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Alright
Songs like
Alright (feat. Russell Dickerson)
by
Clara Mae
Based on a tempo of (+/- 10%) and a similar genre
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Clara Mae
Alright
147 bpm • F# Maj • 02:41 • -4.94db
45% Popularity • 54% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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shy martin
Lose You Too
147 bpm • G Maj • 03:06 • -9.16db
48% Popularity • 44% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
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AUSTN
In Betweenin'
147 bpm • D Maj • 03:12 • -4.83db
53% Popularity • 70% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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The Band CAMINO
Crying Over You
147 bpm • B Maj • 02:58 • -8.25db
53% Popularity • 46% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
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Elina
Paper Planes
148 bpm • C# Maj • 03:19 • -12.48db
56% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Russell Dickerson
All Yours, All Night
146 bpm • C Maj • 03:06 • -5db
41% Popularity • 54% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Clara Mae
Alright - Stripped
147 bpm • F# Maj • 02:37 • -8.69db
31% Popularity • 56% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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LANY
if this is the last time
148 bpm • B Maj • 03:23 • -7.73db
64% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Stanaj
Love Me
145 bpm • D# Maj • 02:43 • -6.01db
36% Popularity • 56% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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CHASE WRIGHT
Wish You'd Miss Me
146 bpm • E min • 03:22 • -5db
52% Popularity • 42% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Gryffin
Cry
145 bpm • C# Maj • 03:38 • -7.09db
44% Popularity • 46% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Russell Dickerson
Waiting For You
146 bpm • G Maj • 03:41 • -6db
43% Popularity • 56% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Kelsea Ballerini
the way i used to
145 bpm • F# Maj • 03:15 • -4.66db
46% Popularity • 65% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Clara Mae
Thank God These Walls Can’t Talk
148 bpm • D# Maj • 02:35 • -7.51db
36% Popularity • 67% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Carlie Hanson
Daze Inn
149 bpm • C Maj • 02:38 • -5.33db
43% Popularity • 64% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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Jimmie Allen
This Is Us
145 bpm • A Maj • 03:25 • -4.62db
48% Popularity • 56% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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Alex Porat
happy for you
145 bpm • F# Maj • 03:00 • -6.82db
37% Popularity • 66% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Russell Dickerson
Waiting For You - Acoustic
146 bpm • C Maj • 03:05 • -9.28db
36% Popularity • 56% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Twin Tides
Risk It All
145 bpm • B Maj • 04:10 • -11db
25% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Etham
Opposite Of Loving Me - Stripped
145 bpm • G min • 03:31 • -10.83db
46% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Delaney Jane
Safe With You
145 bpm • A# min • 03:08 • -7db
36% Popularity • 63% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Ashley Kutcher
Love You From a Distance
149 bpm • E Maj • 03:24 • -8.65db
67% Popularity • 33% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Clinton Kane
remember the mornings
149 bpm • C Maj • 03:22 • -5.66db
49% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Sophie Cates
crowd
144 bpm • D Maj • 02:46 • -6.31db
35% Popularity • 47% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Beren Olivia
Read My Mind
150 bpm • D Maj • 02:58 • -9.2db
41% Popularity • 53% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Sunnery James & Ryan Marciano
The One That Got Away [ANR153] - Dyna Re...
