Songs like Ah, Holy Jesus, How Hast Thou Offended - Piano Version, Pt. 7 by Johann Crüger
Based on a tempo of (+/- 10%) and a similar genre
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Gabriel Fauré
Gabriel Faurés Pavane in F-Sharp Minor,...
131 bpm • G Maj • 06:12 • -27.4db
20% Popularity • 50% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
20% Popularity • 50% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
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Jean-Philippe Rieu
Barbarina
131 bpm • F min • 03:46 • -27db
8% Popularity • 43% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
8% Popularity • 43% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
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Johann Crüger
Ah, Holy Jesus, How Hast Thou Offended -...
131 bpm • G min • 02:32 • -21.02db
20% Popularity • 50% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
20% Popularity • 50% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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William Howard Doane
Jesus, Keep Me Near the Cross - Christia...
131 bpm • D# Maj • 02:10 • -22db
26% Popularity • 41% Danceability • 4% Energy • 18% Liveness
88% Instrumentalness • 31% Positiveness
26% Popularity • 41% Danceability • 4% Energy • 18% Liveness
88% Instrumentalness • 31% Positiveness
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Joseph Parry
Jesus, Lover of My Soul - Christian Wors...
131 bpm • D# min • 02:30 • -25.75db
21% Popularity • 45% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 10% Positiveness
21% Popularity • 45% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 10% Positiveness
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Clara Weber
June
130 bpm • G min • 04:10 • -17.08db
18% Popularity • 40% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
18% Popularity • 40% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
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Kibo Yi
Prelude Op. 28 No.12 Presto
130 bpm • G# min • 01:00 • -19.9db
23% Popularity • 33% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
23% Popularity • 33% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
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Mark Jhansen
Enchanted Dreams
132 bpm • C min • 01:23 • -21.12db
16% Popularity • 55% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 14% Positiveness
16% Popularity • 55% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 14% Positiveness
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Dream ivory
Elegance in Silence
130 bpm • B Maj • 01:27 • -27.25db
11% Popularity • 51% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 54% Positiveness
11% Popularity • 51% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 54% Positiveness
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Aldo Novara
Conversational Mood
130 bpm • D# Maj • 01:32 • -20.69db
16% Popularity • 55% Danceability • 3% Energy • 19% Liveness
96% Instrumentalness • 36% Positiveness
16% Popularity • 55% Danceability • 3% Energy • 19% Liveness
96% Instrumentalness • 36% Positiveness
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Nathan Paul
Twice You
130 bpm • E Maj • 01:32 • -24.66db
15% Popularity • 76% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 62% Positiveness
15% Popularity • 76% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 62% Positiveness
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Johann Samuel Schroeter
Piano Sonata No. 1 in C Major, Op. 1, No...
132 bpm • D# Maj • 05:48 • -30.28db
15% Popularity • 50% Danceability • 2% Energy • 16% Liveness
92% Instrumentalness • 51% Positiveness
15% Popularity • 50% Danceability • 2% Energy • 16% Liveness
92% Instrumentalness • 51% Positiveness
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Richard Settlement
Keyboard Sonata in G major, K.146, L.349
132 bpm • G Maj • 03:07 • -24.22db
20% Popularity • 41% Danceability • 7% Energy • 16% Liveness
93% Instrumentalness • 78% Positiveness
20% Popularity • 41% Danceability • 7% Energy • 16% Liveness
93% Instrumentalness • 78% Positiveness
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Julius Gethielmann
Etude in B-flat Minor, Op. 8: No. 11
132 bpm • D# min • 02:30 • -20.07db
25% Popularity • 49% Danceability • 26% Energy • 13% Liveness
96% Instrumentalness • 14% Positiveness
25% Popularity • 49% Danceability • 26% Energy • 13% Liveness
96% Instrumentalness • 14% Positiveness
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Jan Smiet
Stuck On A Rock
130 bpm • A min • 03:38 • -24db
15% Popularity • 51% Danceability • 21% Energy • 8% Liveness
90% Instrumentalness • 11% Positiveness
15% Popularity • 51% Danceability • 21% Energy • 8% Liveness
90% Instrumentalness • 11% Positiveness
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Jamal Wall
Piano Poetry in Olde Tongue
132 bpm • A min • 01:17 • -19.88db
14% Popularity • 54% Danceability • 3% Energy • 16% Liveness
88% Instrumentalness • 25% Positiveness
14% Popularity • 54% Danceability • 3% Energy • 16% Liveness
88% Instrumentalness • 25% Positiveness
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Dieique Silveira
Serenade of Sunset
130 bpm • G min • 02:00 • -21.27db
11% Popularity • 59% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 40% Positiveness
11% Popularity • 59% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 40% Positiveness
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Elara Blake
Cosmic Lullaby
130 bpm • D# Maj • 01:58 • -13.35db
18% Popularity • 31% Danceability • 25% Energy • 20% Liveness
1% Instrumentalness • 21% Positiveness
18% Popularity • 31% Danceability • 25% Energy • 20% Liveness
1% Instrumentalness • 21% Positiveness
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Emmanuel Matt
Rustling Leaves
130 bpm • D Maj • 02:51 • -20.5db
12% Popularity • 46% Danceability • 2% Energy • 11% Liveness
77% Instrumentalness • 13% Positiveness
12% Popularity • 46% Danceability • 2% Energy • 11% Liveness
77% Instrumentalness • 13% Positiveness
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Gabriel Fauré
Gabriel Faurés Pavane, Op. 50 - Instrum...
