Songs like All The Things You Are by The Swingle Singers
Based on a tempo of (+/- 10%) and a similar genre
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Johann Sebastian Bach
Bach, J.S.: Fantasia & Fugue in G Minor,...
95 bpm • E min • 02:40 • -16db
9% Popularity • 58% Danceability • 35% Energy • 14% Liveness
98% Instrumentalness • 92% Positiveness
9% Popularity • 58% Danceability • 35% Energy • 14% Liveness
98% Instrumentalness • 92% Positiveness
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The Swingle Singers
All The Things You Are
95 bpm • G# Maj • 02:50 • -12.22db
14% Popularity • 38% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 38% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Susannah McCorkle
P'rá Machucar Meu Coração (The Day We...
96 bpm • C# Maj • 06:10 • -18.36db
14% Popularity • 55% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 55% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Eugen Cicero
Bach's Softly Sunrise
94 bpm • D min • 06:13 • -11db
23% Popularity • 55% Danceability • 47% Energy • 21% Liveness
86% Instrumentalness • 62% Positiveness
23% Popularity • 55% Danceability • 47% Energy • 21% Liveness
86% Instrumentalness • 62% Positiveness
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Conal Fowkes
This Can't be Love
96 bpm • A# Maj • 03:33 • -19db
29% Popularity • 53% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 67% Positiveness
29% Popularity • 53% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 67% Positiveness
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Maxim Saury
Petite fleur
96 bpm • G min • 03:16 • -16.48db
31% Popularity • 39% Danceability • 4% Energy • 8% Liveness
39% Instrumentalness • 38% Positiveness
31% Popularity • 39% Danceability • 4% Energy • 8% Liveness
39% Instrumentalness • 38% Positiveness
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Kurt Elling
Loch Tay Boat Song
94 bpm • C Maj • 07:02 • -12db
9% Popularity • 31% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 31% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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The Idea of North
Both Sides Now
96 bpm • A Maj • 04:41 • -8.08db
8% Popularity • 32% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 32% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Vox Pop
We Only Ask
94 bpm • G Maj • 03:55 • -7.1db
0% Popularity • 26% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 26% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Bria Skonberg
Sway
94 bpm • A min • 03:15 • -13db
32% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Buddy Greco
So Danco Samba
96 bpm • F min • 02:59 • -22.79db
40% Popularity • 54% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 48% Positiveness
40% Popularity • 54% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 48% Positiveness
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Camille Howard
Has Your Love Grown Cold? - Vocal
97 bpm • C min • 02:40 • -16db
30% Popularity • 66% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 66% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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New York Trio
I Could Have Danced All Night
96 bpm • G Maj • 06:40 • -14db
22% Popularity • 61% Danceability • 40% Energy • 10% Liveness
84% Instrumentalness • 45% Positiveness
22% Popularity • 61% Danceability • 40% Energy • 10% Liveness
84% Instrumentalness • 45% Positiveness
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Susannah McCorkle
Manhã de Carnaval (Sunrise)
93 bpm • F Maj • 04:48 • -21.02db
33% Popularity • 53% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
33% Popularity • 53% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Melody Gardot
Someday My Prince Will Come - Acoustic V...
