Songs like Always with Me, Always with You by Joe Satriani
Based on a tempo of (+/- 10%) and a similar genre
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Tony MacAlpine
Man in a Metal Cage
135 bpm • B min • 04:19 • -4.18db
26% Popularity • 27% Danceability • 96% Energy • 36% Liveness
85% Instrumentalness • 22% Positiveness
26% Popularity • 27% Danceability • 96% Energy • 36% Liveness
85% Instrumentalness • 22% Positiveness
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Joe Satriani
All Alone
136 bpm • A min • 04:22 • -8.35db
30% Popularity • 56% Danceability • 46% Energy • 20% Liveness
74% Instrumentalness • 44% Positiveness
30% Popularity • 56% Danceability • 46% Energy • 20% Liveness
74% Instrumentalness • 44% Positiveness
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Joey Tafolla
Out of the Sun
136 bpm • E min • 02:58 • -10.67db
13% Popularity • 24% Danceability • 86% Energy • 14% Liveness
91% Instrumentalness • 20% Positiveness
13% Popularity • 24% Danceability • 86% Energy • 14% Liveness
91% Instrumentalness • 20% Positiveness
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Extreme
Decadence Dance
136 bpm • C# Maj • 06:49 • -9.32db
41% Popularity • 46% Danceability • 89% Energy • 36% Liveness
27% Instrumentalness • 26% Positiveness
41% Popularity • 46% Danceability • 89% Energy • 36% Liveness
27% Instrumentalness • 26% Positiveness
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Chickenfoot
Get It Up
136 bpm • B min • 04:41 • -4.87db
21% Popularity • 49% Danceability • 94% Energy • 39% Liveness
2% Instrumentalness • 48% Positiveness
21% Popularity • 49% Danceability • 94% Energy • 39% Liveness
2% Instrumentalness • 48% Positiveness
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John Petrucci
Damage Control
136 bpm • D Maj • 09:15 • -4.52db
33% Popularity • 43% Danceability • 91% Energy • 8% Liveness
88% Instrumentalness • 44% Positiveness
33% Popularity • 43% Danceability • 91% Energy • 8% Liveness
88% Instrumentalness • 44% Positiveness
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Jack Thammarat
Before Its Too Late
134 bpm • E min • 05:44 • -7.45db
24% Popularity • 51% Danceability • 58% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
24% Popularity • 51% Danceability • 58% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
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Flying Colors
Bombs Away
134 bpm • E min • 05:02 • -6.08db
21% Popularity • 44% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 44% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Blues Saraceno
Before The Storm
133 bpm • E min • 04:35 • -10.64db
16% Popularity • 38% Danceability • 76% Energy • 7% Liveness
88% Instrumentalness • 67% Positiveness
16% Popularity • 38% Danceability • 76% Energy • 7% Liveness
88% Instrumentalness • 67% Positiveness
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Extreme
Take Us Alive
136 bpm • B Maj • 03:23 • -6.44db
26% Popularity • 55% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 55% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Chickenfoot
Avenida Revolucion
136 bpm • B min • 05:58 • -4.89db
19% Popularity • 50% Danceability • 96% Energy • 32% Liveness
1% Instrumentalness • 29% Positiveness
19% Popularity • 50% Danceability • 96% Energy • 32% Liveness
1% Instrumentalness • 29% Positiveness
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Steve Vai
The Audience Is Listening
133 bpm • A Maj • 05:29 • -8.52db
36% Popularity • 43% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 43% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
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Michael Angelo Batio
No Boundaries
133 bpm • G min • 03:43 • -10.28db
34% Popularity • 18% Danceability • 88% Energy • 13% Liveness
60% Instrumentalness • 40% Positiveness
34% Popularity • 18% Danceability • 88% Energy • 13% Liveness
60% Instrumentalness • 40% Positiveness
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Joe Satriani
Echo
137 bpm • E min • 05:40 • -7.31db
33% Popularity • 71% Danceability • 60% Energy • 9% Liveness
73% Instrumentalness • 66% Positiveness
33% Popularity • 71% Danceability • 60% Energy • 9% Liveness
73% Instrumentalness • 66% Positiveness
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Michael Lee Firkins
Trinity Road
137 bpm • C Maj • 05:12 • -11.01db
12% Popularity • 53% Danceability • 33% Energy • 19% Liveness
38% Instrumentalness • 19% Positiveness
12% Popularity • 53% Danceability • 33% Energy • 19% Liveness
38% Instrumentalness • 19% Positiveness
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Bumblefoot
