Songs like Aida: Act II: Marcia by Giuseppe Verdi
Based on a tempo of (+/- 10%) and a similar genre
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Colin Mawby
Großer Gott, wir loben dich
112 bpm • F Maj • 05:05 • -18.78db
0% Popularity • 21% Danceability • 14% Energy • 14% Liveness
88% Instrumentalness • 5% Positiveness
0% Popularity • 21% Danceability • 14% Energy • 14% Liveness
88% Instrumentalness • 5% Positiveness
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Johann Strauss I
J. Strauss: Radetzky March
112 bpm • A Maj • 02:52 • -17.26db
31% Popularity • 57% Danceability • 41% Energy • 17% Liveness
7% Instrumentalness • 78% Positiveness
31% Popularity • 57% Danceability • 41% Energy • 17% Liveness
7% Instrumentalness • 78% Positiveness
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Giuseppe Verdi
Aida: Act II: Marcia
112 bpm • G# Maj • 01:34 • -20.16db
47% Popularity • 31% Danceability • 11% Energy • 13% Liveness
96% Instrumentalness • 32% Positiveness
47% Popularity • 31% Danceability • 11% Energy • 13% Liveness
96% Instrumentalness • 32% Positiveness
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Antonín Dvořák
Dvořák: Symphony No. 9 in E Minor, Op....
112 bpm • E min • 09:17 • -18.03db
13% Popularity • 28% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 10% Positiveness
13% Popularity • 28% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 10% Positiveness
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George Frideric Handel
Water Music Suite No. 2 in D Major, HWV ...
112 bpm • C# Maj • 04:12 • -16.22db
32% Popularity • 67% Danceability • 15% Energy • 6% Liveness
63% Instrumentalness • 38% Positiveness
32% Popularity • 67% Danceability • 15% Energy • 6% Liveness
63% Instrumentalness • 38% Positiveness
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Luigi Boccherini
String Quintet in E Major, G. 275: III. ...
112 bpm • A Maj • 03:24 • -34db
30% Popularity • 47% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 49% Positiveness
30% Popularity • 47% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 49% Positiveness
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Henry Purcell
Trumpet Tune in C Major, Z. 697
112 bpm • F Maj • 01:17 • -18.5db
38% Popularity • 50% Danceability • 9% Energy • 14% Liveness
87% Instrumentalness • 45% Positiveness
38% Popularity • 50% Danceability • 9% Energy • 14% Liveness
87% Instrumentalness • 45% Positiveness
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Johann Strauss I
Radetzky-Marsch, Op. 228
111 bpm • A Maj • 02:17 • -12.73db
38% Popularity • 64% Danceability • 48% Energy • 32% Liveness
89% Instrumentalness • 88% Positiveness
38% Popularity • 64% Danceability • 48% Energy • 32% Liveness
89% Instrumentalness • 88% Positiveness
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Franz von Suppé
Fatinitza: March
111 bpm • G Maj • 02:32 • -11.89db
33% Popularity • 64% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 78% Positiveness
33% Popularity • 64% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 78% Positiveness
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Rundfunkorchester des Südwestfunks Baden-Baden
The Magic Flute, K. 620: Allegro: "Papag...
111 bpm • G Maj • 02:39 • -20.45db
29% Popularity • 44% Danceability • 18% Energy • 6% Liveness
34% Instrumentalness • 42% Positiveness
29% Popularity • 44% Danceability • 18% Energy • 6% Liveness
34% Instrumentalness • 42% Positiveness
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Giuseppe Verdi
La traviata / Act I: "Libiamo ne'lieti c...
111 bpm • A# Maj • 02:49 • -22.12db
31% Popularity • 47% Danceability • 13% Energy • 63% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 47% Danceability • 13% Energy • 63% Liveness
0% Instrumentalness • 36% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
113 bpm • E Maj • 03:07 • -14.42db
49% Popularity • 57% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
49% Popularity • 57% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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English Chamber Orchestra
La Boda de Luis Alonso
111 bpm • E Maj • 05:40 • -16.03db
29% Popularity • 38% Danceability • 32% Energy • 33% Liveness
77% Instrumentalness • 48% Positiveness
29% Popularity • 38% Danceability • 32% Energy • 33% Liveness
77% Instrumentalness • 48% Positiveness
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Colin Mawby
Da pacem. Domine: The Artilleryman's Vis...
