Songs like Aghavni (Doves) by Lara Downes
Based on a tempo of (+/- 10%) and a similar genre
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Michael Abels
Anniversaries for Lenny (Commentary)
136 bpm • B Maj • 06:51 • -28.82db
0% Popularity • 66% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 66% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Harry Burleigh
From the Southland: I. Through Moaning P...
136 bpm • A Maj • 01:49 • -19.61db
1% Popularity • 52% Danceability • 8% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
1% Popularity • 52% Danceability • 8% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
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Franz Schubert
Frühlingsglaube, D. 686 (Arr. X. van Di...
136 bpm • A Maj • 02:53 • -30.41db
30% Popularity • 18% Danceability • 2% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 2% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Lara Downes
Berceuse
136 bpm • G Maj • 01:47 • -22.49db
1% Popularity • 54% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
1% Popularity • 54% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 57, Book VI: VI. Hjemv...
137 bpm • E min • 04:33 • -34db
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Harrison Leslie Adams
The Ecstasy of Love
137 bpm • D# min • 07:29 • -14.5db
0% Popularity • 28% Danceability • 22% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
0% Popularity • 28% Danceability • 22% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
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Margaret Bonds
What Lips My Lips Have Kissed
137 bpm • C Maj • 02:28 • -21.8db
0% Popularity • 36% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 36% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 16 in C Major, K. 545 "...
137 bpm • G Maj • 04:53 • -30db
34% Popularity • 38% Danceability • 7% Energy • 14% Liveness
94% Instrumentalness • 42% Positiveness
34% Popularity • 38% Danceability • 7% Energy • 14% Liveness
94% Instrumentalness • 42% Positiveness
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Johannes Brahms
3 Intermezzi, Op. 117: No. 1, Andante mo...
138 bpm • D# Maj • 04:50 • -31.45db
40% Popularity • 44% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
40% Popularity • 44% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Lara Downes
Dream a Little Dream of Me
138 bpm • G Maj • 01:44 • -26.33db
0% Popularity • 36% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
0% Popularity • 36% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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George Gershwin
Porgy and Bess, Act II: I Loves You, Por...
138 bpm • E Maj • 04:19 • -26.19db
2% Popularity • 46% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
2% Popularity • 46% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Clara Schumann
Three Romances, Op. 11: No. 1 in E-Flat ...
134 bpm • D# min • 03:03 • -24db
35% Popularity • 37% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 37% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Franz Liszt
Consolations, S. 172: No. 3 in D-Flat Ma...
134 bpm • C# Maj • 04:43 • -24.02db
36% Popularity • 39% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
36% Popularity • 39% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
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Benjamin Godard
Jocelyn, Op. 100: Berceuse (Arr. for Pia...
134 bpm • F Maj • 02:32 • -32db
23% Popularity • 40% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 14% Positiveness
23% Popularity • 40% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 14% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7, Träumerei
134 bpm • F Maj • 02:28 • -32.82db
27% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 27% Positiveness
27% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 27% Positiveness
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Eleonor Sandresky
Romance for Lenny
138 bpm • F# min • 02:08 • -30.78db
0% Popularity • 50% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 18% Positiveness
0% Popularity • 50% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 18% Positiveness
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François Couperin
Les baricades mystérieuses - Arranged B...
138 bpm • A# Maj • 02:43 • -27.44db
35% Popularity • 22% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
35% Popularity • 22% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
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Friedrich Burgmüller
25 Ètudes Faciles Et Progressives, Op. ...
134 bpm • D Maj • 01:06 • -26db
55% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
55% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Lara Downes
North American Ballads: 3. Down by the R...
134 bpm • D Maj • 05:57 • -17.13db
0% Popularity • 38% Danceability • 20% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
0% Popularity • 38% Danceability • 20% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
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Dan Visconti
Lonesome Roads: Nocturne
133 bpm • D min • 01:51 • -25.42db
4% Popularity • 44% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
4% Popularity • 44% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
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Erik Satie
Gnossiennes (Arr. S. Shibe for Guitar): ...
