Songs like Almost Mine by Ronnie Milsap
Based on a tempo of (+/- 10%) and a similar genre
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Ronnie Milsap
Back On My Mind Again
92 bpm • D Maj • 03:15 • -14.51db
45% Popularity • 67% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
45% Popularity • 67% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Tracy Lawrence
I See It Now
92 bpm • F Maj • 03:34 • -9db
49% Popularity • 57% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
49% Popularity • 57% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Tanya Tucker
Strong Enough To Bend
92 bpm • G# Maj • 02:43 • -12.49db
41% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
41% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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T.G. Sheppard
I'll Be Coming Back for More
93 bpm • D Maj • 02:54 • -13.53db
16% Popularity • 66% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 66% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Diamond Rio
Norma Jean Riley
91 bpm • G Maj • 03:04 • -12db
52% Popularity • 69% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
52% Popularity • 69% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
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Alabama
High Cotton
91 bpm • F Maj • 03:00 • -9.67db
58% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
58% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Ronnie Milsap
(I'd Be) A Legend in My Time
92 bpm • C Maj • 02:56 • -10.87db
28% Popularity • 50% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 50% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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The Judds
Give A Little Love
91 bpm • C Maj • 03:49 • -11.28db
31% Popularity • 71% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 71% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Clint Black
No Time To Kill
93 bpm • A# Maj • 04:00 • -9.25db
40% Popularity • 58% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 58% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Mark Chesnutt
Old Country
93 bpm • F Maj • 03:53 • -10db
44% Popularity • 52% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 52% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Diamond Rio
Meet In the Middle
91 bpm • E Maj • 03:18 • -11db
68% Popularity • 75% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
68% Popularity • 75% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Alabama
Tennessee River
93 bpm • D Maj • 03:01 • -8.74db
47% Popularity • 38% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
47% Popularity • 38% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Ronnie Milsap
Prisoner Of The Highway
93 bpm • C Maj • 04:13 • -7.84db
56% Popularity • 73% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
56% Popularity • 73% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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T.G. Sheppard
Do You Wanna Go to Heaven
91 bpm • C# Maj • 03:10 • -12.56db
39% Popularity • 65% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 65% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Larry Gatlin & The Gatlin Brothers
Broken Lady
90 bpm • G Maj • 02:47 • -12.28db
22% Popularity • 45% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 45% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Mark Chesnutt
Too Cold At Home
93 bpm • D Maj • 03:39 • -13.65db
52% Popularity • 63% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
52% Popularity • 63% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Doug Stone
These Lips Don't Know
90 bpm • C Maj • 03:28 • -8.78db
24% Popularity • 64% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 64% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Alabama
Feels So Right
90 bpm • A# Maj • 03:35 • -13.36db
45% Popularity • 55% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 55% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Billy Dean
We Just Disagree
94 bpm • E Maj • 03:25 • -9.7db
40% Popularity • 57% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
40% Popularity • 57% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Patty Loveless
Don't Toss Us Away
94 bpm • E Maj • 04:13 • -15.22db
28% Popularity • 52% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 52% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Ronnie Milsap
Don't You Ever Get Tired (Of Hurting Me)
90 bpm • F Maj • 03:05 • -12.13db
32% Popularity • 56% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 56% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Mark Chesnutt
Your Love Is A Miracle
93 bpm • G Maj • 02:48 • -10.98db
41% Popularity • 63% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
41% Popularity • 63% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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John Schneider
I've Been Around Enough To Know
94 bpm • A Maj • 02:37 • -15.27db
43% Popularity • 71% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
43% Popularity • 71% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Alabama
Take Me Down
94 bpm • C Maj • 03:43 • -12.67db
44% Popularity • 75% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 75% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Exile
I Could Get Used To You
94 bpm • G Maj • 02:40 • -16.62db
21% Popularity • 74% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 74% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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T.G. Sheppard
Do You Wanna Go to Heaven - Rerecorded
90 bpm • C# Maj • 03:11 • -12.88db
28% Popularity • 69% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 69% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Shenandoah
Next To You, Next To Me
94 bpm • G# Maj • 03:25 • -8db
61% Popularity • 65% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
61% Popularity • 65% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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T. Graham Brown
Hell And High Water
95 bpm • D Maj • 03:11 • -18db
41% Popularity • 61% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 61% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Gary Stewart
An Empty Glass
89 bpm • G Maj • 03:41 • -14.98db
45% Popularity • 61% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
45% Popularity • 61% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Tracy Lawrence
Stars Over Texas
90 bpm • E Maj • 03:34 • -9.15db
44% Popularity • 57% Danceability • 39% Energy • 20% Liveness