130 bpm • G# Maj • 04:25 • -17.71db
21% Popularity • 60% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
21% Popularity • 60% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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![Prelude in G Major (Piano) [Bonus Track] cover art](https://i.scdn.co/image/ab67616d00001e029957e0636df40af7bc84749d)
Jiří Huska
Prelude in G Major (Piano) [Bonus Track]
132 bpm • G Maj • 03:40 • -16.37db
18% Popularity • 30% Danceability • 22% Energy • 16% Liveness
95% Instrumentalness • 30% Positiveness
18% Popularity • 30% Danceability • 22% Energy • 16% Liveness
95% Instrumentalness • 30% Positiveness
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William Haskell Levine
Irish Prelude
132 bpm • G min • 01:20 • -26.21db
23% Popularity • 43% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 90% Positiveness
23% Popularity • 43% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 90% Positiveness
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リとラ
日常
133 bpm • A Maj • 05:51 • -28.43db
14% Popularity • 43% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 34% Positiveness
14% Popularity • 43% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 34% Positiveness
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Sabrina Lopez
A New Perspective of the World
133 bpm • C min • 01:28 • -23.33db
15% Popularity • 63% Danceability • 2% Energy • 18% Liveness
77% Instrumentalness • 36% Positiveness
15% Popularity • 63% Danceability • 2% Energy • 18% Liveness
77% Instrumentalness • 36% Positiveness
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Lena Mirage
Cosmic Rhapsody
133 bpm • E Maj • 01:16 • -24.15db
20% Popularity • 61% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 43% Positiveness
20% Popularity • 61% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 43% Positiveness
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Lowell Mason
Nearer, My God, to Thee - Piano Version,...
129 bpm • G# Maj • 02:37 • -24.3db
21% Popularity • 44% Danceability • 2% Energy • 18% Liveness
16% Instrumentalness • 9% Positiveness
21% Popularity • 44% Danceability • 2% Energy • 18% Liveness
16% Instrumentalness • 9% Positiveness
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William Henry Monk
Abide with Me (Eventide) - Piano Version...
133 bpm • C min • 02:24 • -25.15db
20% Popularity • 42% Danceability • 5% Energy • 15% Liveness
89% Instrumentalness • 9% Positiveness
20% Popularity • 42% Danceability • 5% Energy • 15% Liveness
89% Instrumentalness • 9% Positiveness
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Ivana Soro
Cadenza For A Moonlit Night
128 bpm • D min • 01:52 • -32.65db
23% Popularity • 62% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 36% Positiveness
23% Popularity • 62% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 36% Positiveness
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Serkmusic
Debussy Clair de Lune
134 bpm • C# Maj • 05:01 • -21.44db
14% Popularity • 44% Danceability • 5% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
14% Popularity • 44% Danceability • 5% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
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约翰·汤普森
春之歌 - 汤普森现代钢琴教程
134 bpm • A Maj • 01:00 • -24.4db
14% Popularity • 46% Danceability • 20% Energy • 26% Liveness
94% Instrumentalness • 53% Positiveness
14% Popularity • 46% Danceability • 20% Energy • 26% Liveness
94% Instrumentalness • 53% Positiveness
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Classic Piano
Schumann : Kinderszenen, Op.15-Furchtenm...
