Songs like All Things in Time by Jason Robert Brown
Based on a tempo of (+/- 10%) and a similar genre
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Ben Fankhauser
Belief
77 bpm • C Maj • 03:58 • -7.57db
30% Popularity • 46% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 46% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Jason Robert Brown
Long Long Road
77 bpm • A min • 05:30 • -8.45db
8% Popularity • 61% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 61% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Nikki M. James
Adela
77 bpm • G min • 04:15 • -11.48db
7% Popularity • 46% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
7% Popularity • 46% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Maury Yeston
Unusual Way
77 bpm • C# min • 05:00 • -12.51db
23% Popularity • 21% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 21% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Jeanine Tesori
Changing My Major
77 bpm • A# Maj • 04:22 • -11.02db
32% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Anna Kendrick
I Can Do Better Than That
77 bpm • D Maj • 04:57 • -7.42db
41% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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James Royal Valcq
Shine
77 bpm • A Maj • 04:55 • -11.65db
12% Popularity • 33% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 33% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Jason Robert Brown
All Things in Time
77 bpm • D# Maj • 04:37 • -11.74db
10% Popularity • 39% Danceability • 23% Energy • 9% Liveness
3% Instrumentalness • 16% Positiveness
10% Popularity • 39% Danceability • 23% Energy • 9% Liveness
3% Instrumentalness • 16% Positiveness
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Kooman & Dimond
Lost in the Waves
77 bpm • D# Maj • 04:21 • -11.87db
28% Popularity • 36% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 36% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Original Cast of Amélie
Times Are Hard for Dreamers - Pop Versio...
76 bpm • G# Maj • 03:24 • -9.2db
24% Popularity • 40% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 40% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Lynne Shankel
I Will Make Thunder
78 bpm • D Maj • 04:06 • -6.64db
11% Popularity • 38% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 38% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Ty Taylor
Flying Home
78 bpm • B Maj • 05:07 • -11.2db
15% Popularity • 22% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 22% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
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Jeanine Tesori
Bring Me to Light
78 bpm • A Maj • 03:26 • -9.4db
22% Popularity • 24% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 24% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
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Matthew Cammelle
Live With Somebody You Love
76 bpm • A Maj • 03:42 • -12db
13% Popularity • 24% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 24% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Keith Carradine
Used to Be
76 bpm • A# Maj • 03:37 • -13.3db
8% Popularity • 47% Danceability • 30% Energy • 14% Liveness
2% Instrumentalness • 26% Positiveness
8% Popularity • 47% Danceability • 30% Energy • 14% Liveness
2% Instrumentalness • 26% Positiveness
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The Scarlet Pimpernel
I'll Forget You
76 bpm • C# min • 03:29 • -13.96db
16% Popularity • 26% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 26% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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John Cariani
Itzik's Lullaby
76 bpm • C Maj • 02:45 • -20.58db
21% Popularity • 61% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 61% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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James Royal Valcq
A Ring Around the Moon
76 bpm • C Maj • 06:59 • -12.31db
14% Popularity • 38% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 38% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Joshua Henry
If I Loved You
78 bpm • C# Maj • 09:07 • -14db
33% Popularity • 37% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 37% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Jason Robert Brown
Father & Son
78 bpm • C# Maj • 05:24 • -14.92db
0% Popularity • 57% Danceability • 25% Energy • 43% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 57% Danceability • 25% Energy • 43% Liveness
0% Instrumentalness • 56% Positiveness
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Susan Blackwell
Die Vampire, Die!
78 bpm • C Maj • 04:58 • -9.33db
21% Popularity • 68% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 68% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Megan McGinnis
The Secret of Happiness
78 bpm • G Maj • 02:15 • -12.44db
24% Popularity • 32% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 32% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Emma
Once Upon a Dream
75 bpm • B Maj • 02:49 • -17db
30% Popularity • 27% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 27% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Original Cast of Amélie
Times Are Hard for Dreamers
78 bpm • D# Maj • 03:17 • -6.98db
41% Popularity • 44% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 44% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Preludes Original Cast
Mountains / The Second Piano Concerto
79 bpm • D# Maj • 03:08 • -13.26db
9% Popularity • 37% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 37% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Mykal Kilgore
I Loved You Too Much
75 bpm • D# Maj • 05:22 • -13db
18% Popularity • 50% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 50% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Charlotte Heinke
Mir wird's mal besser ergehn
75 bpm • A Maj • 05:13 • -9.63db
2% Popularity • 69% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
2% Popularity • 69% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Jason Robert Brown
Someone To Fall Back On - Piano Accompan...
