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All That I Ask
Songs like
All That I Ask
by
George Ogilvie
Based on a tempo of (+/- 10%) and a similar genre
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George Ogilvie
Foreign Hands (George's Version)
140 bpm • D# min • 04:18 • -8.74db
45% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Rosemary & Garlic
Old Now
140 bpm • F Maj • 04:49 • -13db
44% Popularity • 49% Danceability • 41% Energy • 12% Liveness
24% Instrumentalness • 28% Positiveness
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Harrison Storm
Sense of Home
140 bpm • D# Maj • 04:25 • -11db
57% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Fenne Lily
Car Park
140 bpm • B Maj • 02:53 • -10.47db
35% Popularity • 63% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Belle Mt.
Loving You
140 bpm • C Maj • 04:13 • -8.35db
23% Popularity • 54% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
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Corey Kilgannon
Mama's Tears
140 bpm • C# Maj • 04:15 • -13.71db
10% Popularity • 37% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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George Ogilvie
Out Of Harms' Way
140 bpm • D Maj • 04:20 • -15db
21% Popularity • 60% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Rosemary & Garlic
Take This Hand
140 bpm • E Maj • 03:32 • -11.35db
31% Popularity • 47% Danceability • 32% Energy • 10% Liveness
27% Instrumentalness • 34% Positiveness
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All The Luck In The World
High Beams
140 bpm • D Maj • 03:32 • -10.68db
17% Popularity • 34% Danceability • 43% Energy • 14% Liveness
3% Instrumentalness • 10% Positiveness
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Beta Radio
On the Frame (Acoustic)
141 bpm • D min • 03:04 • -13.3db
42% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Oliver Riot
Ivory Black
139 bpm • C Maj • 04:27 • -13db
43% Popularity • 41% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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James Vincent McMorrow
One Thousand Times - Venice Beach, April...
139 bpm • A Maj • 04:35 • -11.68db
1% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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George Ogilvie
All That I Ask
140 bpm • G# Maj • 04:38 • -7db
33% Popularity • 38% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Corey Kilgannon
The More We Find (Sister IV)
142 bpm • D Maj • 04:54 • -9.82db
18% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jon Bryant
Courtesy Call
141 bpm • C Maj • 04:15 • -13.25db
18% Popularity • 52% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Oh Wonder
High On Humans - Abbey Road Piano Sessio...
142 bpm • B min • 03:12 • -11.91db
25% Popularity • 54% Danceability • 32% Energy • 15% Liveness
1% Instrumentalness • 75% Positiveness
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Jake Etheridge
Getting Over You
138 bpm • D# Maj • 02:57 • -13.95db
30% Popularity • 59% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Austin Basham
Frames
142 bpm • C# Maj • 03:49 • -6.65db
27% Popularity • 54% Danceability • 66% Energy • 16% Liveness
9% Instrumentalness • 32% Positiveness
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George Ogilvie
perfect timing - interlude
141 bpm • A# min • 01:41 • -15.13db
7% Popularity • 34% Danceability • 14% Energy • 21% Liveness
88% Instrumentalness • 25% Positiveness
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Tall Heights
Out of the Ground
142 bpm • F# Maj • 02:47 • -10.76db
16% Popularity • 47% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Mat Hunsley
Dropping
138 bpm • B min • 03:53 • -12.34db
11% Popularity • 68% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Lowland Hum
Vedauwoo
138 bpm • D# Maj • 02:39 • -15.58db
40% Popularity • 64% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
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Blanco White
Sol
143 bpm • E Maj • 06:22 • -18.25db
40% Popularity • 42% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Beta Radio
Sitting Room
143 bpm • G# Maj • 04:09 • -14db
42% Popularity • 48% Danceability • 31% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
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George Ogilvie
Foreign Hands
141 bpm • D# min • 04:18 • -5.58db
47% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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isaac gracie
burn my clothes, bury my crown - live
137 bpm • G# min • 03:52 • -9.64db
21% Popularity • 48% Danceability • 32% Energy • 70% Liveness
0% Instrumentalness • 20% Positiveness
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Ciaran Lavery
Selene
137 bpm • C Maj • 04:38 • -13.14db
17% Popularity • 49% Danceability • 13% Energy • 36% Liveness
1% Instrumentalness • 9% Positiveness
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Lily Kershaw
The Sea
137 bpm • A# Maj • 03:46 • -13.36db
36% Popularity • 59% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Austin Basham
Incarcerated
144 bpm • G# Maj • 02:46 • -9.56db
28% Popularity • 33% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Plested
IOU - Demo
143 bpm • D Maj • 03:51 • -11.49db
13% Popularity • 31% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Man of Leisure
You Are My Home
136 bpm • G Maj • 02:35 • -11.47db
28% Popularity • 55% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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George Ogilvie
Perfect Timing
136 bpm • A# min • 06:35 • -14.99db
11% Popularity • 30% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Sam Pinkerton
Seattle
136 bpm • C Maj • 05:59 • -13.76db
8% Popularity • 50% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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JP Saxe
Changed (Acoustic)
136 bpm • D Maj • 04:32 • -12db
23% Popularity • 44% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Brvthr
Here We Are
136 bpm • A Maj • 03:43 • -8.85db
24% Popularity • 66% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Michael Schulte
Thoughts
136 bpm • G# min • 03:47 • -12.1db
27% Popularity • 51% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Aisha Badru
Waiting Around - Acoustic
145 bpm • C Maj • 02:32 • -15db
51% Popularity • 48% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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George Ogilvie
tremosine - acoustic
136 bpm • C Maj • 05:14 • -14.44db
4% Popularity • 42% Danceability • 14% Energy • 14% Liveness
87% Instrumentalness • 23% Positiveness
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Blanco White
Nocturne - Recorded at Spotify Studios N...