97 bpm • G min • 01:10 • -12.17db
49% Popularity • 64% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 83% Positiveness
49% Popularity • 64% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 83% Positiveness
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Kurt Elling
Time To Say Goodbye
97 bpm • F min • 06:43 • -13.12db
9% Popularity • 48% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 48% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Sinne Eeg
Remembering You
93 bpm • A# Maj • 06:14 • -18.74db
14% Popularity • 35% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 35% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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The Hi-Lo's
Life Is Just a Bowl of Cherries
97 bpm • A Maj • 02:45 • -15.01db
9% Popularity • 49% Danceability • 24% Energy • 50% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 49% Danceability • 24% Energy • 50% Liveness
0% Instrumentalness • 52% Positiveness
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Art Tatum
Night And Day
97 bpm • D# Maj • 06:07 • -18.47db
36% Popularity • 57% Danceability • 12% Energy • 17% Liveness
1% Instrumentalness • 45% Positiveness
36% Popularity • 57% Danceability • 12% Energy • 17% Liveness
1% Instrumentalness • 45% Positiveness
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Claude Bolling
Africaine
97 bpm • G min • 04:28 • -15.96db
14% Popularity • 52% Danceability • 35% Energy • 9% Liveness
91% Instrumentalness • 51% Positiveness
14% Popularity • 52% Danceability • 35% Energy • 9% Liveness
91% Instrumentalness • 51% Positiveness
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Nicole Henry
Make It Last
97 bpm • A Maj • 05:16 • -13.07db
44% Popularity • 36% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
44% Popularity • 36% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Kurt Elling
April In Paris
97 bpm • A# min • 05:11 • -16.41db
28% Popularity • 66% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 66% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The Swingle Singers
When I Am Laid In Earth (Dido's Lament)
97 bpm • G min • 05:04 • -21.1db
9% Popularity • 44% Danceability • 9% Energy • 8% Liveness
81% Instrumentalness • 14% Positiveness
9% Popularity • 44% Danceability • 9% Energy • 8% Liveness
81% Instrumentalness • 14% Positiveness
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Madeleine Peyroux
Last Night When We Were Young
93 bpm • C Maj • 05:43 • -12db
19% Popularity • 70% Danceability • 32% Energy • 12% Liveness
4% Instrumentalness • 13% Positiveness
19% Popularity • 70% Danceability • 32% Energy • 12% Liveness
4% Instrumentalness • 13% Positiveness
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Elsie Bianchi Trio
The Shadows of Paris
93 bpm • F min • 04:08 • -20db
20% Popularity • 65% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 65% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Vincent Youmans
Youmans / Arr Harris: Tea for Two
98 bpm • F Maj • 03:40 • -14.6db
11% Popularity • 49% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 49% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Lambert, Hendricks & Ross
Four
98 bpm • D# Maj • 04:13 • -13.54db
10% Popularity • 68% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 68% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Darius Milhaud
Scaramouche Suite: 3. Brazileira
92 bpm • F Maj • 02:37 • -8.04db
23% Popularity • 58% Danceability • 44% Energy • 10% Liveness
73% Instrumentalness • 82% Positiveness
23% Popularity • 58% Danceability • 44% Energy • 10% Liveness
73% Instrumentalness • 82% Positiveness
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Pearl Django
Floyd Hoyt Rides Again
98 bpm • G Maj • 04:16 • -10.79db
15% Popularity • 76% Danceability • 39% Energy • 13% Liveness
77% Instrumentalness • 62% Positiveness
15% Popularity • 76% Danceability • 39% Energy • 13% Liveness
77% Instrumentalness • 62% Positiveness
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The Hot Club Of San Francisco
All My Lovin'
92 bpm • A Maj • 02:37 • -7.94db
19% Popularity • 61% Danceability • 42% Energy • 18% Liveness
37% Instrumentalness • 65% Positiveness
19% Popularity • 61% Danceability • 42% Energy • 18% Liveness
37% Instrumentalness • 65% Positiveness
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The Swingle Singers
Surfboard
92 bpm • C Maj • 02:48 • -13.03db
2% Popularity • 48% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
2% Popularity • 48% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Anna Salleh
Manhã de Carnaval / Black Orpheus
98 bpm • D min • 03:12 • -15.42db
23% Popularity • 60% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 60% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Benny Benack III
Won't You Be My Neighbor
92 bpm • F Maj • 03:45 • -12.98db
31% Popularity • 61% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 48% Positiveness
31% Popularity • 61% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 48% Positiveness
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Cécile McLorin Salvant
You're My Thrill
98 bpm • G# Maj • 04:33 • -19.45db
23% Popularity • 25% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
23% Popularity • 25% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
Bach, JS: Wachet auf, ruft uns die Stimm...
92 bpm • B Maj • 03:15 • -16.96db
6% Popularity • 60% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
6% Popularity • 60% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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The Idea of North
Fields of Gold
99 bpm • D Maj • 04:36 • -11.19db
11% Popularity • 51% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 51% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Susannah McCorkle
Forty-Second Street
99 bpm • A# min • 02:51 • -16.3db
14% Popularity • 64% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 64% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Zoot Sims
Suddenly It's Spring
99 bpm • F min • 05:38 • -15db
22% Popularity • 60% Danceability • 23% Energy • 12% Liveness
88% Instrumentalness • 23% Positiveness
22% Popularity • 60% Danceability • 23% Energy • 12% Liveness
88% Instrumentalness • 23% Positiveness
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Nnenna Freelon
The Very Thought of You
91 bpm • D# Maj • 06:01 • -16.03db
40% Popularity • 42% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 42% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Vernizzi Jazz Quartet & Corrado Giuffredi
Allemanda
99 bpm • G min • 04:04 • -10.24db
16% Popularity • 56% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 74% Positiveness
16% Popularity • 56% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 74% Positiveness
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Johann Sebastian Bach
Bach, J.S.: Das wohltemperierte Klavier,...