114 bpm • D min • 07:12 • -15.77db
0% Popularity • 27% Danceability • 23% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
0% Popularity • 27% Danceability • 23% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: 1812 Overture in E-Flat Maj...
110 bpm • D# Maj • 03:35 • -10.69db
29% Popularity • 30% Danceability • 59% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
29% Popularity • 30% Danceability • 59% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
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Edward Elgar
"Pomp and Circumstance," Op. 39: March, ...
114 bpm • G Maj • 04:58 • -17db
18% Popularity • 34% Danceability • 28% Energy • 18% Liveness
84% Instrumentalness • 38% Positiveness
18% Popularity • 34% Danceability • 28% Energy • 18% Liveness
84% Instrumentalness • 38% Positiveness
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Giuseppe Verdi
Aida: Act II: Gloria all'Egitto
111 bpm • A# Maj • 03:19 • -19.37db
20% Popularity • 29% Danceability • 9% Energy • 53% Liveness
3% Instrumentalness • 18% Positiveness
20% Popularity • 29% Danceability • 9% Energy • 53% Liveness
3% Instrumentalness • 18% Positiveness
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Johann Strauss I
Radetzky-Marsch, Op. 228
114 bpm • A Maj • 02:59 • -16.29db
13% Popularity • 72% Danceability • 41% Energy • 11% Liveness
40% Instrumentalness • 77% Positiveness
13% Popularity • 72% Danceability • 41% Energy • 11% Liveness
40% Instrumentalness • 77% Positiveness
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Hugo Alfvén
Swedish Rhapsody
110 bpm • D Maj • 03:02 • -16.12db
17% Popularity • 68% Danceability • 28% Energy • 20% Liveness
92% Instrumentalness • 51% Positiveness
17% Popularity • 68% Danceability • 28% Energy • 20% Liveness
92% Instrumentalness • 51% Positiveness
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Colin Mawby
Missa mundi: Kyrie
110 bpm • F Maj • 02:22 • -29.42db
0% Popularity • 17% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
0% Popularity • 17% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Léo Delibes
Coppélia / Tableau 1: No. 1 Valse
114 bpm • D# Maj • 02:01 • -23db
30% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
30% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
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Franz von Suppé
Caballeria Ligera - Obertura
115 bpm • G Maj • 01:34 • -12.02db
37% Popularity • 47% Danceability • 52% Energy • 5% Liveness
91% Instrumentalness • 24% Positiveness
37% Popularity • 47% Danceability • 52% Energy • 5% Liveness
91% Instrumentalness • 24% Positiveness
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Giuseppe Verdi
La traviata / Act I: Libiamo ne'lieti ca...
113 bpm • A# Maj • 02:55 • -17.69db
59% Popularity • 42% Danceability • 21% Energy • 68% Liveness
0% Instrumentalness • 28% Positiveness
59% Popularity • 42% Danceability • 21% Energy • 68% Liveness
0% Instrumentalness • 28% Positiveness
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Johann Strauss I
Radetzky March, Op. 228: Radesky March
114 bpm • A Maj • 02:17 • -18.88db
19% Popularity • 53% Danceability • 33% Energy • 10% Liveness
76% Instrumentalness • 80% Positiveness
19% Popularity • 53% Danceability • 33% Energy • 10% Liveness
76% Instrumentalness • 80% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550: I. A...
109 bpm • G min • 07:31 • -17db
54% Popularity • 42% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
54% Popularity • 42% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
115 bpm • D# Maj • 00:42 • -32.12db
48% Popularity • 49% Danceability • 2% Energy • 57% Liveness
99% Instrumentalness • 11% Positiveness
48% Popularity • 49% Danceability • 2% Energy • 57% Liveness
99% Instrumentalness • 11% Positiveness
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Ronald Binge
Miss Melanie
109 bpm • A Maj • 02:49 • -28.04db
17% Popularity • 66% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 66% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Gioachino Rossini
The Barber of Seville: "Largo al factotu...