1% Instrumentalness • 28% Positiveness
44% Popularity • 57% Danceability • 39% Energy • 20% Liveness
1% Instrumentalness • 28% Positiveness
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Tanya Tucker
Love Me Like You Used To
89 bpm • A# Maj • 03:49 • -17.39db
47% Popularity • 58% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 58% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Terri Gibbs
Somebody's Knockin
95 bpm • B min • 03:01 • -10.91db
40% Popularity • 70% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
40% Popularity • 70% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Shenandoah
The Moon Over Georgia
89 bpm • A Maj • 03:12 • -9.92db
47% Popularity • 56% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 56% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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T. Graham Brown
Hell And High Water
95 bpm • D Maj • 03:06 • -10.38db
22% Popularity • 65% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 65% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
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Larry Gatlin & The Gatlin Brothers
Take Me To Your Lovin' Place
95 bpm • A# Maj • 02:43 • -11.73db
24% Popularity • 43% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 43% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Restless Heart
Why Does It Have to Be (Wrong or Right)
89 bpm • A Maj • 03:00 • -13.61db
44% Popularity • 76% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 76% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Merle Haggard & The Strangers
The Fightin' Side Of Me
95 bpm • E Maj • 02:52 • -13.66db
40% Popularity • 76% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 76% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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T.G. Sheppard
Only One You
95 bpm • E min • 03:22 • -12.45db
35% Popularity • 81% Danceability • 62% Energy • 6% Liveness
19% Instrumentalness • 97% Positiveness
35% Popularity • 81% Danceability • 62% Energy • 6% Liveness
19% Instrumentalness • 97% Positiveness
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Shenandoah
Sunday In The South
89 bpm • G Maj • 04:21 • -12.52db
38% Popularity • 66% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 66% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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T. Graham Brown
I Tell It Like It Used To Be
89 bpm • D Maj • 03:00 • -10.61db
44% Popularity • 73% Danceability • 49% Energy • 2% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 73% Danceability • 49% Energy • 2% Liveness
0% Instrumentalness • 56% Positiveness
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Ronnie Milsap
My Heart
95 bpm • B Maj • 02:41 • -10.43db
39% Popularity • 71% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 71% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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John Michael Montgomery
I Can Love You Like That
89 bpm • B Maj • 03:55 • -11.05db
57% Popularity • 66% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
57% Popularity • 66% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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Steve Wariner
Your Memory
96 bpm • E Maj • 02:55 • -14db
34% Popularity • 74% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 74% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Alabama
Dixieland Delight - Single Edit
96 bpm • G Maj • 03:56 • -12.54db
58% Popularity • 46% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
58% Popularity • 46% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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T.G. Sheppard
Only One You - Rerecorded
96 bpm • E min • 03:16 • -10.58db
18% Popularity • 80% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 80% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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T. Graham Brown
Don't Go To Strangers
96 bpm • C Maj • 03:59 • -9db
18% Popularity • 70% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 70% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Ronnie Milsap
Still Losing You
89 bpm • C Maj • 05:17 • -9.26db
18% Popularity • 64% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 64% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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David Frizzell
You're The Reason God Made Oklahoma
96 bpm • A Maj • 03:24 • -10.71db
26% Popularity • 62% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 62% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
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The Judds
Mama He's Crazy
96 bpm • G Maj • 03:14 • -7db
52% Popularity • 72% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
52% Popularity • 72% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Keith Whitley
I'm No Stranger to the Rain
88 bpm • E Maj • 03:36 • -16db
59% Popularity • 66% Danceability • 34% Energy • 11% Liveness
13% Instrumentalness • 56% Positiveness
59% Popularity • 66% Danceability • 34% Energy • 11% Liveness
13% Instrumentalness • 56% Positiveness
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Randy Travis
On the Other Hand
96 bpm • F Maj • 03:06 • -9.92db
59% Popularity • 66% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
59% Popularity • 66% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Mel McDaniel
Big Ole Brew
96 bpm • E Maj • 02:47 • -12.91db
55% Popularity • 64% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
55% Popularity • 64% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Ronnie Milsap
What A Difference You've Made In My Life
96 bpm • F Maj • 04:01 • -12db
39% Popularity • 42% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 42% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Dan Seals
They Rage On
88 bpm • C# Maj • 04:39 • -15.34db
34% Popularity • 57% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 57% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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David Frizzell
You'e the Reason God Made Oklahoma
97 bpm • A Maj • 03:24 • -11.19db
36% Popularity • 49% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 49% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Steve Wariner
What I Didn't Do
97 bpm • G Maj • 03:09 • -17.12db
42% Popularity • 56% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
42% Popularity • 56% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Aaron Tippin
That's as Close as I'll Get to Loving Yo...
