Songs like Always on My Mind by Michael Bublé
Based on a tempo of (+/- 10%) and a similar genre
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Norah Jones
Unchained Melody
67 bpm • D Maj • 02:50 • -13.42db
60% Popularity • 31% Danceability • 24% Energy • 14% Liveness
75% Instrumentalness • 18% Positiveness
60% Popularity • 31% Danceability • 24% Energy • 14% Liveness
75% Instrumentalness • 18% Positiveness
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Michael Bublé
Young at Heart
67 bpm • G Maj • 03:42 • -7.99db
35% Popularity • 20% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 20% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
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Whitney Houston
I Will Always Love You
68 bpm • E Maj • 04:31 • -12.52db
77% Popularity • 33% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
77% Popularity • 33% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Billy Joel
Baby Grand
68 bpm • F Maj • 04:03 • -12db
48% Popularity • 34% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 34% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Lionel Currey
Up a Lazy River
66 bpm • G Maj • 04:00 • -12.61db
17% Popularity • 53% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 53% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
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Lionel Richie
Truly
68 bpm • C# Maj • 03:20 • -14db
63% Popularity • 37% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
63% Popularity • 37% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Adele
Make You Feel My Love
65 bpm • A# Maj • 03:32 • -10.64db
76% Popularity • 32% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
76% Popularity • 32% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Michael Bublé
Always on My Mind
67 bpm • D Maj • 04:29 • -15.5db
56% Popularity • 33% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 13% Positiveness
56% Popularity • 33% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 13% Positiveness
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Natalie Cole
Our Love Is Here To Stay
69 bpm • C Maj • 03:29 • -14.97db
49% Popularity • 40% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
49% Popularity • 40% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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CHRISTIAN PADOVAN
Love You
69 bpm • C Maj • 01:47 • -10.74db
31% Popularity • 44% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 44% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Melody Gardot
All That I Need Is Love
69 bpm • D Maj • 02:36 • -10db
52% Popularity • 68% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
52% Popularity • 68% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
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Mathilde Holtti
To Make You Feel My Love
70 bpm • A# Maj • 03:37 • -18.34db
51% Popularity • 49% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
51% Popularity • 49% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Billie Holiday
As Time Goes By
69 bpm • E min • 03:14 • -15.21db
55% Popularity • 59% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
55% Popularity • 59% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Franck Sarkissian
Dancing Stars
70 bpm • C# Maj • 02:28 • -9.95db
26% Popularity • 58% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
26% Popularity • 58% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Catherine Russell
Talk To Me
70 bpm • G min • 03:21 • -9db
37% Popularity • 66% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 66% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Louis Armstrong
La vie en rose - Single Version
70 bpm • C Maj • 03:23 • -16db
70% Popularity • 52% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
70% Popularity • 52% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Ray Charles
You Don't Know Me
71 bpm • D# Maj • 03:16 • -12.18db
53% Popularity • 23% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 23% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Dean Martin
You're Nobody 'Til Somebody Loves You - ...
