Max Richter
She Remembers
68 bpm • F# min • 03:49 • -21.52db
50% Popularity • 6% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
50% Popularity • 6% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Nicholas Britell
Requiem
71 bpm • A# Maj • 01:54 • -31.5db
28% Popularity • 48% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 48% Positiveness
28% Popularity • 48% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 48% Positiveness
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Brian Eno
An Ending (Ascent) - Remastered 2005
67 bpm • G# Maj • 04:26 • -25.38db
57% Popularity • 26% Danceability • 9% Energy • 8% Liveness
98% Instrumentalness • 5% Positiveness
57% Popularity • 26% Danceability • 9% Energy • 8% Liveness
98% Instrumentalness • 5% Positiveness
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pandora.
interstellar.
71 bpm • D Maj • 01:37 • -29.93db
70% Popularity • 31% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
70% Popularity • 31% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Austin Farwell
New Home (Slowed)
70 bpm • B Maj • 02:54 • -27.72db
68% Popularity • 36% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
68% Popularity • 36% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Øneheart
nostalgia
67 bpm • C# Maj • 02:04 • -26.63db
62% Popularity • 13% Danceability • 2% Energy • 39% Liveness
84% Instrumentalness • 6% Positiveness
62% Popularity • 13% Danceability • 2% Energy • 39% Liveness
84% Instrumentalness • 6% Positiveness
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leadwave
memories
67 bpm • F Maj • 01:26 • -27db
72% Popularity • 25% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
72% Popularity • 25% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Nicholas Britell
Mrs. Victoria Rogers
67 bpm • C# Maj • 01:43 • -27.54db
29% Popularity • 27% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
29% Popularity • 27% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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![Memoir #02 [06.12.09] cover art](https://i.scdn.co/image/ab67616d00001e023a436f9ecfb00ac99effc23c)
Maria Pseftoga
Memoir #02 [06.12.09]
71 bpm • C Maj • 01:57 • -16.44db
64% Popularity • 20% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
64% Popularity • 20% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Jonny Greenwood
House of Woodcock
67 bpm • D min • 03:53 • -17.01db
47% Popularity • 25% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
47% Popularity • 25% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Austin Farwell
By the Seaside
71 bpm • C Maj • 02:01 • -22.4db
51% Popularity • 26% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
51% Popularity • 26% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Hans Zimmer
A Time of Quiet Between the Storms
71 bpm • B min • 04:21 • -20.89db
70% Popularity • 7% Danceability • 7% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
70% Popularity • 7% Danceability • 7% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
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Joe Hisaishi
You're in Love
67 bpm • G min • 01:11 • -27.86db
65% Popularity • 53% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 21% Positiveness
65% Popularity • 53% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 21% Positiveness
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Take Care
Think Of Me Once In A While, Take Care
71 bpm • D# Maj • 01:43 • -11.37db
76% Popularity • 21% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
76% Popularity • 21% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Nicholas Britell
It's Done
67 bpm • A min • 02:49 • -18.51db
40% Popularity • 19% Danceability • 14% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
40% Popularity • 19% Danceability • 14% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Kevin Kiner
Burying the Dead
67 bpm • D Maj • 02:16 • -15.72db
50% Popularity • 28% Danceability • 24% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
50% Popularity • 28% Danceability • 24% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
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TileKid
you not the same
67 bpm • A min • 02:08 • -31.54db
71% Popularity • 10% Danceability • 3% Energy • 8% Liveness
86% Instrumentalness • 12% Positiveness
71% Popularity • 10% Danceability • 3% Energy • 8% Liveness
86% Instrumentalness • 12% Positiveness
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Hans Zimmer
First Step
71 bpm • A min • 01:47 • -19.01db
