Songs like Alan Hansen's Peg Bag by Loose Tapestries
Based on a tempo of (+/- 10%) and a similar genre
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Loose Tapestries
Alan Hansen's Peg Bag
51 bpm • C min • 00:48 • -16.66db
1% Popularity • 74% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
1% Popularity • 74% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Misery Prize
I Don't Want You Here
53 bpm • G# Maj • 01:14 • -4.2db
19% Popularity • 59% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 59% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
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Pearl Nelson
Degree
63 bpm • E min • 02:23 • -7.79db
32% Popularity • 38% Danceability • 78% Energy • 38% Liveness
83% Instrumentalness • 31% Positiveness
32% Popularity • 38% Danceability • 78% Energy • 38% Liveness
83% Instrumentalness • 31% Positiveness
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Edwyn Bobbins
Girl Like You (Hiya)
68 bpm • G# Maj • 02:11 • -5.12db
7% Popularity • 48% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 48% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Sparks
Suburban Homeboy (Extended "Ron Speaks" ...
75 bpm • C Maj • 03:49 • -6db
8% Popularity • 68% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 68% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Friends To The End
Where'd You Put The Baby?
75 bpm • A Maj • 02:51 • -8.25db
11% Popularity • 58% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 58% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
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Loose Tapestries
The Jelly Fox part two
60 bpm • A min • 00:36 • -14.78db
2% Popularity • 58% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
2% Popularity • 58% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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The Ice-Cream Guy
Ice Cream Celebration
75 bpm • A Maj • 03:00 • -11.78db
18% Popularity • 68% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 68% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Trost&Treibstoff
Keep the Boat Flat Rebecca!
76 bpm • C Maj • 05:04 • -6.64db
8% Popularity • 64% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 64% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Blam Blam Blam
DR. Who
76 bpm • E min • 02:25 • -6.11db
8% Popularity • 42% Danceability • 89% Energy • 12% Liveness
77% Instrumentalness • 81% Positiveness
8% Popularity • 42% Danceability • 89% Energy • 12% Liveness
77% Instrumentalness • 81% Positiveness
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What Stuck to the Wall
A Long Time Ago
78 bpm • D# min • 03:44 • -6.05db
27% Popularity • 50% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 50% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
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The Business
Do a Runner
79 bpm • E Maj • 03:05 • -6.86db
17% Popularity • 60% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 60% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Loose Tapestries
Paul Panfer
73 bpm • G Maj • 02:30 • -5.26db
4% Popularity • 31% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
4% Popularity • 31% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Pop Levi
Blue Honey
79 bpm • A min • 04:05 • -4.12db
15% Popularity • 36% Danceability • 69% Energy • 92% Liveness
7% Instrumentalness • 61% Positiveness
15% Popularity • 36% Danceability • 69% Energy • 92% Liveness
7% Instrumentalness • 61% Positiveness
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Parenthetical Girls
Handsome Devil
79 bpm • F min • 04:21 • -5.72db
22% Popularity • 39% Danceability • 73% Energy • 21% Liveness
41% Instrumentalness • 34% Positiveness
22% Popularity • 39% Danceability • 73% Energy • 21% Liveness
41% Instrumentalness • 34% Positiveness
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Craig Christiansen
Don’t Blame Me
80 bpm • D min • 02:38 • -4.55db
13% Popularity • 66% Danceability • 85% Energy • 34% Liveness
1% Instrumentalness • 74% Positiveness
13% Popularity • 66% Danceability • 85% Energy • 34% Liveness
1% Instrumentalness • 74% Positiveness
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Regurgitator
Fuck You Sweetness
80 bpm • A Maj • 03:48 • -4.72db
12% Popularity • 44% Danceability • 82% Energy • 84% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 44% Danceability • 82% Energy • 84% Liveness
0% Instrumentalness • 49% Positiveness
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Tim Key
Dead Claire
81 bpm • A min • 02:08 • -18.88db
8% Popularity • 36% Danceability • 10% Energy • 14% Liveness
1% Instrumentalness • 5% Positiveness
8% Popularity • 36% Danceability • 10% Energy • 14% Liveness