115 bpm • C Maj • 04:50 • -11db
11% Popularity • 35% Danceability • 49% Energy • 29% Liveness
91% Instrumentalness • 35% Positiveness
11% Popularity • 35% Danceability • 49% Energy • 29% Liveness
91% Instrumentalness • 35% Positiveness
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Giuseppe Verdi
Aida: Act I: Ritorna vincitor!
111 bpm • G# min • 03:05 • -21.9db
3% Popularity • 40% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 5% Positiveness
3% Popularity • 40% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 5% Positiveness
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Armonie Symphony Orchestra
Il Lado Dei Cigni, Suite dal Balletto Op...
116 bpm • A Maj • 07:42 • -17db
22% Popularity • 28% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
22% Popularity • 28% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
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William Walton
Crown Imperial
116 bpm • C Maj • 06:42 • -15.9db
24% Popularity • 22% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
24% Popularity • 22% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
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CHA Medical Center
Orchestral Suite No.2 in B minor, BWV106...
116 bpm • B min • 01:29 • -18.34db
44% Popularity • 55% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
44% Popularity • 55% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
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Joseph Hellmesberger, Jr.
Ball Scene
116 bpm • B Maj • 06:41 • -19.41db
11% Popularity • 28% Danceability • 31% Energy • 21% Liveness
90% Instrumentalness • 40% Positiveness
11% Popularity • 28% Danceability • 31% Energy • 21% Liveness
90% Instrumentalness • 40% Positiveness
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Antonio Vivaldi
La Primavera (Spring) Op. 8 No. 1 in D m...
108 bpm • D Maj • 03:14 • -11db
30% Popularity • 42% Danceability • 28% Energy • 13% Liveness
6% Instrumentalness • 35% Positiveness
30% Popularity • 42% Danceability • 28% Energy • 13% Liveness
6% Instrumentalness • 35% Positiveness
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Giuseppe Verdi
Aida, Act II: Grand March
110 bpm • D# Maj • 01:35 • -23.76db
39% Popularity • 54% Danceability • 4% Energy • 16% Liveness
97% Instrumentalness • 37% Positiveness
39% Popularity • 54% Danceability • 4% Energy • 16% Liveness
97% Instrumentalness • 37% Positiveness
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Albert Ketèlbey
In a Persian Market
116 bpm • F Maj • 05:33 • -21db
12% Popularity • 32% Danceability • 10% Energy • 11% Liveness
29% Instrumentalness • 14% Positiveness
12% Popularity • 32% Danceability • 10% Energy • 11% Liveness
29% Instrumentalness • 14% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: I. March
116 bpm • F Maj • 03:07 • -14.36db
26% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
26% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
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John Keating/London Symphony Orchestra
Brahms Symphony No. 3 - 3rd Movement
116 bpm • C min • 04:58 • -18.84db
13% Popularity • 19% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake- Dance of the Swans
108 bpm • F# min • 01:28 • -36.29db
42% Popularity • 51% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 54% Positiveness
42% Popularity • 51% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 54% Positiveness
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George Frideric Handel
Music for the Royal Fireworks, HWV 351: ...
107 bpm • C# Maj • 02:07 • -13.49db
30% Popularity • 38% Danceability • 44% Energy • 13% Liveness
86% Instrumentalness • 64% Positiveness
30% Popularity • 38% Danceability • 44% Energy • 13% Liveness
86% Instrumentalness • 64% Positiveness
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Giuseppe Verdi
La traviata / Act 1: Libiamo ne'lieti ca...
110 bpm • A# Maj • 02:47 • -16.6db
50% Popularity • 40% Danceability • 25% Energy • 50% Liveness
0% Instrumentalness • 21% Positiveness
50% Popularity • 40% Danceability • 25% Energy • 50% Liveness
0% Instrumentalness • 21% Positiveness
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Albert Ketèlbey
In a Persian Market
108 bpm • D min • 06:46 • -23db
23% Popularity • 31% Danceability • 6% Energy • 10% Liveness
78% Instrumentalness • 9% Positiveness
23% Popularity • 31% Danceability • 6% Energy • 10% Liveness
78% Instrumentalness • 9% Positiveness
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Johannes Brahms
Hungarian Dance No. 5 in G Minor, WoO 1,...