134 bpm • G Maj • 01:56 • -34.17db
16% Popularity • 37% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
16% Popularity • 37% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
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Songs of Birdland
7 Minuets, K.61b: No.1 in G Major
127 bpm • G Maj • 03:20 • -17.22db
20% Popularity • 48% Danceability • 15% Energy • 17% Liveness
90% Instrumentalness • 32% Positiveness
20% Popularity • 48% Danceability • 15% Energy • 17% Liveness
90% Instrumentalness • 32% Positiveness
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William Henry Monk
Abide with Me (Eventide) - Piano Version...
134 bpm • D# Maj • 01:57 • -23.53db
20% Popularity • 52% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 26% Positiveness
20% Popularity • 52% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 26% Positiveness
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Robert Schumann
Scènes d'enfants, Op. 15: No. 2, Curieu...
127 bpm • D Maj • 01:17 • -21.55db
11% Popularity • 55% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 27% Positiveness
11% Popularity • 55% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 27% Positiveness
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Melevona
Acacia Plains
134 bpm • B Maj • 02:19 • -18.91db
20% Popularity • 51% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
20% Popularity • 51% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 8, Adagio Cantabile (Ma...
127 bpm • G# Maj • 01:12 • -31.53db
27% Popularity • 40% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 26% Positiveness
27% Popularity • 40% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 26% Positiveness
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George R. Poulton
Aure Lee / Love Me Tender - Jazz Version
127 bpm • C# Maj • 02:20 • -16.06db
19% Popularity • 62% Danceability • 26% Energy • 13% Liveness
89% Instrumentalness • 56% Positiveness
19% Popularity • 62% Danceability • 26% Energy • 13% Liveness
89% Instrumentalness • 56% Positiveness
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Teres
For Fantastic Focus
136 bpm • A# Maj • 02:02 • -25.13db
17% Popularity • 44% Danceability • 8% Energy • 20% Liveness
91% Instrumentalness • 52% Positiveness
17% Popularity • 44% Danceability • 8% Energy • 20% Liveness
91% Instrumentalness • 52% Positiveness
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William Henry Monk
Abide with Me (Eventide) - Piano Version...
134 bpm • D# Maj • 01:52 • -18.9db
21% Popularity • 38% Danceability • 17% Energy • 15% Liveness
92% Instrumentalness • 5% Positiveness
21% Popularity • 38% Danceability • 17% Energy • 15% Liveness
92% Instrumentalness • 5% Positiveness
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Robert Schumann
Kinderszenen Träumerei
136 bpm • F Maj • 03:20 • -34.89db
14% Popularity • 54% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 39% Positiveness
14% Popularity • 54% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 39% Positiveness
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alesszz_music
Unraveling the Strings of Time
136 bpm • F Maj • 02:57 • -27.08db
11% Popularity • 65% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 68% Positiveness
11% Popularity • 65% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 68% Positiveness
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Rahel Stütz
Jetzt - Yam
136 bpm • B min • 03:33 • -32.86db
12% Popularity • 29% Danceability • 0% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
12% Popularity • 29% Danceability • 0% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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Richard Settlement
Sonatina Op.36 N.4 in F Major, Andante
126 bpm • A Maj • 01:36 • -25.68db
8% Popularity • 49% Danceability • 7% Energy • 14% Liveness
87% Instrumentalness • 65% Positiveness
8% Popularity • 49% Danceability • 7% Energy • 14% Liveness
87% Instrumentalness • 65% Positiveness
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Ronny Matthes
The Loss of Everything - Royalty Free Dr...
126 bpm • D# Maj • 02:47 • -25.27db
23% Popularity • 40% Danceability • 4% Energy • 10% Liveness
75% Instrumentalness • 6% Positiveness
23% Popularity • 40% Danceability • 4% Energy • 10% Liveness
75% Instrumentalness • 6% Positiveness
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William Henry Monk
Abide with Me (Eventide) - Piano Version...