1% Instrumentalness • 5% Positiveness
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Loose Tapestries
Surrounded by Shape Shifting Werewolves
74 bpm • A# Maj • 01:45 • -10.88db
3% Popularity • 47% Danceability • 30% Energy • 11% Liveness
14% Instrumentalness • 6% Positiveness
3% Popularity • 47% Danceability • 30% Energy • 11% Liveness
14% Instrumentalness • 6% Positiveness
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Pete Jones
Kiss Me
80 bpm • C Maj • 03:53 • -10.25db
10% Popularity • 56% Danceability • 66% Energy • 66% Liveness
21% Instrumentalness • 11% Positiveness
10% Popularity • 56% Danceability • 66% Energy • 66% Liveness
21% Instrumentalness • 11% Positiveness
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Arno Arabella
Silver Fish Snacks
81 bpm • G Maj • 02:20 • -5.84db
26% Popularity • 61% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 61% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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FFS
A Violent Death
82 bpm • A min • 03:51 • -8.99db
18% Popularity • 61% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 61% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
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Terry Scott Taylor
Theme Armikrog
82 bpm • B Maj • 02:19 • -7.16db
8% Popularity • 30% Danceability • 73% Energy • 38% Liveness
3% Instrumentalness • 22% Positiveness
8% Popularity • 30% Danceability • 73% Energy • 38% Liveness
3% Instrumentalness • 22% Positiveness
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The Ice-Cream Guy
Give Me My Ice Cream
82 bpm • A# min • 01:27 • -11.82db
14% Popularity • 55% Danceability • 54% Energy • 12% Liveness
73% Instrumentalness • 29% Positiveness
14% Popularity • 55% Danceability • 54% Energy • 12% Liveness
73% Instrumentalness • 29% Positiveness
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Loose Tapestries
Dr. Doorag
78 bpm • E min • 01:10 • -24.35db
1% Popularity • 47% Danceability • 15% Energy • 12% Liveness
5% Instrumentalness • 28% Positiveness
1% Popularity • 47% Danceability • 15% Energy • 12% Liveness
5% Instrumentalness • 28% Positiveness
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Nathan Motta
Freak Out
82 bpm • C# Maj • 02:52 • -6.72db
16% Popularity • 55% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 55% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Quiet Marauder
Eggs!
84 bpm • E Maj • 03:25 • -7.29db
21% Popularity • 45% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 45% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Fat White Family
I Am Mark E Smith
86 bpm • A Maj • 04:20 • -5.38db
19% Popularity • 47% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 47% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Ace Chemical Plant
Goliath
87 bpm • E min • 03:36 • -7.62db
23% Popularity • 53% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 53% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Yoyo xno
All the way
87 bpm • G Maj • 03:23 • -8.92db
11% Popularity • 70% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 70% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Loose Tapestries
The Triangle Song
82 bpm • G Maj • 01:44 • -7.82db
4% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
4% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Lynn Morton
I'm Here
87 bpm • G min • 04:19 • -17.9db
22% Popularity • 44% Danceability • 27% Energy • 43% Liveness
94% Instrumentalness • 32% Positiveness
22% Popularity • 44% Danceability • 27% Energy • 43% Liveness
94% Instrumentalness • 32% Positiveness
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Baby Bloke
You're Gormless
88 bpm • C Maj • 01:55 • -5.7db
11% Popularity • 45% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 45% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Adam and the Observers
Dundee
88 bpm • A min • 02:31 • -6.77db
16% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Walt's Frozen Head
Bloody Converse
88 bpm • E min • 03:41 • -8.67db
6% Popularity • 84% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
6% Popularity • 84% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Les Incompetents
How It All Went Wrong
88 bpm • E min • 02:46 • -4.03db
11% Popularity • 37% Danceability • 92% Energy • 72% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 37% Danceability • 92% Energy • 72% Liveness
0% Instrumentalness • 92% Positiveness
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Loose Tapestries
Bing Bong Changez
82 bpm • G min • 02:01 • -9.68db
2% Popularity • 49% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
2% Popularity • 49% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Douglas P Stoothoff
Be More Worried If She Says Yes - Extend...
