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Also sprach Zarathustra
Songs like
Also sprach Zarathustra
by
Deodato
Based on a tempo of (+/- 10%) and a similar genre
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Piero Umiliani
Mah NÃ Mah NÃ
101 bpm • C Maj • 01:56 • -10.83db
40% Popularity • 75% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 82% Positiveness
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Luiz Bonfá
Saturday In Rio
101 bpm • D Maj • 02:55 • -8.4db
4% Popularity • 49% Danceability • 50% Energy • 17% Liveness
93% Instrumentalness • 86% Positiveness
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Chico Hamilton
Got My Mojo Working (But It Just Won't W...
101 bpm • C Maj • 03:06 • -7db
18% Popularity • 50% Danceability • 77% Energy • 41% Liveness
0% Instrumentalness • 69% Positiveness
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Abdullah Ibrahim
Soweto
101 bpm • C# min • 04:07 • -9.5db
30% Popularity • 53% Danceability • 61% Energy • 10% Liveness
89% Instrumentalness • 39% Positiveness
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Johnny Lytle
Selim
101 bpm • F Maj • 03:32 • -10.93db
9% Popularity • 59% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Charles Williams
Booger Bear
101 bpm • C# Maj • 04:50 • -13.84db
7% Popularity • 72% Danceability • 66% Energy • 10% Liveness
72% Instrumentalness • 96% Positiveness
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Deodato
Also sprach Zarathustra
101 bpm • F Maj • 09:01 • -15.11db
28% Popularity • 58% Danceability • 53% Energy • 11% Liveness
59% Instrumentalness • 58% Positiveness
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Luiz Bonfá
O Ganso
101 bpm • F Maj • 01:25 • -10.25db
7% Popularity • 51% Danceability • 43% Energy • 23% Liveness
96% Instrumentalness • 67% Positiveness
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Mandingo
Black Rite - 1999 Remaster
101 bpm • C# Maj • 04:15 • -9.04db
8% Popularity • 48% Danceability • 88% Energy • 19% Liveness
1% Instrumentalness • 56% Positiveness
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Booker T. Jones
Everything Is Everything
101 bpm • A Maj • 04:35 • -5.26db
31% Popularity • 64% Danceability • 87% Energy • 10% Liveness
49% Instrumentalness • 82% Positiveness
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Chuck Mangione
Hill Where The Lord Hides
101 bpm • A# min • 03:57 • -12.28db
29% Popularity • 65% Danceability • 66% Energy • 92% Liveness
23% Instrumentalness • 85% Positiveness
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The Headhunters
If You've Got It, You'll Get It
101 bpm • G Maj • 06:27 • -9.07db
18% Popularity • 65% Danceability • 80% Energy • 22% Liveness
4% Instrumentalness • 68% Positiveness
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Idris Muhammad
Say What
101 bpm • G Maj • 03:59 • -7.05db
26% Popularity • 85% Danceability • 66% Energy • 9% Liveness
72% Instrumentalness • 93% Positiveness
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Junior Mance
Don't Cha Hear Me Callin' to Ya
101 bpm • D min • 05:06 • -11db
24% Popularity • 41% Danceability • 69% Energy • 10% Liveness
78% Instrumentalness • 80% Positiveness
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Deodato
Rhapsody In Blue
101 bpm • F Maj • 08:45 • -12.79db
22% Popularity • 54% Danceability • 69% Energy • 10% Liveness
58% Instrumentalness • 70% Positiveness
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Spyro Gyra
Morning Dance
102 bpm • A# min • 03:56 • -7.28db
51% Popularity • 70% Danceability • 78% Energy • 10% Liveness
65% Instrumentalness • 84% Positiveness
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Incredible Bongo Band
Let There Be Drums
102 bpm • F# Maj • 02:41 • -12.41db
32% Popularity • 55% Danceability • 74% Energy • 10% Liveness
92% Instrumentalness • 52% Positiveness
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The Mohawks
Beat Me Till I'm Blue
100 bpm • C# Maj • 02:36 • -10db
33% Popularity • 70% Danceability • 82% Energy • 14% Liveness
46% Instrumentalness • 80% Positiveness
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Paul Desmond
Mrs. Robinson
102 bpm • C# Maj • 02:40 • -15.24db
48% Popularity • 53% Danceability • 37% Energy • 14% Liveness
53% Instrumentalness • 72% Positiveness
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Lonnie Liston Smith
Cosmic Funk
100 bpm • D Maj • 05:36 • -10.5db
17% Popularity • 55% Danceability • 78% Energy • 12% Liveness
7% Instrumentalness • 92% Positiveness
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Deodato
Moonlight Serenade
102 bpm • C Maj • 08:31 • -14.73db
17% Popularity • 54% Danceability • 57% Energy • 12% Liveness
45% Instrumentalness • 34% Positiveness
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Spyro Gyra
Morning Dance - Live In Lakeville, PA / ...
