Songs like Aloy's Journey (feat. Julie Elven) - Part 3 - Onwards To Meridian by Joris de Man
Based on a tempo of (+/- 10%) and a similar genre
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Zac Tiessen
Battle Plan
148 bpm • C# Maj • 02:09 • -13.96db
32% Popularity • 57% Danceability • 45% Energy • 11% Liveness
72% Instrumentalness • 10% Positiveness
32% Popularity • 57% Danceability • 45% Energy • 11% Liveness
72% Instrumentalness • 10% Positiveness
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Joris de Man
Seal Your Lips - Part 1 - Motherland
148 bpm • B min • 01:31 • -25.13db
32% Popularity • 13% Danceability • 10% Energy • 29% Liveness
78% Instrumentalness • 8% Positiveness
32% Popularity • 13% Danceability • 10% Energy • 29% Liveness
78% Instrumentalness • 8% Positiveness
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Philip Sheppard
Fly on Foot - Kara
148 bpm • D# min • 03:32 • -10.82db
24% Popularity • 39% Danceability • 63% Energy • 13% Liveness
84% Instrumentalness • 37% Positiveness
24% Popularity • 39% Danceability • 63% Energy • 13% Liveness
84% Instrumentalness • 37% Positiveness
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Cris Velasco
I'm Sorry
147 bpm • F min • 02:36 • -10.03db
28% Popularity • 12% Danceability • 40% Energy • 15% Liveness
84% Instrumentalness • 8% Positiveness
28% Popularity • 12% Danceability • 40% Energy • 15% Liveness
84% Instrumentalness • 8% Positiveness
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Samuel Sim
Our Sister Is Gone
149 bpm • A min • 02:27 • -28.68db
16% Popularity • 12% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
16% Popularity • 12% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
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Niels van der Leest
Show Her Our Teeth
149 bpm • D Maj • 02:46 • -15.67db
14% Popularity • 17% Danceability • 59% Energy • 18% Liveness
90% Instrumentalness • 14% Positiveness
14% Popularity • 17% Danceability • 59% Energy • 18% Liveness
90% Instrumentalness • 14% Positiveness
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James Marsden
Protect - CoLDSToRAGE Remix
150 bpm • A# min • 04:54 • -6.49db
1% Popularity • 49% Danceability • 93% Energy • 14% Liveness
64% Instrumentalness • 71% Positiveness
1% Popularity • 49% Danceability • 93% Energy • 14% Liveness
64% Instrumentalness • 71% Positiveness
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Joris de Man
For The Werak
148 bpm • C min • 01:36 • -20.71db
18% Popularity • 25% Danceability • 26% Energy • 11% Liveness
48% Instrumentalness • 3% Positiveness
18% Popularity • 25% Danceability • 26% Energy • 11% Liveness
48% Instrumentalness • 3% Positiveness
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Arnaud Roy
Lords of Lava (Kapaku Prologue)
150 bpm • B min • 01:08 • -20.94db
36% Popularity • 55% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 46% Positiveness
36% Popularity • 55% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 46% Positiveness
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Dynamedion
At Night the Forest Sings
146 bpm • E min • 03:22 • -20.64db
24% Popularity • 62% Danceability • 22% Energy • 9% Liveness
18% Instrumentalness • 32% Positiveness
24% Popularity • 62% Danceability • 22% Energy • 9% Liveness
18% Instrumentalness • 32% Positiveness
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Bobby Tahouri
Echoes of the Past
145 bpm • E Maj • 03:06 • -23.2db
14% Popularity • 13% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
14% Popularity • 13% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Borislav Slavov
Mysterious Trails
145 bpm • F min • 03:03 • -19.02db
34% Popularity • 41% Danceability • 14% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
34% Popularity • 41% Danceability • 14% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
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Kevin Riepl
War of Shadows
145 bpm • G min • 02:21 • -12.54db
27% Popularity • 43% Danceability • 66% Energy • 13% Liveness
87% Instrumentalness • 33% Positiveness
27% Popularity • 43% Danceability • 66% Energy • 13% Liveness
87% Instrumentalness • 33% Positiveness
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Joris de Man
Her Sky, Her Sea
150 bpm • A min • 04:05 • -15.6db
16% Popularity • 20% Danceability • 42% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 42% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Glenn Stafford
Freehold
145 bpm • A min • 05:32 • -13.52db
26% Popularity • 25% Danceability • 51% Energy • 9% Liveness
87% Instrumentalness • 25% Positiveness
26% Popularity • 25% Danceability • 51% Energy • 9% Liveness
87% Instrumentalness • 25% Positiveness
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Dynamedion
Dance of the Fireflies
146 bpm • E min • 03:21 • -20.62db
19% Popularity • 58% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
19% Popularity • 58% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
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Russell Shaw
Title Theme
145 bpm • G# Maj • 04:15 • -23.95db
37% Popularity • 16% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Bear McCreary
Magni and Modi
152 bpm • C Maj • 02:49 • -14.57db
37% Popularity • 58% Danceability • 49% Energy • 11% Liveness
80% Instrumentalness • 19% Positiveness
37% Popularity • 58% Danceability • 49% Energy • 11% Liveness
80% Instrumentalness • 19% Positiveness
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Niels van der Leest
Edge of the Sundom
144 bpm • A min • 03:23 • -16.92db
24% Popularity • 35% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
24% Popularity • 35% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
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Joris de Man
Not My Best Landing
150 bpm • B min • 01:28 • -16.54db
17% Popularity • 32% Danceability • 55% Energy • 16% Liveness
85% Instrumentalness • 13% Positiveness
17% Popularity • 32% Danceability • 55% Energy • 16% Liveness
85% Instrumentalness • 13% Positiveness
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Jason Hayes
Temple
152 bpm • A# min • 01:04 • -14.27db
41% Popularity • 11% Danceability • 17% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
41% Popularity • 11% Danceability • 17% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
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Austin Wintory
Second Confluence
143 bpm • B min • 02:20 • -25.71db
38% Popularity • 14% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Edo Guidotti
Ley Lines
143 bpm • A min • 03:11 • -16.05db
32% Popularity • 14% Danceability • 23% Energy • 16% Liveness
98% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 23% Energy • 16% Liveness
98% Instrumentalness • 4% Positiveness
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Bear McCreary
Valkyries
144 bpm • A min • 05:08 • -14.57db
40% Popularity • 18% Danceability • 38% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
40% Popularity • 18% Danceability • 38% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
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Oleksa Lozowchuk
The Strength to Make a Stand
143 bpm • D Maj • 02:00 • -17.29db
21% Popularity • 14% Danceability • 39% Energy • 12% Liveness
97% Instrumentalness • 13% Positiveness
21% Popularity • 14% Danceability • 39% Energy • 12% Liveness
97% Instrumentalness • 13% Positiveness
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Arcane
Escape From the Arcade
154 bpm • C Maj • 01:06 • -12.69db
26% Popularity • 58% Danceability • 61% Energy • 12% Liveness
91% Instrumentalness • 55% Positiveness
26% Popularity • 58% Danceability • 61% Energy • 12% Liveness
91% Instrumentalness • 55% Positiveness
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Joris de Man
New Heights
152 bpm • A Maj • 03:12 • -17.61db
14% Popularity • 43% Danceability • 66% Energy • 12% Liveness
62% Instrumentalness • 20% Positiveness
14% Popularity • 43% Danceability • 66% Energy • 12% Liveness
62% Instrumentalness • 20% Positiveness
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Derek Duke
Felwood
143 bpm • C# Maj • 02:38 • -15.84db
34% Popularity • 14% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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The Flight
Years of Training - Part 1 - Motherland
142 bpm • G Maj • 02:22 • -17db
38% Popularity • 45% Danceability • 52% Energy • 10% Liveness
81% Instrumentalness • 11% Positiveness
38% Popularity • 45% Danceability • 52% Energy • 10% Liveness
81% Instrumentalness • 11% Positiveness
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Russell Shaw
White Rose
141 bpm • D# Maj • 03:08 • -14.43db
14% Popularity • 25% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
14% Popularity • 25% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Brad Derrick
Grazelands Dawn
141 bpm • G min • 05:01 • -15.34db
44% Popularity • 14% Danceability • 22% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
44% Popularity • 14% Danceability • 22% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Maclaine Diemer
Dangerous Beauty
141 bpm • F Maj • 02:55 • -20.56db
23% Popularity • 14% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
23% Popularity • 14% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Arnaud Roy
A Kora Tale
156 bpm • A min • 04:23 • -14.98db
34% Popularity • 46% Danceability • 35% Energy • 7% Liveness
87% Instrumentalness • 19% Positiveness
34% Popularity • 46% Danceability • 35% Energy • 7% Liveness
87% Instrumentalness • 19% Positiveness
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Mikolai Stroinski
The Shrieker Contract
140 bpm • G min • 01:42 • -11.76db
40% Popularity • 51% Danceability • 88% Energy • 31% Liveness
3% Instrumentalness • 39% Positiveness
40% Popularity • 51% Danceability • 88% Energy • 31% Liveness
3% Instrumentalness • 39% Positiveness
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James Marsden
Protect - Gan Juan Remix
140 bpm • B min • 04:01 • -6.17db
1% Popularity • 70% Danceability • 91% Energy • 9% Liveness
72% Instrumentalness • 12% Positiveness
1% Popularity • 70% Danceability • 91% Energy • 9% Liveness
72% Instrumentalness • 12% Positiveness
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Joris de Man
Beasts of Steel - Part 4 - Secrets of th...
140 bpm • C# Maj • 02:44 • -20.93db
21% Popularity • 54% Danceability • 49% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
21% Popularity • 54% Danceability • 49% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Pawel Blaszczak
Prepare For Battle!
140 bpm • C# min • 01:08 • -13.11db
34% Popularity • 61% Danceability • 85% Energy • 11% Liveness
94% Instrumentalness • 43% Positiveness
34% Popularity • 61% Danceability • 85% Energy • 11% Liveness
94% Instrumentalness • 43% Positiveness
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Jamie Christopherson
March of Heroes
140 bpm • D min • 01:32 • -16.09db
36% Popularity • 41% Danceability • 41% Energy • 20% Liveness
93% Instrumentalness • 30% Positiveness
36% Popularity • 41% Danceability • 41% Energy • 20% Liveness
93% Instrumentalness • 30% Positiveness
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Oleksa Lozowchuk
No Footfalls to Follow
140 bpm • B min • 03:13 • -17.09db
31% Popularity • 24% Danceability • 29% Energy • 14% Liveness
93% Instrumentalness • 5% Positiveness
31% Popularity • 24% Danceability • 29% Energy • 14% Liveness
93% Instrumentalness • 5% Positiveness
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Daniel Licht
Epilogue Dunwall
139 bpm • A min • 01:41 • -23.5db
33% Popularity • 20% Danceability • 18% Energy • 17% Liveness
93% Instrumentalness • 6% Positiveness
33% Popularity • 20% Danceability • 18% Energy • 17% Liveness
93% Instrumentalness • 6% Positiveness
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Jason Hayes
Teldrassil
139 bpm • D# Maj • 03:56 • -15.95db
40% Popularity • 17% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
40% Popularity • 17% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Tumult Kollektiv
Into the Out
158 bpm • F min • 01:16 • -15.73db
37% Popularity • 11% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
37% Popularity • 11% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Glenn Stafford
To Be Kyrian
139 bpm • A# min • 05:43 • -15.71db
22% Popularity • 14% Danceability • 31% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 14% Danceability • 31% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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David GarcÃa DÃaz
Alone in the Light
139 bpm • A min • 03:37 • -21.35db
20% Popularity • 21% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
20% Popularity • 21% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
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Daniel Pemberton
Her Light Faded
139 bpm • A min • 02:36 • -25.05db
25% Popularity • 15% Danceability • 4% Energy • 14% Liveness
71% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 4% Energy • 14% Liveness
71% Instrumentalness • 4% Positiveness
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Daniel Licht
Epilogue Karnaca
157 bpm • D min • 01:41 • -22.33db
42% Popularity • 35% Danceability • 26% Energy • 7% Liveness
93% Instrumentalness • 7% Positiveness
42% Popularity • 35% Danceability • 26% Energy • 7% Liveness
93% Instrumentalness • 7% Positiveness
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Joris de Man
Colossal - Part 4 - Secrets of the Earth
158 bpm • A# min • 04:15 • -19.99db
21% Popularity • 61% Danceability • 50% Energy • 9% Liveness
88% Instrumentalness • 68% Positiveness
21% Popularity • 61% Danceability • 50% Energy • 9% Liveness
88% Instrumentalness • 68% Positiveness
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Mikolai Stroinski
Fanfares And Flowers
139 bpm • D min • 03:10 • -11db
45% Popularity • 24% Danceability • 41% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
45% Popularity • 24% Danceability • 41% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
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Oleksa Lozowchuk
The Trail We Leave Behind
138 bpm • D Maj • 03:41 • -16.72db
25% Popularity • 32% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
25% Popularity • 32% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
The Last of Clan Adachi
159 bpm • G min • 03:12 • -13.91db
31% Popularity • 45% Danceability • 67% Energy • 26% Liveness
88% Instrumentalness • 39% Positiveness
31% Popularity • 45% Danceability • 67% Energy • 26% Liveness
88% Instrumentalness • 39% Positiveness
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Russell Brower
Suramar
138 bpm • F Maj • 02:42 • -15.22db
33% Popularity • 18% Danceability • 22% Energy • 22% Liveness
93% Instrumentalness • 3% Positiveness
33% Popularity • 18% Danceability • 22% Energy • 22% Liveness
93% Instrumentalness • 3% Positiveness
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Daniel Licht
Epilogue Karnaca High Chaos
158 bpm • A# Maj • 01:32 • -19.58db
34% Popularity • 16% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
34% Popularity • 16% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Joris de Man
A Boon - Part 1 - Motherland
159 bpm • C Maj • 01:37 • -17.84db
27% Popularity • 23% Danceability • 44% Energy • 37% Liveness
74% Instrumentalness • 5% Positiveness
27% Popularity • 23% Danceability • 44% Energy • 37% Liveness
74% Instrumentalness • 5% Positiveness
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Will Savino
The Fiend Approaches
137 bpm • B min • 02:27 • -12.4db
18% Popularity • 63% Danceability • 58% Energy • 10% Liveness
82% Instrumentalness • 29% Positiveness
18% Popularity • 63% Danceability • 58% Energy • 10% Liveness
82% Instrumentalness • 29% Positiveness
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Stan LePard
View from the Canopy
137 bpm • C min • 01:56 • -25.28db
21% Popularity • 15% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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P.T. Adamczyk
A Risky Game
160 bpm • D Maj • 04:21 • -17.34db
20% Popularity • 44% Danceability • 46% Energy • 21% Liveness
69% Instrumentalness • 30% Positiveness
20% Popularity • 44% Danceability • 46% Energy • 21% Liveness
69% Instrumentalness • 30% Positiveness
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Todd Masten
War Drums in the East (The Old One Sleep...
160 bpm • A min • 03:03 • -13.86db
21% Popularity • 54% Danceability • 57% Energy • 7% Liveness
91% Instrumentalness • 54% Positiveness
21% Popularity • 54% Danceability • 57% Energy • 7% Liveness
91% Instrumentalness • 54% Positiveness
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Oleksa Lozowchuk
Echo of You
160 bpm • E min • 04:02 • -17.24db
30% Popularity • 12% Danceability • 36% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 36% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Niels van der Leest
To The Hunt! - Part 1 - Motherland
138 bpm • D Maj • 04:29 • -18.49db
27% Popularity • 63% Danceability • 56% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
27% Popularity • 63% Danceability • 56% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Justin Bell
The Harbingers Doom
137 bpm • A# min • 01:04 • -11.93db
33% Popularity • 56% Danceability • 22% Energy • 16% Liveness
99% Instrumentalness • 43% Positiveness
33% Popularity • 56% Danceability • 22% Energy • 16% Liveness
99% Instrumentalness • 43% Positiveness
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Arnaud Roy
A Search for Forgiveness (Broken Lords T...
137 bpm • G min • 02:53 • -18.7db
21% Popularity • 15% Danceability • 26% Energy • 12% Liveness
83% Instrumentalness • 5% Positiveness
21% Popularity • 15% Danceability • 26% Energy • 12% Liveness
83% Instrumentalness • 5% Positiveness
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Joris de Man
Out from Thunder
160 bpm • G Maj • 02:13 • -16.54db
17% Popularity • 35% Danceability • 54% Energy • 12% Liveness
78% Instrumentalness • 8% Positiveness
17% Popularity • 35% Danceability • 54% Energy • 12% Liveness
78% Instrumentalness • 8% Positiveness
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David GarcÃa DÃaz
The Birth of an Island
136 bpm • F min • 02:04 • -17.25db
23% Popularity • 15% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
23% Popularity • 15% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Oleksa Lozowchuk
Steel Snare
160 bpm • A Maj • 03:08 • -13.15db
21% Popularity • 36% Danceability • 72% Energy • 12% Liveness
87% Instrumentalness • 25% Positiveness
21% Popularity • 36% Danceability • 72% Energy • 12% Liveness
87% Instrumentalness • 25% Positiveness
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Niels van der Leest
Drums in The Sun-Ring - Part 4 - Secret...
137 bpm • C# Maj • 06:06 • -20db
23% Popularity • 39% Danceability • 71% Energy • 33% Liveness
94% Instrumentalness • 76% Positiveness
23% Popularity • 39% Danceability • 71% Energy • 33% Liveness
94% Instrumentalness • 76% Positiveness
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Inon Zur
Liberty Lives
136 bpm • G min • 03:18 • -19.08db
25% Popularity • 15% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
25% Popularity • 15% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Derek Duke
Breath of Al'Akir
136 bpm • C min • 02:36 • -13.73db
17% Popularity • 22% Danceability • 44% Energy • 15% Liveness
88% Instrumentalness • 9% Positiveness
17% Popularity • 22% Danceability • 44% Energy • 15% Liveness
88% Instrumentalness • 9% Positiveness
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Joris de Man
Off the Trail
160 bpm • D min • 03:02 • -17.77db
22% Popularity • 17% Danceability • 25% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 25% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
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Rik Schaffer
The Heart of Nirn
135 bpm • F min • 06:17 • -22.17db
41% Popularity • 16% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
41% Popularity • 16% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Austin Wintory
The Crossing
162 bpm • B min • 01:58 • -20.4db
31% Popularity • 10% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
31% Popularity • 10% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Mikolai Stroinski
Yes, I Do...
135 bpm • G Maj • 01:33 • -14.99db
47% Popularity • 18% Danceability • 16% Energy • 18% Liveness
45% Instrumentalness • 8% Positiveness
47% Popularity • 18% Danceability • 16% Energy • 18% Liveness
45% Instrumentalness • 8% Positiveness
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Inon Zur
The High Road
135 bpm • B min • 02:51 • -17.09db
33% Popularity • 18% Danceability • 19% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
33% Popularity • 18% Danceability • 19% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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David GarcÃa DÃaz
The King
134 bpm • E min • 02:01 • -20.46db
27% Popularity • 19% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Joris de Man
Storm on the Rise
160 bpm • D Maj • 02:36 • -15.08db
18% Popularity • 40% Danceability • 76% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
18% Popularity • 40% Danceability • 76% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Brad Derrick
Recollection of Wars Long Lost
134 bpm • D min • 07:08 • -16.3db
38% Popularity • 16% Danceability • 30% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 30% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Niels van der Leest
To Find What Was Lost
134 bpm • A Maj • 03:33 • -19.07db
13% Popularity • 38% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
13% Popularity • 38% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Lena Raine
Attack on Tarir
134 bpm • D min • 03:29 • -18.5db
22% Popularity • 53% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 27% Positiveness
22% Popularity • 53% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 27% Positiveness
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Russell Brower
Stormheim
134 bpm • D Maj • 03:13 • -11.38db
29% Popularity • 18% Danceability • 31% Energy • 22% Liveness
87% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 31% Energy • 22% Liveness
87% Instrumentalness • 4% Positiveness
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Arnaud Roy
In Undertones (Broken Lords Prologue)
133 bpm • G min • 01:48 • -15db
20% Popularity • 17% Danceability • 27% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
20% Popularity • 17% Danceability • 27% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
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Joris de Man
To Call Our Own - Part 3 - Onwards to Me...
137 bpm • C Maj • 04:37 • -26.25db
25% Popularity • 16% Danceability • 5% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 5% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
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Justin Bell
Woedica
133 bpm • E min • 01:59 • -21.12db
37% Popularity • 19% Danceability • 15% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
37% Popularity • 19% Danceability • 15% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
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Niels van der Leest
The Pride of the Arena
164 bpm • E Maj • 02:29 • -15.72db
16% Popularity • 58% Danceability • 73% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
16% Popularity • 58% Danceability • 73% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
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Jeremy Soule
Shattered Shields
132 bpm • A# Maj • 02:38 • -44.95db
43% Popularity • 16% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
43% Popularity • 16% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Jason Hayes
Illidan
133 bpm • D min • 03:10 • -19.02db
28% Popularity • 16% Danceability • 20% Energy • 30% Liveness
82% Instrumentalness • 5% Positiveness
28% Popularity • 16% Danceability • 20% Energy • 30% Liveness
82% Instrumentalness • 5% Positiveness
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Russell Brower
Dominion of the Stonemother
132 bpm • C Maj • 03:46 • -13.54db
8% Popularity • 17% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Joris de Man
Her Breath, Her Land - Part 2 - Out of t...
136 bpm • C# min • 04:58 • -22.54db
28% Popularity • 36% Danceability • 20% Energy • 4% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 36% Danceability • 20% Energy • 4% Liveness
94% Instrumentalness • 4% Positiveness
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Jake Lefkowitz
Windsong
166 bpm • C Maj • 06:30 • -18.21db
27% Popularity • 9% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 9% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Justin Bell
Their Hearts Grew Bold
131 bpm • G Maj • 01:46 • -11.77db
34% Popularity • 49% Danceability • 51% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
34% Popularity • 49% Danceability • 51% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
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Inon Zur
Anew
167 bpm • F# min • 02:58 • -20.54db
33% Popularity • 14% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Oleksa Lozowchuk
The Crossing
130 bpm • G Maj • 01:36 • -16.96db
21% Popularity • 33% Danceability • 31% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
21% Popularity • 33% Danceability • 31% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Piotr Musiał
Titans Of Infamy
130 bpm • D min • 01:38 • -10db
36% Popularity • 68% Danceability • 80% Energy • 16% Liveness
95% Instrumentalness • 18% Positiveness
36% Popularity • 68% Danceability • 80% Energy • 16% Liveness
95% Instrumentalness • 18% Positiveness
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Joris de Man
White Falls
136 bpm • A min • 03:58 • -22.15db
26% Popularity • 22% Danceability • 19% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
26% Popularity • 22% Danceability • 19% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Patrik Jarlestam
The Forest Is Moving
130 bpm • B min • 05:54 • -11.51db
22% Popularity • 35% Danceability • 80% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
22% Popularity • 35% Danceability • 80% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
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James Marsden
Protect
130 bpm • A# min • 04:03 • -8.37db
5% Popularity • 48% Danceability • 89% Energy • 18% Liveness
94% Instrumentalness • 77% Positiveness
5% Popularity • 48% Danceability • 89% Energy • 18% Liveness
94% Instrumentalness • 77% Positiveness
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Russell Brower
Crystalsong
130 bpm • F Maj • 01:51 • -17.06db
35% Popularity • 16% Danceability • 33% Energy • 31% Liveness
92% Instrumentalness • 8% Positiveness
35% Popularity • 16% Danceability • 33% Energy • 31% Liveness
92% Instrumentalness • 8% Positiveness
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Frida Johansson
Scarred Earth
130 bpm • C# min • 02:44 • -13.08db
25% Popularity • 38% Danceability • 37% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
25% Popularity • 38% Danceability • 37% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Brad Derrick
Magnus Smiles on Suran
169 bpm • C Maj • 05:13 • -16db
43% Popularity • 9% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
43% Popularity • 9% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Joris de Man
Figments of Time
136 bpm • A min • 03:51 • -16.64db
22% Popularity • 24% Danceability • 32% Energy • 13% Liveness
90% Instrumentalness • 6% Positiveness
22% Popularity • 24% Danceability • 32% Energy • 13% Liveness
90% Instrumentalness • 6% Positiveness
