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Alleluia
Songs like
Alleluia
by
The University Of Utah Singers
Based on a tempo of (+/- 10%) and a similar genre
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Giuseppe Ottavio Pitoni
Cantate Domino
140 bpm • A# Maj • 01:11 • -20.07db
25% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
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The University Of Utah Singers
Alleluia
140 bpm • D# Maj • 03:45 • -14.47db
11% Popularity • 16% Danceability • 32% Energy • 18% Liveness
58% Instrumentalness • 5% Positiveness
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Dale Warland Singers
Oh Shenandoah
140 bpm • F Maj • 03:03 • -31.09db
22% Popularity • 16% Danceability • 4% Energy • 9% Liveness
49% Instrumentalness • 9% Positiveness
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The Concordia Choir
Witness
140 bpm • D Maj • 02:53 • -20.99db
24% Popularity • 33% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Moses Hogan
Soon Ah WIll Be Done
140 bpm • F# Maj • 03:38 • -26db
9% Popularity • 31% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Kammerkoor Head Ööd Vend
Õhtul
141 bpm • D# Maj • 03:41 • -27db
33% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Phoenix
139 bpm • A Maj • 04:25 • -30db
16% Popularity • 15% Danceability • 3% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
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The University Of Utah Singers
My Spirit Sang All Day
139 bpm • G Maj • 01:30 • -17.25db
11% Popularity • 28% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Tucson Chamber Artists & Eric Holtan
Erev Shel Shoshanim
141 bpm • C min • 03:31 • -21db
12% Popularity • 18% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Algirdas Martiniatis
Alleluia
139 bpm • C Maj • 04:19 • -27db
11% Popularity • 17% Danceability • 13% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
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Mike Dixon
3 Love Songs: No. 1. To Love and be Belo...
139 bpm • A# Maj • 02:57 • -23.04db
11% Popularity • 21% Danceability • 10% Energy • 26% Liveness
15% Instrumentalness • 9% Positiveness
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Zero8
Sonnet 18: Shall I Compare Thee to a Sum...
139 bpm • E Maj • 04:00 • -14.98db
12% Popularity • 15% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Ave Generosa
139 bpm • G min • 04:32 • -19.72db
30% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
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The University Of Utah Singers
My Soul's Been Anchored In The Lord
141 bpm • E Maj • 03:34 • -27db
20% Popularity • 33% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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GIA Singers
Shepherd Me, O God (Psalm 23)
138 bpm • F min • 04:56 • -23.15db
36% Popularity • 22% Danceability • 8% Energy • 14% Liveness
4% Instrumentalness • 14% Positiveness
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Salt Lake Vocal Artists
Lamentations of Jeremiah
138 bpm • D min • 04:04 • -16.05db
12% Popularity • 25% Danceability • 23% Energy • 7% Liveness
3% Instrumentalness • 12% Positiveness
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Michael John Trotta
Alleluia
138 bpm • G Maj • 02:23 • -19.39db
15% Popularity • 19% Danceability • 13% Energy • 12% Liveness
66% Instrumentalness • 5% Positiveness
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Marie-Claire Saindon
Terre-Neuve
138 bpm • D Maj • 02:15 • -22.73db
9% Popularity • 23% Danceability • 8% Energy • 27% Liveness
11% Instrumentalness • 5% Positiveness
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Kirby Shaw
Plenty Good Room
142 bpm • D Maj • 03:18 • -25.63db
8% Popularity • 50% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Kinley Lange
Esto les digo
138 bpm • C Maj • 03:16 • -29.69db
20% Popularity • 20% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Kurt Bestor, arr. Andrea Klouse
Prayer of the Children - Live
137 bpm • G Maj • 06:36 • -28.88db
8% Popularity • 15% Danceability • 5% Energy • 68% Liveness
3% Instrumentalness • 4% Positiveness
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Sarah Quartel
Sing, my Child - SATB
138 bpm • F Maj • 04:24 • -20.99db
13% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
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The Singers - Minnesota Choral Artists
O Nata Lux
143 bpm • D Maj • 05:11 • -26.75db
8% Popularity • 14% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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David Dickau
If Music Be the Food of Love
137 bpm • G# Maj • 04:58 • -26.2db
8% Popularity • 21% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Moses Hogan
Ride the Chariot
143 bpm • G Maj • 02:25 • -22.19db
9% Popularity • 35% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Jefferey L. Ames
Let Everything that Hath Breath
143 bpm • C# Maj • 04:14 • -14.11db
16% Popularity • 56% Danceability • 64% Energy • 74% Liveness
0% Instrumentalness • 51% Positiveness
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Randall Thompson
Alleluia
137 bpm • D Maj • 06:20 • -29.8db
8% Popularity • 16% Danceability • 4% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Philip Stopford
For the Beauty of the Earth (Version for...
