Songs like Along About Midnight by Dakota Staton
Based on a tempo of (+/- 10%) and a similar genre
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James Moody
Si jolie
98 bpm • D min • 02:28 • -13.18db
18% Popularity • 25% Danceability • 27% Energy • 12% Liveness
14% Instrumentalness • 45% Positiveness
18% Popularity • 25% Danceability • 27% Energy • 12% Liveness
14% Instrumentalness • 45% Positiveness
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Irene Kral
I Let A Song Go Out Of My Heart
98 bpm • G# Maj • 02:43 • -8.11db
24% Popularity • 55% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 55% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Dakota Staton
Along About Midnight
98 bpm • F min • 02:33 • -12.4db
8% Popularity • 60% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 60% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Sue Raney
All By Myself - 2006 Remaster
98 bpm • F# Maj • 02:53 • -16.94db
10% Popularity • 59% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 59% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Lambert, Hendricks & Ross
Four
98 bpm • D# Maj • 04:13 • -13.54db
10% Popularity • 68% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 68% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Ida Sand
One for My Baby
98 bpm • F# Maj • 03:49 • -9.68db
39% Popularity • 68% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 68% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Diane Schuur
Just Friends
98 bpm • F Maj • 04:59 • -10.07db
24% Popularity • 44% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 44% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Caity Gyorgy
Cover Up
99 bpm • G# Maj • 06:06 • -6.86db
10% Popularity • 55% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 55% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Dakota Staton
East Of The Sun (West Of The Moon)
97 bpm • B min • 02:11 • -13.86db
8% Popularity • 63% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 63% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Benny Goodman Trio
Lazy River
97 bpm • A min • 03:02 • -16.29db
33% Popularity • 64% Danceability • 11% Energy • 15% Liveness
88% Instrumentalness • 50% Positiveness
33% Popularity • 64% Danceability • 11% Energy • 15% Liveness
88% Instrumentalness • 50% Positiveness
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Ann Hampton Callaway
Blusette
99 bpm • G# Maj • 03:37 • -12.09db
19% Popularity • 59% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 59% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Gabrielle Stravelli
Dream Dancing
99 bpm • F Maj • 03:50 • -12db
16% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Blossom Dearie
Lover Man (Oh Where Can You Be)
99 bpm • G min • 02:46 • -18.73db
40% Popularity • 45% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 45% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Eartha Kitt
Let's Do It
97 bpm • G# Maj • 03:05 • -20db
52% Popularity • 65% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 65% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Dakota Staton
But Not For Me - 2006 Digital Remaster
99 bpm • F min • 01:55 • -10.33db
14% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Camille Howard
Has Your Love Grown Cold? - Vocal
97 bpm • C min • 02:40 • -16db
30% Popularity • 66% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 66% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Nancy Wilson
This Time The Dream's On Me - Remastered
96 bpm • A# min • 02:19 • -8.85db
37% Popularity • 61% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 61% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Emma Smith
Makin' Whoopee
96 bpm • F min • 04:24 • -16db
41% Popularity • 48% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
41% Popularity • 48% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Dorothy Dandridge
I Didn't Know What Time It Was
100 bpm • G Maj • 02:41 • -15.22db
22% Popularity • 55% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 55% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Gerry Mulligan
Fall Out
96 bpm • G# Maj • 05:45 • -15db
36% Popularity • 79% Danceability • 20% Energy • 11% Liveness
12% Instrumentalness • 67% Positiveness
36% Popularity • 79% Danceability • 20% Energy • 11% Liveness
12% Instrumentalness • 67% Positiveness
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Dakota Staton
Willow Weep For Me
97 bpm • C Maj • 02:30 • -12db
44% Popularity • 46% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 46% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Sue Raney
September In The Rain
100 bpm • C min • 02:34 • -15db
27% Popularity • 35% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Morgana King
Everything I Love
96 bpm • A# Maj • 03:19 • -17.16db
41% Popularity • 46% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 46% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Gloria Lynne
April in Paris
95 bpm • G# Maj • 03:06 • -12.02db
29% Popularity • 62% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 62% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Fats Waller
I Can't Give You Anything but Love
95 bpm • F min • 02:56 • -23.1db
34% Popularity • 65% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 65% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Lester Young
This Years Kisses
95 bpm • D# Maj • 06:44 • -12.34db
36% Popularity • 68% Danceability • 18% Energy • 14% Liveness
23% Instrumentalness • 37% Positiveness
36% Popularity • 68% Danceability • 18% Energy • 14% Liveness
23% Instrumentalness • 37% Positiveness
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Dakota Staton
It Could Happen To You
96 bpm • F min • 02:13 • -9.08db
5% Popularity • 75% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
5% Popularity • 75% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Diane Schuur
Sunday Kind Of Love
101 bpm • F min • 04:00 • -12db
28% Popularity • 48% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 48% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Sue Raney
Wrap Your Troubles In Dreams
101 bpm • A min • 02:38 • -12.55db
12% Popularity • 52% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 52% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Ike Quebec
Blue And Sentimental - Remastered 2007/R...