87 bpm • A# Maj • 03:16 • -8db
43% Popularity • 61% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
43% Popularity • 61% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Pam Tillis
Shake The Sugar Tree
87 bpm • E Maj • 03:07 • -7db
52% Popularity • 66% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
52% Popularity • 66% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Ronnie Milsap
Only One Love In My Life
88 bpm • F Maj • 03:28 • -11.75db
26% Popularity • 51% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 51% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Tanya Tucker
Two Sparrows In A Hurricane
97 bpm • A# Maj • 04:10 • -13.68db
54% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
54% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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T.G. Sheppard
I Loved 'Em Every One
87 bpm • E min • 03:40 • -12.56db
37% Popularity • 66% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 66% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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John Schneider
I'm Gonna Leave You Tomorrow
97 bpm • G Maj • 03:45 • -16.49db
29% Popularity • 61% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 61% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Moe Bandy
Bandy The Rodeo Clown
97 bpm • F Maj • 02:55 • -7.92db
39% Popularity • 61% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 61% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Rosanne Cash
Tennessee Flat Top Box
98 bpm • F min • 03:09 • -16.01db
39% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Ronnie Milsap
Inside
96 bpm • D Maj • 04:03 • -11.55db
24% Popularity • 68% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 68% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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David Frizzell
You're The Reason God Made Oklahoma
98 bpm • A Maj • 03:24 • -12db
50% Popularity • 46% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 46% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Sawyer Brown
Step That Step
98 bpm • E Maj • 02:49 • -15.04db
42% Popularity • 61% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
42% Popularity • 61% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Steve Wariner
Some Fools Never Learn
98 bpm • F# Maj • 04:05 • -17.5db
47% Popularity • 56% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 56% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Donna Fargo
The Happiest Girl In The Whole U.S.A.