133 bpm • D min • 02:48 • -39.47db
32% Popularity • 31% Danceability • 0% Energy • 10% Liveness
86% Instrumentalness • 17% Positiveness
32% Popularity • 31% Danceability • 0% Energy • 10% Liveness
86% Instrumentalness • 17% Positiveness
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Leonard Bernstein
Arias & Barcarolles: No. 5, Greeting (Ar...
133 bpm • C Maj • 02:15 • -23.51db
0% Popularity • 56% Danceability • 3% Energy • 7% Liveness
95% Instrumentalness • 33% Positiveness
0% Popularity • 56% Danceability • 3% Energy • 7% Liveness
95% Instrumentalness • 33% Positiveness
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Reynaldo Hahn
Premières valses: No. 5, Pas vite, simp...
139 bpm • G min • 02:24 • -31.12db
23% Popularity • 32% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 13% Positiveness
23% Popularity • 32% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 13% Positiveness
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Ludwig van Beethoven
String Quartet No. 16 in F Major, Op. 13...
133 bpm • C# Maj • 10:13 • -34.99db
24% Popularity • 58% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 24% Positiveness
24% Popularity • 58% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 24% Positiveness
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Lara Downes
Arrorro Mi Nina
139 bpm • G Maj • 03:44 • -23.92db
6% Popularity • 40% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
6% Popularity • 40% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Clarice Assad
A World of Change
139 bpm • D min • 03:22 • -18.2db
1% Popularity • 36% Danceability • 18% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
1% Popularity • 36% Danceability • 18% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Craig Urquhart
Remembering Lenny
133 bpm • A Maj • 04:09 • -33.03db
0% Popularity • 60% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 22% Positiveness
0% Popularity • 60% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 22% Positiveness
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Ottorino Respighi
Notturno
139 bpm • F# Maj • 06:05 • -26db
25% Popularity • 32% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
25% Popularity • 32% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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David Wikander
Kung liljekonvalje (Arr. for Piano & Bas...
132 bpm • G min • 03:28 • -20.48db
12% Popularity • 62% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 29% Positiveness
12% Popularity • 62% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 29% Positiveness
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Jean Roger-Ducasse
6 Préludes: No. 2. Très calme
132 bpm • B Maj • 01:34 • -35.31db
42% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
42% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Lara Downes
I'll Be Seeing You (arr. J. Distler for ...
133 bpm • A# Maj • 03:38 • -26.06db
7% Popularity • 54% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
7% Popularity • 54% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Charles Ives
Steal Away
140 bpm • A Maj • 05:43 • -24.7db
0% Popularity • 34% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 34% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Liz Queler
Merzouga
132 bpm • F Maj • 04:09 • -20.34db
0% Popularity • 51% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
0% Popularity • 51% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
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Adolphus Hailstork
3 Spirituals for Orchestra: No. 2. Kum B...
140 bpm • D min • 02:50 • -37.57db
62% Popularity • 14% Danceability • 0% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
62% Popularity • 14% Danceability • 0% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
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Dobrinka Tabakova
Simple Prayer for Complex Times
140 bpm • C Maj • 05:27 • -33.09db
3% Popularity • 36% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
3% Popularity • 36% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
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Tekla Bądarzewska-Baranowska
Douce rêverie in G Minor
131 bpm • G min • 01:57 • -22.15db
35% Popularity • 44% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
35% Popularity • 44% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
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Lara Downes
Bloom
133 bpm • A# Maj • 02:17 • -18.42db
1% Popularity • 39% Danceability • 19% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
1% Popularity • 39% Danceability • 19% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
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Jaroslav Ježek
Dawn (Arr. J. Siskind for Solo Piano)
130 bpm • D min • 01:29 • -21.13db
4% Popularity • 48% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
4% Popularity • 48% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Antonín Dvořák
