Songs like Allison's Theme #1 by Alan Zachary
Based on a tempo of (+/- 10%) and a similar genre
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'Songs for a New World' 2018 Encores! Off-Center Company
'It's about one moment' (Transition)
142 bpm • B Maj • 01:33 • -6.96db
18% Popularity • 52% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 52% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
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Alan Zachary
Allison's Theme #1
142 bpm • G# Maj • 00:50 • -8.73db
16% Popularity • 52% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 52% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Brad Alexander & Adam Mathias
Dark Ride
142 bpm • C min • 02:54 • -13.14db
2% Popularity • 38% Danceability • 18% Energy • 35% Liveness
0% Instrumentalness • 8% Positiveness
2% Popularity • 38% Danceability • 18% Energy • 35% Liveness
0% Instrumentalness • 8% Positiveness
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Peter Bartlett
A Romantic Atmosphere
142 bpm • G Maj • 04:50 • -10.65db
19% Popularity • 51% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 51% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Alix Korey
The Rumor
142 bpm • C Maj • 02:18 • -8.1db
21% Popularity • 69% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 69% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Diana Original Broadway Cast
She Moves In The Most Modern Ways
141 bpm • D Maj • 03:37 • -8.5db
21% Popularity • 53% Danceability • 45% Energy • 63% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 53% Danceability • 45% Energy • 63% Liveness
0% Instrumentalness • 56% Positiveness
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Mindi Dickstein
Here Alone
143 bpm • C# Maj • 03:37 • -11.54db
26% Popularity • 21% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
26% Popularity • 21% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Alan Zachary
Allison's Theme #2
142 bpm • F Maj • 00:48 • -10.45db
16% Popularity • 51% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 51% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Terrence Mann
Everything's Golden
143 bpm • C# Maj • 03:22 • -7.48db
28% Popularity • 49% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 49% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Gavin Creel
Any Moment
144 bpm • F min • 02:07 • -17.41db
32% Popularity • 50% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 50% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Hunter Foster
Look at the Sky
144 bpm • F# Maj • 03:14 • -8.94db
29% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Idina Menzel
The Moment Explodes
144 bpm • C# min • 02:20 • -8.29db
17% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Mindi Dickstein
I'd Be Delighted
141 bpm • G# min • 01:56 • -8.49db
27% Popularity • 61% Danceability • 38% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 61% Danceability • 38% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
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Robert Joy
Come Look at the Freaks
144 bpm • B Maj • 06:47 • -9.16db
14% Popularity • 51% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 51% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
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J. Harrison Ghee
Zee Bap
144 bpm • C Maj • 02:52 • -5.71db
25% Popularity • 56% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 56% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Lisa Brescia
Let Things Go
144 bpm • B Maj • 03:09 • -12.75db
24% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Beth Leavel
Changing Lives (Reprise)
144 bpm • D Maj • 01:52 • -5.74db
30% Popularity • 61% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 61% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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The Original Broadway Cast Of 'Curtains'
A Tough Act To Follow
144 bpm • G# Maj • 06:39 • -15.74db
19% Popularity • 49% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 49% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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Julia Murney
Lucky
140 bpm • A# Maj • 02:33 • -11.07db
8% Popularity • 42% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 42% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Jeanine Tesori
Party Dress
144 bpm • G# Maj • 02:20 • -16.97db
22% Popularity • 60% Danceability • 16% Energy • 45% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 60% Danceability • 16% Energy • 45% Liveness
0% Instrumentalness • 29% Positiveness
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Santino Fontana
Opening Number
140 bpm • D Maj • 05:56 • -9.88db
18% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Matthew Hydzik
Stuck with You / Leave Me Alone
144 bpm • G Maj • 04:29 • -7.91db
9% Popularity • 60% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 60% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Mandy Moore
Next Stop Anywhere
140 bpm • G Maj • 03:29 • -4db
39% Popularity • 61% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
39% Popularity • 61% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Alex Wyse
Right Here
140 bpm • A Maj • 04:32 • -11.19db
9% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Diana Original Broadway Cast
Him And Her (And Him And Her) / Just Dan...
