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All Afternoon Part #1
Songs like
All Afternoon Part #1
by
Bird Show
Based on a tempo of (+/- 10%) and a similar genre
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Daryl Waits
Blithe
107 bpm • A min • 01:36 • -8.47db
10% Popularity • 41% Danceability • 72% Energy • 19% Liveness
97% Instrumentalness • 57% Positiveness
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Archetype
The Ick
107 bpm • D Maj • 02:37 • -23.24db
8% Popularity • 46% Danceability • 9% Energy • 11% Liveness
71% Instrumentalness • 20% Positiveness
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The Juniper Berries
The Home Team
107 bpm • B min • 03:30 • -9.93db
4% Popularity • 51% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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MixyTape
it was never a dream
107 bpm • A Maj • 01:33 • -12.13db
9% Popularity • 42% Danceability • 40% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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R B
Saint Pug~Let
107 bpm • G Maj • 02:35 • -6.64db
9% Popularity • 54% Danceability • 26% Energy • 9% Liveness
75% Instrumentalness • 38% Positiveness
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Truda Gaskell
Mindware
108 bpm • D Maj • 05:13 • -10.89db
26% Popularity • 50% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Jenni Cary
Dirty, Pretty Words
107 bpm • F# min • 03:09 • -11.55db
25% Popularity • 44% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
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Brother Jude
Com'on
108 bpm • A Maj • 01:11 • -17.25db
20% Popularity • 43% Danceability • 34% Energy • 40% Liveness
91% Instrumentalness • 76% Positiveness
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Nits
Lino Bo Bardi
106 bpm • A# Maj • 04:50 • -13.48db
9% Popularity • 31% Danceability • 40% Energy • 10% Liveness
21% Instrumentalness • 8% Positiveness
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Hour
The Most Gorgeous Day in History
108 bpm • E Maj • 02:44 • -13.74db
8% Popularity • 47% Danceability • 13% Energy • 7% Liveness
85% Instrumentalness • 19% Positiveness
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Burke Eisenhower
Sleepless Child
108 bpm • A# Maj • 04:43 • -5.99db
25% Popularity • 46% Danceability • 83% Energy • 14% Liveness
76% Instrumentalness • 34% Positiveness
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Plasmic Dreams
Quantum Pulse
108 bpm • A Maj • 02:06 • -17.65db
13% Popularity • 80% Danceability • 30% Energy • 5% Liveness
83% Instrumentalness • 64% Positiveness
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Brian Castillo
Hungry Ghost
106 bpm • C Maj • 01:53 • -17.05db
14% Popularity • 42% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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OneVibe
ReVibe
106 bpm • G# Maj • 03:00 • -16.91db
20% Popularity • 56% Danceability • 36% Energy • 11% Liveness
86% Instrumentalness • 43% Positiveness
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April Magazine
Wesley's Reprise
106 bpm • F Maj • 05:18 • -14.61db
10% Popularity • 40% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Lena1004
Rain Again
108 bpm • C Maj • 04:04 • -16.05db
28% Popularity • 36% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 15% Positiveness
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Brad Barnett
Dove
106 bpm • D# Maj • 03:25 • -6.21db
30% Popularity • 42% Danceability • 73% Energy • 7% Liveness
70% Instrumentalness • 18% Positiveness
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Creative Person
Hazy Reminiscences
108 bpm • B Maj • 02:51 • -25.14db
20% Popularity • 56% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 21% Positiveness
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Wendell Larkin
Hilly Field
105 bpm • A# Maj • 01:54 • -8.29db
32% Popularity • 64% Danceability • 35% Energy • 16% Liveness
74% Instrumentalness • 41% Positiveness
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Avian Roads
Music Box
105 bpm • E Maj • 01:07 • -9.15db
16% Popularity • 32% Danceability • 36% Energy • 7% Liveness
1% Instrumentalness • 3% Positiveness
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Ruth Goller
How to be free from it
109 bpm • D Maj • 03:39 • -15.36db
9% Popularity • 34% Danceability • 38% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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I and Others
Intermezzo
105 bpm • A min • 01:11 • -8.4db
13% Popularity • 57% Danceability • 78% Energy • 30% Liveness
1% Instrumentalness • 48% Positiveness
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Memory Spells
Woke Up Under Snow
105 bpm • E min • 03:20 • -15.38db
13% Popularity • 38% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Roberto Morales
Epilogo
105 bpm • C Maj • 00:59 • -19.81db
15% Popularity • 53% Danceability • 22% Energy • 11% Liveness
97% Instrumentalness • 90% Positiveness
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Ev Carm
Heaven
105 bpm • G# Maj • 05:31 • -10.12db
