Songs like Allt jag behöver by Lisa Nilsson
Based on a tempo of (+/- 10%) and a similar genre
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Lisa Nilsson
Ensam med dig
144 bpm • C Maj • 04:18 • -11.12db
17% Popularity • 54% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 54% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Ted Gärdestad
Come Give Me Love
144 bpm • F Maj • 03:29 • -6.75db
50% Popularity • 38% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 38% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Per Gessle
Om du kommer ihåg
144 bpm • F# Maj • 02:59 • -10.27db
17% Popularity • 56% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 56% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Anna-Lotta Larsson
Tidvatten
144 bpm • A Maj • 03:49 • -16.72db
7% Popularity • 71% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
7% Popularity • 71% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Marie Fredriksson
Mot okända hav
145 bpm • G# Maj • 03:53 • -10.71db
30% Popularity • 36% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 36% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Oskar Linnros
Från och med Du
143 bpm • A# Maj • 03:13 • -6.7db
59% Popularity • 60% Danceability • 80% Energy • 9% Liveness
3% Instrumentalness • 39% Positiveness
59% Popularity • 60% Danceability • 80% Energy • 9% Liveness
3% Instrumentalness • 39% Positiveness
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Lisa Nilsson
Allt jag behöver
144 bpm • A# Maj • 04:39 • -9.33db
32% Popularity • 64% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 64% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Glenmark Eriksson Strömstedt
Händerna På Täcket
145 bpm • G Maj • 04:25 • -4.53db
21% Popularity • 65% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 65% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Per Gessle
Min hälsning
143 bpm • E Maj • 03:22 • -8.85db
16% Popularity • 58% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 58% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Jonas Blomqvist
Us
145 bpm • G Maj • 02:47 • -5.15db
0% Popularity • 72% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 72% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Björn Afzelius
PÃ¥ egna vingar
145 bpm • G Maj • 05:37 • -11.4db
25% Popularity • 50% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 50% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Roger Pontare
Stjärnorna
145 bpm • G Maj • 03:14 • -6.01db
27% Popularity • 41% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 41% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Lisa Nilsson
Var är du min vän
143 bpm • B Maj • 03:14 • -10.87db
37% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Marie Lindberg
Trying to Recall
143 bpm • A Maj • 03:03 • -9.15db
35% Popularity • 57% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 57% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Orup
Som isarna - När det blir vår
142 bpm • B Maj • 05:05 • -7db
35% Popularity • 67% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 67% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Jonas Blomqvist
Oss
145 bpm • C Maj • 02:47 • -5db
0% Popularity • 70% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 70% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Laleh
Ängeln i rummet
142 bpm • F# Maj • 04:13 • -6db
38% Popularity • 54% Danceability • 79% Energy • 14% Liveness
3% Instrumentalness • 37% Positiveness
38% Popularity • 54% Danceability • 79% Energy • 14% Liveness
3% Instrumentalness • 37% Positiveness
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Glenmark Eriksson Strömstedt
SÃ¥ngerna Om Sommaren
142 bpm • F Maj • 04:09 • -4.67db
24% Popularity • 54% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 54% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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Lisa Nilsson
Försiktigt
146 bpm • F# min • 06:10 • -16.7db
18% Popularity • 42% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 42% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Ainbusk
Tolfte sommaren
146 bpm • C Maj • 03:39 • -11.79db
13% Popularity • 47% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 47% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Orup
Jag kommer över dig
142 bpm • G Maj • 05:31 • -10.54db
15% Popularity • 58% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 58% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Eric Gadd
The Right Way
142 bpm • G# Maj • 03:50 • -7db
26% Popularity • 74% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 74% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Robert Broberg
Pappa se min hand
142 bpm • C Maj • 02:52 • -13db
20% Popularity • 56% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 56% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Glenmark Eriksson Strömstedt
Hon är min
142 bpm • C Maj • 04:26 • -8.07db
33% Popularity • 62% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 62% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Miss Li
1:a gången
147 bpm • C Maj • 03:28 • -4.84db
48% Popularity • 48% Danceability • 83% Energy • 6% Liveness
10% Instrumentalness • 51% Positiveness
48% Popularity • 48% Danceability • 83% Energy • 6% Liveness
10% Instrumentalness • 51% Positiveness
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X-Models
Två av oss
141 bpm • F# min • 04:50 • -8.41db
37% Popularity • 48% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 48% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Lisa Nilsson
Var är du nu
141 bpm • A# min • 04:54 • -13.47db