136 bpm • E min • 04:52 • -16.52db
29% Popularity • 32% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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Bradley Stone
On The Moon
145 bpm • G Maj • 03:21 • -13.31db
20% Popularity • 57% Danceability • 19% Energy • 12% Liveness
3% Instrumentalness • 14% Positiveness
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Novo Amor
Faux
145 bpm • B Maj • 04:32 • -12db
48% Popularity • 24% Danceability • 42% Energy • 11% Liveness
23% Instrumentalness • 25% Positiveness
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S. Carey
Hideout
135 bpm • G# Maj • 02:53 • -11.16db
33% Popularity • 30% Danceability • 36% Energy • 13% Liveness
39% Instrumentalness • 29% Positiveness
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George Taylor
Stay Warm
135 bpm • C Maj • 04:32 • -11db
32% Popularity • 75% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Harrison Storm
Be Yourself
135 bpm • C# Maj • 04:10 • -15.39db
36% Popularity • 59% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 12% Positiveness
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Henry Jamison
No One Told Me
145 bpm • D Maj • 03:27 • -9.12db
18% Popularity • 35% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Fenne Lily
What's Good
134 bpm • G# min • 03:36 • -14.84db
41% Popularity • 43% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Belle Mt.
Made to Find You
146 bpm • C# Maj • 03:29 • -6.98db
23% Popularity • 54% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Colouring
If I Ever Lose Your Love
134 bpm • D Maj • 05:28 • -11.87db
18% Popularity • 39% Danceability • 27% Energy • 16% Liveness
3% Instrumentalness • 11% Positiveness
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Ciaran Lavery
Your Artist
146 bpm • F Maj • 03:48 • -12db
21% Popularity • 65% Danceability • 36% Energy • 13% Liveness
2% Instrumentalness • 48% Positiveness
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The Paper Kites
How Long
134 bpm • B min • 03:36 • -21.01db
25% Popularity • 62% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 36% Positiveness
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Old Sea Brigade
Cover My Own
134 bpm • G Maj • 03:53 • -15db
38% Popularity • 73% Danceability • 21% Energy • 7% Liveness
3% Instrumentalness • 40% Positiveness
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Bootstraps
I Wanna Dance With Somebody
134 bpm • C Maj • 04:39 • -10.45db
34% Popularity • 29% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Stu Larsen
By the River - Acoustic
146 bpm • D min • 04:28 • -12db
42% Popularity • 48% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Oliver Riot
We Popped the Moon
134 bpm • A Maj • 03:03 • -13db
33% Popularity • 57% Danceability • 22% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
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Novo Amor
Alps
147 bpm • D# Maj • 03:14 • -10.38db
64% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
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Keaton Henson
No Witnesses
134 bpm • B Maj • 05:22 • -14.62db
29% Popularity • 34% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Morrissey & Marshall
I Need You
134 bpm • F# Maj • 03:10 • -4db
13% Popularity • 43% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Billy Lockett
Hands Tied
134 bpm • E Maj • 03:12 • -8.78db
24% Popularity • 28% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Joy Oladokun
No Turning Back
133 bpm • A Maj • 03:48 • -14.42db
25% Popularity • 49% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Corey Kilgannon
Köln
147 bpm • C Maj • 03:13 • -9.56db
30% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Charlie Cunningham
An Opening
147 bpm • G# Maj • 03:51 • -12.57db
45% Popularity • 54% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Martin Luke Brown
Shadow & Light
147 bpm • C Maj • 03:41 • -8.76db
32% Popularity • 54% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Henry Jamison
Black Mountain
147 bpm • B Maj • 03:09 • -9.74db
21% Popularity • 42% Danceability • 43% Energy • 9% Liveness
20% Instrumentalness • 24% Positiveness
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Novo Amor
Cavalry
148 bpm • D# Maj • 05:11 • -10.64db
41% Popularity • 28% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Ira Wolf
One More Chance
133 bpm • B Maj • 04:13 • -12db
28% Popularity • 45% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Richard Walters
What Did You Expect?
