Songs like All nite long by Johnny Otis
Based on a tempo of (+/- 10%) and a similar genre
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Bull Moose Jackson
Why Don't You Haul Off And Love Me
168 bpm • D# Maj • 03:02 • -10.04db
11% Popularity • 50% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 50% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Gene Vincent
Lotta Lovin'
168 bpm • G Maj • 02:11 • -14.61db
43% Popularity • 56% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
43% Popularity • 56% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Roy Brown
Fannie Brown Got Married
168 bpm • D Maj • 02:22 • -9.67db
13% Popularity • 59% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 59% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Larry Williams
Little School Girl
168 bpm • G Maj • 01:53 • -10.36db
18% Popularity • 38% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 38% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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Calvin Boze and His All Stars
Safronia B
168 bpm • G# Maj • 02:23 • -10db
28% Popularity • 55% Danceability • 46% Energy • 30% Liveness
2% Instrumentalness • 88% Positiveness
28% Popularity • 55% Danceability • 46% Energy • 30% Liveness
2% Instrumentalness • 88% Positiveness
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Roy Milton
You Got Me Reeling and Rocking - Remaste...
168 bpm • F Maj • 02:05 • -7.99db
22% Popularity • 59% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 59% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Wynona Carr
'Til The Well Runs Dry
167 bpm • G Maj • 02:04 • -8db
32% Popularity • 58% Danceability • 64% Energy • 80% Liveness
0% Instrumentalness • 97% Positiveness
32% Popularity • 58% Danceability • 64% Energy • 80% Liveness
0% Instrumentalness • 97% Positiveness
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Clarence "Frogman" Henry
Loving Cajun Style
167 bpm • F Maj • 01:58 • -10.74db
32% Popularity • 60% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 60% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Jessie Hill
Whip It On Me - 2002 Remaster
167 bpm • E min • 02:24 • -7.09db
12% Popularity • 45% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 45% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Johnny Burnette & The Rock 'N' Roll Trio
The Train Kept A Rollin'
167 bpm • A Maj • 02:19 • -7.56db
44% Popularity • 56% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 56% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Janis Martin
My Boy Elvis
169 bpm • F Maj • 02:11 • -4db
24% Popularity • 61% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 61% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Tiny Bradshaw
Bradshaw Boogie
167 bpm • G Maj • 01:54 • -6db
25% Popularity • 69% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 69% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Charlie Gracie
Fabulous
166 bpm • D# Maj • 02:19 • -7.56db
24% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Bull Moose Jackson
Big Fat Mamas Are Back In Style Again
170 bpm • C Maj • 02:23 • -10db
12% Popularity • 56% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 56% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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The Five Keys
She's the Most
170 bpm • G# Maj • 02:12 • -9.92db
16% Popularity • 58% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 58% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Moon Mullican
Seven Nights To Rock
171 bpm • F min • 02:27 • -10db
20% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Billy Lee Riley
Flyin' Saucers Rock 'n' Roll - Remastere...
165 bpm • D Maj • 02:02 • -8.97db
38% Popularity • 44% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 44% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Louis Jordan & His Tympany Five
Caldonia Boogie
165 bpm • A min • 02:43 • -6.82db
32% Popularity • 48% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 48% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Ike Turner
Rocket 88
165 bpm • A# Maj • 02:49 • -8.06db
40% Popularity • 41% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
40% Popularity • 41% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
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The Clovers
Hey, Miss Fannie
165 bpm • C# Maj • 02:26 • -12.2db
25% Popularity • 65% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 65% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Johnny Otis
Bye Bye Baby
165 bpm • D# Maj • 02:18 • -6.09db
8% Popularity • 49% Danceability • 78% Energy • 7% Liveness
1% Instrumentalness • 82% Positiveness
8% Popularity • 49% Danceability • 78% Energy • 7% Liveness
1% Instrumentalness • 82% Positiveness
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Jimmy Liggins and His Drops Of Joy
Drunk
164 bpm • C min • 02:30 • -14.28db
23% Popularity • 71% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 71% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Nappy Brown
Don't Be Angry
164 bpm • C Maj • 02:27 • -8.55db
35% Popularity • 37% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
35% Popularity • 37% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Gary U.S. Bonds
Not Me
165 bpm • C# Maj • 02:37 • -8.92db
19% Popularity • 35% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 35% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Richard Berry
Yama Yama Pretty Mama
172 bpm • C Maj • 02:21 • -14.25db
1% Popularity • 48% Danceability • 54% Energy • 28% Liveness
73% Instrumentalness • 95% Positiveness
1% Popularity • 48% Danceability • 54% Energy • 28% Liveness
73% Instrumentalness • 95% Positiveness
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The Clovers
Love Love Love
171 bpm • F# Maj • 02:05 • -14.94db
20% Popularity • 59% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 59% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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The Big Bopper