100 bpm • C Maj • 04:16 • -9.44db
31% Popularity • 57% Danceability • 56% Energy • 69% Liveness
84% Instrumentalness • 57% Positiveness
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Tony Monaco
Mozzarella
102 bpm • A# min • 06:52 • -9.48db
14% Popularity • 61% Danceability • 66% Energy • 9% Liveness
68% Instrumentalness • 89% Positiveness
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Stanley Clarke
The Dancer
100 bpm • A Maj • 05:24 • -14.63db
22% Popularity • 61% Danceability • 72% Energy • 6% Liveness
73% Instrumentalness • 92% Positiveness
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Bobbi Humphrey
Smiling Faces Sometimes
100 bpm • E min • 06:21 • -10.63db
18% Popularity • 55% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Timo Lassy
Where's the Man
100 bpm • A# Maj • 03:31 • -8.5db
11% Popularity • 69% Danceability • 60% Energy • 28% Liveness
2% Instrumentalness • 77% Positiveness
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Jack McDuff
Butter (For Yo' Popcorn)
99 bpm • C Maj • 04:08 • -8.52db
20% Popularity • 73% Danceability • 68% Energy • 7% Liveness
84% Instrumentalness • 90% Positiveness
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Harvey Mandel
Baby Batter
103 bpm • G Maj • 03:45 • -10db
12% Popularity • 62% Danceability • 74% Energy • 8% Liveness
51% Instrumentalness • 76% Positiveness
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Burt Bacharach
Bond Street
103 bpm • G min • 02:04 • -13.12db
23% Popularity • 72% Danceability • 58% Energy • 62% Liveness
81% Instrumentalness • 96% Positiveness
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The Filthy Six
Blind Man Boogaloo
99 bpm • F Maj • 04:53 • -8.37db
9% Popularity • 56% Danceability • 86% Energy • 14% Liveness
95% Instrumentalness • 96% Positiveness
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Tom Scott
Gotcha (Theme From "Starsky & Hutch")
99 bpm • G Maj • 03:36 • -10.78db
16% Popularity • 45% Danceability • 90% Energy • 29% Liveness
95% Instrumentalness • 78% Positiveness
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Deodato
September 13
99 bpm • G Maj • 05:56 • -15.83db
16% Popularity • 55% Danceability • 58% Energy • 10% Liveness
86% Instrumentalness • 95% Positiveness
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Hank Mobley
Recado Bossa Nova - Remastered 2005/Rudy...
103 bpm • C min • 08:11 • -7.86db
44% Popularity • 65% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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James Brown
Funky Drummer - Bonus Beat Reprise
99 bpm • A# min • 02:56 • -15.27db
29% Popularity • 77% Danceability • 52% Energy • 5% Liveness
68% Instrumentalness • 23% Positiveness
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Lafayette Gilchrist
Assume The Position
99 bpm • G# Maj • 06:32 • -5.44db
24% Popularity • 68% Danceability • 68% Energy • 9% Liveness
79% Instrumentalness • 77% Positiveness
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Ronnie Foster
On The Avenue
99 bpm • B min • 06:14 • -11db
30% Popularity • 59% Danceability • 67% Energy • 10% Liveness
83% Instrumentalness • 53% Positiveness
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Kip Hanrahan
India Song
99 bpm • C Maj • 04:16 • -11.13db
4% Popularity • 42% Danceability • 25% Energy • 10% Liveness
71% Instrumentalness • 11% Positiveness
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Bobbi Humphrey
Jasper Country Man
99 bpm • C# Maj • 05:16 • -14db
25% Popularity • 75% Danceability • 60% Energy • 7% Liveness
49% Instrumentalness • 85% Positiveness
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Jack Trombey
Underlay No.3
99 bpm • G# Maj • 04:02 • -7.83db
31% Popularity • 65% Danceability • 84% Energy • 8% Liveness
82% Instrumentalness • 52% Positiveness
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Average White Band
Work to Do
103 bpm • C# min • 04:20 • -7.04db
31% Popularity • 66% Danceability • 92% Energy • 50% Liveness
0% Instrumentalness • 76% Positiveness
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Luiz Bonfá
Please Help Me One More Time
104 bpm • F# min • 02:17 • -17.19db
3% Popularity • 15% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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THE TAKE VIBE E.P.