140 bpm • D Maj • 05:32 • -7.97db
19% Popularity • 42% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 42% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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Ariana DeBose
Out of Your Head - Reprise
139 bpm • D Maj • 01:05 • -7.11db
11% Popularity • 55% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 55% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Laura Benanti
Come Out of the Dumpster
145 bpm • D Maj • 03:03 • -8.08db
10% Popularity • 46% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 46% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Sasha Allen
White Boys
139 bpm • F Maj • 02:22 • -4.93db
21% Popularity • 56% Danceability • 87% Energy • 49% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 56% Danceability • 87% Energy • 49% Liveness
0% Instrumentalness • 76% Positiveness
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Emily Padgett
Typical Girls Next Door
139 bpm • C# Maj • 02:05 • -7.67db
10% Popularity • 61% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 61% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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Lauren Lopez
The Night Belongs to Us
139 bpm • A Maj • 03:02 • -6.9db
26% Popularity • 44% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 44% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Alan Zachary
The Girl for You
139 bpm • A min • 05:06 • -5.66db
22% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Kate Wetherhead
Rooftop Duet / Falling
145 bpm • D Maj • 07:23 • -12.13db
22% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Sara Bareilles
It Takes Two
139 bpm • A# Maj • 02:49 • -10.59db
39% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Company - Freaky Friday: A New Musical
Just One Day (Reprise)
139 bpm • C Maj • 02:44 • -5.45db
24% Popularity • 52% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 52% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Santino Fontana
Whaddya Do
138 bpm • C min • 02:33 • -9.12db
18% Popularity • 80% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 80% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Diana Original Broadway Cast
The Main Event
146 bpm • A# Maj • 04:26 • -6.53db
23% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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NaTasha Yvette Williams
I'm California Bound
138 bpm • B min • 04:32 • -6.85db
27% Popularity • 76% Danceability • 61% Energy • 75% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 76% Danceability • 61% Energy • 75% Liveness
0% Instrumentalness • 75% Positiveness
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Alan Zachary
The Things I Never Said
138 bpm • G# Maj • 03:23 • -8.21db
23% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Krystina Alabado
Sam Failed Her Driver’s Test
138 bpm • A# min • 02:06 • -7.57db
18% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Jared Gertner
Life Story (Reprise)
138 bpm • G Maj • 01:57 • -17.72db
17% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Original Cast of Amélie
The Girl with the Glass
147 bpm • E Maj • 04:14 • -13.02db
20% Popularity • 36% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 36% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Isaac Powell
Some Girls
147 bpm • D# Maj • 03:11 • -16db
27% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Darius Nichols
I'm Black / Ain't Got No
137 bpm • E min • 01:05 • -6.32db
23% Popularity • 76% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 76% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Alan Zachary
In Love With You
137 bpm • C Maj • 03:53 • -6db
29% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Carner & Gregor
T.M.I.
137 bpm • D Maj • 03:49 • -14.32db
13% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Roger Bart
Man About Town
137 bpm • F Maj • 01:48 • -8.75db
22% Popularity • 52% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 52% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Bubble Boy Original Company
One More Mile
137 bpm • F# min • 02:42 • -6.65db
8% Popularity • 71% Danceability • 72% Energy • 54% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 71% Danceability • 72% Energy • 54% Liveness
0% Instrumentalness • 80% Positiveness
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Cry-Baby Original Studio Cast
Thanks for the Nifty Country
137 bpm • A Maj • 01:48 • -5.42db
15% Popularity • 89% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 89% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
Nothing Is Too Wonderful to Be True
148 bpm • C Maj • 03:27 • -15db
17% Popularity • 33% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 33% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Alan Zachary
I'd Order Love
137 bpm • B Maj • 03:28 • -6.22db
22% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Carner & Gregor
Tie Me Up
137 bpm • E Maj • 04:56 • -10.48db
12% Popularity • 52% Danceability • 41% Energy • 52% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 52% Danceability • 41% Energy • 52% Liveness
0% Instrumentalness • 38% Positiveness
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Michael McGrath
Perspective
148 bpm • D Maj • 02:44 • -9.42db
22% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Peter Friedman
Success
136 bpm • A# Maj • 05:25 • -11.56db
20% Popularity • 52% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 52% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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James Monroe Iglehart
Somebody's Got Your Back
148 bpm • C Maj • 03:24 • -7.21db
31% Popularity • 59% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 59% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Alan Zachary
The One
148 bpm • D Maj • 02:39 • -3.01db
27% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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John Behlmann
This Thing
149 bpm • C Maj • 03:15 • -7.26db
14% Popularity • 43% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 43% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Charlotte D'Amboise
Spread a Little Sunshine
148 bpm • C min • 03:03 • -9.43db
33% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
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Jennifer Damiano
Hey #3 / Perfect for You - Reprise
136 bpm • E min • 02:23 • -13.98db
30% Popularity • 45% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 45% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Mindi Dickstein
Our Finest Dreams
149 bpm • C# Maj • 03:38 • -8.01db
27% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Brian D'Arcy James
To Thine Own Self - Reprise
135 bpm • E min • 01:50 • -13.56db
33% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Jeanine Tesori
Raincoat of Love
135 bpm • B min • 02:01 • -8.89db
29% Popularity • 57% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 57% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
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Mandy Moore
Next Stop Anywhere (Reprise)
135 bpm • G Maj • 01:33 • -6.39db
31% Popularity • 48% Danceability • 36% Energy • 41% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 48% Danceability • 36% Energy • 41% Liveness
0% Instrumentalness • 34% Positiveness
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Hunter Foster
Follow Your Heart
149 bpm • D# Maj • 04:47 • -17.16db
31% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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The Wild Party Ensemble
By Now the Room Was Moving
149 bpm • F min • 01:17 • -7db
18% Popularity • 57% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 57% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Michael Potts
We Look to You
135 bpm • C Maj • 02:45 • -11.3db
27% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Original Cast of Amélie
World's Best Dad
150 bpm • D Maj • 02:19 • -7.05db
20% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Santino Fontana
Unstoppable
149 bpm • G Maj • 04:00 • -9.15db
18% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Zachary Levi
Buddy Song
150 bpm • F min • 02:31 • -2.88db
33% Popularity • 59% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 59% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Mandy Moore
I've Got a Dream
134 bpm • E Maj • 03:11 • -6.12db
57% Popularity • 60% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 60% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Alan Zachary
First Impressions
150 bpm • C Maj • 03:35 • -5.62db
32% Popularity • 74% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 74% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Kevin Chamberlin
Horton Sits On The Egg / Act I Finale - ...