101 bpm • D# Maj • 07:28 • -10db
42% Popularity • 54% Danceability • 18% Energy • 12% Liveness
20% Instrumentalness • 33% Positiveness
42% Popularity • 54% Danceability • 18% Energy • 12% Liveness
20% Instrumentalness • 33% Positiveness
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Peggy Lee With The Benny Goodman Orchestra
The Way You Look Tonight
101 bpm • A min • 03:18 • -20.39db
18% Popularity • 53% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 53% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Anita O'Day
Angel Eyes
95 bpm • D# Maj • 03:39 • -21.54db
40% Popularity • 37% Danceability • 6% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 37% Danceability • 6% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Dakota Staton
All In My Mind
96 bpm • D Maj • 02:27 • -9.33db
5% Popularity • 67% Danceability • 45% Energy • 48% Liveness
0% Instrumentalness • 63% Positiveness
5% Popularity • 67% Danceability • 45% Energy • 48% Liveness
0% Instrumentalness • 63% Positiveness
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Katherine Kostoff
It Happens Like That
102 bpm • A min • 03:31 • -10.77db
17% Popularity • 44% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 44% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Mildred Bailey
A Cigarette and a Silhouette
102 bpm • F Maj • 03:04 • -7.44db
31% Popularity • 70% Danceability • 23% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 70% Danceability • 23% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Etta James
Don't Get Around Much Anymore
94 bpm • A# Maj • 02:25 • -13.17db
31% Popularity • 54% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 54% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Caity Gyorgy
Bye Bye Blackbird
102 bpm • C min • 03:54 • -11.74db
19% Popularity • 65% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 65% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Chris Connor
I've Got A Crush On You
94 bpm • D min • 02:18 • -20db
39% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Dakota Staton
When Lights Are Low
96 bpm • C min • 01:56 • -9db
46% Popularity • 75% Danceability • 45% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
46% Popularity • 75% Danceability • 45% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Betty Carter
It's A Big Wide Wonderful World
94 bpm • F Maj • 01:50 • -13.19db
44% Popularity • 70% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
44% Popularity • 70% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Connie Lansberg
Everything Happens to Me
102 bpm • C Maj • 06:19 • -16.63db
40% Popularity • 55% Danceability • 15% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 55% Danceability • 15% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
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Annie Ross
How About You?
103 bpm • C# Maj • 02:50 • -12.21db
9% Popularity • 66% Danceability • 23% Energy • 15% Liveness
1% Instrumentalness • 55% Positiveness
9% Popularity • 66% Danceability • 23% Energy • 15% Liveness
1% Instrumentalness • 55% Positiveness
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Dean Martin
Mean To Me - Remastered/1998
103 bpm • G Maj • 02:10 • -14.28db
50% Popularity • 62% Danceability • 14% Energy • 3% Liveness
0% Instrumentalness • 50% Positiveness
50% Popularity • 62% Danceability • 14% Energy • 3% Liveness
0% Instrumentalness • 50% Positiveness
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The Ben Webster Quintet
Makin' Whoopee
93 bpm • G# Maj • 04:31 • -19.13db
43% Popularity • 53% Danceability • 6% Energy • 12% Liveness
12% Instrumentalness • 36% Positiveness
43% Popularity • 53% Danceability • 6% Energy • 12% Liveness
12% Instrumentalness • 36% Positiveness
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Dakota Staton
I Hear Music
96 bpm • F min • 02:33 • -6.8db
33% Popularity • 73% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 73% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Roberta Gambarini
So In Love
103 bpm • D Maj • 03:04 • -17.31db
33% Popularity • 38% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 38% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Morgana King
It's Only A Paper Moon
103 bpm • D# Maj • 02:42 • -12db
42% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Toots Thielemans
Cocktails for Two
103 bpm • C Maj • 02:13 • -13db
22% Popularity • 60% Danceability • 28% Energy • 23% Liveness
90% Instrumentalness • 54% Positiveness
22% Popularity • 60% Danceability • 28% Energy • 23% Liveness
90% Instrumentalness • 54% Positiveness
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Sophie Milman
So Long, You Fool
92 bpm • G Maj • 03:04 • -10db
27% Popularity • 61% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 61% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Lee Konitz Quartet
When You're Smiling
103 bpm • E min • 03:46 • -17db
38% Popularity • 55% Danceability • 15% Energy • 14% Liveness
21% Instrumentalness • 52% Positiveness
38% Popularity • 55% Danceability • 15% Energy • 14% Liveness
21% Instrumentalness • 52% Positiveness
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Cannonball Adderley Quartet
I Guess I'll Hang My Tears Out To Dry
104 bpm • D min • 05:34 • -12.43db
39% Popularity • 46% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 46% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Irene Kral
Memphis In June
92 bpm • G# Maj • 02:55 • -13.85db