107 bpm • F# min • 02:30 • -18.67db
50% Popularity • 35% Danceability • 5% Energy • 23% Liveness
15% Instrumentalness • 30% Positiveness
50% Popularity • 35% Danceability • 5% Energy • 23% Liveness
15% Instrumentalness • 30% Positiveness
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Sir Henry Wood
Hornpipe (Fantasia on British Sea Songs)...
117 bpm • A Maj • 01:50 • -19.13db
13% Popularity • 57% Danceability • 32% Energy • 6% Liveness
93% Instrumentalness • 97% Positiveness
13% Popularity • 57% Danceability • 32% Energy • 6% Liveness
93% Instrumentalness • 97% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24: Act III Scene 1: ...
108 bpm • G Maj • 04:22 • -23.03db
7% Popularity • 54% Danceability • 12% Energy • 7% Liveness
96% Instrumentalness • 39% Positiveness
7% Popularity • 54% Danceability • 12% Energy • 7% Liveness
96% Instrumentalness • 39% Positiveness
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George Frideric Handel
Solomon, HWV 67, Act III: Sinfonia, "Arr...
107 bpm • A# Maj • 03:30 • -18.76db
26% Popularity • 52% Danceability • 18% Energy • 36% Liveness
92% Instrumentalness • 75% Positiveness
26% Popularity • 52% Danceability • 18% Energy • 36% Liveness
92% Instrumentalness • 75% Positiveness
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Giuseppe Verdi
Grand March from Aida (Act II, Scene 2)
114 bpm • D# Maj • 06:08 • -14db
10% Popularity • 41% Danceability • 23% Energy • 9% Liveness
90% Instrumentalness • 35% Positiveness
10% Popularity • 41% Danceability • 23% Energy • 9% Liveness
90% Instrumentalness • 35% Positiveness
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Emmanuel Chabrier
España: Espana
117 bpm • F Maj • 06:44 • -16db
17% Popularity • 35% Danceability • 26% Energy • 3% Liveness
85% Instrumentalness • 30% Positiveness
17% Popularity • 35% Danceability • 26% Energy • 3% Liveness
85% Instrumentalness • 30% Positiveness
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101 Strings Orchestra
ラデツキー行進曲
117 bpm • D Maj • 02:26 • -11db
23% Popularity • 60% Danceability • 60% Energy • 52% Liveness
79% Instrumentalness • 84% Positiveness
23% Popularity • 60% Danceability • 60% Energy • 52% Liveness
79% Instrumentalness • 84% Positiveness
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Émile Waldteufel
Espana, Waltz, Op. 236
118 bpm • F Maj • 06:25 • -14.33db
19% Popularity • 41% Danceability • 37% Energy • 14% Liveness
89% Instrumentalness • 59% Positiveness
19% Popularity • 41% Danceability • 37% Energy • 14% Liveness
89% Instrumentalness • 59% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in F majo...
107 bpm • F Maj • 05:22 • -24db
39% Popularity • 43% Danceability • 3% Energy • 15% Liveness
30% Instrumentalness • 18% Positiveness
39% Popularity • 43% Danceability • 3% Energy • 15% Liveness
30% Instrumentalness • 18% Positiveness
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George Frideric Handel
Solomon, HWV 67 / Act III: Sinfonia "The...
118 bpm • A Maj • 03:08 • -17.43db
47% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
47% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
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Giuseppe Verdi
Aida / Act 2: "Gloria all'Egitto"
114 bpm • D# Maj • 03:52 • -14.95db
9% Popularity • 33% Danceability • 18% Energy • 9% Liveness
28% Instrumentalness • 24% Positiveness
9% Popularity • 33% Danceability • 18% Energy • 9% Liveness
28% Instrumentalness • 24% Positiveness
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Colin Mawby
Cantantibus organis
107 bpm • G min • 01:57 • -21.61db
0% Popularity • 21% Danceability • 11% Energy • 17% Liveness
88% Instrumentalness • 4% Positiveness
0% Popularity • 21% Danceability • 11% Energy • 17% Liveness
88% Instrumentalness • 4% Positiveness
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Mikhail Ippolitov-Ivanov
Procession of the Sardar from Caucasian ...