8 Humoresques, Op. 101, B. 187: No. 7 Po...
130 bpm • F# Maj • 02:49 • -25db
18% Popularity • 40% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
18% Popularity • 40% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Shulamit Ran
Exuberance (For Lenny)
129 bpm • C Maj • 00:57 • -21.54db
0% Popularity • 55% Danceability • 16% Energy • 13% Liveness
90% Instrumentalness • 16% Positiveness
0% Popularity • 55% Danceability • 16% Energy • 13% Liveness
90% Instrumentalness • 16% Positiveness
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Margaret Bonds
Credo: No. 2, I Believe
129 bpm • D Maj • 02:45 • -31.36db
6% Popularity • 40% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
6% Popularity • 40% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
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Lara Downes
Pavane of the Sleeping Beauty
132 bpm • A min • 01:22 • -25.56db
1% Popularity • 55% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 33% Positiveness
1% Popularity • 55% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 33% Positiveness
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Sergei Rachmaninoff
13 Préludes, Op. 32: No. 5 in G Major. ...
129 bpm • G Maj • 03:14 • -39db
31% Popularity • 19% Danceability • 1% Energy • 5% Liveness
91% Instrumentalness • 5% Positiveness
31% Popularity • 19% Danceability • 1% Energy • 5% Liveness
91% Instrumentalness • 5% Positiveness
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Edward Gregson
4 Pictures for Piano Duet: No. 2, Quite ...
129 bpm • A min • 01:13 • -29db
27% Popularity • 57% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 23% Positiveness
27% Popularity • 57% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 23% Positiveness
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Frédéric Chopin
Waltzes, Op. 34: No. 2 in A Minor "Valse...
129 bpm • A min • 05:59 • -31.82db
9% Popularity • 34% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
9% Popularity • 34% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Alexander Spendiarov
Berceuse, Op. 3 No. 2 (Version for Piano...
129 bpm • G# Maj • 03:16 • -31db
12% Popularity • 47% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
12% Popularity • 47% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Lara Downes
American Ballads: 3. The Bird
131 bpm • A Maj • 01:33 • -16.31db
0% Popularity • 44% Danceability • 21% Energy • 13% Liveness
86% Instrumentalness • 48% Positiveness
0% Popularity • 44% Danceability • 21% Energy • 13% Liveness
86% Instrumentalness • 48% Positiveness
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Benny Golson
Classical Dreams
128 bpm • B Maj • 03:51 • -27.63db
1% Popularity • 40% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
1% Popularity • 40% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
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Debbie Friedman
Laugh at All My Dreams (Arr. J. Siskind ...
127 bpm • A# Maj • 02:36 • -25.05db
13% Popularity • 45% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
13% Popularity • 45% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
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Marie Awadis
Étude No. 3: Ballade
127 bpm • C# Maj • 03:23 • -33.08db
47% Popularity • 36% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
47% Popularity • 36% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Andre J Thomas
I Dream A World
127 bpm • F Maj • 02:35 • -19.96db
1% Popularity • 25% Danceability • 13% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
1% Popularity • 25% Danceability • 13% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
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François Couperin
Le Tic-Toc-Choc
127 bpm • F Maj • 02:27 • -31db
40% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
40% Popularity • 18% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
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Lara Downes
Peace Of Mind (Commentary track)
142 bpm • F Maj • 01:49 • -28.59db
0% Popularity • 68% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
0% Popularity • 68% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Ludwig van Beethoven
String Quartet No. 13 in B-Flat Major, O...
126 bpm • D# Maj • 06:53 • -37.23db
23% Popularity • 48% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
23% Popularity • 48% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
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Calliope Tsoupaki
Meeting Point
127 bpm • C min • 02:45 • -35.06db
5% Popularity • 49% Danceability • 0% Energy • 16% Liveness
80% Instrumentalness • 44% Positiveness
5% Popularity • 49% Danceability • 0% Energy • 16% Liveness
80% Instrumentalness • 44% Positiveness
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吳彤
Rain Falling from the Roof
126 bpm • B min • 05:27 • -33.26db
20% Popularity • 33% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
20% Popularity • 33% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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Komitas
12 Pieces for Children: No. 6, My Darlin...
125 bpm • E Maj • 01:17 • -37db
50% Popularity • 56% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
50% Popularity • 56% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Charles Gounod
Ave Maria, CG 89 (Arr. for Viola & Piano...