150 bpm • F min • 02:55 • -6.61db
0% Popularity • 64% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
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Fly By Midnight
Tomorrow
150 bpm • D Maj • 03:05 • -6db
56% Popularity • 57% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Chris Lane
Big, Big Plans
150 bpm • G Maj • 03:07 • -6.09db
65% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Alesso
Midnight
144 bpm • B min • 03:40 • -6.93db
59% Popularity • 59% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Alexander Stewart
24 Hours
144 bpm • A# Maj • 03:18 • -7db
47% Popularity • 51% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Beren Olivia
Hurt Again
144 bpm • A min • 03:00 • -7.72db
30% Popularity • 68% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Sunnery James & Ryan Marciano
The One That Got Away - Dyna Remix
150 bpm • C# Maj • 03:27 • -7.26db
7% Popularity • 71% Danceability • 76% Energy • 7% Liveness
1% Instrumentalness • 15% Positiveness
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Tyler Rich
Better Than You’re Used To
144 bpm • A# Maj • 03:18 • -5db
51% Popularity • 59% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Fly By Midnight
Drove You Away
150 bpm • B Maj • 03:15 • -9.11db
39% Popularity • 65% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Shallou
Older
143 bpm • D Maj • 03:37 • -8.26db
49% Popularity • 55% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Carlie Hanson
Back in My Arms
150 bpm • C# min • 03:15 • -4.85db
44% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Gabby Barrett
Footprints On The Moon
152 bpm • G# min • 03:10 • -4.98db
47% Popularity • 51% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Ellie Goulding
Slow Grenade
142 bpm • A Maj • 03:37 • -6.5db
46% Popularity • 76% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Russell Dickerson
Love You Like I Used To
152 bpm • A# Maj • 03:06 • -5db
56% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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shy martin
Slow
142 bpm • D Maj • 02:43 • -9.51db
58% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Brett Young
Not Over You - Recorded at Sound Stage S...
142 bpm • G Maj • 03:35 • -6.88db
47% Popularity • 60% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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carobae
Part of Me
142 bpm • C# min • 03:02 • -7db
24% Popularity • 67% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
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LOKRE
Stop Runnin'
141 bpm • B Maj • 03:27 • -7db
33% Popularity • 34% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Devin Dawson
Whatever Forever Is
154 bpm • G# Maj • 03:37 • -6.02db
37% Popularity • 64% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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remme
half a world away
141 bpm • D Maj • 03:27 • -8db
47% Popularity • 56% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
67% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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FINMAR
Breakable
140 bpm • G# Maj • 03:03 • -7.55db
36% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Conor Matthews
How Many Times Can a Heart Break
140 bpm • C Maj • 03:05 • -7db
31% Popularity • 33% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Diplo
Hometown
140 bpm • A Maj • 03:35 • -7.25db
40% Popularity • 63% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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PARRIS MITCHELL
bad place
140 bpm • B Maj • 03:22 • -8.99db
18% Popularity • 75% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Hannah Jane Lewis
Love Letters
140 bpm • G# Maj • 03:12 • -4db
22% Popularity • 63% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Tate McRae
r u ok
140 bpm • D Maj • 03:07 • -5.89db
61% Popularity • 66% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Carlie Hanson
Hazel
140 bpm • D Maj • 03:21 • -5.85db
34% Popularity • 64% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Blake Rose
Best of Me
140 bpm • G Maj • 03:33 • -7db
45% Popularity • 48% Danceability • 78% Energy • 46% Liveness
0% Instrumentalness • 25% Positiveness
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Peter Thomas
If You're Happy Now
140 bpm • A Maj • 03:33 • -8db
25% Popularity • 74% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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shy martin
Are you happy?
139 bpm • A min • 02:37 • -7.66db
60% Popularity • 63% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 30% Positiveness
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A N X
Sweatshirt (Don't Let Go)
139 bpm • F# Maj • 04:53 • -8db
29% Popularity • 73% Danceability • 45% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Tate McRae
rubberband
155 bpm • A# Maj • 02:27 • -8.91db
67% Popularity • 64% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Jeremy Zucker
you were good to me - shallou remix
156 bpm • D Maj • 03:49 • -9.2db
44% Popularity • 36% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
60% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Brett Young
Catch
156 bpm • D Maj • 03:16 • -6.34db
61% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Jonny Glenn
Don't Wanna Let You Down
156 bpm • F# Maj • 02:46 • -6.84db
29% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Alec Benjamin
Oh My God
156 bpm • F min • 03:07 • -7.24db
58% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Tate McRae
bad ones