64 bpm • C min • 02:13 • -17db
65% Popularity • 50% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
65% Popularity • 50% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Michael Bublé
La vie en rose
63 bpm • C Maj • 03:49 • -8.95db
52% Popularity • 46% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 46% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Diana Krall
Alone Again (Naturally)
71 bpm • F Maj • 03:50 • -11.82db
59% Popularity • 61% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
59% Popularity • 61% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Catherine Russell
Blue And Sentimental
71 bpm • F Maj • 03:07 • -11.39db
50% Popularity • 72% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
50% Popularity • 72% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Sarah Morgann
Through The Eyes Of Love
72 bpm • A# Maj • 04:49 • -18db
24% Popularity • 28% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 28% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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melissa elliotte
It Must Be Love
71 bpm • F min • 03:13 • -11.22db
31% Popularity • 62% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 62% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Alba Llibre Rius
Les Fulles Mortes
72 bpm • D min • 02:54 • -14db
25% Popularity • 52% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 52% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Erin Boheme
I’d Love To Be Your Last
72 bpm • G Maj • 03:39 • -8.16db
19% Popularity • 59% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 59% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Whitney Houston
Where Do Broken Hearts Go
62 bpm • D Maj • 04:37 • -12.17db
65% Popularity • 46% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
65% Popularity • 46% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Lionel Richie
Hello
62 bpm • A min • 04:06 • -15db
69% Popularity • 42% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
69% Popularity • 42% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
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Jacintha
Here's to Life
73 bpm • C min • 04:47 • -18.93db
44% Popularity • 38% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
44% Popularity • 38% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Norah Jones
Shoot The Moon
75 bpm • C Maj • 03:56 • -12.14db
58% Popularity • 59% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
58% Popularity • 59% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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James Ingram
How Do You Keep The Music Playing
75 bpm • C Maj • 04:14 • -16.06db
49% Popularity • 36% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
49% Popularity • 36% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Commodores
Three Times A Lady
75 bpm • G# Maj • 06:38 • -19.56db
56% Popularity • 49% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
56% Popularity • 49% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
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Melody Gardot
Worrisome Heart
75 bpm • D min • 04:21 • -14db
56% Popularity • 37% Danceability • 28% Energy • 18% Liveness
15% Instrumentalness • 21% Positiveness
56% Popularity • 37% Danceability • 28% Energy • 18% Liveness
15% Instrumentalness • 21% Positiveness
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Carpenters
Rainy Days And Mondays
75 bpm • A# Maj • 03:38 • -11.51db
62% Popularity • 35% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
62% Popularity • 35% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Michael Bublé
Kissing a Fool
75 bpm • F min • 04:36 • -11.88db
48% Popularity • 56% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 56% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Morris Albert
Feelings
75 bpm • E min • 04:59 • -14db
40% Popularity • 60% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 60% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Barry White
Just The Way You Are
75 bpm • A Maj • 04:49 • -14.63db
62% Popularity • 56% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
62% Popularity • 56% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Heather Rigdon
Heartbroken Me
75 bpm • G min • 02:50 • -13.97db
56% Popularity • 58% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
56% Popularity • 58% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Tyler Shaw
Lean on Me - ArtistsCAN
75 bpm • F Maj • 04:02 • -3.9db
43% Popularity • 54% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 54% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Jill Barber
Be My Man
76 bpm • A Maj • 03:00 • -11db
54% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
54% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Michael Bublé
God Only Knows
75 bpm • F# Maj • 04:15 • -15.63db
42% Popularity • 30% Danceability • 3% Energy • 10% Liveness
34% Instrumentalness • 28% Positiveness
42% Popularity • 30% Danceability • 3% Energy • 10% Liveness
34% Instrumentalness • 28% Positiveness
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Roberta Flack
Jesse
76 bpm • B Maj • 04:03 • -17.12db
33% Popularity • 20% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
33% Popularity • 20% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Norah Jones
What Am I To You?
76 bpm • C Maj • 03:30 • -9.18db
64% Popularity • 65% Danceability • 35% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
64% Popularity • 65% Danceability • 35% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
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Natalie Cole
The Very Thought Of You
76 bpm • C min • 04:16 • -16db
46% Popularity • 17% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 17% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Karrin Allyson
Everytime We Say Goodbye
76 bpm • C# Maj • 06:01 • -11.57db
44% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Melody Gardot
Your Heart Is As Black As Night
77 bpm • C min • 02:42 • -10.49db
52% Popularity • 37% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
52% Popularity • 37% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
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Michael Bublé
When You're Smiling
76 bpm • G# Maj • 02:50 • -4.2db
52% Popularity • 60% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 60% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Whitney Houston
Run to You
77 bpm • G# Maj • 04:24 • -10.21db
64% Popularity • 37% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
64% Popularity • 37% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Norah Jones
Come Away With Me
77 bpm • C Maj • 03:18 • -13.27db
74% Popularity • 44% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
74% Popularity • 44% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Paul Anka
My Way
77 bpm • G# Maj • 05:10 • -8.48db
39% Popularity • 39% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 39% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Louis Armstrong
What A Wonderful World
77 bpm • F Maj • 02:19 • -20.65db
77% Popularity • 27% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
77% Popularity • 27% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Heather Rigdon
My Mother Would Like You
78 bpm • B min • 04:05 • -12.05db
49% Popularity • 49% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
49% Popularity • 49% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Michael Bublé
Crazy Love
77 bpm • D Maj • 03:31 • -7.22db
54% Popularity • 42% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
54% Popularity • 42% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Perry Como
Feelings
78 bpm • E min • 03:33 • -14.6db
38% Popularity • 28% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
38% Popularity • 28% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
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Melody Gardot
Moon River
78 bpm • D Maj • 03:47 • -18.67db
47% Popularity • 27% Danceability • 10% Energy • 9% Liveness
16% Instrumentalness • 20% Positiveness
47% Popularity • 27% Danceability • 10% Energy • 9% Liveness
16% Instrumentalness • 20% Positiveness
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Andy Williams
Love Theme from "Romeo and Juliet" - A T...