58% Popularity • 16% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
58% Popularity • 16% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Joe Hisaishi
The Flower Garden
71 bpm • C min • 02:58 • -17.6db
66% Popularity • 10% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
66% Popularity • 10% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Ty's Music
As Time Flies
67 bpm • A# min • 01:37 • -24.63db
49% Popularity • 42% Danceability • 7% Energy • 13% Liveness
87% Instrumentalness • 72% Positiveness
49% Popularity • 42% Danceability • 7% Energy • 13% Liveness
87% Instrumentalness • 72% Positiveness
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Nicholas Britell
Lavender Oil
71 bpm • G Maj • 02:07 • -33.01db
30% Popularity • 9% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
30% Popularity • 9% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Million Eyes
The Mercy of the Wind
66 bpm • C Maj • 01:45 • -21.72db
60% Popularity • 47% Danceability • 5% Energy • 9% Liveness
52% Instrumentalness • 27% Positiveness
60% Popularity • 47% Danceability • 5% Energy • 9% Liveness
52% Instrumentalness • 27% Positiveness
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TileKid
you not the same - slowed down version
71 bpm • E min • 02:39 • -34.77db
66% Popularity • 11% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
66% Popularity • 11% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Alexandre Desplat
Laurie and Jo on the Hill
66 bpm • F Maj • 01:01 • -21.04db
54% Popularity • 29% Danceability • 13% Energy • 12% Liveness
81% Instrumentalness • 18% Positiveness
54% Popularity • 29% Danceability • 13% Energy • 12% Liveness
81% Instrumentalness • 18% Positiveness
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Joe Hisaishi
Merry-Go-Round of Life - from 'Howl's Mo...
72 bpm • G min • 05:11 • -12.57db
69% Popularity • 24% Danceability • 29% Energy • 12% Liveness
64% Instrumentalness • 18% Positiveness
69% Popularity • 24% Danceability • 29% Energy • 12% Liveness
64% Instrumentalness • 18% Positiveness
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Austin Farwell
New Home
72 bpm • F Maj • 02:06 • -22.79db
70% Popularity • 38% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
70% Popularity • 38% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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Nicholas Britell
Glass Eye
66 bpm • E min • 01:31 • -26.09db
33% Popularity • 27% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
33% Popularity • 27% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Luke Faulkner
Clouds
66 bpm • D# Maj • 02:59 • -25db
58% Popularity • 41% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
58% Popularity • 41% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
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daniel.mp3
green to blue - slowed + reverbed
66 bpm • E min • 03:07 • -28.55db
70% Popularity • 20% Danceability • 3% Energy • 13% Liveness
97% Instrumentalness • 10% Positiveness
70% Popularity • 20% Danceability • 3% Energy • 13% Liveness
97% Instrumentalness • 10% Positiveness
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Jacob LaVallee
Enigma
66 bpm • F# Maj • 02:24 • -18db
57% Popularity • 45% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
57% Popularity • 45% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Claude Debussy
Clair de Lune, L. 32
66 bpm • C# Maj • 04:28 • -31.65db
67% Popularity • 34% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
67% Popularity • 34% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Caleb Arredondo
Echo Sax No.4
72 bpm • G# Maj • 01:41 • -22.71db
59% Popularity • 30% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 94% Positiveness
59% Popularity • 30% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 94% Positiveness
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Nicholas Britell
Little's Theme
66 bpm • G Maj • 00:59 • -24.11db
44% Popularity • 27% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 6% Positiveness
44% Popularity • 27% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 6% Positiveness
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Hans Zimmer
Kiss the Ring
66 bpm • B min • 03:12 • -16.59db
65% Popularity • 6% Danceability • 25% Energy • 25% Liveness
55% Instrumentalness • 3% Positiveness
65% Popularity • 6% Danceability • 25% Energy • 25% Liveness
55% Instrumentalness • 3% Positiveness
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Vraell
Glimpse
73 bpm • B min • 02:14 • -17.06db
52% Popularity • 60% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 83% Positiveness