8% Popularity • 73% Danceability • 47% Energy • 11% Liveness
3% Instrumentalness • 48% Positiveness
8% Popularity • 73% Danceability • 47% Energy • 11% Liveness
3% Instrumentalness • 48% Positiveness
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Laleh
På gatan där jag bor
148 bpm • C Maj • 02:52 • -11.05db
30% Popularity • 25% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
30% Popularity • 25% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Robert Broberg
Båtlåt
142 bpm • F# Maj • 02:30 • -11db
28% Popularity • 59% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 59% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Darin
En säng av rosor
140 bpm • F# min • 03:42 • -7.89db
54% Popularity • 40% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 40% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Lotta Engberg
Aldrig ska jag sluta älska dig
148 bpm • C Maj • 03:06 • -3.88db
26% Popularity • 43% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 43% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Ainbusk
Kom så far vi härifrån
140 bpm • F Maj • 04:03 • -7db
31% Popularity • 49% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 49% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Anders Glenmark
Sommarklänning
140 bpm • G Maj • 03:52 • -6.33db
16% Popularity • 72% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 72% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Lisa Nilsson
Aldrig, aldrig, aldrig
140 bpm • C# Maj • 04:56 • -11.37db
23% Popularity • 71% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 71% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Robert Broberg
När Verkligheten Blir Sagolik
147 bpm • A Maj • 02:55 • -19db
29% Popularity • 43% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 43% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Linn Maria
Himlen Måste Sakna En Ängel
140 bpm • C# Maj • 04:20 • -11db
16% Popularity • 51% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 51% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Sara Varga
Mitt hjärta tillhör dig
139 bpm • A Maj • 03:25 • -12.2db
23% Popularity • 45% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 45% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Gertrud Stenung
Mitt enda liv
139 bpm • A# Maj • 02:51 • -3.76db
21% Popularity • 52% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 52% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Titiyo
Man in the Moon
149 bpm • E Maj • 04:03 • -10db
21% Popularity • 82% Danceability • 47% Energy • 4% Liveness
1% Instrumentalness • 67% Positiveness
21% Popularity • 82% Danceability • 47% Energy • 4% Liveness
1% Instrumentalness • 67% Positiveness
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Lisa Nilsson
När kärleken tar slut
140 bpm • F Maj • 04:14 • -11.07db
31% Popularity • 59% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 59% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Orup
Då står pojkarna på rad
139 bpm • C min • 04:22 • -4db
45% Popularity • 67% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
45% Popularity • 67% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Jan Eggum
Mor, jeg vil tilbake
150 bpm • A Maj • 03:48 • -12.08db
30% Popularity • 53% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 53% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Freda'
Stanna hos dig
139 bpm • D Maj • 03:38 • -8.84db
16% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Darin
Astrologen
150 bpm • F# Maj • 03:11 • -5.47db
47% Popularity • 45% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 45% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Titiyo
Talking to the Man in the Moon
149 bpm • E Maj • 04:39 • -9.52db
19% Popularity • 76% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 76% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Bo Sundström
Har någon sagt att du är underbar
150 bpm • F Maj • 04:23 • -7.45db
23% Popularity • 58% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 58% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Lisa Nilsson
Om du var jag
138 bpm • F# min • 04:08 • -8.96db
9% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Ainbusk
Min Gud
138 bpm • D Maj • 03:45 • -9.02db
29% Popularity • 53% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 53% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Eric Gadd
Vi kommer aldrig att förlora
138 bpm • B Maj • 03:03 • -3.91db
30% Popularity • 66% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 66% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Caroline af Ugglas
Snälla, snälla
150 bpm • G# Maj • 02:58 • -10.04db
36% Popularity • 51% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 51% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Jan Johansen
Sista andetaget
150 bpm • G# Maj • 03:04 • -5db
37% Popularity • 45% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 45% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Uno Svenningsson
Under ytan
150 bpm • C min • 03:22 • -9db
43% Popularity • 47% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 47% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Lisa Nilsson
Tror på dig
138 bpm • B Maj • 04:24 • -9.7db
21% Popularity • 52% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 52% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Ratata
Jackie
137 bpm • A# Maj • 03:37 • -6.84db
36% Popularity • 55% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 55% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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Magnus Carlsson
Stilla ro och nära
137 bpm • G Maj • 03:15 • -14db
27% Popularity • 38% Danceability • 25% Energy • 26% Liveness