13% Popularity • 50% Danceability • 38% Energy • 11% Liveness
76% Instrumentalness • 14% Positiveness
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Nits
Tremolo
105 bpm • C Maj • 03:43 • -16.1db
8% Popularity • 28% Danceability • 12% Energy • 7% Liveness
61% Instrumentalness • 7% Positiveness
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Luna Skylark
Stardust Sonata
105 bpm • B Maj • 02:24 • -16.46db
17% Popularity • 37% Danceability • 27% Energy • 12% Liveness
86% Instrumentalness • 31% Positiveness
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Wendell Larkin
Dark Vortex
109 bpm • A min • 05:12 • -15.31db
32% Popularity • 53% Danceability • 32% Energy • 45% Liveness
21% Instrumentalness • 27% Positiveness
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Rhenemenis
Error
109 bpm • D min • 02:28 • -15.27db
9% Popularity • 66% Danceability • 43% Energy • 34% Liveness
97% Instrumentalness • 71% Positiveness
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Luca Tomassini
Shivering Town
109 bpm • G Maj • 02:09 • -8.6db
18% Popularity • 24% Danceability • 55% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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Febuary
Kill Yourself If You Have Tinder
105 bpm • B Maj • 03:31 • -8.76db
17% Popularity • 38% Danceability • 63% Energy • 15% Liveness
47% Instrumentalness • 4% Positiveness
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Taylor Alice
Non, Ne Discutez Pas De La Vérité
104 bpm • D Maj • 03:49 • -15db
19% Popularity • 63% Danceability • 41% Energy • 8% Liveness
62% Instrumentalness • 72% Positiveness
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Alfred Reade
Theater
110 bpm • D min • 02:13 • -21.35db
19% Popularity • 64% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 69% Positiveness
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Luke Syrnick
Sprout
110 bpm • A min • 02:40 • -11.85db
23% Popularity • 22% Danceability • 20% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Shā Mò
Shā Mò / 沙漠
110 bpm • D Maj • 08:56 • -11.47db
12% Popularity • 46% Danceability • 48% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
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Balloon man
Alter
104 bpm • A Maj • 03:55 • -11.48db
19% Popularity • 58% Danceability • 47% Energy • 15% Liveness
97% Instrumentalness • 47% Positiveness
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Clara Allegra
Perpetual Serenade
110 bpm • C Maj • 02:05 • -22.13db
10% Popularity • 55% Danceability • 6% Energy • 11% Liveness
99% Instrumentalness • 42% Positiveness
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The Robot Ate Me
In the Fire
110 bpm • A# Maj • 03:09 • -14.23db
12% Popularity • 33% Danceability • 34% Energy • 12% Liveness
53% Instrumentalness • 18% Positiveness
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Pepo Flow
Lole
110 bpm • D Maj • 01:20 • -11.29db
24% Popularity • 52% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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INF Please
All Alone MixRe 1
110 bpm • C Maj • 01:24 • -9.6db
12% Popularity • 25% Danceability • 50% Energy • 32% Liveness
88% Instrumentalness • 6% Positiveness
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Luke Syrnick
Birdhouse
110 bpm • C Maj • 02:15 • -16.27db
18% Popularity • 58% Danceability • 26% Energy • 11% Liveness
35% Instrumentalness • 43% Positiveness
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Garry Rexton
Thelema
111 bpm • G Maj • 01:58 • -11.5db
15% Popularity • 45% Danceability • 60% Energy • 14% Liveness
86% Instrumentalness • 57% Positiveness
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All diese Gewalt
Blindes Auge
111 bpm • F# Maj • 01:28 • -13.37db
15% Popularity • 36% Danceability • 32% Energy • 12% Liveness
4% Instrumentalness • 30% Positiveness
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Lost Harbours
Splintered Bones' of Trees
103 bpm • A min • 04:25 • -22.28db
10% Popularity • 21% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Fleur bleu·e
Here Is The
111 bpm • D min • 01:28 • -9.9db
16% Popularity • 45% Danceability • 46% Energy • 13% Liveness
96% Instrumentalness • 31% Positiveness
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Antenne
Long to Kiss
111 bpm • A# Maj • 06:37 • -14.78db
8% Popularity • 52% Danceability • 53% Energy • 56% Liveness
94% Instrumentalness • 29% Positiveness
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ouali
Ouali Track
103 bpm • A# min • 01:54 • -17.26db
24% Popularity • 78% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 19% Positiveness
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Brecht Ameel
Shuxiu's Theme - Violone Version
111 bpm • E Maj • 01:24 • -21db
14% Popularity • 51% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 9% Positiveness
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I and Others
I Have a Window
103 bpm • A min • 02:05 • -12.75db
11% Popularity • 28% Danceability • 36% Energy • 28% Liveness
90% Instrumentalness • 27% Positiveness