98 bpm • F# Maj • 02:31 • -11.47db
50% Popularity • 66% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 66% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 49% Positiveness
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T.G. Sheppard
Last Cheater's Waltz
98 bpm • C Maj • 03:49 • -16db
24% Popularity • 53% Danceability • 30% Energy • 28% Liveness
2% Instrumentalness • 34% Positiveness
24% Popularity • 53% Danceability • 30% Energy • 28% Liveness
2% Instrumentalness • 34% Positiveness
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The Judds
Love Is Alive
86 bpm • E Maj • 03:56 • -11.28db
50% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Billy Dean
Only Here For A Little While
86 bpm • A Maj • 03:34 • -16.1db
52% Popularity • 67% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
52% Popularity • 67% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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Dan Seals
Love On Arrival
98 bpm • B Maj • 03:51 • -11.54db
36% Popularity • 70% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 70% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Steve Wariner
The Weekend
98 bpm • C# Maj • 03:49 • -15.09db
40% Popularity • 79% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 79% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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K.T. Oslin
80's Ladies
98 bpm • C Maj • 04:11 • -11.5db
44% Popularity • 59% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 59% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Reba McEntire
Somebody Should Leave
99 bpm • C# Maj • 03:33 • -17.22db
42% Popularity • 54% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
42% Popularity • 54% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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John Michael Montgomery
I Swear
86 bpm • C# Maj • 04:22 • -7.1db
61% Popularity • 63% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
61% Popularity • 63% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Alabama
Forty Hour Week (For a Livin')
85 bpm • E Maj • 03:22 • -9.84db
49% Popularity • 66% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
49% Popularity • 66% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Ronnie Milsap
Behind Closed Doors
85 bpm • D Maj • 02:55 • -9.56db
25% Popularity • 62% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 62% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Steve Wariner
Life's Highway
99 bpm • A# Maj • 03:17 • -14.99db
50% Popularity • 66% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 66% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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T.G. Sheppard
Party Time
100 bpm • F Maj • 03:32 • -12db
38% Popularity • 59% Danceability • 54% Energy • 14% Liveness
2% Instrumentalness • 76% Positiveness
38% Popularity • 59% Danceability • 54% Energy • 14% Liveness
2% Instrumentalness • 76% Positiveness
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Chris LeDoux
Tougher Than The Rest
100 bpm • F Maj • 04:57 • -11.13db
43% Popularity • 58% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
43% Popularity • 58% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Nitty Gritty Dirt Band
Long Hard Road (The Sharecropper's Dream...
84 bpm • D Maj • 03:20 • -9.07db
30% Popularity • 52% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 52% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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The Charlie Daniels Band
(What This World Needs Is) A Few More Re...
100 bpm • C Maj • 03:42 • -11db
55% Popularity • 72% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
55% Popularity • 72% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Larry Gatlin & The Gatlin Brothers
Denver
84 bpm • D Maj • 03:41 • -10.71db
20% Popularity • 61% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 61% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Dan Seals
Addicted
100 bpm • G# Maj • 04:15 • -12.84db
36% Popularity • 66% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 66% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Moe Bandy
Till I'm Too Old To Die Young
84 bpm • D# Maj • 03:14 • -16.96db
28% Popularity • 72% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 72% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Alabama
Lady Down On Love
84 bpm • F Maj • 03:51 • -15.47db
30% Popularity • 21% Danceability • 24% Energy • 90% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 21% Danceability • 24% Energy • 90% Liveness
0% Instrumentalness • 14% Positiveness
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Eddie Rabbitt
Drivin' My Life Away - 2009 Remaster
84 bpm • A Maj • 03:17 • -8db
46% Popularity • 65% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
46% Popularity • 65% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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John Conlee
I Don't Remember Loving You
84 bpm • D Maj • 03:41 • -7.83db
31% Popularity • 54% Danceability • 83% Energy • 98% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 54% Danceability • 83% Energy • 98% Liveness
0% Instrumentalness • 53% Positiveness
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Aaron Tippin
You've Got to Stand for Something
83 bpm • E Maj • 03:02 • -9.79db
60% Popularity • 53% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
60% Popularity • 53% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Nitty Gritty Dirt Band
Dance Little Jean - Live
102 bpm • F Maj • 03:15 • -14.82db
33% Popularity • 60% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 60% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Toby Keith
He Ain't Worth Missing
101 bpm • G Maj • 03:04 • -8.74db
60% Popularity • 80% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
60% Popularity • 80% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
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Ronnie Milsap
Houston Solution
83 bpm • G Maj • 03:27 • -13.09db
32% Popularity • 54% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 54% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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K.T. Oslin
Do Ya'
83 bpm • G Maj • 04:04 • -15db
40% Popularity • 50% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 50% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Conway Twitty
Tight Fittin' Jeans
102 bpm • F Maj • 02:51 • -13.95db
65% Popularity • 73% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
65% Popularity • 73% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Eddie Rabbitt
I Can't Help Myself - 2008 Version
102 bpm • G Maj • 03:11 • -10.21db
39% Popularity • 68% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 68% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Tammy Wynette
Two Story House
83 bpm • C# Maj • 02:40 • -11db
35% Popularity • 58% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 58% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