Chantilly Lace
172 bpm • D# Maj • 02:25 • -6.05db
57% Popularity • 49% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
57% Popularity • 49% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Bull Moose Jackson
Big Ten Inch Record
172 bpm • G# Maj • 02:15 • -7db
24% Popularity • 54% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
24% Popularity • 54% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Carlos Zialcita
I'll Take Care of You
172 bpm • F min • 05:25 • -4.81db
1% Popularity • 44% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
1% Popularity • 44% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Gary U.S. Bonds
Quarter to Three
164 bpm • C min • 02:30 • -9.32db
35% Popularity • 46% Danceability • 82% Energy • 84% Liveness
4% Instrumentalness • 90% Positiveness
35% Popularity • 46% Danceability • 82% Energy • 84% Liveness
4% Instrumentalness • 90% Positiveness
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Amos Milburn
Trouble in Mind
173 bpm • F Maj • 02:44 • -15.41db
4% Popularity • 44% Danceability • 30% Energy • 11% Liveness
78% Instrumentalness • 37% Positiveness
4% Popularity • 44% Danceability • 30% Energy • 11% Liveness
78% Instrumentalness • 37% Positiveness
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The Hollywood Flames
Buzz, Buzz, Buzz
173 bpm • C Maj • 02:16 • -10db
35% Popularity • 60% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 60% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Nappy Brown
Love Locks
173 bpm • G# Maj • 02:46 • -9.35db
17% Popularity • 67% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 67% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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Paul Gayten
You Better Believe It
162 bpm • G Maj • 02:21 • -8.76db
8% Popularity • 60% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 60% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Lloyd Price
Mailman Blues
162 bpm • F min • 02:12 • -8.34db
31% Popularity • 51% Danceability • 71% Energy • 31% Liveness
8% Instrumentalness • 96% Positiveness
31% Popularity • 51% Danceability • 71% Energy • 31% Liveness
8% Instrumentalness • 96% Positiveness
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Billy Lee Riley
Red Hot - Remastered 2022
174 bpm • C Maj • 02:29 • -9.34db
42% Popularity • 39% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 39% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Amos Milburn
Evening Shadows Coming Down
173 bpm • D Maj • 03:45 • -13.27db
0% Popularity • 50% Danceability • 39% Energy • 7% Liveness
3% Instrumentalness • 49% Positiveness
0% Popularity • 50% Danceability • 39% Energy • 7% Liveness
3% Instrumentalness • 49% Positiveness
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Wynona Carr
Boppity Bop (Boogity Boog)
162 bpm • G Maj • 02:27 • -8.65db
24% Popularity • 67% Danceability • 63% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 67% Danceability • 63% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
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Clyde McPhatter
Deep Sea Ball
175 bpm • G min • 02:21 • -8.99db
15% Popularity • 58% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 58% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
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Jimmy Lloyd
I Got a Rocket in My Pocket
161 bpm • C Maj • 02:20 • -4.57db
29% Popularity • 65% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
29% Popularity • 65% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
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Rosco Gordon
Sally Jo
175 bpm • A Maj • 02:06 • -11.04db
15% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Ruth Brown
Lucky Lips
161 bpm • A# Maj • 02:09 • -12.04db
34% Popularity • 65% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 65% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Louis Jordan
Saturday Night Fish Fry
175 bpm • F min • 05:24 • -5.93db
29% Popularity • 63% Danceability • 61% Energy • 76% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 63% Danceability • 61% Energy • 76% Liveness
0% Instrumentalness • 87% Positiveness
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Stick McGhee & His Buddies
Drinkin' Wine Spo-Dee-O-Dee
176 bpm • C min • 03:15 • -13db
19% Popularity • 55% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 55% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Clyde McPhatter
Since You've Been Gone
176 bpm • C Maj • 02:26 • -8.41db
16% Popularity • 46% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 46% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
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Johnny Otis
Lost dream blues
176 bpm • D# Maj • 03:16 • -14.38db
0% Popularity • 34% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 34% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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The Videos
Trickle, Trickle - Alternate Take
176 bpm • A# Maj • 02:00 • -8.86db
23% Popularity • 49% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
23% Popularity • 49% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Ruth Brown
I Want to Do More
175 bpm • C Maj • 02:52 • -8db
20% Popularity • 78% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 78% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Gary U.S. Bonds
New Orleans
161 bpm • D Maj • 02:47 • -9.18db
9% Popularity • 49% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 49% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Joe Liggins
The Honeydripper
176 bpm • G Maj • 03:10 • -11.3db
16% Popularity • 66% Danceability • 39% Energy • 12% Liveness
17% Instrumentalness • 65% Positiveness
16% Popularity • 66% Danceability • 39% Energy • 12% Liveness
17% Instrumentalness • 65% Positiveness
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Jimmy Lloyd
I Got a Rocket in My Pocket (Alternate T...