79 bpm • C Maj • 04:46 • -10.27db
6% Popularity • 37% Danceability • 36% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
6% Popularity • 37% Danceability • 36% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Sherie Rene Scott
I Know The Truth
75 bpm • G Maj • 03:36 • -12.42db
31% Popularity • 33% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 33% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
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Hadley Fraser
But For Me
79 bpm • D Maj • 04:21 • -6.21db
10% Popularity • 42% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 42% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Matt Lucas
Ich Bin Kunst
75 bpm • F# Maj • 03:50 • -8.41db
8% Popularity • 20% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 20% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Mykal Kilgore
King of the World
79 bpm • C Maj • 04:42 • -6.59db
15% Popularity • 43% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 43% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
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Taylor Swift
But Daddy I Love Him
79 bpm • E Maj • 05:40 • -7.64db
82% Popularity • 41% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
82% Popularity • 41% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Christine Ebersole
Pink
79 bpm • F min • 05:16 • -10db
15% Popularity • 25% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 25% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Katie Thompson
He Wanted a Girl
75 bpm • G Maj • 03:04 • -9.72db
15% Popularity • 34% Danceability • 23% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 34% Danceability • 23% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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Scott Alan
Anything Worth Holding On To
74 bpm • G Maj • 04:27 • -9.36db
12% Popularity • 33% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 33% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Jason Robert Brown
Someone to Fall Back On
79 bpm • C Maj • 04:42 • -9.02db
27% Popularity • 41% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 41% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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'Songs for a New World' 2018 Encores! Off-Center Company
Hear My Song
74 bpm • G Maj • 06:02 • -8.04db
20% Popularity • 25% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 25% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Burton Lane
How Are Things in Glocca Morra?
80 bpm • C# Maj • 02:58 • -15.44db
20% Popularity • 28% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 28% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Neil Bartram
Promise Me This
80 bpm • C Maj • 04:53 • -14.86db
26% Popularity • 46% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 46% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Jordan Tyson
Kiss Me
74 bpm • A Maj • 03:16 • -13.43db
34% Popularity • 42% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 42% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Brent Barrett
Love Can't Happen
80 bpm • C# Maj • 02:50 • -11.76db
18% Popularity • 30% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 30% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Nadim Naaman
Goodbye / Boom Boom
80 bpm • E Maj • 07:14 • -8.36db
8% Popularity • 40% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 40% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Mykal Kilgore
'A new world promised it would teach me....
80 bpm • G Maj • 01:07 • -17.29db
15% Popularity • 40% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 40% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Scott Frankel
Another Winter in a Summer Town
80 bpm • E Maj • 05:00 • -13db
17% Popularity • 32% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 32% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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The Original Broadway Cast Of 'Curtains'
I Miss The Music
74 bpm • F Maj • 05:08 • -20.17db
25% Popularity • 55% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 55% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Jessie Mueller
Beautiful
81 bpm • G# Maj • 02:42 • -6db
31% Popularity • 56% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 56% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Matthew James Thomas
Morning Glow
81 bpm • C# Maj • 04:16 • -7.86db
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Finn Anderson
The Splitting of the Islands
74 bpm • G Maj • 02:25 • -15db
20% Popularity • 40% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 40% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Original Broadway Cast Of 'Passion'
Loving You
81 bpm • C# Maj • 02:07 • -24.97db
29% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Lee Lessack
For Good
74 bpm • A# Maj • 04:08 • -11.92db
19% Popularity • 46% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 46% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Janet Dacal
Finding Wonderland
73 bpm • A Maj • 03:35 • -12.56db
28% Popularity • 26% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 26% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Enrico Rodriguez
Do You Know What It's Like?
81 bpm • E Maj • 04:20 • -11db
11% Popularity • 59% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 59% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Chris Wood
The Night-Time Sky's Got Nothing on You
81 bpm • F Maj • 03:37 • -9.17db
17% Popularity • 48% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 48% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Sherie Rene Scott
See I'm Smiling
81 bpm • A Maj • 05:11 • -13db
31% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Kooman & Dimond
Walking Without You
81 bpm • F Maj • 04:05 • -8.09db
14% Popularity • 20% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 20% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Solea Pfeiffer
I'm Not Afraid of Anything
81 bpm • D Maj • 04:49 • -9.13db
32% Popularity • 40% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 40% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Caitlin Kinnunen
Dance with You (Emma's Version)
81 bpm • C# Maj • 03:05 • -5.02db
10% Popularity • 37% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 37% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Lilli Cooper
Waiting For More
81 bpm • F Maj • 03:22 • -4.02db
10% Popularity • 46% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 46% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Hunter Parrish
Beautiful City
81 bpm • C# Maj • 03:48 • -15.14db
36% Popularity • 44% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 44% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Sherie Rene Scott
I Can Do Better Than That
73 bpm • A Maj • 05:11 • -11db
32% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Lea Michele
Whispering - Original Broadway Cast Reco...
81 bpm • E min • 03:35 • -16.06db
34% Popularity • 36% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
34% Popularity • 36% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Jeremy Jordan
The Schmuel Song
82 bpm • F# min • 07:42 • -8.6db
35% Popularity • 46% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 46% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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SMASH Cast
They Just Keep Moving The Line (SMASH Ca...