78 bpm • A min • 02:33 • -13.85db
37% Popularity • 24% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 24% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Carla Bruni
Moon River
79 bpm • F Maj • 03:14 • -13.23db
60% Popularity • 32% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
60% Popularity • 32% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Steve Tyrell
I've Got a Crush On You
79 bpm • G Maj • 02:32 • -9.17db
54% Popularity • 57% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
54% Popularity • 57% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Michael Bublé
Help Me Make It Through the Night
79 bpm • D Maj • 03:42 • -5.21db
53% Popularity • 44% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
53% Popularity • 44% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Tony Bennett
Stranger In Paradise
79 bpm • F Maj • 05:00 • -9.09db
45% Popularity • 28% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
45% Popularity • 28% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
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Ray Charles
I Can't Stop Loving You
79 bpm • F Maj • 04:16 • -13.55db
61% Popularity • 31% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 31% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Dean Martin
I've Grown Accustomed To Her Face - Rema...
79 bpm • C Maj • 02:42 • -16db
51% Popularity • 57% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 57% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Kevin Spacey
The Curtain Falls
79 bpm • D# Maj • 03:41 • -11.27db
20% Popularity • 34% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 34% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Stevie Wonder
Isn't She Lovely (Arr. Harry Bradford)
80 bpm • D# Maj • 02:40 • -11.45db
17% Popularity • 31% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 31% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Heather Rigdon
I Miss You Like Paris
80 bpm • A Maj • 03:55 • -14.6db
51% Popularity • 44% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
51% Popularity • 44% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Annie Lennox
You Belong To Me
80 bpm • F Maj • 03:22 • -11.86db
38% Popularity • 44% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 44% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Erin Boheme
Someone To Love
80 bpm • B Maj • 04:05 • -17.12db
33% Popularity • 55% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 55% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Norah Jones
Carry On
80 bpm • A# Maj • 02:48 • -14.91db
68% Popularity • 55% Danceability • 22% Energy • 11% Liveness
21% Instrumentalness • 36% Positiveness
68% Popularity • 55% Danceability • 22% Energy • 11% Liveness
21% Instrumentalness • 36% Positiveness
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Sarah Menescal
Mercy Mercy Me (The Ecology)
80 bpm • C Maj • 02:51 • -13db
50% Popularity • 68% Danceability • 51% Energy • 26% Liveness
40% Instrumentalness • 77% Positiveness
50% Popularity • 68% Danceability • 51% Energy • 26% Liveness
40% Instrumentalness • 77% Positiveness
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Kaiak
Autumn Breeze
80 bpm • G Maj • 04:01 • -10.08db
30% Popularity • 59% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 59% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Doris Day
Be True to Me (Sabor a Mi)
81 bpm • A# Maj • 03:04 • -16db
37% Popularity • 56% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 56% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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John Denver
Perhaps Love
81 bpm • A Maj • 02:57 • -10.94db
50% Popularity • 39% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 39% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Jean Frye Sidwell
Smile - Charlie Chaplin, Turner & Parson...