159 bpm • F Maj • 02:22 • -7.9db
22% Popularity • 67% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
22% Popularity • 67% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
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Johnny Otis
Show Me the Way to Go Home
160 bpm • G Maj • 01:45 • -9.77db
0% Popularity • 68% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 68% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
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Janis Martin
Barefoot Baby
177 bpm • C Maj • 02:14 • -3.7db
26% Popularity • 62% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 62% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Smiley Lewis
Mama Don't Like It
159 bpm • G# Maj • 02:35 • -7db
13% Popularity • 52% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 52% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Gary U.S. Bonds
New Orleans
159 bpm • D Maj • 02:53 • -7.64db
36% Popularity • 57% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 57% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Larry Williams
Bony Moronie
158 bpm • C# Maj • 03:07 • -12db
43% Popularity • 42% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
43% Popularity • 42% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
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Clyde McPhatter
Little Bitty Pretty One - Single Version
178 bpm • A Maj • 02:16 • -9db
14% Popularity • 42% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 42% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Johnny Otis
Good Golly
160 bpm • F min • 01:52 • -12.43db
20% Popularity • 59% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 59% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Nappy Brown
Little By Little
179 bpm • F Maj • 02:34 • -9.81db
29% Popularity • 48% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 48% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Wynona Carr
Nursery Rhyme Rock
181 bpm • C Maj • 01:56 • -9.03db
40% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
40% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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The Du Droppers
I Wanna Know
157 bpm • C min • 02:17 • -10.05db
31% Popularity • 50% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 50% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Bobby Charles
See You Later Alligator
156 bpm • F Maj • 02:53 • -5db
22% Popularity • 62% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
22% Popularity • 62% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
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Larry Williams
Slow Down
181 bpm • D Maj • 02:46 • -13db
34% Popularity • 44% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 44% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Johnny Otis
Hey!
160 bpm • D# Maj • 02:57 • -4.69db
1% Popularity • 38% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
1% Popularity • 38% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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The Jayos
At My Front Door
181 bpm • G# Maj • 02:32 • -6.22db
0% Popularity • 50% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
0% Popularity • 50% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Smiley Lewis
She's Got Me Hook, Line and Sinker
181 bpm • G# Maj • 02:24 • -7.51db
13% Popularity • 68% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 68% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Gene Vincent
Say Mama
156 bpm • A Maj • 02:11 • -8.32db
29% Popularity • 49% Danceability • 87% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 49% Danceability • 87% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
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Bobby Charles
Later Alligator (See You Later, Alligato...
156 bpm • C Maj • 03:45 • -11.84db
26% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Eddie Cochran
Somethin' Else
156 bpm • D Maj • 02:10 • -8.32db
46% Popularity • 60% Danceability • 91% Energy • 5% Liveness
2% Instrumentalness • 96% Positiveness
46% Popularity • 60% Danceability • 91% Energy • 5% Liveness
2% Instrumentalness • 96% Positiveness
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Johnny Otis
Hum-Ding-A-Ling
159 bpm • F Maj • 02:38 • -13.59db
3% Popularity • 59% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
3% Popularity • 59% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Young Jessie
Don't Happen No More
156 bpm • D Maj • 02:27 • -8db
12% Popularity • 56% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 56% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
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Wynona Carr
Jump Jack Jump
181 bpm • A# min • 02:16 • -7.62db
27% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Jimmy McCracklin
The Walk
155 bpm • F Maj • 02:42 • -8.21db
17% Popularity • 70% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 70% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Varetta Dillard
Them There Eyes
155 bpm • G min • 02:17 • -8db
19% Popularity • 57% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 57% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Huey "Piano" Smith
Don't You Know Yockomo
155 bpm • G# min • 02:22 • -4.32db
20% Popularity • 54% Danceability • 80% Energy • 62% Liveness
1% Instrumentalness • 93% Positiveness
20% Popularity • 54% Danceability • 80% Energy • 62% Liveness
1% Instrumentalness • 93% Positiveness
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Johnny Otis
Organ Grinder's Swing
159 bpm • C Maj • 02:23 • -9.72db