134 bpm • C# min • 02:56 • -26.02db
20% Popularity • 36% Danceability • 2% Energy • 18% Liveness
88% Instrumentalness • 19% Positiveness
20% Popularity • 36% Danceability • 2% Energy • 18% Liveness
88% Instrumentalness • 19% Positiveness
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Marko Simsa
Klavier: Barbara Rektenwald III
137 bpm • D min • 04:20 • -22.45db
12% Popularity • 34% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
12% Popularity • 34% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Luigino D'Agostino
L’Amour Toujours
137 bpm • F Maj • 04:39 • -19.81db
10% Popularity • 36% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 12% Positiveness
10% Popularity • 36% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 12% Positiveness
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5Eleven
Piano Solo
125 bpm • E Maj • 03:23 • -27.88db
18% Popularity • 45% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 32% Positiveness
18% Popularity • 45% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 32% Positiveness
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Richard Xavier
Für Elise, Pt. 1
137 bpm • F min • 01:58 • -14.32db
14% Popularity • 33% Danceability • 54% Energy • 22% Liveness
94% Instrumentalness • 57% Positiveness
14% Popularity • 33% Danceability • 54% Energy • 22% Liveness
94% Instrumentalness • 57% Positiveness
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Ronny Matthes
In Gedanken - Gemafreie Klaviermusik
126 bpm • F# Maj • 04:25 • -29.95db
22% Popularity • 54% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 30% Positiveness
22% Popularity • 54% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 30% Positiveness
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Lowell Mason
Nearer, My God, to Thee - Christian Wors...
138 bpm • G Maj • 02:16 • -23db
25% Popularity • 47% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 29% Positiveness
25% Popularity • 47% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 29% Positiveness
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Johann Crüger
Wie soll ich Dich empfangen - Piano Vari...
138 bpm • G Maj • 03:40 • -21db
23% Popularity • 45% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
23% Popularity • 45% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
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Willy Page
Result Oriented
137 bpm • C min • 01:31 • -22.23db
7% Popularity • 56% Danceability • 1% Energy • 13% Liveness
89% Instrumentalness • 58% Positiveness
7% Popularity • 56% Danceability • 1% Energy • 13% Liveness
89% Instrumentalness • 58% Positiveness
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ดนตรีคลาสสิก ปรมาจารย์ โมซี่
Op. 68 - Erster Verlust
138 bpm • E min • 01:34 • -19.54db
24% Popularity • 50% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 62% Positiveness
24% Popularity • 50% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 62% Positiveness
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Bel1a
The Last Day We Were Happy
138 bpm • D# Maj • 01:26 • -21.61db
26% Popularity • 61% Danceability • 18% Energy • 18% Liveness
94% Instrumentalness • 96% Positiveness
26% Popularity • 61% Danceability • 18% Energy • 18% Liveness
94% Instrumentalness • 96% Positiveness
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Samuel Cohen
Like a River Glorios - Christian Worship...
124 bpm • G# Maj • 01:43 • -22.27db
24% Popularity • 37% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 40% Positiveness
24% Popularity • 37% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 40% Positiveness
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Anton Rubinstein
Melodie in F-Dur - Gemafrei - Piano Vers...
125 bpm • C Maj • 02:18 • -22.36db
29% Popularity • 52% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 23% Positiveness
29% Popularity • 52% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 23% Positiveness
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John Bacchus Dykes
Holy, Holy, Holy - Christian Worship Son...
138 bpm • G# Maj • 05:12 • -16db
22% Popularity • 47% Danceability • 13% Energy • 8% Liveness
77% Instrumentalness • 10% Positiveness
22% Popularity • 47% Danceability • 13% Energy • 8% Liveness
77% Instrumentalness • 10% Positiveness
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Delli Devil
To Bed
138 bpm • D# min • 02:52 • -19.08db
15% Popularity • 78% Danceability • 5% Energy • 18% Liveness
92% Instrumentalness • 18% Positiveness
15% Popularity • 78% Danceability • 5% Energy • 18% Liveness
92% Instrumentalness • 18% Positiveness
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Hannah Clarck
Sparkling Symphony
138 bpm • B min • 01:31 • -23.78db
17% Popularity • 68% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 33% Positiveness
17% Popularity • 68% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 33% Positiveness
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Carl Albert Loeschhorn
Children's Pieces Op. 182 Nr. 5
124 bpm • A min • 01:03 • -30.99db
29% Popularity • 53% Danceability • 4% Energy • 13% Liveness
97% Instrumentalness • 31% Positiveness
29% Popularity • 53% Danceability • 4% Energy • 13% Liveness
97% Instrumentalness • 31% Positiveness
► Preview
Jimmy Flower Sax
Aires de la Taberna del Pueblo
124 bpm • G# min • 01:21 • -27.78db
18% Popularity • 42% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
18% Popularity • 42% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Spiro
What If
124 bpm • A min • 05:27 • -24.94db
10% Popularity • 31% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
10% Popularity • 31% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
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Killerblood
def round_trip(kmn_bot, from=future) : w...