27% Popularity • 35% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 35% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Fred Astaire
I Concentrate On You
104 bpm • C Maj • 02:47 • -23.76db
40% Popularity • 52% Danceability • 3% Energy • 12% Liveness
3% Instrumentalness • 27% Positiveness
40% Popularity • 52% Danceability • 3% Energy • 12% Liveness
3% Instrumentalness • 27% Positiveness
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Dianne Reeves
How High The Moon
92 bpm • C Maj • 02:20 • -14.98db
30% Popularity • 36% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 36% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Connie Lansberg
You Hit the Spot
92 bpm • C Maj • 02:14 • -11db
44% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Buddy Greco
Gee, Baby, Ain't I Good To You
105 bpm • D# Maj • 03:20 • -13.52db
28% Popularity • 62% Danceability • 24% Energy • 11% Liveness
12% Instrumentalness • 17% Positiveness
28% Popularity • 62% Danceability • 24% Energy • 11% Liveness
12% Instrumentalness • 17% Positiveness
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Sarah McKenzie
Tea For Two
105 bpm • C# Maj • 04:06 • -7.59db
44% Popularity • 74% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
44% Popularity • 74% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Lambert, Hendricks & Ross
Centerpiece
105 bpm • C# Maj • 02:27 • -8db
28% Popularity • 50% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 50% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Fats Waller
Squeeze Me
92 bpm • D Maj • 03:07 • -21.62db
26% Popularity • 62% Danceability • 8% Energy • 11% Liveness
8% Instrumentalness • 52% Positiveness
26% Popularity • 62% Danceability • 8% Energy • 11% Liveness
8% Instrumentalness • 52% Positiveness
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Dakota Staton
Anything Goes
91 bpm • G# Maj • 02:26 • -8.77db
6% Popularity • 70% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
6% Popularity • 70% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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Lee Wiley
Manhattan
105 bpm • C# Maj • 03:25 • -14db
27% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Morgana King
Down In The Depths
105 bpm • G Maj • 03:10 • -15db
27% Popularity • 36% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 36% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Lorez Alexandria
But Beautiful
105 bpm • C Maj • 04:15 • -17db
39% Popularity • 51% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 51% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Connie Lansberg
What'll I Do
91 bpm • A# Maj • 04:05 • -14db
40% Popularity • 35% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 35% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Ella Fitzgerald and Her Famous Orchestra
Cabin In The Sky - Single Version
91 bpm • C# Maj • 02:46 • -16.92db
11% Popularity • 45% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 45% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Nnenna Freelon
The Very Thought of You
91 bpm • D# Maj • 06:01 • -16.03db
40% Popularity • 42% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 42% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Sue Raney
Heart And Soul
105 bpm • G min • 02:58 • -10db
24% Popularity • 50% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 50% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Lee Wiley
Manhattan
106 bpm • G# Maj • 03:25 • -17.66db
20% Popularity • 56% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
20% Popularity • 56% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
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Carmen McRae
Them There Eyes
91 bpm • G Maj • 02:45 • -11db
41% Popularity • 67% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 67% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Dakota Staton
Say It Ain't So, Joe
91 bpm • A# min • 02:16 • -10.44db
38% Popularity • 67% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 67% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Nancy LaMott
Sophisticated Lady
91 bpm • C# Maj • 04:12 • -18.85db
8% Popularity • 38% Danceability • 7% Energy • 14% Liveness
9% Instrumentalness • 12% Positiveness
8% Popularity • 38% Danceability • 7% Energy • 14% Liveness
9% Instrumentalness • 12% Positiveness
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MarÃna Ósk
In the Wee Small Hours of the Morning
106 bpm • G# Maj • 03:14 • -11.67db
28% Popularity • 56% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 56% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Irene Kral
When I Look In Your Eyes
106 bpm • D min • 03:38 • -23.47db
33% Popularity • 47% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 18% Positiveness
33% Popularity • 47% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 18% Positiveness
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Fred Astaire
Steppin' Out With My Baby
90 bpm • C min • 02:20 • -16.98db
42% Popularity • 74% Danceability • 21% Energy • 11% Liveness
34% Instrumentalness • 71% Positiveness
42% Popularity • 74% Danceability • 21% Energy • 11% Liveness
34% Instrumentalness • 71% Positiveness
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Sonny Rollins
Manhattan
90 bpm • G# Maj • 04:30 • -16db
37% Popularity • 60% Danceability • 14% Energy • 21% Liveness
9% Instrumentalness • 38% Positiveness
37% Popularity • 60% Danceability • 14% Energy • 21% Liveness