52% Popularity • 60% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 83% Positiveness
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Ludovico Einaudi
Wind Song
73 bpm • B min • 03:18 • -32.31db
66% Popularity • 34% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
66% Popularity • 34% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Erik Satie
Gymnopédie No. 1
73 bpm • G Maj • 03:25 • -36.86db
70% Popularity • 47% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
70% Popularity • 47% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
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Max Richter
On the Nature of Daylight
65 bpm • A# min • 06:11 • -12.74db
66% Popularity • 6% Danceability • 34% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
66% Popularity • 6% Danceability • 34% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
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Franz Gordon
The French Library
65 bpm • D# Maj • 02:59 • -25.23db
63% Popularity • 43% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
63% Popularity • 43% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Delialah El-Atwi
Song on the Beach/Photograph
65 bpm • F Maj • 03:22 • -19db
48% Popularity • 23% Danceability • 8% Energy • 6% Liveness
94% Instrumentalness • 11% Positiveness
48% Popularity • 23% Danceability • 8% Energy • 6% Liveness
94% Instrumentalness • 11% Positiveness
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Alexandre Desplat
Lily's Theme
73 bpm • F# Maj • 02:28 • -28.66db
63% Popularity • 18% Danceability • 5% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
63% Popularity • 18% Danceability • 5% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Emile Mosseri
Garden of Eden
73 bpm • D Maj • 01:36 • -16db
42% Popularity • 21% Danceability • 29% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
42% Popularity • 21% Danceability • 29% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
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Vanbur
In Cold Light
73 bpm • F# min • 03:52 • -18db
62% Popularity • 18% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
62% Popularity • 18% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Ludwig Göransson
Oppenheimer
73 bpm • D Maj • 02:16 • -15.95db
58% Popularity • 8% Danceability • 26% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
58% Popularity • 8% Danceability • 26% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Anthony Willis
The Maze
65 bpm • G Maj • 02:21 • -20.36db
48% Popularity • 11% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
48% Popularity • 11% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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C418
Subwoofer Lullaby
74 bpm • C Maj • 03:28 • -23.72db
69% Popularity • 33% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
69% Popularity • 33% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Video Days
Bleached
64 bpm • D Maj • 01:23 • -19db
67% Popularity • 42% Danceability • 18% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
67% Popularity • 42% Danceability • 18% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
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Lloyd Vaan
Present
64 bpm • D# Maj • 02:26 • -27db
73% Popularity • 23% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
73% Popularity • 23% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
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Stephen Rennicks
Together Again
64 bpm • F min • 02:53 • -28.86db
53% Popularity • 20% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
53% Popularity • 20% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Emile Mosseri
Intro
74 bpm • C# Maj • 01:38 • -17db
44% Popularity • 14% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
44% Popularity • 14% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Nicholas Britell
Rondo in F Minor for Piano and Orchestra...
74 bpm • C# Maj • 01:27 • -15db
49% Popularity • 53% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
49% Popularity • 53% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
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James Quinn
A Gentle Sunlight
75 bpm • G# Maj • 01:57 • -31db
63% Popularity • 32% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 12% Positiveness
63% Popularity • 32% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 12% Positiveness
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Have A Nice Life
A Quick One Before the Eternal Worm Devo...