92 bpm • D min • 02:06 • -20.12db
4% Popularity • 47% Danceability • 18% Energy • 14% Liveness
97% Instrumentalness • 59% Positiveness
4% Popularity • 47% Danceability • 18% Energy • 14% Liveness
97% Instrumentalness • 59% Positiveness
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Jacques Loussier Trio
Gymnopédie No. 1: Var. 1
99 bpm • G Maj • 04:33 • -22db
32% Popularity • 55% Danceability • 11% Energy • 14% Liveness
83% Instrumentalness • 11% Positiveness
32% Popularity • 55% Danceability • 11% Energy • 14% Liveness
83% Instrumentalness • 11% Positiveness
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Eddie Heywood
Hey There
91 bpm • D# Maj • 02:30 • -19.89db
34% Popularity • 68% Danceability • 10% Energy • 13% Liveness
79% Instrumentalness • 25% Positiveness
34% Popularity • 68% Danceability • 10% Energy • 13% Liveness
79% Instrumentalness • 25% Positiveness
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Django Reinhardt
Nuages
100 bpm • G# min • 03:24 • -17.24db
37% Popularity • 61% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
37% Popularity • 61% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Teddy Wilson
As Times Goes By
91 bpm • G# Maj • 03:07 • -16db
44% Popularity • 44% Danceability • 27% Energy • 28% Liveness
90% Instrumentalness • 29% Positiveness
44% Popularity • 44% Danceability • 27% Energy • 28% Liveness
90% Instrumentalness • 29% Positiveness
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Quirino Mendoza y Cortés
Cielito Lindo (Mexican Traditional)
100 bpm • C Maj • 04:50 • -9.06db
0% Popularity • 70% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 70% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Catherine Russell
Under The Spell of The Blues
90 bpm • B min • 03:08 • -9.15db
20% Popularity • 63% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 63% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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The Rob Mounsey Orchestra
A Dream Is A Wish Your Heart Makes - Ins...
100 bpm • D# Maj • 04:17 • -12db
23% Popularity • 47% Danceability • 28% Energy • 8% Liveness
88% Instrumentalness • 32% Positiveness
23% Popularity • 47% Danceability • 28% Energy • 8% Liveness
88% Instrumentalness • 32% Positiveness
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Ruth Cameron
Happiness Is Just A Thing Called Joe
100 bpm • D# Maj • 05:17 • -16db
24% Popularity • 43% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 43% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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The Swingle Singers
Andante from Sonata in A Minor
90 bpm • A# Maj • 03:33 • -20.17db
11% Popularity • 39% Danceability • 15% Energy • 8% Liveness
17% Instrumentalness • 13% Positiveness
11% Popularity • 39% Danceability • 15% Energy • 8% Liveness
17% Instrumentalness • 13% Positiveness
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Cyrille Aimee
I'll Be Seeing You
90 bpm • F min • 03:19 • -18.35db
42% Popularity • 58% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
42% Popularity • 58% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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The Idea of North
Man in the Mirror
100 bpm • G# Maj • 04:15 • -9.01db
8% Popularity • 83% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 83% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Hubert Laws
Brandenburg Concerto No. 3, First Moveme...