0% Popularity • 46% Danceability • 58% Energy • 31% Liveness
85% Instrumentalness • 96% Positiveness
0% Popularity • 46% Danceability • 58% Energy • 31% Liveness
85% Instrumentalness • 96% Positiveness
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Smiley Lewis
Shame, Shame, Shame
183 bpm • C# Maj • 01:49 • -5.93db
12% Popularity • 53% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 53% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Warren Smith
Red Cadillac And A Black Moustache
154 bpm • D Maj • 02:40 • -10.56db
21% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Janis Martin
Drugstore Rock'n'roll
185 bpm • G Maj • 02:09 • -3db
32% Popularity • 53% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
32% Popularity • 53% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Larry Williams
You Bug Me Baby
185 bpm • D Maj • 01:52 • -12.3db
33% Popularity • 49% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 49% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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The "5" Royales
The Slummer the Slum
152 bpm • G# Maj • 02:14 • -9db
15% Popularity • 49% Danceability • 56% Energy • 17% Liveness
2% Instrumentalness • 96% Positiveness
15% Popularity • 49% Danceability • 56% Energy • 17% Liveness
2% Instrumentalness • 96% Positiveness
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Johnny Otis
Beer bottle boogie
154 bpm • B min • 02:48 • -9.19db
0% Popularity • 63% Danceability • 51% Energy • 5% Liveness
2% Instrumentalness • 72% Positiveness
0% Popularity • 63% Danceability • 51% Energy • 5% Liveness
2% Instrumentalness • 72% Positiveness
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Esther Phillips
Hound Dog
152 bpm • A Maj • 02:35 • -13.4db
1% Popularity • 58% Danceability • 54% Energy • 35% Liveness
4% Instrumentalness • 88% Positiveness
1% Popularity • 58% Danceability • 54% Energy • 35% Liveness
4% Instrumentalness • 88% Positiveness
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Wynona Carr
Ding Dong Daddy
186 bpm • F Maj • 02:08 • -10.45db
29% Popularity • 56% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
29% Popularity • 56% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
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Amos Milburn
House Party (Tonight)
152 bpm • F Maj • 02:32 • -11.8db
12% Popularity • 60% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 60% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Huey "Piano" Smith
Sea Cruise
151 bpm • C Maj • 02:38 • -5.03db
16% Popularity • 52% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 52% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
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Frankie Ford
Cheatin' Woman
151 bpm • A# Maj • 02:03 • -8.28db
11% Popularity • 59% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 59% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Eddie "Cleanhead" Vinson
Sugar
151 bpm • G Maj • 03:08 • -16.31db
4% Popularity • 68% Danceability • 39% Energy • 11% Liveness
59% Instrumentalness • 67% Positiveness
4% Popularity • 68% Danceability • 39% Energy • 11% Liveness
59% Instrumentalness • 67% Positiveness
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Smiley Lewis
Shame, Shame, Shame!
187 bpm • F# Maj • 01:58 • -5.54db
17% Popularity • 32% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 32% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
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Jimmy Liggins
I Ain't Drunk - Remastered
150 bpm • F min • 02:21 • -8db
15% Popularity • 63% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 63% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
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Lee Allen
Walkin' With Mr Lee
149 bpm • G# Maj • 02:26 • -9db
19% Popularity • 66% Danceability • 70% Energy • 6% Liveness
88% Instrumentalness • 95% Positiveness
19% Popularity • 66% Danceability • 70% Energy • 6% Liveness
88% Instrumentalness • 95% Positiveness
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Little Willie John
Uh Uh Baby
150 bpm • A# Maj • 02:08 • -8db
17% Popularity • 42% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 42% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 85% Positiveness
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Clyde McPhatter
Just to Hold My Hand
149 bpm • E min • 02:21 • -10.12db
16% Popularity • 63% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 63% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Huey "Piano" Smith
Don't You Know Yockomo
148 bpm • A# Maj • 02:24 • -7.77db
14% Popularity • 56% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 56% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Warren Smith
Rock 'n' Roll Ruby - Remastered 2022
149 bpm • D Maj • 02:50 • -9.33db
34% Popularity • 74% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
34% Popularity • 74% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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The Robins
The Hatchet Man
148 bpm • F Maj • 02:30 • -8.06db
10% Popularity • 74% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 74% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Lee Dorsey
Do Re Mi
148 bpm • F Maj • 02:14 • -11.47db
17% Popularity • 68% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 68% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
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Rosco Gordon
T-Model Boogie
148 bpm • D# min • 02:24 • -11.4db
13% Popularity • 48% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 48% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