89 bpm • F# min • 01:37 • -10.42db
1% Popularity • 71% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
1% Popularity • 71% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Peela Tater
Ta La
88 bpm • A# Maj • 01:37 • -5.73db
10% Popularity • 22% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 22% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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Winston Margery
Hands Off
89 bpm • B min • 02:53 • -7.6db
24% Popularity • 64% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 64% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Whitey
NONSTOP
89 bpm • D Maj • 03:47 • -9.84db
19% Popularity • 68% Danceability • 79% Energy • 6% Liveness
86% Instrumentalness • 46% Positiveness
19% Popularity • 68% Danceability • 79% Energy • 6% Liveness
86% Instrumentalness • 46% Positiveness
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Simian
The Way I Live
90 bpm • C Maj • 03:19 • -5.49db
9% Popularity • 72% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 72% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Loose Tapestries
Eyeball Seesaw
85 bpm • G Maj • 02:09 • -3.92db
7% Popularity • 59% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
7% Popularity • 59% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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The Duke Spirit
Love Is An Unfamiliar Name
90 bpm • E Maj • 03:20 • -2.59db
21% Popularity • 38% Danceability • 91% Energy • 14% Liveness
6% Instrumentalness • 66% Positiveness
21% Popularity • 38% Danceability • 91% Energy • 14% Liveness
6% Instrumentalness • 66% Positiveness
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TISM
Denial Works For Me
90 bpm • G# Maj • 05:01 • -5.58db
9% Popularity • 58% Danceability • 88% Energy • 32% Liveness
16% Instrumentalness • 65% Positiveness
9% Popularity • 58% Danceability • 88% Energy • 32% Liveness
16% Instrumentalness • 65% Positiveness
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Robots In Disguise
Girl
90 bpm • A min • 03:17 • -14.07db
11% Popularity • 67% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 67% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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BA Johnston
How Many Tbone Steaks Can I Fit in My Pa...
90 bpm • A Maj • 03:17 • -13.16db
10% Popularity • 71% Danceability • 43% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 71% Danceability • 43% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Eugene McGuinness
Monsters Under The Bed
90 bpm • E min • 02:15 • -7.78db
17% Popularity • 50% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 50% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Loose Tapestries
The Adventures of Fantasy Man (Read by R...
85 bpm • B min • 00:47 • -16.81db
2% Popularity • 64% Danceability • 52% Energy • 56% Liveness
0% Instrumentalness • 26% Positiveness
2% Popularity • 64% Danceability • 52% Energy • 56% Liveness
0% Instrumentalness • 26% Positiveness
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Bradley Bernal
Sick
90 bpm • G Maj • 02:52 • -6.85db
28% Popularity • 70% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 61% Positiveness
28% Popularity • 70% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 61% Positiveness
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DIE DIE BE
Erased Faces
91 bpm • C min • 04:39 • -4.43db
34% Popularity • 46% Danceability • 72% Energy • 10% Liveness
8% Instrumentalness • 24% Positiveness
34% Popularity • 46% Danceability • 72% Energy • 10% Liveness
8% Instrumentalness • 24% Positiveness
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The Lovely Eggs
Fuck It
90 bpm • B min • 03:43 • -11.32db
18% Popularity • 68% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 68% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Wretched Pinhead Puppets
Doing This Thing Called Life
92 bpm • G Maj • 02:17 • -7.34db
10% Popularity • 68% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 68% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Matt Berry
Lord Above
92 bpm • C min • 02:27 • -9.7db
10% Popularity • 64% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 64% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Loose Tapestries
Melon
85 bpm • C min • 00:35 • -11.81db
2% Popularity • 31% Danceability • 30% Energy • 57% Liveness
94% Instrumentalness • 49% Positiveness
2% Popularity • 31% Danceability • 30% Energy • 57% Liveness
94% Instrumentalness • 49% Positiveness
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Half Man Half Biscuit
For What Is Chatteris...
93 bpm • G Maj • 02:03 • -8db
33% Popularity • 53% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 53% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Masks Phantoms
Fix Me an Axis
93 bpm • G Maj • 01:41 • -5.5db
13% Popularity • 45% Danceability • 80% Energy • 27% Liveness
2% Instrumentalness • 64% Positiveness
13% Popularity • 45% Danceability • 80% Energy • 27% Liveness
2% Instrumentalness • 64% Positiveness
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The Polyphonic Spree
Soldier Girl
94 bpm • C Maj • 03:59 • -7.26db
29% Popularity • 44% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 44% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Happy Mondays
Rats With Wings - 2020 Mix
94 bpm • A# min • 04:26 • -5.52db
8% Popularity • 66% Danceability • 80% Energy • 75% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 66% Danceability • 80% Energy • 75% Liveness