90 bpm • D Maj • 05:59 • -16.12db
14% Popularity • 61% Danceability • 34% Energy • 22% Liveness
28% Instrumentalness • 78% Positiveness
14% Popularity • 61% Danceability • 34% Energy • 22% Liveness
28% Instrumentalness • 78% Positiveness
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Sue Raney
September In The Rain
100 bpm • C min • 02:34 • -15db
27% Popularity • 35% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Nikki Yanofsky
You'll Have To Swing It (Mr. Paganini)
100 bpm • F min • 04:17 • -7.41db
23% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Joe Stilgoe
I Just Wasn't Made for These Times
90 bpm • D# min • 04:45 • -12.34db
8% Popularity • 51% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 51% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Jaimee Paul
Love, You Didn't Do Right By Me
90 bpm • C Maj • 03:29 • -14.39db
10% Popularity • 63% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 63% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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The Swingle Singers
Allegro from Concerto No. 3
100 bpm • G Maj • 02:59 • -18db
12% Popularity • 72% Danceability • 30% Energy • 15% Liveness
98% Instrumentalness • 96% Positiveness
12% Popularity • 72% Danceability • 30% Energy • 15% Liveness
98% Instrumentalness • 96% Positiveness
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April Barrows
Lost In A Blue Note
100 bpm • A# Maj • 04:24 • -12.3db
29% Popularity • 43% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 43% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Hot Club Of San Francisco
Giselle
90 bpm • A Maj • 04:56 • -11.1db
29% Popularity • 63% Danceability • 39% Energy • 14% Liveness
46% Instrumentalness • 39% Positiveness
29% Popularity • 63% Danceability • 39% Energy • 14% Liveness
46% Instrumentalness • 39% Positiveness
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![Sondheim: Company, Act 1: Another Hundred People (Marta) [Arr. for Chorus] cover art](https://i.scdn.co/image/ab67616d00001e0241672ffeb9892deea5fb1eef)
Stephen Sondheim
Sondheim: Company, Act 1: Another Hundre...
90 bpm • D Maj • 02:00 • -15.14db
0% Popularity • 60% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 60% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Accent
This Will Be (An Everlasting Love)
89 bpm • F min • 02:01 • -6.66db
16% Popularity • 33% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 33% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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Brad Mehldau
Blackbird
101 bpm • G Maj • 04:59 • -19db
46% Popularity • 45% Danceability • 21% Energy • 7% Liveness
85% Instrumentalness • 19% Positiveness
46% Popularity • 45% Danceability • 21% Energy • 7% Liveness
85% Instrumentalness • 19% Positiveness
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The Swingle Singers
It Don't Mean A Thing if it aint got tha...
90 bpm • G min • 03:38 • -8.94db
8% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Madeleine Peyroux
The Way You Look Tonight
101 bpm • G# Maj • 03:02 • -12.26db
52% Popularity • 57% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
52% Popularity • 57% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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The Modern Jazz Quartet
Vendome
101 bpm • G Maj • 02:30 • -22db
42% Popularity • 53% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 53% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Joe Williams
A Woman - Remastered
89 bpm • F# Maj • 02:45 • -22.18db
20% Popularity • 39% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
20% Popularity • 39% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
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Catherine Russell
I Only Have Eyes For You
89 bpm • F# Maj • 03:43 • -9.66db
44% Popularity • 72% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 72% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Stuff Smith
It's Wonderful
102 bpm • C min • 04:00 • -18.36db
12% Popularity • 66% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 66% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Benny Benack III
It's You I Like
102 bpm • D# Maj • 04:17 • -17.6db
14% Popularity • 49% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 49% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 23% Positiveness
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The Hi-Lo's
Misty
102 bpm • G min • 03:21 • -12.36db
11% Popularity • 52% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 52% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Susannah McCorkle
I Don't Want To Set The World On Fire
89 bpm • A# min • 03:27 • -14db
31% Popularity • 75% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 75% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Johnny Mandel
Main Title from 'The Sandpiper'
88 bpm • B min • 04:46 • -26.81db
7% Popularity • 10% Danceability • 4% Energy • 19% Liveness
74% Instrumentalness • 4% Positiveness
7% Popularity • 10% Danceability • 4% Energy • 19% Liveness
74% Instrumentalness • 4% Positiveness
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The Swingle Singers
Both Sides Now
102 bpm • F# Maj • 05:52 • -12.75db
3% Popularity • 59% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
3% Popularity • 59% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Claude Bolling
Suite for Flute and Jazz Piano: Sentimen...
88 bpm • G# Maj • 07:32 • -19.17db
9% Popularity • 33% Danceability • 18% Energy • 16% Liveness
95% Instrumentalness • 28% Positiveness
9% Popularity • 33% Danceability • 18% Energy • 16% Liveness
95% Instrumentalness • 28% Positiveness
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Brian Newman
I've Got My Love To Keep Me Warm
102 bpm • G# Maj • 02:34 • -7.81db
21% Popularity • 64% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 64% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Carin Lundin
Jag kan se dig när
88 bpm • G# Maj • 04:11 • -13.33db
27% Popularity • 63% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 63% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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The Paul Winter Sextet
The Spell of the Samba (Samba da Minha T...