143 bpm • G# Maj • 03:21 • -25.26db
14% Popularity • 19% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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Zero8
Sure on This Shining Night
137 bpm • B Maj • 06:10 • -19.02db
12% Popularity • 15% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Elaine Hagenberg
O Love
137 bpm • G Maj • 05:27 • -19db
29% Popularity • 16% Danceability • 9% Energy • 12% Liveness
67% Instrumentalness • 4% Positiveness
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Ä’riks EÅ¡envalds
Northern Lights
136 bpm • D min • 06:19 • -21.7db
13% Popularity • 18% Danceability • 8% Energy • 13% Liveness
13% Instrumentalness • 4% Positiveness
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Cantus
M L K
136 bpm • G Maj • 03:01 • -25.79db
11% Popularity • 15% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
136 bpm • E Maj • 00:39 • -29.15db
14% Popularity • 19% Danceability • 3% Energy • 10% Liveness
55% Instrumentalness • 14% Positiveness
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Wells Cathedral Choir
Stanford: Psalm 150
144 bpm • G# Maj • 02:08 • -26.9db
11% Popularity • 17% Danceability • 12% Energy • 21% Liveness
68% Instrumentalness • 7% Positiveness
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Rob Gardner, London Symphony Orchestra, Spire Chorus
Hosanna (Thy Savior Hath Come)
136 bpm • D# Maj • 04:25 • -15db
33% Popularity • 30% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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The Singers - Minnesota Choral Artists
Three Whitman Settings: 3. The Last Invo...
136 bpm • G min • 03:04 • -26.5db
9% Popularity • 16% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Jacobus Gallus
Domine ad adjuvandum
136 bpm • D# Maj • 02:24 • -19db
29% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
O Sacred Head, Surrounded
136 bpm • C Maj • 02:19 • -11db
29% Popularity • 22% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Millikin University Choir
Lord Make Us Instruments of Your Peace
136 bpm • F Maj • 03:52 • -32db
19% Popularity • 19% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Emma Lou Diemer
3 Madrigals: No. 1. O Mistress Mine, Whe...
135 bpm • G min • 01:00 • -23.4db
17% Popularity • 44% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Stephen Paulus
The Day Is Done (2006)
135 bpm • D Maj • 05:20 • -27.97db
32% Popularity • 16% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Prayer
136 bpm • A Maj • 04:48 • -22.35db
14% Popularity • 16% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: VI. Alleluia (Song of the ...
145 bpm • C Maj • 05:26 • -13.03db
10% Popularity • 13% Danceability • 30% Energy • 50% Liveness
93% Instrumentalness • 5% Positiveness
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Elaine Hagenberg
Measure Me, Sky!
135 bpm • A# Maj • 04:16 • -16db
23% Popularity • 20% Danceability • 20% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Dan Schutte
I, the Lord of sea and sky
135 bpm • G Maj • 04:43 • -21.85db
11% Popularity • 16% Danceability • 14% Energy • 12% Liveness
75% Instrumentalness • 7% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Prologue: N...