107 bpm • E Maj • 03:39 • -14db
13% Popularity • 32% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 32% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Edward Elgar
Military March No. 1 in D Major, Op. 39 ...
118 bpm • D Maj • 06:16 • -16.28db
11% Popularity • 34% Danceability • 25% Energy • 21% Liveness
91% Instrumentalness • 18% Positiveness
11% Popularity • 34% Danceability • 25% Energy • 21% Liveness
91% Instrumentalness • 18% Positiveness
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CHA Medical Center
Vivaldi: The Four Seasons, Spring 1st mo...
106 bpm • E Maj • 03:13 • -12.75db
39% Popularity • 49% Danceability • 22% Energy • 17% Liveness
12% Instrumentalness • 24% Positiveness
39% Popularity • 49% Danceability • 22% Energy • 17% Liveness
12% Instrumentalness • 24% Positiveness
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George Frideric Handel
The Arrival Of The Queen Of Sheba, From ...
118 bpm • A Maj • 03:11 • -18.41db
38% Popularity • 49% Danceability • 32% Energy • 29% Liveness
93% Instrumentalness • 70% Positiveness
38% Popularity • 49% Danceability • 32% Energy • 29% Liveness
93% Instrumentalness • 70% Positiveness
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Giuseppe Verdi
Falstaff: Act II: Alice e mia!
115 bpm • G# Maj • 01:45 • -23db
0% Popularity • 49% Danceability • 10% Energy • 64% Liveness
0% Instrumentalness • 63% Positiveness
0% Popularity • 49% Danceability • 10% Energy • 64% Liveness
0% Instrumentalness • 63% Positiveness
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Sergei Rachmaninoff
Italian Polka
106 bpm • C Maj • 03:09 • -7db
14% Popularity • 60% Danceability • 50% Energy • 19% Liveness
86% Instrumentalness • 81% Positiveness
14% Popularity • 60% Danceability • 50% Energy • 19% Liveness
86% Instrumentalness • 81% Positiveness
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Antonio Vivaldi
Violin Concerto No. 1 in E Major, RV 269...
105 bpm • E Maj • 03:19 • -16.03db
40% Popularity • 45% Danceability • 19% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
40% Popularity • 45% Danceability • 19% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
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The Jane Austen Era
Menuet No. 5, Op. 11
105 bpm • A Maj • 03:35 • -24.99db
36% Popularity • 46% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 55% Positiveness
36% Popularity • 46% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 55% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: The Sleeping Beauty, Op. 66...
105 bpm • A# Maj • 04:39 • -16.55db
27% Popularity • 28% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
27% Popularity • 28% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: I. Allegro
119 bpm • G Maj • 01:56 • -22db
59% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
59% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Giuseppe Verdi
Aida: Marcia (Orchestra) - Highlights
115 bpm • G# Maj • 01:30 • -24.01db
26% Popularity • 51% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 60% Positiveness
26% Popularity • 51% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 60% Positiveness
► Preview
Jacques Offenbach
La vie parisienne, Polka
105 bpm • G Maj • 02:27 • -16db
33% Popularity • 56% Danceability • 38% Energy • 7% Liveness
44% Instrumentalness • 72% Positiveness
33% Popularity • 56% Danceability • 38% Energy • 7% Liveness
44% Instrumentalness • 72% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Horn Concerto No. 4 in E-Flat Ma...
120 bpm • D# Maj • 03:43 • -21.16db
30% Popularity • 37% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
30% Popularity • 37% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
► Preview
Bonn Classical Philharmonic
La Traviata: Prelude to Act I
120 bpm • B Maj • 03:49 • -29db
22% Popularity • 31% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
22% Popularity • 31% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Wagner: Die Walküre, Act III: Ride of t...
105 bpm • B Maj • 04:47 • -12db
21% Popularity • 34% Danceability • 39% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
21% Popularity • 34% Danceability • 39% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
► Preview
Marc-Antoine Charpentier
Charpentier / Transcr. Lambert: Te Deum,...
120 bpm • D Maj • 02:01 • -15db
12% Popularity • 40% Danceability • 23% Energy • 17% Liveness
94% Instrumentalness • 55% Positiveness
12% Popularity • 40% Danceability • 23% Energy • 17% Liveness
94% Instrumentalness • 55% Positiveness
► Preview
Giuseppe Verdi
Rigoletto: Act I Scene 1: Ballata: Quest...