102 bpm • G# Maj • 02:44 • -14.81db
20% Popularity • 46% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 46% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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McCoy Tyner
She's Leaving Home
103 bpm • F min • 05:56 • -20.04db
20% Popularity • 41% Danceability • 34% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
20% Popularity • 41% Danceability • 34% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
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The Swingle Singers
Chorale 216 (Es ist genug)
102 bpm • A# Maj • 01:38 • -23.16db
10% Popularity • 21% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 21% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Cécile McLorin Salvant
Monday
88 bpm • F min • 02:01 • -15.47db
41% Popularity • 39% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
41% Popularity • 39% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Alma Sinti
Oscar
103 bpm • G min • 02:52 • -11db
40% Popularity • 76% Danceability • 38% Energy • 16% Liveness
45% Instrumentalness • 77% Positiveness
40% Popularity • 76% Danceability • 38% Energy • 16% Liveness
45% Instrumentalness • 77% Positiveness
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Dave Liebman
Quando m'en vo - Musetta's Waltz
88 bpm • A Maj • 05:59 • -13db
20% Popularity • 41% Danceability • 16% Energy • 11% Liveness
20% Instrumentalness • 29% Positiveness
20% Popularity • 41% Danceability • 16% Energy • 11% Liveness
20% Instrumentalness • 29% Positiveness
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The Hot Sardines
Gramercy Sunset
88 bpm • C Maj • 04:15 • -18.62db
30% Popularity • 45% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
30% Popularity • 45% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Ruth Cameron
The Night We Called It A Day - Live
87 bpm • G min • 03:07 • -21.87db
14% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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The Swingle Singers
Woman in Chains
88 bpm • F# Maj • 04:35 • -11.98db
6% Popularity • 52% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
6% Popularity • 52% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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m-pact
My Favorite Things
87 bpm • E min • 02:57 • -6.69db
10% Popularity • 64% Danceability • 24% Energy • 62% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 64% Danceability • 24% Energy • 62% Liveness
0% Instrumentalness • 61% Positiveness
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Eliane Elias
So Nice (Samba de Verao)
103 bpm • D Maj • 05:13 • -18db
33% Popularity • 66% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 49% Positiveness
33% Popularity • 66% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 49% Positiveness
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The Swingle Singers
Aria de la Suite orchestrale en ré maje...
104 bpm • D Maj • 05:40 • -22.94db
14% Popularity • 58% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 22% Positiveness
14% Popularity • 58% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 22% Positiveness
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The Hot Sardines
Sweet Pea
104 bpm • F Maj • 02:21 • -14db
47% Popularity • 61% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 61% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Kurt Elling
Moonlight Serenade
87 bpm • D# Maj • 04:22 • -18.25db
48% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
48% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Enrico Pieranunzi
Sicilyan Dream (D’après Siciliano, BW...
87 bpm • F Maj • 04:37 • -17db
32% Popularity • 32% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 29% Positiveness
32% Popularity • 32% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 29% Positiveness
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The Swingle Singers
Summer Soft
104 bpm • B Maj • 05:29 • -10.75db
1% Popularity • 63% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
1% Popularity • 63% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
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Will Todd
Mass In Blue, Op. 28: I. Kyrie
104 bpm • F min • 06:36 • -17db
13% Popularity • 31% Danceability • 32% Energy • 17% Liveness
71% Instrumentalness • 24% Positiveness
13% Popularity • 31% Danceability • 32% Energy • 17% Liveness
71% Instrumentalness • 24% Positiveness
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Johann Sebastian Bach
Bach: Liebster Jesu, wir sind hier (Chor...
86 bpm • G Maj • 02:03 • -23.04db
9% Popularity • 16% Danceability • 3% Energy • 29% Liveness
95% Instrumentalness • 14% Positiveness
9% Popularity • 16% Danceability • 3% Energy • 29% Liveness
95% Instrumentalness • 14% Positiveness
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Dorothy Donegan
You Are The Sunshine Of My Life
104 bpm • C Maj • 02:52 • -18.3db
22% Popularity • 57% Danceability • 44% Energy • 11% Liveness
95% Instrumentalness • 90% Positiveness
22% Popularity • 57% Danceability • 44% Energy • 11% Liveness
95% Instrumentalness • 90% Positiveness
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Kurt Elling
A Hard Rain's A-Gonna Fall
104 bpm • E Maj • 08:05 • -10.72db
38% Popularity • 52% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 52% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Cécile McLorin Salvant
Moon Song
86 bpm • F min • 03:04 • -14db
38% Popularity • 34% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
38% Popularity • 34% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