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Taufik Nurtosyid
Terbang A - Acoustic
102 bpm • B min • 01:10 • -9.95db
25% Popularity • 66% Danceability • 42% Energy • 12% Liveness
81% Instrumentalness • 31% Positiveness
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Red Dog Guitars
Delta Blues Freestyle
102 bpm • F# Maj • 01:14 • -20.95db
24% Popularity • 52% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Naios
Tracy's
102 bpm • A Maj • 01:18 • -21.73db
9% Popularity • 58% Danceability • 31% Energy • 13% Liveness
84% Instrumentalness • 74% Positiveness
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Splashgirl
Taphead
102 bpm • G# Maj • 05:08 • -14.3db
11% Popularity • 40% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
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Her Space Holiday
Through the Eyes of a Child
113 bpm • A Maj • 03:12 • -11.47db
8% Popularity • 63% Danceability • 34% Energy • 9% Liveness
10% Instrumentalness • 38% Positiveness
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Zoo Box
Angel Tech
112 bpm • B Maj • 08:12 • -20.67db
8% Popularity • 40% Danceability • 9% Energy • 11% Liveness
17% Instrumentalness • 15% Positiveness
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Storm Of Lions
No Sound
113 bpm • D Maj • 03:46 • -13.16db
9% Popularity • 35% Danceability • 38% Energy • 19% Liveness
90% Instrumentalness • 41% Positiveness
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Pretty V
Summer
113 bpm • G# Maj • 01:54 • -12.66db
16% Popularity • 43% Danceability • 55% Energy • 10% Liveness
8% Instrumentalness • 46% Positiveness
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Lein
A Slow Yet Certain Decomposition
101 bpm • C min • 00:56 • -8.51db
16% Popularity • 32% Danceability • 52% Energy • 36% Liveness
95% Instrumentalness • 27% Positiveness
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Men on white
Be There Soon
113 bpm • A min • 00:59 • -15.72db
12% Popularity • 51% Danceability • 13% Energy • 16% Liveness
86% Instrumentalness • 14% Positiveness
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Michael Gelinas
Head Right Turn Swiftly
101 bpm • C Maj • 02:36 • -9.12db
18% Popularity • 54% Danceability • 20% Energy • 17% Liveness
1% Instrumentalness • 3% Positiveness
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woebegone.
érine
101 bpm • B Maj • 01:20 • -20.47db
22% Popularity • 55% Danceability • 17% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
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The Robot Ate Me
Your Love Will Stay
114 bpm • C# Maj • 03:45 • -7.42db
10% Popularity • 24% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Pretty V
When the Sky is Falling
101 bpm • F Maj • 01:07 • -16.58db
13% Popularity • 38% Danceability • 12% Energy • 66% Liveness
0% Instrumentalness • 34% Positiveness
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Timehole
Song 4
101 bpm • B min • 05:20 • -10.34db
9% Popularity • 35% Danceability • 64% Energy • 18% Liveness
44% Instrumentalness • 17% Positiveness
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Sungkeh
youllneverbeminebutliterallyweweretogeth...
114 bpm • E min • 01:06 • -16.62db
13% Popularity • 51% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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RickyD
Stinky
114 bpm • A min • 02:14 • -21.23db
14% Popularity • 41% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Forrest X
Happy the Series
114 bpm • C# Maj • 01:17 • -11.2db
9% Popularity • 42% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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B.J Salyer
Searchin for You
114 bpm • E min • 03:38 • -23.01db
16% Popularity • 27% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 38% Positiveness
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Chester Jonson
Drop
100 bpm • A# Maj • 01:34 • -9.51db
25% Popularity • 40% Danceability • 70% Energy • 86% Liveness
80% Instrumentalness • 23% Positiveness
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Pretty V
Winter
114 bpm • D Maj • 01:53 • -20.64db
11% Popularity • 39% Danceability • 20% Energy • 66% Liveness
3% Instrumentalness • 20% Positiveness
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Johnnie Gee Griffing
Unanswered Questions
114 bpm • C# Maj • 02:54 • -12.12db
11% Popularity • 33% Danceability • 50% Energy • 52% Liveness
83% Instrumentalness • 36% Positiveness
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Hour
Stoner
100 bpm • C Maj • 01:16 • -14.02db
10% Popularity • 25% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Nathan Hanover Synthonic Orchestra
A little slice of immortality
100 bpm • C Maj • 01:33 • -22.79db
17% Popularity • 42% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Vilas Pomp
The Amber Days
100 bpm • A min • 03:12 • -19.57db
21% Popularity • 72% Danceability • 43% Energy • 22% Liveness
83% Instrumentalness • 55% Positiveness
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Lovazz Lounge
Faithful Lions