135 bpm • A Maj • 04:05 • -25.76db
17% Popularity • 24% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
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Salt Lake Vocal Artists
O Filii Et Filiae
134 bpm • G# Maj • 03:46 • -18.09db
10% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: II. Soneto De La Noche
135 bpm • F# Maj • 05:45 • -24.3db
11% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Cecilia McDowall
Three Latin Motets: II. Ave, Maria
134 bpm • B Maj • 02:58 • -29db
9% Popularity • 20% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
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The University Of Utah Singers
Daemon Irrepit Callidus
146 bpm • G min • 01:28 • -13.92db
26% Popularity • 39% Danceability • 24% Energy • 72% Liveness
0% Instrumentalness • 58% Positiveness
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Sjaella
Christ fuhr gen Himmel
134 bpm • E min • 02:17 • -24.65db
32% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Z. Randall Stroope
Amor de mi Alma
134 bpm • C# Maj • 06:16 • -25db
18% Popularity • 18% Danceability • 5% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: I. Jubilate Deo...
146 bpm • D Maj • 08:38 • -14.38db
14% Popularity • 28% Danceability • 31% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: IV. La Rose Comp...
135 bpm • C# Maj • 03:59 • -28.65db
11% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
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Millikin University Choir
Wade In De Water
134 bpm • D min • 02:49 • -18.58db
22% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Laura Hawley
In Song: III. In Song
134 bpm • F Maj • 01:56 • -17.81db
8% Popularity • 18% Danceability • 12% Energy • 15% Liveness
86% Instrumentalness • 5% Positiveness
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Atlanta Master Chorale
Fare Thee Well, Love
133 bpm • F# Maj • 04:47 • -26.28db
11% Popularity • 16% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Evening Prayer
133 bpm • A Maj • 05:54 • -28.41db
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Sydney Guillaume
Gagòt (Live)
133 bpm • C# Maj • 05:20 • -23.58db
8% Popularity • 23% Danceability • 12% Energy • 73% Liveness
0% Instrumentalness • 9% Positiveness
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The Singers - Minnesota Choral Artists
Mid-Winter Songs: II. Like Snow
146 bpm • F# Maj • 01:29 • -23db
8% Popularity • 31% Danceability • 9% Energy • 9% Liveness
56% Instrumentalness • 48% Positiveness
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Traditional
Shenandoah
133 bpm • E Maj • 03:36 • -39db
25% Popularity • 16% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
44% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
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Ola Gjeilo
The Spheres
133 bpm • C# min • 04:51 • -35db
28% Popularity • 16% Danceability • 2% Energy • 6% Liveness
53% Instrumentalness • 3% Positiveness
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Jason Max Ferdinand Singers
A Prayer
133 bpm • G Maj • 05:15 • -22.88db
20% Popularity • 17% Danceability • 14% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
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Jean Berger
The Eyes of All Wait Upon Thee
132 bpm • E min • 02:36 • -22db
25% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Eric William Barnum
Afternoon on a Hill
132 bpm • D Maj • 04:41 • -16db
18% Popularity • 29% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: VII. ...Omnis Terra!
148 bpm • D Maj • 06:58 • -12.53db
12% Popularity • 30% Danceability • 59% Energy • 67% Liveness
7% Instrumentalness • 24% Positiveness
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The University Of Utah Singers
Witness
148 bpm • F# min • 02:33 • -15.1db
5% Popularity • 52% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Ivo Antognini
I am the rose of Sharon
132 bpm • A min • 05:28 • -29.68db
9% Popularity • 16% Danceability • 6% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
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Jason Max Ferdinand Singers
He's Got the Whole World in His Hands
132 bpm • G# Maj • 04:54 • -18.56db
10% Popularity • 23% Danceability • 23% Energy • 24% Liveness
7% Instrumentalness • 15% Positiveness
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Stacey V. Gibbs
Hold On!
131 bpm • F# min • 03:37 • -13.51db
11% Popularity • 20% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Dominican House of Studies
The Right Hand of the Lord
132 bpm • D# min • 01:00 • -19.51db
36% Popularity • 18% Danceability • 28% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Michael John Trotta
Trotta: Ubi Caritas
131 bpm • D Maj • 02:25 • -21db
16% Popularity • 39% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 19% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: I. En Une Seule ...