125 bpm • C Maj • 02:25 • -25db
24% Popularity • 19% Danceability • 3% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 3% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Lara Downes
Morning on the Limpopo; Matlou Women fro...
143 bpm • F Maj • 02:29 • -18.82db
3% Popularity • 44% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
3% Popularity • 44% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
► Preview
Marina Baranova
The Canopy of Heaven
124 bpm • C# Maj • 02:15 • -24db
35% Popularity • 40% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
35% Popularity • 40% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
Karen Tanaka
Earth
125 bpm • A# Maj • 02:14 • -22.56db
2% Popularity • 24% Danceability • 10% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
2% Popularity • 24% Danceability • 10% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
François Couperin
Les Barricades Mystérieuses
149 bpm • A# Maj • 02:24 • -33db
39% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
39% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
► Preview
Sally Greenaway
The Secret Garden
124 bpm • A# min • 03:15 • -22.79db
13% Popularity • 22% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 13% Positiveness
13% Popularity • 22% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 13% Positiveness
► Preview
Sheku Kanneh-Mason
Myfanwy (Arr. for Solo Cello)
121 bpm • G Maj • 03:39 • -23.89db
45% Popularity • 22% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
45% Popularity • 22% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Lara Downes
Barcarolle (Commentary track)
129 bpm • D# min • 01:18 • -29.2db
0% Popularity • 70% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 70% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Dobrinka Tabakova
Nocturne
120 bpm • E Maj • 02:47 • -33.17db
30% Popularity • 30% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
30% Popularity • 30% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
► Preview
Igor Stravinsky
Tango
121 bpm • C Maj • 03:02 • -25.51db
3% Popularity • 51% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
3% Popularity • 51% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
► Preview
Alvin Singleton
Changing Faces
119 bpm • D# Maj • 01:47 • -23.42db
0% Popularity • 33% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
0% Popularity • 33% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
► Preview
Hooshyar Khayam
Bright Night
118 bpm • F min • 02:51 • -25.11db
1% Popularity • 44% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
1% Popularity • 44% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
► Preview
Johannes Brahms
Six Songs for Cello and Piano: 4. Wiegen...
116 bpm • F Maj • 02:05 • -39db
29% Popularity • 17% Danceability • 0% Energy • 5% Liveness
94% Instrumentalness • 13% Positiveness
29% Popularity • 17% Danceability • 0% Energy • 5% Liveness
94% Instrumentalness • 13% Positiveness
► Preview
Lara Downes
Dream Variation
127 bpm • F# Maj • 02:33 • -25.02db
2% Popularity • 38% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
2% Popularity • 38% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Henrique Oswald
En nacelle
116 bpm • F# Maj • 02:45 • -29.75db
59% Popularity • 43% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
59% Popularity • 43% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Oswald Russell
Three Jamaican Dances: No. 2
117 bpm • E Maj • 02:27 • -29.24db
47% Popularity • 46% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 22% Positiveness
47% Popularity • 46% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 22% Positiveness
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Bedřich Smetana
The Moldau Piano Variation
116 bpm • E min • 01:58 • -23.15db
39% Popularity • 23% Danceability • 21% Energy • 14% Liveness
95% Instrumentalness • 18% Positiveness
39% Popularity • 23% Danceability • 21% Energy • 14% Liveness
95% Instrumentalness • 18% Positiveness
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Elena Kats-Chernin
The Rain Puzzle
162 bpm • A min • 01:14 • -32.02db
17% Popularity • 11% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
17% Popularity • 11% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
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Antonio Vivaldi
Four Seasons Variation (Arr. for Piano f...
164 bpm • C# Maj • 02:01 • -27db
46% Popularity • 26% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
46% Popularity • 26% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
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Lara Downes
American Ballads: 5. Cod Liver Ile
146 bpm • G min • 02:19 • -16.5db
0% Popularity • 32% Danceability • 29% Energy • 14% Liveness
90% Instrumentalness • 32% Positiveness
0% Popularity • 32% Danceability • 29% Energy • 14% Liveness
90% Instrumentalness • 32% Positiveness
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Giya Kancheli
Piano Piece No. 23
162 bpm • F Maj • 01:23 • -35.74db
43% Popularity • 25% Danceability • 0% Energy • 7% Liveness
97% Instrumentalness • 10% Positiveness
43% Popularity • 25% Danceability • 0% Energy • 7% Liveness
97% Instrumentalness • 10% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 14 in C-Sharp Minor, Op...