100 bpm • C# min • 02:22 • -14.24db
12% Popularity • 66% Danceability • 36% Energy • 16% Liveness
82% Instrumentalness • 61% Positiveness
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Lily Piette
Manbird
100 bpm • G min • 02:31 • -8.81db
12% Popularity • 46% Danceability • 56% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
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France el Dalo
Along
100 bpm • F# Maj • 02:25 • -18.4db
11% Popularity • 64% Danceability • 51% Energy • 10% Liveness
93% Instrumentalness • 53% Positiveness
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Annimax
~ Day I Pass Away
100 bpm • A# Maj • 03:46 • -22.85db
12% Popularity • 70% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Nistar
About to Get
115 bpm • F# min • 05:40 • -17.25db
5% Popularity • 25% Danceability • 17% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Daniel Harris
Stilness
115 bpm • G# Maj • 01:58 • -10.37db
17% Popularity • 93% Danceability • 29% Energy • 11% Liveness
74% Instrumentalness • 14% Positiveness
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Delphine Dora
The Great Passage IV
115 bpm • G min • 02:53 • -19.05db
8% Popularity • 41% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Kapitan
Ritual Oko
100 bpm • G Maj • 04:57 • -15.56db
13% Popularity • 57% Danceability • 47% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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King Victor
i love you too
115 bpm • D Maj • 01:30 • -14.95db
14% Popularity • 62% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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vegas water taxi
twenty year cycle
115 bpm • D Maj • 06:57 • -13.36db
8% Popularity • 36% Danceability • 26% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Farmer
Low Murk
115 bpm • G Maj • 01:39 • -15.66db
12% Popularity • 68% Danceability • 35% Energy • 10% Liveness
80% Instrumentalness • 18% Positiveness
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Russian police officer
4th of april
115 bpm • F Maj • 02:47 • -24.11db
9% Popularity • 33% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Chris Capone
Behavior
115 bpm • D Maj • 03:52 • -7.04db
19% Popularity • 54% Danceability • 76% Energy • 21% Liveness
27% Instrumentalness • 16% Positiveness
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Rocco Dante
Fingers - Radio Edit
115 bpm • C# Maj • 03:22 • -13.83db
32% Popularity • 73% Danceability • 44% Energy • 10% Liveness
31% Instrumentalness • 10% Positiveness
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the Leaderbirds
Just a Miracle
115 bpm • E min • 01:32 • -20.2db
27% Popularity • 69% Danceability • 24% Energy • 12% Liveness
94% Instrumentalness • 17% Positiveness
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Margonometri
wassukon
115 bpm • C# Maj • 04:00 • -26.98db
30% Popularity • 36% Danceability • 10% Energy • 10% Liveness
74% Instrumentalness • 7% Positiveness
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Oliver Sparrow
Everything is fine
116 bpm • G Maj • 03:32 • -14.37db
9% Popularity • 24% Danceability • 31% Energy • 18% Liveness
86% Instrumentalness • 18% Positiveness
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Luisiel Omar
One, Two, Three
116 bpm • C Maj • 02:31 • -10.5db
8% Popularity • 31% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Faust
Don't Take Roots
116 bpm • F# Maj • 04:49 • -9.9db
13% Popularity • 28% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 16% Positiveness
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Gawshock
Diary
116 bpm • G Maj • 03:02 • -14.62db
12% Popularity • 53% Danceability • 44% Energy • 10% Liveness
76% Instrumentalness • 30% Positiveness
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The Robot Ate Me
Hate and Violence
99 bpm • C Maj • 01:57 • -15.91db
16% Popularity • 40% Danceability • 24% Energy • 20% Liveness
3% Instrumentalness • 4% Positiveness
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Roberto Morales
Epilogo
99 bpm • C Maj • 01:17 • -14.16db
24% Popularity • 63% Danceability • 46% Energy • 12% Liveness
4% Instrumentalness • 49% Positiveness
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Antenne
Days into Nights
98 bpm • B min • 06:42 • -16.12db
10% Popularity • 25% Danceability • 30% Energy • 59% Liveness
62% Instrumentalness • 13% Positiveness
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Tranquil Noise
Calm Affection
117 bpm • E min • 01:10 • -13.72db
10% Popularity • 43% Danceability • 22% Energy • 7% Liveness
96% Instrumentalness • 42% Positiveness
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Sturp
Joined at the Hip
98 bpm • G Maj • 02:31 • -9.61db
9% Popularity • 68% Danceability • 62% Energy • 13% Liveness
83% Instrumentalness • 65% Positiveness
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Victor Gann
Shannon With Child
117 bpm • G Maj • 03:36 • -7.55db
8% Popularity • 48% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
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All Afternoon Part #1