131 bpm • C# Maj • 02:36 • -27db
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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The University Of Utah Singers
A Jubilant Song
131 bpm • F# min • 06:43 • -15.31db
5% Popularity • 39% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
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Erich Kunzel
Morning Hymn
131 bpm • B min • 00:56 • -37.4db
25% Popularity • 16% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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Stacey V. Gibbs
Somebody Talkin' 'Bout Jesus
131 bpm • G min • 02:53 • -13.43db
9% Popularity • 25% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Elaine Hagenberg
The Music of Stillness - SATB
130 bpm • F# Maj • 05:37 • -24db
23% Popularity • 16% Danceability • 4% Energy • 19% Liveness
7% Instrumentalness • 4% Positiveness
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Phoenix Chamber Choir
Ballade to the Moon
130 bpm • E Maj • 05:25 • -30.67db
17% Popularity • 22% Danceability • 2% Energy • 5% Liveness
15% Instrumentalness • 6% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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The University Of Utah Singers
All That Hath Life And Breath Praise Ye ...
131 bpm • G min • 02:47 • -18.42db
8% Popularity • 29% Danceability • 24% Energy • 34% Liveness
19% Instrumentalness • 13% Positiveness
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Rowland H. Prichard
Hyfrydol "Alleluia! Sing to Jesus"
130 bpm • F Maj • 04:11 • -20db
17% Popularity • 19% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
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Kim André Arnesen
Infinity
129 bpm • F Maj • 07:41 • -27db
11% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Philip Stopford
There Is No Rose
130 bpm • A# Maj • 03:27 • -27db
13% Popularity • 22% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
22% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Atlanta Master Chorale
When Memory Fades
129 bpm • G Maj • 05:02 • -32.01db
12% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Sydney Guillaume
Twa Tanbou
129 bpm • A min • 03:50 • -19.49db
10% Popularity • 41% Danceability • 35% Energy • 72% Liveness
0% Instrumentalness • 41% Positiveness
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Voce
Nocturnes: Sure On This Shining Night
128 bpm • C# Maj • 04:40 • -27.46db
9% Popularity • 17% Danceability • 1% Energy • 18% Liveness
68% Instrumentalness • 5% Positiveness
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The Songs of Taize Session Singers
Within Our Darkest Night
128 bpm • E min • 02:51 • -21.08db
27% Popularity • 19% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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The Chancel Choir
Alleluia! Sing to Jesus (arr. Sterling P...
128 bpm • F Maj • 04:49 • -15.79db
13% Popularity • 20% Danceability • 30% Energy • 18% Liveness
30% Instrumentalness • 28% Positiveness
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The Wartburg Choir
Give Me Jesus
127 bpm • E Maj • 04:55 • -26.07db
10% Popularity • 17% Danceability • 3% Energy • 16% Liveness
95% Instrumentalness • 3% Positiveness
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Atlanta Master Chorale
Hark, I Hear the Harps Eternal
128 bpm • C Maj • 02:13 • -21db
22% Popularity • 27% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Sydney Guillaume
Tchaka (Live)
127 bpm • A min • 04:52 • -16db
5% Popularity • 31% Danceability • 39% Energy • 86% Liveness
0% Instrumentalness • 27% Positiveness
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Alexander Ewing
Jerusalem the golden
127 bpm • C Maj • 02:53 • -23.78db
12% Popularity • 22% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
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Zero8
It Is Well with My Soul
127 bpm • F# Maj • 03:25 • -18.62db
11% Popularity • 17% Danceability • 10% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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The University Of Utah Singers
J'entends Le Moulin
127 bpm • G min • 03:31 • -19db
20% Popularity • 46% Danceability • 26% Energy • 60% Liveness
0% Instrumentalness • 55% Positiveness
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The Aeolians of Oakwood University
My Lord What a Mourning
127 bpm • E Maj • 04:50 • -24.15db
12% Popularity • 18% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Kim André Arnesen
The Lamb
126 bpm • B min • 05:36 • -30db
19% Popularity • 17% Danceability • 4% Energy • 14% Liveness
87% Instrumentalness • 3% Positiveness
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Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
21% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Alleluia