139 bpm • F# Maj • 03:03 • -11.88db
59% Popularity • 69% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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benny blanco
Unlearn
138 bpm • A# min • 02:34 • -12.27db
54% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Fly By Midnight
Tragedy
138 bpm • F Maj • 02:29 • -5db
52% Popularity • 65% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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shy martin
Break With Me
138 bpm • F Maj • 02:35 • -10.31db
42% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Sarah Barrios
Help
138 bpm • F Maj • 03:11 • -9.91db
23% Popularity • 59% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Daya
Montana
138 bpm • D Maj • 03:23 • -7db
45% Popularity • 60% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Heather Sommer
you heard me
137 bpm • F# min • 02:58 • -7.01db
53% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Maren Morris
Just for Now
138 bpm • G# Maj • 04:00 • -5.1db
39% Popularity • 56% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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CVBZ
Feel Like You’re Mine (Taigo Remix)
159 bpm • C Maj • 03:23 • -5db
34% Popularity • 41% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
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BANNERS
If I Didn't Have You
136 bpm • F Maj • 03:45 • -8db
46% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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LANY
heart won't let me
136 bpm • C Maj • 03:19 • -8.06db
57% Popularity • 61% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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JP Saxe
The Few Things (With Charlotte Lawrence)
136 bpm • G Maj • 03:31 • -10.45db
61% Popularity • 54% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Heather Sommer
talking in my sleep
158 bpm • G# Maj • 02:34 • -5.38db
47% Popularity • 69% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Rhys Lewis
No Right To Love You
159 bpm • C# Maj • 03:58 • -8.15db
48% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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CHASE WRIGHT
Lying with You
160 bpm • C# Maj • 02:59 • -3db
51% Popularity • 48% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Fly By Midnight
Lovely
160 bpm • C Maj • 02:56 • -6.8db
52% Popularity • 55% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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shy martin
Nobody Likes Moving On
160 bpm • B Maj • 02:46 • -10.78db
46% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Caly Bevier
Hate U Sometimes
135 bpm • G# Maj • 02:59 • -8.9db
30% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Clara Mae
Crash
160 bpm • F# Maj • 03:10 • -7db
41% Popularity • 36% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Sophia Scott
She Ain't Me
160 bpm • D Maj • 03:16 • -17db
49% Popularity • 51% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Quinn Lewis
Back Then
135 bpm • D Maj • 03:08 • -8.99db
12% Popularity • 74% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Fly By Midnight
Lovely
160 bpm • C Maj • 02:56 • -7.34db
31% Popularity • 53% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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shy martin
Remember you were the one
160 bpm • C min • 02:52 • -7db
34% Popularity • 63% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Declan J Donovan
Numb
135 bpm • C Maj • 03:31 • -5.45db
36% Popularity • 60% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Carlie Hanson
WYA
160 bpm • C# Maj • 03:11 • -4.38db
42% Popularity • 59% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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Joel Adams
Someone to Love
160 bpm • C Maj • 02:52 • -7.06db
45% Popularity • 52% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Tyler Rich
Still Love You
135 bpm • D Maj • 03:00 • -5.53db
36% Popularity • 69% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Laur Elle
Wallflower
135 bpm • D Maj • 03:23 • -7.12db
33% Popularity • 73% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Russell Dickerson
Yours
134 bpm • B Maj • 03:36 • -6db
66% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Isaiah Firebrace
What Happened to Us
162 bpm • C Maj • 03:07 • -5.72db
45% Popularity • 60% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Devin Dawson
Placebo - Songs in the Key of F; Live
133 bpm • G# Maj • 03:11 • -5.82db
30% Popularity • 70% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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shy martin
Out of My Hands
133 bpm • F min • 03:23 • -6.58db
44% Popularity • 65% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Fly By Midnight
Lost Without You
163 bpm • C Maj • 02:45 • -9.8db
55% Popularity • 63% Danceability • 66% Energy • 55% Liveness
0% Instrumentalness • 66% Positiveness
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Alexander 23
Nothing's the Same
133 bpm • B Maj • 02:55 • -12db
51% Popularity • 74% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Russell Dickerson
Yours - Wedding Edition
134 bpm • B Maj • 03:36 • -7.97db
54% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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CHASE WRIGHT
Intertwined
132 bpm • G# Maj • 03:02 • -5.61db
39% Popularity • 49% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Beren Olivia
History
132 bpm • F Maj • 03:22 • -6.75db
33% Popularity • 68% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Alright