Golden Brown
104 bpm • C# Maj • 03:11 • -13.2db
44% Popularity • 40% Danceability • 44% Energy • 9% Liveness
83% Instrumentalness • 54% Positiveness
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Art Blakey
Cubano Chant (Art Blakey & the Jazz Mess...
98 bpm • A# min • 04:00 • -13.89db
16% Popularity • 59% Danceability • 60% Energy • 7% Liveness
9% Instrumentalness • 96% Positiveness
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Ronnie Laws
Always There
104 bpm • C# Maj • 04:54 • -12db
35% Popularity • 61% Danceability • 91% Energy • 11% Liveness
84% Instrumentalness • 71% Positiveness
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Jack McDuff
Theme From Electric Surfboard
98 bpm • F# Maj • 03:34 • -5.04db
16% Popularity • 50% Danceability • 65% Energy • 11% Liveness
59% Instrumentalness • 62% Positiveness
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Area Code 615
Stone Fox Chase
104 bpm • E min • 03:25 • -13db
29% Popularity • 64% Danceability • 71% Energy • 7% Liveness
84% Instrumentalness • 63% Positiveness
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Mel Brown
Son Of A Preacher Man
98 bpm • E Maj • 03:32 • -11.28db
8% Popularity • 52% Danceability • 65% Energy • 29% Liveness
21% Instrumentalness • 97% Positiveness
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Azymuth
Castelo - Version 1
104 bpm • C# Maj • 03:34 • -7db
34% Popularity • 61% Danceability • 94% Energy • 7% Liveness
80% Instrumentalness • 61% Positiveness
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Chico Hamilton
Abdullah And Abraham
98 bpm • G Maj • 04:16 • -12db
19% Popularity • 47% Danceability • 58% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
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Weather Report
Black Market
104 bpm • F min • 06:28 • -18db
29% Popularity • 38% Danceability • 54% Energy • 24% Liveness
22% Instrumentalness • 76% Positiveness
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Keith Mansfield
Funky Fanfare (Small Group)
98 bpm • C# Maj • 01:35 • -12.37db
23% Popularity • 73% Danceability • 69% Energy • 20% Liveness
18% Instrumentalness • 89% Positiveness
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Colman Brothers
Mr DG
98 bpm • A# min • 04:16 • -11.19db
27% Popularity • 70% Danceability • 78% Energy • 16% Liveness
93% Instrumentalness • 56% Positiveness
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Willis Jackson
Nuther'n Like Thuther'n
98 bpm • C Maj • 07:37 • -13.44db
20% Popularity • 52% Danceability • 46% Energy • 5% Liveness
73% Instrumentalness • 87% Positiveness
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New Cool Collective
Big Mondays
98 bpm • F min • 05:39 • -9.44db
16% Popularity • 72% Danceability • 68% Energy • 8% Liveness
49% Instrumentalness • 94% Positiveness
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Jack McDuff
Tobacco Road
104 bpm • F min • 02:56 • -16.48db
14% Popularity • 68% Danceability • 17% Energy • 10% Liveness
80% Instrumentalness • 43% Positiveness
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Weather Report
American Tango
98 bpm • A Maj • 03:39 • -11.57db
26% Popularity • 56% Danceability • 47% Energy • 9% Liveness
54% Instrumentalness • 13% Positiveness
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The Lounge Lizards
Harlem Nocturne
105 bpm • C min • 02:07 • -15.6db
31% Popularity • 53% Danceability • 25% Energy • 10% Liveness
83% Instrumentalness • 49% Positiveness
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Ahmad Jamal
Blue Moon
105 bpm • C Maj • 09:56 • -14.1db
10% Popularity • 54% Danceability • 55% Energy • 6% Liveness
86% Instrumentalness • 85% Positiveness
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The Blackbyrds
Reggins
98 bpm • F min • 04:05 • -12db
32% Popularity • 64% Danceability • 51% Energy • 7% Liveness
78% Instrumentalness • 93% Positiveness
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Deodato
Uncle Funk
97 bpm • F Maj • 06:29 • -11.69db
16% Popularity • 80% Danceability • 57% Energy • 6% Liveness
76% Instrumentalness • 93% Positiveness
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Azymuth
Dear Limmertz
105 bpm • F Maj • 04:31 • -12.57db
39% Popularity • 65% Danceability • 73% Energy • 16% Liveness
1% Instrumentalness • 71% Positiveness
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Ronnie Laws
Nothing To Lose
105 bpm • E min • 04:56 • -14.23db
21% Popularity • 46% Danceability • 79% Energy • 7% Liveness
82% Instrumentalness • 56% Positiveness
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Joe Farrell
Follow Your Heart
97 bpm • A Maj • 06:53 • -17db
12% Popularity • 43% Danceability • 30% Energy • 11% Liveness
51% Instrumentalness • 46% Positiveness