124 bpm • G Maj • 01:17 • -21.08db
16% Popularity • 67% Danceability • 28% Energy • 14% Liveness
94% Instrumentalness • 87% Positiveness
16% Popularity • 67% Danceability • 28% Energy • 14% Liveness
94% Instrumentalness • 87% Positiveness
► Preview
James Mountain
Like a River Glorios (Wie ein Strom von ...
124 bpm • E Maj • 01:57 • -21.7db
23% Popularity • 40% Danceability • 10% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
23% Popularity • 40% Danceability • 10% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
► Preview
Jochen Schlierkamp
Inspiration
124 bpm • G Maj • 04:42 • -22.93db
9% Popularity • 34% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 36% Positiveness
9% Popularity • 34% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 36% Positiveness
► Preview
Piano House
Walking Through Meadows
139 bpm • D# Maj • 02:36 • -20.87db
20% Popularity • 47% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 27% Positiveness
20% Popularity • 47% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 27% Positiveness
► Preview
Friedrich Burgmüller
18 Études, op.109: No.5 The Source
124 bpm • G Maj • 01:52 • -25.41db
7% Popularity • 24% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 43% Positiveness
7% Popularity • 24% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 43% Positiveness
► Preview
Johann Crüger
Ah, Holy Jesus, How Hast Thou Offended -...
123 bpm • G# min • 03:21 • -20.03db
18% Popularity • 57% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
18% Popularity • 57% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
► Preview
Songs of Birdland
2 German Dances, D.769: No.2 in D Major
140 bpm • D Maj • 01:09 • -14.14db
24% Popularity • 46% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
24% Popularity • 46% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Spirit LoFi
Blue Notes in the Mist
140 bpm • F# Maj • 02:49 • -24.83db
12% Popularity • 62% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 41% Positiveness
12% Popularity • 62% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 41% Positiveness
► Preview
Marco Bellucci
Le petit rien
123 bpm • C# Maj • 01:04 • -17.37db
28% Popularity • 69% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 81% Positiveness
28% Popularity • 69% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 81% Positiveness
► Preview
Mark Jhansen
Mystic River
123 bpm • B min • 01:20 • -19.28db
16% Popularity • 59% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 60% Positiveness
16% Popularity • 59% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 60% Positiveness
► Preview
BabyBamboo
He Thinks He's Walking Home
140 bpm • C Maj • 02:40 • -25.61db
9% Popularity • 67% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 56% Positiveness
9% Popularity • 67% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 56% Positiveness
► Preview
Johann Crüger
Ah, Holy Jesus, How Hast Thou Offended -...
139 bpm • G# Maj • 01:57 • -19db
19% Popularity • 66% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
19% Popularity • 66% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
► Preview
Ronny Matthes
Erster Frühlingsduft - Gemafreie Klavie...
122 bpm • C# Maj • 02:56 • -21.15db
22% Popularity • 53% Danceability • 27% Energy • 13% Liveness
92% Instrumentalness • 42% Positiveness
22% Popularity • 53% Danceability • 27% Energy • 13% Liveness
92% Instrumentalness • 42% Positiveness
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Classical Music for Dogs
Greensleeves to a Ground - Strings Versi...
140 bpm • G# Maj • 04:50 • -20.55db
9% Popularity • 58% Danceability • 18% Energy • 12% Liveness
52% Instrumentalness • 56% Positiveness
9% Popularity • 58% Danceability • 18% Energy • 12% Liveness
52% Instrumentalness • 56% Positiveness
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Teres
Notes on Personal Care
142 bpm • C Maj • 02:08 • -28.33db
10% Popularity • 49% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 39% Positiveness
10% Popularity • 49% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 39% Positiveness
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Andy Kirou
Saving Daylight
142 bpm • F# Maj • 01:05 • -29.4db
11% Popularity • 29% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
11% Popularity • 29% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Michael Torke
Frieze
120 bpm • G Maj • 02:02 • -20.34db
11% Popularity • 64% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 34% Positiveness
11% Popularity • 64% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 34% Positiveness
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José Manuel Ortega Caballo
Mediterranean Waltz
143 bpm • A# Maj • 02:16 • -29.15db
20% Popularity • 36% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
20% Popularity • 36% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
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Ronny Matthes
I Will Dry Your Tears - Gemafreie Klavie...