75 bpm • A Maj • 07:52 • -19.39db
65% Popularity • 36% Danceability • 17% Energy • 30% Liveness
93% Instrumentalness • 4% Positiveness
65% Popularity • 36% Danceability • 17% Energy • 30% Liveness
93% Instrumentalness • 4% Positiveness
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Ludwig Göransson
Destroyer Of Worlds
64 bpm • C# min • 02:54 • -17.41db
64% Popularity • 27% Danceability • 20% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
64% Popularity • 27% Danceability • 20% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Alexis Ffrench
Bluebird
75 bpm • A# Maj • 03:24 • -20.61db
59% Popularity • 45% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
59% Popularity • 45% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Emile Mosseri
Birdslingers
64 bpm • D# Maj • 01:52 • -20.17db
39% Popularity • 59% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
39% Popularity • 59% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Nicholas Britell
The Middle of the World
64 bpm • G min • 02:02 • -14.76db
49% Popularity • 33% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
49% Popularity • 33% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Øneheart
distorted memories
75 bpm • G# min • 01:50 • -24.02db
67% Popularity • 38% Danceability • 22% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
67% Popularity • 38% Danceability • 22% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
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Sufjan Stevens
Visions of Gideon
75 bpm • F min • 04:07 • -18.2db
66% Popularity • 25% Danceability • 31% Energy • 9% Liveness
68% Instrumentalness • 20% Positiveness
66% Popularity • 25% Danceability • 31% Energy • 9% Liveness
68% Instrumentalness • 20% Positiveness
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Brad Oberhofer
Watching Fireworks
75 bpm • C# Maj • 01:59 • -28.35db
46% Popularity • 35% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
46% Popularity • 35% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Maurice Ravel
Miroirs: III. Une barque sur l'océan
76 bpm • D Maj • 07:08 • -27.02db
57% Popularity • 17% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
57% Popularity • 17% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Jeremy Soule
The Streets of Whiterun
75 bpm • C# min • 04:04 • -17.68db
61% Popularity • 7% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
61% Popularity • 7% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Arcade Fire
Loneliness #3 (Night Talking)
76 bpm • F# min • 03:25 • -23db
43% Popularity • 13% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
43% Popularity • 13% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Hans Zimmer
Time
63 bpm • G Maj • 04:35 • -16.81db
73% Popularity • 29% Danceability • 10% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
73% Popularity • 29% Danceability • 10% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
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Elijah Fox
Wyoming
63 bpm • F# min • 01:22 • -23.39db
64% Popularity • 38% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 28% Positiveness
64% Popularity • 38% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 28% Positiveness
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a vow
as the light fades
76 bpm • C Maj • 02:18 • -29.15db
67% Popularity • 14% Danceability • 10% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
67% Popularity • 14% Danceability • 10% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Stephen Rennicks
Watching Connell Play
76 bpm • A Maj • 02:07 • -20.67db
42% Popularity • 7% Danceability • 11% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
42% Popularity • 7% Danceability • 11% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Claude Debussy
Rêverie, L. 68
63 bpm • F Maj • 03:53 • -31.62db
60% Popularity • 25% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
60% Popularity • 25% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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Emile Mosseri
Our Love
76 bpm • D# Maj • 02:05 • -22db
51% Popularity • 29% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 18% Positiveness
51% Popularity • 29% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 18% Positiveness
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Armando Trovajoli
L'amore dice Ciao (Slow Take) - Remaster...
62 bpm • F Maj • 04:18 • -17db
59% Popularity • 42% Danceability • 28% Energy • 11% Liveness
36% Instrumentalness • 26% Positiveness
59% Popularity • 42% Danceability • 28% Energy • 11% Liveness
36% Instrumentalness • 26% Positiveness
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Gustavo Santaolalla
Allowed to be Happy
62 bpm • E min • 02:48 • -18.37db
46% Popularity • 19% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
46% Popularity • 19% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Invadable Harmony
Once Upon a Dream
62 bpm • F Maj • 01:00 • -15.39db
64% Popularity • 30% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
64% Popularity • 30% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Rob Simonsen
Safe Return
77 bpm • D# min • 03:52 • -11db
40% Popularity • 9% Danceability • 28% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
40% Popularity • 9% Danceability • 28% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
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Nicholas Britell
Andante in C Minor - Solo Piano
77 bpm • C min • 01:45 • -20.11db
44% Popularity • 37% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
44% Popularity • 37% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
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Ludwig Göransson
Meeting Kitty
76 bpm • C min • 05:47 • -20.2db
57% Popularity • 10% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
57% Popularity • 10% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Emile Mosseri
Big Country
62 bpm • G# Maj • 02:16 • -19.03db
51% Popularity • 25% Danceability • 20% Energy • 8% Liveness
93% Instrumentalness • 20% Positiveness
51% Popularity • 25% Danceability • 20% Energy • 8% Liveness
93% Instrumentalness • 20% Positiveness