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Ronny Jordan
My Favourite Things
105 bpm • D# min • 05:34 • -15.57db
12% Popularity • 65% Danceability • 74% Energy • 13% Liveness
91% Instrumentalness • 66% Positiveness
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Alphonse Mouzon
Funky Snakefoot
105 bpm • C# Maj • 03:45 • -9.84db
34% Popularity • 70% Danceability • 89% Energy • 5% Liveness
64% Instrumentalness • 90% Positiveness
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Deodato
Prelude To The Afternoon Of A Faun
97 bpm • D min • 05:13 • -18.98db
11% Popularity • 40% Danceability • 36% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Vince Guaraldi
Ginza Samba - Remastered 1998
97 bpm • G# Maj • 05:26 • -14.13db
38% Popularity • 62% Danceability • 38% Energy • 23% Liveness
20% Instrumentalness • 82% Positiveness
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Idris Muhammad
Crap Apple
97 bpm • A# Maj • 05:10 • -7db
30% Popularity • 89% Danceability • 66% Energy • 12% Liveness
39% Instrumentalness • 89% Positiveness
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Eddy Louiss
Sentimental Feeling
97 bpm • D min • 04:53 • -12.83db
8% Popularity • 86% Danceability • 37% Energy • 11% Liveness
87% Instrumentalness • 72% Positiveness
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Dave Pike Set
Big Schlepp
105 bpm • G min • 04:05 • -15.19db
30% Popularity • 55% Danceability • 36% Energy • 10% Liveness
73% Instrumentalness • 78% Positiveness
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Black Heat
Chip's Funk
105 bpm • F Maj • 03:31 • -16.19db
12% Popularity • 60% Danceability • 58% Energy • 13% Liveness
87% Instrumentalness • 80% Positiveness
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Deodato
Speak Low
97 bpm • C Maj • 04:33 • -12.49db
24% Popularity • 73% Danceability • 65% Energy • 7% Liveness
83% Instrumentalness • 87% Positiveness
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The Freedom Sounds
Behold the Day
105 bpm • F# min • 04:49 • -12.5db
8% Popularity • 59% Danceability • 61% Energy • 18% Liveness
5% Instrumentalness • 79% Positiveness
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Alan Parker
Hot Pants
97 bpm • D Maj • 01:52 • -12db
16% Popularity • 56% Danceability • 61% Energy • 8% Liveness
91% Instrumentalness • 55% Positiveness
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Lou Donaldson
Pot Belly
97 bpm • F Maj • 08:11 • -12.17db
21% Popularity • 62% Danceability • 47% Energy • 7% Liveness
36% Instrumentalness • 39% Positiveness
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The J.B.'s
Hot Pants Road
105 bpm • A min • 02:45 • -12db
38% Popularity • 83% Danceability • 54% Energy • 5% Liveness
5% Instrumentalness • 95% Positiveness
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Ernest Ranglin
Congo Man
97 bpm • F min • 04:56 • -14db
33% Popularity • 66% Danceability • 52% Energy • 14% Liveness
89% Instrumentalness • 97% Positiveness
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Deodato
Os Grilos (crickets sing for Ana Maria)
97 bpm • A Maj • 02:18 • -8.29db
19% Popularity • 55% Danceability • 91% Energy • 10% Liveness
90% Instrumentalness • 97% Positiveness
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James Brown
The Chicken - Instrumental
97 bpm • G# Maj • 04:04 • -6.66db
29% Popularity • 72% Danceability • 56% Energy • 9% Liveness
74% Instrumentalness • 66% Positiveness
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Claude Bolling
Pop Mod
96 bpm • F Maj • 04:21 • -7.56db
14% Popularity • 58% Danceability • 81% Energy • 13% Liveness
36% Instrumentalness • 75% Positiveness
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Lou Donaldson
Rev. Moses
106 bpm • F Maj • 06:28 • -14.18db
14% Popularity • 70% Danceability • 51% Energy • 13% Liveness
4% Instrumentalness • 79% Positiveness
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Luiz Bonfá
The Gentle Rain - Solo Guitar I
96 bpm • C Maj • 03:06 • -24.72db
5% Popularity • 43% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
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Spyro Gyra
Catching the Sun
96 bpm • F Maj • 04:41 • -11.69db
44% Popularity • 68% Danceability • 50% Energy • 9% Liveness
14% Instrumentalness • 60% Positiveness
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Deodato
Pina Colada
106 bpm • F Maj • 05:55 • -13.93db
20% Popularity • 72% Danceability • 64% Energy • 6% Liveness
91% Instrumentalness • 91% Positiveness
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Preston Love
Chili Mac
106 bpm • G Maj • 03:38 • -9db
14% Popularity • 68% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Dave Pike Set
Walkin' Down the Highway in a Red Raw Eg...