116 bpm • G# Maj • 01:32 • -24.37db
2% Popularity • 47% Danceability • 15% Energy • 63% Liveness
0% Instrumentalness • 82% Positiveness
2% Popularity • 47% Danceability • 15% Energy • 63% Liveness
0% Instrumentalness • 82% Positiveness
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William Walton
Crown Imperial: A Coronation March
121 bpm • C Maj • 05:58 • -13.87db
18% Popularity • 26% Danceability • 42% Energy • 17% Liveness
89% Instrumentalness • 26% Positiveness
18% Popularity • 26% Danceability • 42% Energy • 17% Liveness
89% Instrumentalness • 26% Positiveness
► Preview
Johann Strauss I
Radetzky-Marsch, Op. 228
104 bpm • A Maj • 03:17 • -15.23db
7% Popularity • 52% Danceability • 56% Energy • 6% Liveness
68% Instrumentalness • 63% Positiveness
7% Popularity • 52% Danceability • 56% Energy • 6% Liveness
68% Instrumentalness • 63% Positiveness
► Preview
Antonio Vivaldi
The Four Seasons, Violin Concerto in F M...
121 bpm • A# Maj • 02:17 • -27db
44% Popularity • 22% Danceability • 6% Energy • 17% Liveness
16% Instrumentalness • 12% Positiveness
44% Popularity • 22% Danceability • 6% Energy • 17% Liveness
16% Instrumentalness • 12% Positiveness
► Preview
Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Guillaume Tell: Guillaume Tell: Overture
103 bpm • E Maj • 11:35 • -19db
28% Popularity • 28% Danceability • 14% Energy • 21% Liveness
67% Instrumentalness • 9% Positiveness
28% Popularity • 28% Danceability • 14% Energy • 21% Liveness
67% Instrumentalness • 9% Positiveness
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Giuseppe Verdi
Macbeth: Preludio
116 bpm • A# min • 02:53 • -24.15db
26% Popularity • 37% Danceability • 4% Energy • 37% Liveness
9% Instrumentalness • 10% Positiveness
26% Popularity • 37% Danceability • 4% Energy • 37% Liveness
9% Instrumentalness • 10% Positiveness
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Julius Fučík
Fucik : Entry of the Gladiators Op.68
121 bpm • C Maj • 02:44 • -12.53db
19% Popularity • 38% Danceability • 59% Energy • 9% Liveness
96% Instrumentalness • 40% Positiveness
19% Popularity • 38% Danceability • 59% Energy • 9% Liveness
96% Instrumentalness • 40% Positiveness
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Edward Elgar
Military Marches, Op. 39 "Pomp and Circu...
122 bpm • D Maj • 06:14 • -15.17db
30% Popularity • 28% Danceability • 32% Energy • 17% Liveness
91% Instrumentalness • 27% Positiveness
30% Popularity • 28% Danceability • 32% Energy • 17% Liveness
91% Instrumentalness • 27% Positiveness
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Johann Strauss I
Strauss: Radetzky March, Op. 228
122 bpm • A Maj • 02:49 • -19db
31% Popularity • 62% Danceability • 36% Energy • 22% Liveness
70% Instrumentalness • 69% Positiveness
31% Popularity • 62% Danceability • 36% Energy • 22% Liveness
70% Instrumentalness • 69% Positiveness
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Marc Fortier
Va Pensiero
103 bpm • C Maj • 03:43 • -21.59db
11% Popularity • 22% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
11% Popularity • 22% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Hollywood Symphony Orchestra
Pachelbel - Canon In D
102 bpm • D Maj • 04:51 • -22db
44% Popularity • 21% Danceability • 14% Energy • 37% Liveness
84% Instrumentalness • 16% Positiveness
44% Popularity • 21% Danceability • 14% Energy • 37% Liveness
84% Instrumentalness • 16% Positiveness
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Giuseppe Verdi
Aida: Act III: Ne d'Amneris paventi
117 bpm • C min • 00:59 • -20.49db
2% Popularity • 40% Danceability • 11% Energy • 48% Liveness
0% Instrumentalness • 15% Positiveness
2% Popularity • 40% Danceability • 11% Energy • 48% Liveness
0% Instrumentalness • 15% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
122 bpm • D min • 07:39 • -21.71db
23% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
23% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
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Hector Berlioz
La damnation de Faust, Op. 24, H. 111 / ...