3% Instrumentalness • 35% Positiveness
27% Popularity • 38% Danceability • 25% Energy • 26% Liveness
3% Instrumentalness • 35% Positiveness
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Ted Gärdestad
Sol, vind och vatten
152 bpm • G# Maj • 03:09 • -6.76db
53% Popularity • 44% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
53% Popularity • 44% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Cecilia Vennersten
Stogens RÃ¥
152 bpm • E Maj • 05:06 • -10db
31% Popularity • 56% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 56% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Orup
Min mor sa till mej
136 bpm • C Maj • 04:02 • -4.54db
32% Popularity • 69% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 69% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Zemya Hamilton
Om vi aldrig skulle ses igen
136 bpm • G Maj • 04:14 • -8.89db
11% Popularity • 40% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 40% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Caroline af Ugglas
Så gö￶r jag det igen
136 bpm • D Maj • 03:18 • -9db
22% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Marie Fredriksson
Den bästa dagen
152 bpm • D min • 05:12 • -4.59db
22% Popularity • 43% Danceability • 56% Energy • 57% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 43% Danceability • 56% Energy • 57% Liveness
0% Instrumentalness • 18% Positiveness
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Eriksson Glenmark
Upp över mina öron
136 bpm • C Maj • 02:57 • -5.51db
29% Popularity • 73% Danceability • 91% Energy • 69% Liveness
0% Instrumentalness • 98% Positiveness
29% Popularity • 73% Danceability • 91% Energy • 69% Liveness
0% Instrumentalness • 98% Positiveness
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Martin Stenmarck
Explosionen
136 bpm • D Maj • 03:35 • -5.19db
16% Popularity • 46% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 46% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Orup
Indiedrottning
136 bpm • A# Maj • 03:53 • -5.54db
30% Popularity • 62% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 62% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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September
Teddybjörnen Fredriksson
136 bpm • F Maj • 04:09 • -12db
55% Popularity • 46% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
55% Popularity • 46% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Linda Bengtzing
Himlen är du
136 bpm • G Maj • 04:29 • -6db
18% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Agnes
Right Here Right Now (My Heart Belongs t...
136 bpm • E min • 04:08 • -5db
35% Popularity • 49% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 49% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Maja Gullstrand
Här för mig själv
135 bpm • F# Maj • 03:02 • -7.46db
12% Popularity • 80% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 80% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Louise Hoffsten
1939
135 bpm • C Maj • 03:31 • -16db
26% Popularity • 33% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 33% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Mauro Scocco
Du är aldrig ensam
154 bpm • G# Maj • 06:02 • -10.18db
29% Popularity • 44% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 44% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Idde Schultz
Fiskarna i haven
154 bpm • D# Maj • 04:33 • -10.05db
38% Popularity • 56% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 75% Positiveness
38% Popularity • 56% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 75% Positiveness
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Moa Lignell
When I Held Ya
154 bpm • B Maj • 03:29 • -6db
47% Popularity • 42% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 42% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Lisa Nilsson
Himlen runt hörnet
154 bpm • C# Maj • 05:05 • -12.56db
45% Popularity • 75% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
45% Popularity • 75% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Totta Näslund
Ett minne bättre glömt
135 bpm • G Maj • 04:27 • -9db
25% Popularity • 59% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 59% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Anna Bergendahl
Have A Heart
134 bpm • A Maj • 04:14 • -8db
20% Popularity • 57% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 57% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Glenmark Eriksson Strömstedt
Ingenting minner om dej
134 bpm • E min • 04:18 • -4.97db
25% Popularity • 57% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 57% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Sanna Nielsen
Empty Room
134 bpm • F Maj • 03:03 • -3.72db
39% Popularity • 48% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 48% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Marie Fredriksson
Den sjunde vågen
134 bpm • G Maj • 06:26 • -6.16db
21% Popularity • 65% Danceability • 54% Energy • 66% Liveness
11% Instrumentalness • 45% Positiveness
21% Popularity • 65% Danceability • 54% Energy • 66% Liveness
11% Instrumentalness • 45% Positiveness
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Lisa Nilsson
Man måste vara människa
154 bpm • C# Maj • 04:19 • -10db
12% Popularity • 59% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 59% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Rikard Wolff
Det vackraste mötet
155 bpm • E Maj • 03:01 • -15db
16% Popularity • 53% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 53% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Adolphson & Falk
Ljuset på min väg (2006 Acoustic Versi...