106 bpm • G Maj • 03:27 • -9.35db
9% Popularity • 34% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Lou Donaldson
One Cylinder
106 bpm • C min • 06:49 • -19.26db
21% Popularity • 70% Danceability • 14% Energy • 7% Liveness
46% Instrumentalness • 27% Positiveness
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Gary Burton
Las Vegas Tango
96 bpm • E min • 06:30 • -12.25db
25% Popularity • 37% Danceability • 48% Energy • 11% Liveness
67% Instrumentalness • 28% Positiveness
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Solsonics
Jazz In The Present Tense
96 bpm • G# Maj • 04:18 • -12db
29% Popularity • 76% Danceability • 51% Energy • 11% Liveness
75% Instrumentalness • 61% Positiveness
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Deodato
Area Code 808
106 bpm • B min • 06:44 • -12.22db
20% Popularity • 49% Danceability • 68% Energy • 6% Liveness
92% Instrumentalness • 89% Positiveness
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Charles Mingus
II B.S. - Edit
106 bpm • C Maj • 04:48 • -10.63db
38% Popularity • 43% Danceability • 53% Energy • 10% Liveness
25% Instrumentalness • 70% Positiveness
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Dave Brubeck
Bossa Nova U.S.A.
106 bpm • F Maj • 02:24 • -19.49db
42% Popularity • 62% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 78% Positiveness
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David Sanborn
Butterfat
106 bpm • A Maj • 03:05 • -10.91db
12% Popularity • 78% Danceability • 77% Energy • 44% Liveness
6% Instrumentalness • 89% Positiveness
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Jack McDuff
Moon Rappin'
96 bpm • F# min • 06:21 • -8db
21% Popularity • 66% Danceability • 86% Energy • 9% Liveness
80% Instrumentalness • 79% Positiveness
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Darius Dante
Keep Ya Hands Up
96 bpm • A# min • 03:13 • -7.87db
3% Popularity • 72% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Afrique
House of the Rising Funk
96 bpm • F Maj • 03:20 • -10.43db
20% Popularity • 73% Danceability • 56% Energy • 11% Liveness
26% Instrumentalness • 66% Positiveness
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Gil Evans
Las Vegas Tango
96 bpm • A min • 06:35 • -14db
29% Popularity • 30% Danceability • 46% Energy • 12% Liveness
2% Instrumentalness • 29% Positiveness
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Alan Hawkshaw
Studio 69
106 bpm • F min • 01:54 • -11.47db
23% Popularity • 62% Danceability • 64% Energy • 28% Liveness
1% Instrumentalness • 96% Positiveness
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Antônio Carlos Jobim
Matita Perê
96 bpm • A Maj • 07:19 • -19.7db
7% Popularity • 31% Danceability • 16% Energy • 67% Liveness
0% Instrumentalness • 18% Positiveness
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Miles Davis
Fat Time (2022 Remaster)
96 bpm • C# Maj • 09:53 • -9.17db
20% Popularity • 46% Danceability • 60% Energy • 10% Liveness
33% Instrumentalness • 61% Positiveness
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Also sprach Zarathustra