0% Instrumentalness • 23% Positiveness
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The Charley Twins
West Country Boy
94 bpm • A Maj • 02:49 • -3.76db
9% Popularity • 25% Danceability • 84% Energy • 19% Liveness
1% Instrumentalness • 54% Positiveness
9% Popularity • 25% Danceability • 84% Energy • 19% Liveness
1% Instrumentalness • 54% Positiveness
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Loose Tapestries
Goblins
87 bpm • A Maj • 01:18 • -17.09db
2% Popularity • 37% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
2% Popularity • 37% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Doctor Otter
Flowers In The Shade
94 bpm • C# Maj • 02:43 • -13.25db
15% Popularity • 90% Danceability • 26% Energy • 11% Liveness
82% Instrumentalness • 28% Positiveness
15% Popularity • 90% Danceability • 26% Energy • 11% Liveness
82% Instrumentalness • 28% Positiveness
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Hogan Pulitzer
Holding - Live
94 bpm • F# min • 04:25 • -11db
0% Popularity • 67% Danceability • 56% Energy • 25% Liveness
55% Instrumentalness • 87% Positiveness
0% Popularity • 67% Danceability • 56% Energy • 25% Liveness
55% Instrumentalness • 87% Positiveness
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Pag Fanny
I Heard He Loves You
94 bpm • G Maj • 02:40 • -5.12db
22% Popularity • 37% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 37% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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FFS
Police Encounters
95 bpm • C Maj • 03:10 • -4db
38% Popularity • 65% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
38% Popularity • 65% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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The Steven Timothy Patrick Band
Everyday
95 bpm • C Maj • 03:48 • -9.05db
24% Popularity • 57% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 57% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Loose Tapestries
Fantasy Man
90 bpm • A min • 02:18 • -5.99db
3% Popularity • 36% Danceability • 76% Energy • 46% Liveness
91% Instrumentalness • 7% Positiveness
3% Popularity • 36% Danceability • 76% Energy • 46% Liveness
91% Instrumentalness • 7% Positiveness
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THUNDERCLAP!
An Unauthorized Interview
95 bpm • C# min • 05:22 • -5.62db
16% Popularity • 44% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 44% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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Episode One
Burger or Plum
95 bpm • D Maj • 02:20 • -8.27db
8% Popularity • 75% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 75% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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ICHI
Go Gagambo
96 bpm • D Maj • 02:38 • -6.68db
7% Popularity • 84% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
7% Popularity • 84% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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The Sinister Ducks
March of the Sinister Ducks
95 bpm • E min • 02:38 • -10.35db
8% Popularity • 67% Danceability • 46% Energy • 11% Liveness
5% Instrumentalness • 71% Positiveness
8% Popularity • 67% Danceability • 46% Energy • 11% Liveness
5% Instrumentalness • 71% Positiveness
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The All Seeing I
Drive Safely Darlin'
96 bpm • F# min • 02:52 • -5.06db
8% Popularity • 72% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 72% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
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Loose Tapestries
Tales from Painted Hawaii
90 bpm • C Maj • 00:39 • -5.21db
4% Popularity • 50% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
4% Popularity • 50% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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Patrik Å Ãma
Here we go again
97 bpm • D min • 04:04 • -10.77db
18% Popularity • 77% Danceability • 88% Energy • 12% Liveness
4% Instrumentalness • 36% Positiveness
18% Popularity • 77% Danceability • 88% Energy • 12% Liveness
4% Instrumentalness • 36% Positiveness
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Hedda Wesley
Descent
97 bpm • D Maj • 02:14 • -15.97db
22% Popularity • 39% Danceability • 41% Energy • 46% Liveness
86% Instrumentalness • 48% Positiveness
22% Popularity • 39% Danceability • 41% Energy • 46% Liveness
86% Instrumentalness • 48% Positiveness
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Clor
Dangerzone
98 bpm • F# min • 05:21 • -5.24db
10% Popularity • 69% Danceability • 87% Energy • 9% Liveness
20% Instrumentalness • 62% Positiveness
10% Popularity • 69% Danceability • 87% Energy • 9% Liveness
20% Instrumentalness • 62% Positiveness
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Connor Bradshaw
One Morning
97 bpm • C Maj • 05:47 • -15.59db
20% Popularity • 79% Danceability • 18% Energy • 11% Liveness
36% Instrumentalness • 42% Positiveness
20% Popularity • 79% Danceability • 18% Energy • 11% Liveness
36% Instrumentalness • 42% Positiveness
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Wretched Pinhead Puppets
JESUS RETURNS TO TEXAS
98 bpm • F Maj • 03:01 • -7.08db
15% Popularity • 73% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 73% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
