Songs like Alma Maria Mahler : Gustav Mahler : Fünf lieder : Bei dir ist es traut by Katarina Nikolic

169 bpm • D Maj • 02:02 • -29.3db

0% Popularity • 20% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 6% Positiveness

169 bpm • A Maj • 01:45 • -33db

7% Popularity • 19% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness

169 bpm • E Maj • 05:23 • -20.09db

8% Popularity • 33% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness

169 bpm • A Maj • 03:35 • -18.55db

12% Popularity • 23% Danceability • 16% Energy • 9% Liveness
28% Instrumentalness • 4% Positiveness

168 bpm • G min • 04:31 • -25.85db

8% Popularity • 21% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness

170 bpm • D min • 02:09 • -30.96db

11% Popularity • 16% Danceability • 3% Energy • 40% Liveness
0% Instrumentalness • 8% Positiveness

170 bpm • G# Maj • 02:38 • -17.49db

9% Popularity • 29% Danceability • 11% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness

170 bpm • D# Maj • 03:22 • -22.59db

25% Popularity • 18% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness

170 bpm • A# Maj • 04:26 • -22.1db

9% Popularity • 18% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness

171 bpm • D Maj • 03:28 • -13.8db

9% Popularity • 28% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness

167 bpm • G Maj • 05:26 • -18.76db

7% Popularity • 34% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness

167 bpm • C min • 09:18 • -22.78db

9% Popularity • 10% Danceability • 9% Energy • 6% Liveness
40% Instrumentalness • 5% Positiveness

171 bpm • B Maj • 01:00 • -23.91db

13% Popularity • 38% Danceability • 23% Energy • 92% Liveness
0% Instrumentalness • 44% Positiveness

171 bpm • G min • 00:59 • -18.38db

14% Popularity • 29% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness

171 bpm • G Maj • 03:05 • -20.12db

8% Popularity • 18% Danceability • 10% Energy • 28% Liveness
60% Instrumentalness • 13% Positiveness

171 bpm • C Maj • 04:39 • -30.31db

0% Popularity • 26% Danceability • 1% Energy • 5% Liveness
1% Instrumentalness • 4% Positiveness

171 bpm • D min • 01:45 • -17.6db

10% Popularity • 28% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness

166 bpm • G# Maj • 02:25 • -18.48db

11% Popularity • 44% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness

172 bpm • D Maj • 05:22 • -21.16db

8% Popularity • 27% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness

172 bpm • G min • 04:54 • -30.25db

8% Popularity • 14% Danceability • 2% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness

172 bpm • F# min • 02:49 • -20db

12% Popularity • 10% Danceability • 8% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness

172 bpm • G Maj • 07:37 • -20.89db

9% Popularity • 12% Danceability • 20% Energy • 12% Liveness
25% Instrumentalness • 4% Positiveness

173 bpm • D Maj • 01:28 • -22.76db

20% Popularity • 23% Danceability • 10% Energy • 21% Liveness
72% Instrumentalness • 28% Positiveness

166 bpm • A Maj • 04:40 • -17.35db

10% Popularity • 35% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness

174 bpm • C Maj • 05:12 • -27.33db

9% Popularity • 30% Danceability • 3% Energy • 66% Liveness
0% Instrumentalness • 11% Positiveness

173 bpm • G# Maj • 02:07 • -19.33db

18% Popularity • 21% Danceability • 5% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness

174 bpm • C Maj • 02:43 • -26db

9% Popularity • 25% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness

175 bpm • F min • 03:13 • -21.99db

7% Popularity • 28% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness

176 bpm • D min • 03:42 • -15.29db

12% Popularity • 24% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness

163 bpm • F Maj • 03:28 • -14.18db

8% Popularity • 37% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness

161 bpm • C Maj • 04:34 • -18.91db

8% Popularity • 30% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness

178 bpm • B min • 02:10 • -21.99db

12% Popularity • 14% Danceability • 12% Energy • 10% Liveness
54% Instrumentalness • 7% Positiveness

177 bpm • E min • 05:13 • -26.89db

11% Popularity • 22% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness

160 bpm • E min • 01:28 • -14.64db

9% Popularity • 23% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness

178 bpm • G Maj • 03:03 • -21.95db

17% Popularity • 26% Danceability • 7% Energy • 22% Liveness
1% Instrumentalness • 5% Positiveness

179 bpm • F Maj • 02:25 • -34.81db

8% Popularity • 14% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness

159 bpm • C Maj • 02:53 • -18.27db

2% Popularity • 37% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness

184 bpm • G Maj • 01:52 • -16.28db

21% Popularity • 33% Danceability • 15% Energy • 25% Liveness
0% Instrumentalness • 6% Positiveness

181 bpm • D Maj • 02:46 • -18.48db

15% Popularity • 10% Danceability • 11% Energy • 10% Liveness
35% Instrumentalness • 3% Positiveness

188 bpm • C# Maj • 01:09 • -22.66db

0% Popularity • 26% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness

147 bpm • B Maj • 01:33 • -26.16db

11% Popularity • 27% Danceability • 4% Energy • 29% Liveness
5% Instrumentalness • 8% Positiveness

144 bpm • B Maj • 07:32 • -24.15db

12% Popularity • 20% Danceability • 4% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness

144 bpm • F Maj • 00:52 • -23.85db

0% Popularity • 24% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness