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Already High
Songs like
Already High
by
JT Hodges
Based on a tempo of (+/- 10%) and a similar genre
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Keith Anderson
I'll Bring the Music
172 bpm • F# Maj • 03:55 • -5.26db
22% Popularity • 48% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Michael Tyler
Crazy Last Night
172 bpm • E Maj • 02:54 • -5.39db
10% Popularity • 48% Danceability • 76% Energy • 48% Liveness
0% Instrumentalness • 51% Positiveness
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Brandon Chase
One
172 bpm • A Maj • 03:30 • -6db
9% Popularity • 58% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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LANCO
We Do
172 bpm • A Maj • 03:27 • -4.59db
29% Popularity • 45% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Billy Currington
Hallelujah
172 bpm • G Maj • 03:03 • -5.78db
19% Popularity • 60% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
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Clayton Anderson
Sweet Enough
173 bpm • C# Maj • 03:10 • -6.28db
9% Popularity • 47% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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Keith Anderson
Adaliene
172 bpm • A# Maj • 03:45 • -4.39db
2% Popularity • 44% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Smithfield
Nothing but the Night
170 bpm • A Maj • 03:17 • -4.73db
14% Popularity • 51% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Petric
Here Goes Everything
174 bpm • D Maj • 03:04 • -3.92db
22% Popularity • 46% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Leaving Austin
Drink Up
170 bpm • C Maj • 03:43 • -7db
11% Popularity • 45% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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Carter Winter
Lipstick on My Bottle
170 bpm • C# Maj • 02:30 • -7db
18% Popularity • 58% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Dakota Bradley
Wild Child
170 bpm • D Maj • 03:20 • -4.75db
8% Popularity • 40% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 50% Positiveness
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The Swon Brothers
Just Another Girl
170 bpm • E Maj • 03:11 • -4.08db
11% Popularity • 53% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Brett Kissel
Airwaves
170 bpm • G# Maj • 03:29 • -5db
37% Popularity • 50% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Luke Bryan
Sunburnt Lips
174 bpm • G# Maj • 03:25 • -3.65db
19% Popularity • 44% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Billy Currington
All Day Long
174 bpm • F# Maj • 03:47 • -4.29db
31% Popularity • 53% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Chuck Wicks
I Don't Do Lonely Well
170 bpm • G# min • 03:46 • -8.25db
12% Popularity • 55% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Ricky Gunn
King of This Town
174 bpm • A# Maj • 03:54 • -7db
10% Popularity • 52% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Cale Dodds
Say Yes
170 bpm • E Maj • 03:05 • -6.32db
11% Popularity • 48% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
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Darius Rucker
Down Here
169 bpm • G Maj • 03:36 • -5.38db
23% Popularity • 48% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
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Jojo Mason
Red Dress
176 bpm • G Maj • 03:29 • -5db
15% Popularity • 48% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Billy Currington
Soundtrack
176 bpm • A Maj • 03:29 • -2.67db
20% Popularity • 53% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Thomas Rhett
Drink A Little Beer
168 bpm • A Maj • 03:34 • -4.65db
40% Popularity • 34% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Outshyne
Country Boy in Me
168 bpm • G Maj • 03:33 • -5.05db
11% Popularity • 40% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Waterloo Revival
That Damn I Didn't Give
168 bpm • C# Maj • 03:01 • -5db
19% Popularity • 44% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Josh Dorr
Mine Looks Like You
168 bpm • G Maj • 03:19 • -5.9db
7% Popularity • 50% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Jojo Mason
It's All Good
176 bpm • C Maj • 03:13 • -5db
20% Popularity • 50% Danceability • 88% Energy • 45% Liveness
0% Instrumentalness • 67% Positiveness
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Johnny Orr Band
Down South
168 bpm • C# Maj • 04:03 • -3.81db
7% Popularity • 38% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Jerrod Niemann
Blue Bandana
168 bpm • A Maj • 03:27 • -5db
30% Popularity • 48% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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The Farm
Mud
177 bpm • D Maj • 03:10 • -4.28db
13% Popularity • 50% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Adam Craig
Call It a Night
167 bpm • A Maj • 03:15 • -3.72db
8% Popularity • 46% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Cold Creek County
Our Town
178 bpm • D# Maj • 03:16 • -3.48db
30% Popularity • 39% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Gloriana
Trouble
166 bpm • G Maj • 03:10 • -3.09db
25% Popularity • 55% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Colt Ford
4 Lane Gone
166 bpm • E Maj • 03:53 • -5.53db
27% Popularity • 49% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Clare Dunn
Cowboy Side Of You
166 bpm • G Maj • 03:35 • -3db
23% Popularity • 47% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Emerson Drive
She Always Gets What She Wants
166 bpm • F# min • 03:55 • -3.96db
11% Popularity • 47% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Canaan Smith
Stompin' Grounds
180 bpm • F# Maj • 03:02 • -6db
22% Popularity • 56% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Cold Creek County
Till the Wheels Come Off
180 bpm • C# Maj • 03:13 • -5db
19% Popularity • 49% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Jerrod Niemann
Buzz Back Girl
180 bpm • C Maj • 03:10 • -6.81db
21% Popularity • 60% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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The Swon Brothers
Later On
180 bpm • D Maj • 03:37 • -3db
32% Popularity • 41% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Michael Ray
Look Like This
164 bpm • C# Maj • 03:13 • -4.39db
21% Popularity • 53% Danceability • 84% Energy • 10% Liveness
2% Instrumentalness • 60% Positiveness
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Bryson Jennings
Young Nights
164 bpm • A# Maj • 03:14 • -3db
9% Popularity • 54% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Luke Bryan
My Ol' Bronco
164 bpm • E Maj • 03:13 • -4.28db
35% Popularity • 42% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Clark Manson
3 Wishes
164 bpm • G Maj • 03:10 • -6db
14% Popularity • 46% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Easton Corbin
Guys And Girls
164 bpm • F Maj • 03:48 • -6db
26% Popularity • 63% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Craig Campbell
See You Try
164 bpm • E Maj • 03:02 • -5.42db
32% Popularity • 56% Danceability • 78% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
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Big & Rich
Look at You
164 bpm • B Maj • 03:43 • -5db
42% Popularity • 50% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Joey Hyde
Get It On
164 bpm • G# Maj • 03:08 • -4db
11% Popularity • 54% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Jordan Rager
Whatever
164 bpm • C Maj • 03:01 • -5.83db
13% Popularity • 48% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Adam Craig
It's All Good
164 bpm • D# Maj • 03:29 • -3.93db
17% Popularity • 53% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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The Swon Brothers
Dwight Trashed
164 bpm • G# Maj • 02:59 • -3.67db
13% Popularity • 52% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Old Dominion
We Got It Right
164 bpm • B Maj • 03:15 • -7db
33% Popularity • 60% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Cold Creek County
Homemade
164 bpm • A# Maj • 03:19 • -4.01db
24% Popularity • 44% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Kristian Bush
Light Me Up
164 bpm • C Maj • 03:33 • -3db
14% Popularity • 42% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Johnny T
Do It Like This (Bonus Track)
164 bpm • F Maj • 03:11 • -4db
8% Popularity • 57% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Waterloo Revival
Back to You
164 bpm • A# Maj • 03:40 • -6.39db
19% Popularity • 46% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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JT Hodges
Wrong Side of the Bed
164 bpm • A Maj • 03:29 • -3db
7% Popularity • 48% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Josh Thompson
Down For A Get Down
164 bpm • D Maj • 02:30 • -4.2db
25% Popularity • 58% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
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Bobby Wills
Down By The River
164 bpm • C Maj • 03:45 • -4db
27% Popularity • 50% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Matt Stillwell
Ignition
182 bpm • B Maj • 03:21 • -5.14db
15% Popularity • 34% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Due West
Things You Can't Do In A Car
162 bpm • F Maj • 03:12 • -5.35db
13% Popularity • 57% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Keith Walker
Me Too
162 bpm • G Maj • 03:18 • -6db
13% Popularity • 54% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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JT Hodges
Give It One More Night
164 bpm • G Maj • 03:39 • -6.13db
5% Popularity • 45% Danceability • 71% Energy • 8% Liveness
1% Instrumentalness • 24% Positiveness
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Andrew Hyatt
Love Drunk
162 bpm • A# Maj • 03:55 • -4db
16% Popularity • 34% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Eric Paslay
Young Forever
162 bpm • C Maj • 03:17 • -5.39db
40% Popularity • 55% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Petric
Band of Brothers
162 bpm • G Maj • 03:03 • -4.24db
9% Popularity • 48% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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John King
On Your Lips
162 bpm • C# Maj • 03:23 • -3.76db
10% Popularity • 42% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Florida Georgia Line
Angel
162 bpm • E min • 03:30 • -3.74db
36% Popularity • 41% Danceability • 96% Energy • 39% Liveness
0% Instrumentalness • 46% Positiveness
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Brett Kissel
Started with a Song
184 bpm • D Maj • 04:18 • -5.98db
28% Popularity • 40% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Brett Eldredge
On and On
184 bpm • G# Maj • 03:08 • -6db
34% Popularity • 68% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Canaan Smith
This Night Back
160 bpm • A Maj • 03:04 • -5db
41% Popularity • 58% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Jordan Rager
One of the Good Ones
160 bpm • E Maj • 03:06 • -5db
28% Popularity • 50% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Cole Taylor
Side to Side
160 bpm • D# Maj • 03:43 • -4.27db
9% Popularity • 52% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Florida Georgia Line
Good Good
160 bpm • B Maj • 03:16 • -3.7db
48% Popularity • 48% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Chuck Wicks
Watcha Got Girl
160 bpm • D Maj • 03:01 • -5.11db
7% Popularity • 55% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Josh Thompson
Comin' Around
160 bpm • A Maj • 02:58 • -4.32db
24% Popularity • 46% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
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JT Hodges
Let's Be Ghosts
160 bpm • B Maj • 03:17 • -5.54db
13% Popularity • 57% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Jerrod Niemann
Beach Baby
186 bpm • C Maj • 03:11 • -6.08db
16% Popularity • 55% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Colt Ford
Crickets
186 bpm • D Maj • 03:09 • -3.28db
28% Popularity • 43% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Casey James
Let's Don't Call It a Night
187 bpm • F min • 03:25 • -4db
25% Popularity • 59% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Brett Kissel
Raise Your Glass
158 bpm • C Maj • 03:51 • -5db
23% Popularity • 56% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Josh Dorr
Rocket - Single
158 bpm • E Maj • 03:36 • -4.45db
14% Popularity • 48% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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JT Hodges
Rhythm Of The Radio
160 bpm • C Maj • 03:14 • -5.89db
4% Popularity • 51% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Josh Thompson
Wanted Me Gone
158 bpm • G Maj • 03:11 • -5db
21% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Johnny T
Let Me Know
158 bpm • C# Maj • 03:07 • -5.13db
15% Popularity • 60% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Timmy Brown
Lil Bit
158 bpm • F Maj • 03:04 • -3.93db
21% Popularity • 46% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Outshyne
Reckless
158 bpm • C min • 03:45 • -6db
8% Popularity • 51% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Clark Manson
I'm on It
158 bpm • F Maj • 03:33 • -5.08db
9% Popularity • 47% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Brett Eldredge
Lose It All
158 bpm • C Maj • 03:40 • -7db
26% Popularity • 50% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Chase Bryant
Take it On Back
158 bpm • D Maj • 04:06 • -5.38db
40% Popularity • 56% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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The Washboard Union
Maybe It's The Moonshine
188 bpm • E Maj • 02:52 • -4.34db
21% Popularity • 46% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Joel Crouse
Why God Made Love Songs - Single Version
188 bpm • C Maj • 03:32 • -4db
15% Popularity • 50% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Outshyne
Dirt Road Romance
188 bpm • C Maj • 02:39 • -5.78db
18% Popularity • 44% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Michael Ray
Another Girl
188 bpm • D Maj • 03:00 • -3.23db
22% Popularity • 45% Danceability • 97% Energy • 8% Liveness
5% Instrumentalness • 68% Positiveness
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Casey James
Fall Apart
157 bpm • C Maj • 03:23 • -4.4db
21% Popularity • 25% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Luke Bryan
Corner Booth
156 bpm • C Maj • 03:18 • -2.99db
31% Popularity • 51% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Jerrod Niemann
Come On, Come On
156 bpm • E Maj • 03:19 • -8.35db
12% Popularity • 62% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Adam Sanders
Nothin' to Do but Drink
156 bpm • E Maj • 03:16 • -4.55db
38% Popularity • 50% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Glen Templeton
Sing That Song Again
156 bpm • D# Maj • 03:20 • -2db
13% Popularity • 43% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Chuck Wicks
Salt Life
156 bpm • E Maj • 03:15 • -6db
23% Popularity • 64% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Already High