102 bpm • A min • 04:24 • -11db
21% Popularity • 48% Danceability • 43% Energy • 17% Liveness
92% Instrumentalness • 56% Positiveness
21% Popularity • 48% Danceability • 43% Energy • 17% Liveness
92% Instrumentalness • 56% Positiveness
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Luigi Boccherini
Quintetto in Do Maggiore La Musica Nottu...
102 bpm • G Maj • 01:50 • -28.97db
37% Popularity • 52% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 52% Positiveness
37% Popularity • 52% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 52% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 2: II. Habanera ...
123 bpm • D Maj • 02:11 • -26.94db
49% Popularity • 61% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 61% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Ludwig van Beethoven
European Union: Ode an die Freude (Ode t...
123 bpm • D Maj • 01:03 • -13db
38% Popularity • 58% Danceability • 24% Energy • 15% Liveness
67% Instrumentalness • 54% Positiveness
38% Popularity • 58% Danceability • 24% Energy • 15% Liveness
67% Instrumentalness • 54% Positiveness
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Giuseppe Verdi
La traviata*: Act I: E' strano! e strano...
107 bpm • A# min • 04:29 • -27.36db
0% Popularity • 37% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 37% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: 5 Pomp and Circumstance Marches, ...
123 bpm • D Maj • 06:19 • -18.06db
5% Popularity • 28% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
5% Popularity • 28% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
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George Frideric Handel
Music for the Royal Fireworks: Suite HWV...
102 bpm • C# Maj • 02:15 • -15.52db
42% Popularity • 58% Danceability • 42% Energy • 18% Liveness
96% Instrumentalness • 85% Positiveness
42% Popularity • 58% Danceability • 42% Energy • 18% Liveness
96% Instrumentalness • 85% Positiveness
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Carl Michael Ziehrer
Die Landstreicher: Overture
124 bpm • D# Maj • 04:55 • -13db
13% Popularity • 40% Danceability • 26% Energy • 11% Liveness
61% Instrumentalness • 22% Positiveness
13% Popularity • 40% Danceability • 26% Energy • 11% Liveness
61% Instrumentalness • 22% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: IV. Aragonais...
123 bpm • D min • 02:14 • -20db
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Eric Coates
London Suite: 3. Knightsbridge (March)
124 bpm • C Maj • 04:12 • -16db
26% Popularity • 33% Danceability • 25% Energy • 13% Liveness
95% Instrumentalness • 29% Positiveness
26% Popularity • 33% Danceability • 25% Energy • 13% Liveness
95% Instrumentalness • 29% Positiveness
► Preview
Giuseppe Verdi
Verdi: La traviata, Act 1: Brindisi. "Li...
107 bpm • A# Maj • 02:49 • -21db
25% Popularity • 46% Danceability • 16% Energy • 49% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 46% Danceability • 16% Energy • 49% Liveness
0% Instrumentalness • 18% Positiveness
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Hugo Alfvén
Swedish Rhapsody No. 1, Op. 19 'Midsumme...
101 bpm • D Maj • 04:40 • -18.17db
8% Popularity • 45% Danceability • 17% Energy • 8% Liveness
94% Instrumentalness • 43% Positiveness
8% Popularity • 45% Danceability • 17% Energy • 8% Liveness
94% Instrumentalness • 43% Positiveness
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Czech Philharmonic
Toreador's Song from 'Carmen'
125 bpm • A Maj • 02:18 • -14.92db
25% Popularity • 37% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 37% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Julius Fučík
Fucik : Florentiner-Marsch Op.214
125 bpm • F Maj • 05:03 • -15.27db
8% Popularity • 41% Danceability • 41% Energy • 22% Liveness
96% Instrumentalness • 44% Positiveness
8% Popularity • 41% Danceability • 41% Energy • 22% Liveness
96% Instrumentalness • 44% Positiveness