122 bpm • A# Maj • 03:46 • -24.51db
22% Popularity • 33% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
22% Popularity • 33% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Anton Rubinstein
Rubinsteins Melodie in F-Dur - Orchester...
120 bpm • C Maj • 03:43 • -17.7db
19% Popularity • 68% Danceability • 27% Energy • 11% Liveness
98% Instrumentalness • 44% Positiveness
19% Popularity • 68% Danceability • 27% Energy • 11% Liveness
98% Instrumentalness • 44% Positiveness
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sun dele
Heartsteel
120 bpm • G Maj • 01:48 • -29.99db
10% Popularity • 27% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 52% Positiveness
10% Popularity • 27% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 52% Positiveness
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Sibille Crawford
The Half-Full Glass Will Be Empty Soon
120 bpm • G Maj • 01:46 • -15db
11% Popularity • 83% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
11% Popularity • 83% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
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Samuel Ornillos
Velázquez
120 bpm • F Maj • 01:49 • -20.47db
20% Popularity • 58% Danceability • 20% Energy • 14% Liveness
96% Instrumentalness • 64% Positiveness
20% Popularity • 58% Danceability • 20% Energy • 14% Liveness
96% Instrumentalness • 64% Positiveness
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Renato Bon
Estudo de Arpejos com Padrões para Pian...
120 bpm • C Maj • 01:06 • -17.87db
30% Popularity • 50% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 83% Positiveness
30% Popularity • 50% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 83% Positiveness
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Alessandro Gozzo
Absence
120 bpm • C min • 01:02 • -26.51db
24% Popularity • 61% Danceability • 6% Energy • 12% Liveness
16% Instrumentalness • 23% Positiveness
24% Popularity • 61% Danceability • 6% Energy • 12% Liveness
16% Instrumentalness • 23% Positiveness
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Francisco Marena
Moments
120 bpm • F Maj • 01:37 • -21.27db
13% Popularity • 70% Danceability • 6% Energy • 14% Liveness
86% Instrumentalness • 19% Positiveness
13% Popularity • 70% Danceability • 6% Energy • 14% Liveness
86% Instrumentalness • 19% Positiveness
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Guidocia
Lament of the Lonely
120 bpm • C# min • 02:47 • -17.37db
20% Popularity • 83% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
20% Popularity • 83% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
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Hoang Hoa DJ
Blinding
120 bpm • A# min • 02:27 • -21.87db
15% Popularity • 77% Danceability • 17% Energy • 12% Liveness
85% Instrumentalness • 53% Positiveness
15% Popularity • 77% Danceability • 17% Energy • 12% Liveness
85% Instrumentalness • 53% Positiveness
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balsilmo rolon
piensa que ella es increible
120 bpm • E min • 02:02 • -24.24db
12% Popularity • 61% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 17% Positiveness
12% Popularity • 61% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 17% Positiveness
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Renato Bon
Estudo de Arpejos com Padrões para Pian...
120 bpm • C Maj • 01:05 • -19db
32% Popularity • 49% Danceability • 45% Energy • 12% Liveness
89% Instrumentalness • 71% Positiveness
32% Popularity • 49% Danceability • 45% Energy • 12% Liveness
89% Instrumentalness • 71% Positiveness
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Michael Thomas Heininger
Mirror Face
120 bpm • D Maj • 03:04 • -27.66db
19% Popularity • 50% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
19% Popularity • 50% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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akynei
But I am still hungry
120 bpm • C Maj • 01:07 • -26.85db
19% Popularity • 57% Danceability • 21% Energy • 13% Liveness
79% Instrumentalness • 79% Positiveness
19% Popularity • 57% Danceability • 21% Energy • 13% Liveness
79% Instrumentalness • 79% Positiveness
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Sebastian's Lullabies
Minuet in E-flat Major by Beethoven
120 bpm • D# Maj • 03:04 • -24.89db
25% Popularity • 68% Danceability • 14% Energy • 11% Liveness
97% Instrumentalness • 70% Positiveness
25% Popularity • 68% Danceability • 14% Energy • 11% Liveness
97% Instrumentalness • 70% Positiveness
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Plona
Rose
120 bpm • F# Maj • 02:53 • -32.55db
12% Popularity • 62% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 76% Positiveness
12% Popularity • 62% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 76% Positiveness
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John Maniy
my story
120 bpm • G Maj • 01:08 • -26.55db
21% Popularity • 73% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 55% Positiveness
21% Popularity • 73% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 55% Positiveness