9% Instrumentalness • 38% Positiveness
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Dakota Staton
The Song Is Ended
106 bpm • G min • 02:49 • -14.69db
23% Popularity • 67% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 89% Positiveness
23% Popularity • 67% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 89% Positiveness
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Emma Smith
My Revelation
106 bpm • G Maj • 03:21 • -12.8db
34% Popularity • 63% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 63% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Sarah McKenzie
I Fell in Love with You
90 bpm • G Maj • 03:58 • -10.32db
14% Popularity • 60% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 60% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Cyrille Aimee
I'll Be Seeing You
90 bpm • F min • 03:19 • -18.35db
43% Popularity • 58% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 58% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Jo Stafford
Long Ago (And Far Away)
107 bpm • D Maj • 02:55 • -9.35db
33% Popularity • 30% Danceability • 33% Energy • 40% Liveness
0% Instrumentalness • 33% Positiveness
33% Popularity • 30% Danceability • 33% Energy • 40% Liveness
0% Instrumentalness • 33% Positiveness
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Dorothy Dandridge
It's Easy To Remember
90 bpm • F min • 02:25 • -19.62db
31% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Lee Wiley
Oh Look at Me Now
90 bpm • A# min • 03:12 • -16db
28% Popularity • 50% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 50% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Dakota Staton
When Sunny Gets Blue
90 bpm • G# Maj • 02:49 • -14.9db
6% Popularity • 44% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
6% Popularity • 44% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Ernestine Anderson
Moonlight In Vermont
108 bpm • A# min • 02:38 • -25.4db
47% Popularity • 35% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
47% Popularity • 35% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Dave Brubeck
Weep No More
108 bpm • F min • 02:48 • -23.15db
37% Popularity • 44% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 44% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Johnny Hodges & His Orchestra
Ruint
108 bpm • F# Maj • 02:34 • -15.94db
28% Popularity • 62% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 62% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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Cécile McLorin Salvant
Easy Come, Easy Go Blues
89 bpm • A Maj • 02:32 • -15.94db
36% Popularity • 56% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 56% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Freddy Cole
Easy To Love
89 bpm • D min • 07:04 • -14.59db
16% Popularity • 54% Danceability • 34% Energy • 9% Liveness
83% Instrumentalness • 42% Positiveness
16% Popularity • 54% Danceability • 34% Energy • 9% Liveness
83% Instrumentalness • 42% Positiveness
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Irene Kral
It Isn't So Good
108 bpm • G# Maj • 02:30 • -6.92db
20% Popularity • 64% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 64% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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Mel Torme & the Mel-Tones
Polka Dots and Moonbeams
108 bpm • C# min • 03:59 • -15.47db
13% Popularity • 33% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
13% Popularity • 33% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Morgana King
Walk on By
108 bpm • D# Maj • 02:36 • -13.11db
15% Popularity • 68% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 68% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Johnny Hodges & His Orchestra
Things Ain't What They Used To Be - 1995...
89 bpm • C# Maj • 03:37 • -17.04db
29% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
29% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
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Dakota Staton
A Foggy Day
108 bpm • C Maj • 02:20 • -7.21db
11% Popularity • 76% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 76% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Sonny Stitt
If I Had You
108 bpm • A# Maj • 06:16 • -11db
35% Popularity • 58% Danceability • 22% Energy • 19% Liveness
3% Instrumentalness • 43% Positiveness
35% Popularity • 58% Danceability • 22% Energy • 19% Liveness
3% Instrumentalness • 43% Positiveness
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Caity Gyorgy
The Feeling is Mutual
108 bpm • C min • 04:14 • -8.88db
21% Popularity • 65% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 65% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Earl Hines
Song Of The Islands
108 bpm • G# Maj • 02:37 • -7.32db
34% Popularity • 71% Danceability • 22% Energy • 8% Liveness
45% Instrumentalness • 56% Positiveness
34% Popularity • 71% Danceability • 22% Energy • 8% Liveness
45% Instrumentalness • 56% Positiveness
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Morgana King
The Look of Love
108 bpm • D min • 02:48 • -14.53db
23% Popularity • 60% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 60% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Amanda Carr
Scotch and Soda
108 bpm • F Maj • 02:49 • -19.28db
41% Popularity • 50% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 50% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