82 bpm • B Maj • 02:56 • -6.49db
36% Popularity • 50% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 50% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Katie Thompson
With Him
81 bpm • A Maj • 05:11 • -7db
17% Popularity • 35% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 35% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Jason Robert Brown
Someone to Fall Back on (Live)
82 bpm • C Maj • 04:45 • -14.32db
4% Popularity • 48% Danceability • 12% Energy • 80% Liveness
0% Instrumentalness • 34% Positiveness
4% Popularity • 48% Danceability • 12% Energy • 80% Liveness
0% Instrumentalness • 34% Positiveness
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Liam Tamne
A Very Good Day
82 bpm • B min • 03:51 • -14.37db
6% Popularity • 40% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
6% Popularity • 40% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Matthew Morrison
What You Mean To Me - Original Broadway ...
72 bpm • G# Maj • 03:34 • -10.23db
36% Popularity • 41% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 41% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Once Ensemble
Gold (A Cappella)
82 bpm • E Maj • 02:28 • -25.25db
26% Popularity • 22% Danceability • 3% Energy • 28% Liveness
0% Instrumentalness • 9% Positiveness
26% Popularity • 22% Danceability • 3% Energy • 28% Liveness
0% Instrumentalness • 9% Positiveness
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Roger Rees
Poem
82 bpm • F Maj • 01:32 • -26db
8% Popularity • 68% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 68% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Patrick Stanke
Meine Göttin
82 bpm • D Maj • 03:51 • -8.68db
3% Popularity • 54% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
3% Popularity • 54% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Jessica Molaskey
Stars and the Moon
83 bpm • D Maj • 04:31 • -16.93db
26% Popularity • 52% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 52% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Jeremy Jordan
Nobody Needs to Know
83 bpm • G# Maj • 07:07 • -11.79db
34% Popularity • 23% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 23% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
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Keith Carradine
If I Had This Truck
83 bpm • G# Maj • 04:17 • -10.82db
15% Popularity • 43% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 43% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Jason Robert Brown
It All Fades Away
71 bpm • D Maj • 04:04 • -8.12db
2% Popularity • 27% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
2% Popularity • 27% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Brent Carver
Leo's Statement: It's hard to speak my h...
83 bpm • A Maj • 02:44 • -15.81db
23% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
23% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
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Rosalie Craig
Being Alive
83 bpm • A# Maj • 05:01 • -12.55db
31% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Natalie Cortez
What I Did for Love
83 bpm • G# Maj • 03:36 • -10.81db
42% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
42% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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David Archuleta
Love Me, Love Me Not
83 bpm • F Maj • 03:07 • -7.5db
24% Popularity • 27% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 27% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Louise Dearman
Lost in Translations
83 bpm • D# Maj • 04:56 • -7.08db
13% Popularity • 34% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 34% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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William Finn
Sailing
83 bpm • C# Maj • 03:06 • -12.02db
19% Popularity • 19% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 19% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Andrea Burns
I'm Not Afraid of Anything
84 bpm • A Maj • 04:37 • -12.52db
28% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Jake Gyllenhaal
Opening
84 bpm • D# Maj • 01:22 • -17.65db
19% Popularity • 54% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 54% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Rebecca Faulkenberry
Playing Nancy
71 bpm • D Maj • 03:11 • -8db
33% Popularity • 52% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 52% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Mindi Dickstein
Some Things Are Meant to Be
84 bpm • G Maj • 04:25 • -10.6db
36% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Adam Guettel
ACT II the Carnival, Through the Mountai...
71 bpm • F min • 03:52 • -17.1db
7% Popularity • 37% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 37% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Hunter Parrish
Save the People
84 bpm • G Maj • 03:36 • -8.65db
32% Popularity • 30% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 30% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Ty Taylor
King of the World
84 bpm • C Maj • 04:16 • -11.37db
20% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Jason Robert Brown
The Old Red Hills of Home (Live)
84 bpm • D# Maj • 03:26 • -11.03db
5% Popularity • 56% Danceability • 30% Energy • 62% Liveness
0% Instrumentalness • 32% Positiveness
5% Popularity • 56% Danceability • 30% Energy • 62% Liveness
0% Instrumentalness • 32% Positiveness
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Cast of Ghost - The Musical
Nothing Stops Another Day
84 bpm • D# Maj • 04:01 • -7.79db
27% Popularity • 21% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 21% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Steve Kazee
Leave
84 bpm • C# min • 03:06 • -10.97db
32% Popularity • 31% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 31% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Jordan Tyson
We Have To Try
70 bpm • B min • 01:35 • -14.31db
31% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Anna Kendrick
Still Hurting
70 bpm • C Maj • 05:35 • -10.49db
44% Popularity • 23% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 23% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Songs for a New World Ensemble
Hear My Song
84 bpm • G Maj • 05:41 • -11.72db
17% Popularity • 22% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 22% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Jason Robert Brown
High Fashion & Low Prices
70 bpm • D Maj • 04:05 • -7.92db
0% Popularity • 57% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 57% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Charlotte Heinke
Schau, ich lächle
84 bpm • B min • 05:02 • -13db
4% Popularity • 60% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
4% Popularity • 60% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Sherie Rene Scott
Every Story Is A Love Story
84 bpm • G# Maj • 03:19 • -11.17db
34% Popularity • 43% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 43% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Jordan Tyson
Sadness and Joy
85 bpm • A Maj • 02:24 • -12.5db
35% Popularity • 37% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 37% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