134 bpm • A Maj • 04:06 • -13.14db
11% Popularity • 62% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 62% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Jan Johansen
Se på mig
134 bpm • E Maj • 03:07 • -12db
49% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Ratata
En herrelös hund
133 bpm • A Maj • 02:01 • -9.18db
28% Popularity • 48% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 48% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Sigvart Dagsland
Alt Eg SÃ¥g
156 bpm • G min • 04:23 • -14.09db
30% Popularity • 54% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 54% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Lisa Nilsson
Långsamt farväl
134 bpm • G# min • 04:25 • -6db
39% Popularity • 60% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 60% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Staffan Hellstrand
Ta mina händer
156 bpm • A Maj • 03:58 • -5.91db
24% Popularity • 47% Danceability • 81% Energy • 41% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 47% Danceability • 81% Energy • 41% Liveness
0% Instrumentalness • 76% Positiveness
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Pugh Rogefeldt
Små lätta moln
133 bpm • G Maj • 04:37 • -14.86db
35% Popularity • 41% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 33% Positiveness
35% Popularity • 41% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 33% Positiveness
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Glenmark Eriksson Strömstedt
En jävel på kärlek
156 bpm • A Maj • 03:36 • -5.58db
43% Popularity • 63% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
43% Popularity • 63% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Arvingarna
Eloise
133 bpm • G Maj • 03:08 • -3.5db
53% Popularity • 69% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
53% Popularity • 69% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Eldkvarn
Somliga går med trasiga skor
132 bpm • B min • 04:54 • -9.02db
32% Popularity • 50% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 50% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Lisa Nilsson
Himen runt hörnet - Live
156 bpm • C# Maj • 06:28 • -11.3db
10% Popularity • 42% Danceability • 45% Energy • 75% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 42% Danceability • 45% Energy • 75% Liveness
0% Instrumentalness • 36% Positiveness
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Jonas Gardell
Aldrig ska jag sluta älska dig
132 bpm • D Maj • 04:06 • -7.35db
35% Popularity • 40% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 40% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Sofia Källgren
Come What May
132 bpm • G Maj • 04:49 • -7.75db
17% Popularity • 32% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 32% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Sara Löfgren
För alltid
132 bpm • D Maj • 05:00 • -5.21db
27% Popularity • 51% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 51% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
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Jan Eggum
Kor E Alle Helter Hen
131 bpm • D# Maj • 03:03 • -19db
32% Popularity • 74% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 74% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Staffan Hellstrand
Hela vägen hem
131 bpm • C min • 03:03 • -10.91db
36% Popularity • 64% Danceability • 69% Energy • 4% Liveness
1% Instrumentalness • 45% Positiveness
36% Popularity • 64% Danceability • 69% Energy • 4% Liveness
1% Instrumentalness • 45% Positiveness
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Lisa Nilsson
Vem
132 bpm • A# Maj • 02:49 • -11.56db
27% Popularity • 59% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 59% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Totta Näslund
Utan dej
131 bpm • C Maj • 04:09 • -8db
27% Popularity • 72% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 72% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