168 bpm • C# min • 05:23 • -44.07db
40% Popularity • 14% Danceability • 0% Energy • 13% Liveness
86% Instrumentalness • 12% Positiveness
40% Popularity • 14% Danceability • 0% Energy • 13% Liveness
86% Instrumentalness • 12% Positiveness
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Franz Schubert
Wandrers Nachtlied II, D. 768 (Transcr. ...
166 bpm • A# Maj • 02:19 • -27.87db
46% Popularity • 12% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
46% Popularity • 12% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
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Florence Beatrice Price
Barcarolle
168 bpm • A Maj • 03:36 • -31.39db
0% Popularity • 30% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
0% Popularity • 30% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Antonín Dvořák
Dvorák / Transc. Lenaerts: Rusalka, Op....
168 bpm • F# Maj • 05:53 • -26.4db
46% Popularity • 30% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
46% Popularity • 30% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Lara Downes
Blue Moon (arr. T. Wilson for piano)
118 bpm • D# Maj • 01:16 • -21.44db
4% Popularity • 47% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 30% Positiveness
4% Popularity • 47% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 30% Positiveness
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Amy Beach
Young Birches, Op. 128, No. 2
170 bpm • F# min • 02:39 • -29.55db
51% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
51% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 25 in G Major, Op. 79 "...
170 bpm • A# Maj • 03:10 • -30.44db
34% Popularity • 31% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
34% Popularity • 31% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
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William Alwyn
Prelude
170 bpm • E min • 02:15 • -31.44db
34% Popularity • 22% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
34% Popularity • 22% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Franz Schubert
Du bist die Ruh', D. 776 (Transc. for Ce...
171 bpm • A# Maj • 04:21 • -24.9db
37% Popularity • 10% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
37% Popularity • 10% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Duke Ellington
Come Sunday
173 bpm • F Maj • 03:09 • -17.1db
0% Popularity • 18% Danceability • 15% Energy • 10% Liveness
72% Instrumentalness • 6% Positiveness
0% Popularity • 18% Danceability • 15% Energy • 10% Liveness
72% Instrumentalness • 6% Positiveness
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Lara Downes
Nora's Dance (Commentary track)
125 bpm • C Maj • 01:20 • -29.08db
0% Popularity • 71% Danceability • 4% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 71% Danceability • 4% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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George Frideric Handel
Serse, HWV 40, Act I: Ombra mai fu (Arr....
172 bpm • F Maj • 02:37 • -16.13db
29% Popularity • 14% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
29% Popularity • 14% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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Robert Schumann
Schumann: 6 Studien in kanonischer Form,...
173 bpm • C Maj • 02:05 • -37db
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
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Traditional
Amazing Grace (Arr. S.E. Okpebholo for S...
174 bpm • D# Maj • 02:58 • -22.34db
1% Popularity • 46% Danceability • 4% Energy • 7% Liveness
93% Instrumentalness • 11% Positiveness
1% Popularity • 46% Danceability • 4% Energy • 7% Liveness
93% Instrumentalness • 11% Positiveness
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Konstantia Gourzi
wind whispers, Op. 85: II. floating leaf
175 bpm • F min • 02:17 • -38db
33% Popularity • 25% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
33% Popularity • 25% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
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Peter Warlock
Capriol Suite: 5. Pied-en- l'air
174 bpm • G Maj • 02:24 • -30db
53% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
53% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
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Lara Downes
Suite from the Plow That Broke the Plain...
118 bpm • D# Maj • 01:44 • -17.43db
0% Popularity • 38% Danceability • 16% Energy • 12% Liveness
89% Instrumentalness • 53% Positiveness
0% Popularity • 38% Danceability • 16% Energy • 12% Liveness
89% Instrumentalness • 53% Positiveness