148 bpm • F Maj • 04:38 • -9.6db
11% Popularity • 55% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Foreign Fields
Correct Me
133 bpm • B min • 05:02 • -13.58db
21% Popularity • 26% Danceability • 26% Energy • 6% Liveness
4% Instrumentalness • 8% Positiveness
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Jon Bryant
Heroine
148 bpm • C Maj • 04:09 • -11.41db
22% Popularity • 50% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Kodaline
Follow Your Fire - Stripped Back Version
148 bpm • E min • 03:46 • -8db
23% Popularity • 37% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Handkerchief Thief
Blood Is Red
148 bpm • A# Maj • 03:59 • -14.11db
13% Popularity • 64% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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George Ogilvie
Die Down
148 bpm • C# Maj • 03:31 • -7.42db
12% Popularity • 52% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Billy Lockett
More
148 bpm • F min • 03:36 • -10.08db
25% Popularity • 46% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Dermot Kennedy
After Rain
132 bpm • B min • 04:54 • -9.62db
45% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Garrett Kato
Take It Slowly
132 bpm • F Maj • 03:52 • -14db
49% Popularity • 48% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Oliver Riot
Harder
132 bpm • G Maj • 04:00 • -12.17db
31% Popularity • 46% Danceability • 46% Energy • 43% Liveness
0% Instrumentalness • 14% Positiveness
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Aaron Espe
Yourself
148 bpm • B Maj • 03:07 • -13.41db
23% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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George Ogilvie
die down - early demo
148 bpm • F min • 03:46 • -12.78db
4% Popularity • 51% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Billie Marten
As Long As
148 bpm • B min • 03:25 • -11.65db
19% Popularity • 40% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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John Adams
Dandelion Wishes
132 bpm • E Maj • 03:58 • -7.83db
20% Popularity • 54% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Rosie Carney
Better Man
132 bpm • D Maj • 04:55 • -19.29db
33% Popularity • 29% Danceability • 11% Energy • 9% Liveness
25% Instrumentalness • 5% Positiveness
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Ren Lawton
Piece of Your Heart
132 bpm • E Maj • 03:05 • -12.94db
15% Popularity • 65% Danceability • 33% Energy • 11% Liveness
37% Instrumentalness • 33% Positiveness
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Milo Greene
I'll Wait
132 bpm • B min • 03:40 • -10.58db
25% Popularity • 46% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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George Ogilvie
Nowhere
132 bpm • D Maj • 04:39 • -11.01db
25% Popularity • 63% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Matthew And The Atlas
Graveyard Parade - Acoustic Version
132 bpm • D# min • 04:27 • -12.29db
23% Popularity • 53% Danceability • 25% Energy • 10% Liveness
5% Instrumentalness • 27% Positiveness
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Okay Mann
When She's Not Around
132 bpm • F# Maj • 04:40 • -13.23db
11% Popularity • 62% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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isaac gracie
all in my mind
132 bpm • G# Maj • 03:59 • -9.02db
29% Popularity • 36% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Trent Dabbs
Come Home Safe
132 bpm • C Maj • 03:31 • -11db
32% Popularity • 62% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Harrison Storm
The Words You Say
132 bpm • B Maj • 03:30 • -11.99db
49% Popularity • 51% Danceability • 40% Energy • 12% Liveness
27% Instrumentalness • 10% Positiveness
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Liza Anne
Rubble
131 bpm • D min • 03:57 • -9.79db
12% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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George Ogilvie
A Certain Way
131 bpm • G min • 03:29 • -15.47db
13% Popularity • 31% Danceability • 9% Energy • 11% Liveness
29% Instrumentalness • 4% Positiveness
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Tuvaband
Unknown
131 bpm • F# Maj • 04:10 • -17db
39% Popularity • 42% Danceability • 10% Energy • 89% Liveness
0% Instrumentalness • 8% Positiveness
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Afrakite
Grown Apart
131 bpm • C Maj • 03:54 • -14db
22% Popularity • 54% Danceability • 18% Energy • 11% Liveness
8% Instrumentalness • 18% Positiveness
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Corey Kilgannon
Berlin
131 bpm • A# Maj • 03:39 • -8.99db
23% Popularity • 34% Danceability • 19% Energy • 12% Liveness
2% Instrumentalness • 19% Positiveness
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Fenne Lily
More Than You Know - Recorded at Metropo...
131 bpm • F# min • 03:40 • -16db
29% Popularity • 45% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Matthew And The Atlas
On A Midnight Street - Acoustic Version
150 bpm • D Maj • 03:33 • -13db
31% Popularity • 54% Danceability • 31% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
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George Ogilvie
Count Your Blessings
150 bpm • G# min • 04:05 • -9db
38% Popularity • 45% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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The Paper Kites
Arms
150 bpm • D Maj • 03:23 • -18.56db
47% Popularity • 41% Danceability • 14% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
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Charlie Cunningham
Lights Off
150 bpm • G Maj • 03:53 • -11.67db
50% Popularity • 64% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Blanco White
Papillon
130 bpm • E min • 03:59 • -15.9db
40% Popularity • 37% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Fenne Lily
On Hold
150 bpm • C# min • 02:38 • -9.52db
29% Popularity • 59% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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All That I Ask