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Loose Tapestries
All Bleeding Coming Together
93 bpm • A Maj • 01:44 • -4.87db
3% Popularity • 69% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
3% Popularity • 69% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Half Man Half Biscuit
Took Problem Chimp to Ideal Home Show
98 bpm • G Maj • 04:45 • -4.55db
16% Popularity • 52% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 52% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Neil
Lentil Nightmare
99 bpm • E Maj • 05:47 • -9db
7% Popularity • 34% Danceability • 76% Energy • 85% Liveness
1% Instrumentalness • 32% Positiveness
7% Popularity • 34% Danceability • 76% Energy • 85% Liveness
1% Instrumentalness • 32% Positiveness
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The Rubberbandits
Spastic Hawk
99 bpm • C Maj • 04:20 • -6.27db
21% Popularity • 47% Danceability • 63% Energy • 16% Liveness
12% Instrumentalness • 48% Positiveness
21% Popularity • 47% Danceability • 63% Energy • 16% Liveness
12% Instrumentalness • 48% Positiveness
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Promiseland
Late Night Shuffle
99 bpm • G# Maj • 02:48 • -9.06db
9% Popularity • 54% Danceability • 81% Energy • 43% Liveness
1% Instrumentalness • 64% Positiveness
9% Popularity • 54% Danceability • 81% Energy • 43% Liveness
1% Instrumentalness • 64% Positiveness
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FFS
Collaborations Don't Work
100 bpm • D Maj • 06:42 • -8.39db
24% Popularity • 41% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 41% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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COR
Down for the Count
100 bpm • G# Maj • 02:56 • -5.36db
12% Popularity • 61% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 61% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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Emperor Yes
Wasps
100 bpm • B min • 03:10 • -5.23db
12% Popularity • 61% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 61% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Harper-Nicole Anderson
Vintage Tire Commercial
100 bpm • A Maj • 01:00 • -10.18db
15% Popularity • 64% Danceability • 60% Energy • 39% Liveness
6% Instrumentalness • 95% Positiveness
15% Popularity • 64% Danceability • 60% Energy • 39% Liveness
6% Instrumentalness • 95% Positiveness
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Simian
Helpless
100 bpm • D Maj • 03:29 • -5.35db
9% Popularity • 63% Danceability • 82% Energy • 14% Liveness
1% Instrumentalness • 66% Positiveness
9% Popularity • 63% Danceability • 82% Energy • 14% Liveness
1% Instrumentalness • 66% Positiveness
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Illicitizen
Irresponsible
100 bpm • B Maj • 03:00 • -7.29db
14% Popularity • 80% Danceability • 60% Energy • 8% Liveness
78% Instrumentalness • 91% Positiveness
14% Popularity • 80% Danceability • 60% Energy • 8% Liveness
78% Instrumentalness • 91% Positiveness
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BeatCoin
Wah-T's Up?
100 bpm • G Maj • 05:32 • -10.54db
15% Popularity • 60% Danceability • 63% Energy • 17% Liveness
92% Instrumentalness • 12% Positiveness
15% Popularity • 60% Danceability • 63% Energy • 17% Liveness
92% Instrumentalness • 12% Positiveness
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Mitchell Badelles
Robotic Feelings
100 bpm • F Maj • 04:11 • -7.73db
8% Popularity • 69% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 69% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Hannes Anacker
Nothing More to Say
100 bpm • C Maj • 03:54 • -14.54db
20% Popularity • 91% Danceability • 41% Energy • 46% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 91% Danceability • 41% Energy • 46% Liveness
0% Instrumentalness • 64% Positiveness
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PRESTIDGE
Keepin' On
100 bpm • C Maj • 02:02 • -17.1db
25% Popularity • 73% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 73% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Chapman Hansen
Vast Green Ocean
100 bpm • A# Maj • 03:40 • -4.08db
22% Popularity • 50% Danceability • 79% Energy • 76% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 50% Danceability • 79% Energy • 76% Liveness
0% Instrumentalness • 21% Positiveness
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Gus McKillop
Lonely Voyager Lonely Mariner
100 bpm • G# Maj • 03:40 • -6.71db
8% Popularity • 48% Danceability • 82% Energy • 35% Liveness
5% Instrumentalness • 19% Positiveness
8% Popularity • 48% Danceability • 82% Energy • 35% Liveness
5% Instrumentalness • 19% Positiveness
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The Stranglers
Waltzinblack
100 bpm • F Maj • 03:40 • -9.48db
20% Popularity • 67% Danceability • 55% Energy • 9% Liveness
91% Instrumentalness • 98% Positiveness
20% Popularity • 67% Danceability • 55% Energy • 9% Liveness
91% Instrumentalness • 98% Positiveness
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Aingell
Ever Burning Lamp
101 bpm • C Maj • 03:30 • -7.49db
13% Popularity • 69% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 69% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Delia Hume
Unread Book
102 bpm • B Maj • 02:40 • -11.26db
29% Popularity • 50% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 50% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