135 bpm • F Maj • 02:21 • -10.48db
31% Popularity • 52% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 52% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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Julia Murney
I'm Not Through
150 bpm • G Maj • 02:39 • -7.65db
15% Popularity • 56% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 56% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Louis Hobson
You Can Do Better Than Him
134 bpm • A Maj • 03:11 • -12.44db
32% Popularity • 41% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 41% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Zachary Levi
Three Letters
134 bpm • A min • 02:56 • -11db
24% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Mary Faber
Cinderella, Darling
134 bpm • B Maj • 03:48 • -9.68db
15% Popularity • 52% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 52% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Hunter Foster
The Space Between
134 bpm • G Maj • 02:27 • -9.99db
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Rebecca Naomi Jones
Out Of My Dreams
134 bpm • C Maj • 03:23 • -11.39db
17% Popularity • 39% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 39% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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‘Into The Woods’ 2022 Broadway Cast
First Midnight
133 bpm • A# min • 01:11 • -7.32db
35% Popularity • 66% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 66% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Richard H. Blake
These Streets
133 bpm • C# Maj • 03:58 • -7.09db
16% Popularity • 60% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 60% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Sherie Rene Scott
Island
152 bpm • A# min • 03:59 • -11.6db
14% Popularity • 63% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 63% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Bryce Ryness
What You Do to Me
133 bpm • G# Maj • 02:36 • -5.34db
15% Popularity • 69% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 69% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Hunter Foster
I'm Trying
152 bpm • F# Maj • 04:47 • -13.77db
21% Popularity • 62% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 62% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Megan McGinnis
Who Is This Man?
132 bpm • D Maj • 01:58 • -9db
20% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Rob McClure
She's Happy
152 bpm • D min • 01:16 • -12.16db
24% Popularity • 71% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 71% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
All About Ruprecht
132 bpm • G Maj • 03:51 • -15.53db
15% Popularity • 66% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 66% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Sherie Rene Scott
Island - Reprise
152 bpm • A# min • 02:35 • -11.4db
11% Popularity • 46% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 46% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Christopher Sieber
The Acceptance Song
152 bpm • A# Maj • 03:14 • -5.35db
30% Popularity • 54% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 54% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Lisa Brescia
Gotta Get Out
153 bpm • C Maj • 03:27 • -10.71db
27% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Kyle Mcarthur
I'll Save The Girl
132 bpm • G Maj • 04:22 • -6.55db
14% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Maria Thayer
Stop Your Heart
132 bpm • C Maj • 01:40 • -14.85db
8% Popularity • 63% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 63% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Josh Grisetti
Whatever
132 bpm • D Maj • 02:27 • -13.38db
8% Popularity • 36% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 36% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Heidi Blickenstaff
What Kind of Girl Is She?
131 bpm • B Maj • 01:50 • -15.16db
20% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Alan Zachary
The Check!
154 bpm • E Maj • 00:40 • -5.43db
14% Popularity • 72% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 72% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Julia Lester
I Know Things Now
131 bpm • C Maj • 01:55 • -10.42db
34% Popularity • 75% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 75% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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'Hair' Tribe
Curtain Call: Hair - Reprise
131 bpm • C min • 01:35 • -6.17db
18% Popularity • 45% Danceability • 89% Energy • 71% Liveness
1% Instrumentalness • 60% Positiveness
18% Popularity • 45% Danceability • 89% Energy • 71% Liveness
1% Instrumentalness • 60% Positiveness
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'The Drowsy Chaperone' Original Broadway Cast
Fancy Dress
131 bpm • C# Maj • 04:55 • -8db
28% Popularity • 68% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 68% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 81% Positiveness
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Zachary Levi
Good Morning, Good Day
131 bpm • B Maj • 03:07 • -8.93db
28% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