81 bpm • C Maj • 04:31 • -16.65db
7% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
7% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Norah Jones
The Nearness Of You
81 bpm • C Maj • 03:07 • -14.72db
60% Popularity • 38% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
60% Popularity • 38% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Peggy Lee
I'm Confessin'
81 bpm • A min • 03:23 • -15.68db
37% Popularity • 69% Danceability • 8% Energy • 13% Liveness
1% Instrumentalness • 57% Positiveness
37% Popularity • 69% Danceability • 8% Energy • 13% Liveness
1% Instrumentalness • 57% Positiveness
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Emilie Schiøtt
Power to Choose
82 bpm • A# Maj • 03:02 • -12.75db
37% Popularity • 53% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 53% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Nat King Cole
Smile - Remastered 1992
82 bpm • G# Maj • 02:59 • -19.18db
62% Popularity • 21% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
62% Popularity • 21% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Renee Olstead
A Love That Will Last
82 bpm • B min • 03:32 • -11.03db
56% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
56% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Heather Rigdon
Everything to Me
82 bpm • G min • 04:05 • -13.14db
42% Popularity • 37% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
42% Popularity • 37% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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James Morrison
You Give Me Something (Refreshed)
82 bpm • C Maj • 04:03 • -4.56db
45% Popularity • 54% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 54% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Doris Day
Bewitched, Bothered and Bewildered
82 bpm • D min • 02:42 • -22db
36% Popularity • 28% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 28% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Carpenters
I Won't Last A Day Without You
82 bpm • D Maj • 03:52 • -13.19db
65% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
65% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Tom Jones
Let It Be Me
82 bpm • F Maj • 02:59 • -10.29db
46% Popularity • 41% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
46% Popularity • 41% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Barbra Streisand
It Had to Be You
82 bpm • F min • 04:22 • -7db
45% Popularity • 37% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
45% Popularity • 37% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Dennis van Aarssen
Superhero
82 bpm • D# Maj • 03:06 • -9db
29% Popularity • 40% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 40% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Julie London
Ev'ry Time We Say Goodbye
83 bpm • G min • 04:20 • -18.52db
41% Popularity • 30% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
41% Popularity • 30% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Ray Charles
It Had to Be You
83 bpm • D# Maj • 02:44 • -13db
51% Popularity • 50% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 50% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Joey Gian
Return To Me
83 bpm • A Maj • 02:30 • -19.4db
25% Popularity • 36% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 36% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Kat Edmonson
Oh My Love
82 bpm • B min • 02:46 • -11.56db
47% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
47% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Stevie Wonder
Overjoyed
83 bpm • A# Maj • 03:42 • -17.53db
59% Popularity • 22% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
59% Popularity • 22% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Joe Cocker
You Are So Beautiful
83 bpm • C# Maj • 02:39 • -10.94db
69% Popularity • 30% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
69% Popularity • 30% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Stacey Kent
What a Wonderful World
83 bpm • A Maj • 04:28 • -15.62db
53% Popularity • 56% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
53% Popularity • 56% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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Franck Sarkissian
A Date With You Crooner
84 bpm • D# min • 02:13 • -12.84db
34% Popularity • 61% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 61% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Peggy Lee
The Party's Over
84 bpm • A Maj • 03:18 • -22.95db
26% Popularity • 62% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 62% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Dinah Washington
Smoke Gets In Your Eyes
84 bpm • G# Maj • 03:24 • -11db
41% Popularity • 31% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 31% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Norah Jones
And Then There Was You
85 bpm • A# Maj • 03:05 • -20db
51% Popularity • 47% Danceability • 8% Energy • 8% Liveness
15% Instrumentalness • 15% Positiveness
51% Popularity • 47% Danceability • 8% Energy • 8% Liveness
15% Instrumentalness • 15% Positiveness
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Andy Williams
Where Do I Begin - Love Theme from "Love...
85 bpm • F# Maj • 03:09 • -10.19db
54% Popularity • 26% Danceability • 47% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
54% Popularity • 26% Danceability • 47% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
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Marcela Mangabeira
You´re Beautiful (Bossa Version)
85 bpm • D Maj • 03:05 • -16db
49% Popularity • 61% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
49% Popularity • 61% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Emilie Schiøtt
A Tiny Little Light
85 bpm • C Maj • 02:55 • -10.81db
48% Popularity • 65% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 65% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