Cintaku
133 bpm • C# min • 04:47 • -6db
30% Popularity • 57% Danceability • 88% Energy • 9% Liveness
44% Instrumentalness • 35% Positiveness
30% Popularity • 57% Danceability • 88% Energy • 9% Liveness
44% Instrumentalness • 35% Positiveness
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Chickenfoot
My Kinda Girl
133 bpm • G Maj • 04:35 • -4.37db
26% Popularity • 48% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 48% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Jan Cyrka
Hairy Times
137 bpm • E Maj • 02:17 • -4.32db
30% Popularity • 39% Danceability • 84% Energy • 13% Liveness
78% Instrumentalness • 43% Positiveness
30% Popularity • 39% Danceability • 84% Energy • 13% Liveness
78% Instrumentalness • 43% Positiveness
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Neal Schon
The Theme
137 bpm • C Maj • 09:41 • -14.02db
10% Popularity • 48% Danceability • 49% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
10% Popularity • 48% Danceability • 49% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Liquid Tension Experiment
Paradigm Shift
137 bpm • G Maj • 08:55 • -3db
38% Popularity • 30% Danceability • 91% Energy • 40% Liveness
88% Instrumentalness • 65% Positiveness
38% Popularity • 30% Danceability • 91% Energy • 40% Liveness
88% Instrumentalness • 65% Positiveness
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Skid Row
Little Wing
133 bpm • G Maj • 03:19 • -7.76db
46% Popularity • 34% Danceability • 44% Energy • 5% Liveness
1% Instrumentalness • 37% Positiveness
46% Popularity • 34% Danceability • 44% Energy • 5% Liveness
1% Instrumentalness • 37% Positiveness
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John Petrucci
Truth - Live
137 bpm • G Maj • 09:48 • -11.41db
24% Popularity • 30% Danceability • 38% Energy • 85% Liveness
77% Instrumentalness • 22% Positiveness
24% Popularity • 30% Danceability • 38% Energy • 85% Liveness
77% Instrumentalness • 22% Positiveness
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King's X
Over My Head
132 bpm • A min • 04:47 • -7.17db
32% Popularity • 60% Danceability • 79% Energy • 63% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 60% Danceability • 79% Energy • 63% Liveness
0% Instrumentalness • 78% Positiveness
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Tony MacAlpine
Empire in the Sky (Intro)
138 bpm • F min • 00:57 • -17.11db
34% Popularity • 29% Danceability • 58% Energy • 43% Liveness
90% Instrumentalness • 8% Positiveness
34% Popularity • 29% Danceability • 58% Energy • 43% Liveness
90% Instrumentalness • 8% Positiveness
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Steve Morse Band
The Introduction
138 bpm • E Maj • 02:54 • -15.06db
15% Popularity • 57% Danceability • 65% Energy • 15% Liveness
76% Instrumentalness • 53% Positiveness
15% Popularity • 57% Danceability • 65% Energy • 15% Liveness
76% Instrumentalness • 53% Positiveness
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Pete Thorn
In Good Company
138 bpm • B min • 04:17 • -8.1db
19% Popularity • 44% Danceability • 81% Energy • 11% Liveness
72% Instrumentalness • 40% Positiveness
19% Popularity • 44% Danceability • 81% Energy • 11% Liveness
72% Instrumentalness • 40% Positiveness
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Michael Angelo Batio
Wherever I May Roam
132 bpm • D# Maj • 05:31 • -5.95db
11% Popularity • 45% Danceability • 92% Energy • 7% Liveness
55% Instrumentalness • 27% Positiveness
11% Popularity • 45% Danceability • 92% Energy • 7% Liveness
55% Instrumentalness • 27% Positiveness
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Nili Brosh
Silence of Saturday
138 bpm • F# min • 04:55 • -7.61db
31% Popularity • 53% Danceability • 68% Energy • 13% Liveness
88% Instrumentalness • 42% Positiveness
31% Popularity • 53% Danceability • 68% Energy • 13% Liveness
88% Instrumentalness • 42% Positiveness
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David Lee Roth
Tell the Truth
138 bpm • D min • 05:18 • -10.61db
25% Popularity • 64% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 64% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Marty Friedman
Valley of Eternity
132 bpm • G Maj • 08:15 • -10.64db
28% Popularity • 36% Danceability • 46% Energy • 14% Liveness
82% Instrumentalness • 7% Positiveness
28% Popularity • 36% Danceability • 46% Energy • 14% Liveness
82% Instrumentalness • 7% Positiveness
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Andy Timmons
All Is Forgiven
132 bpm • G Maj • 04:32 • -9.9db
26% Popularity • 51% Danceability • 81% Energy • 10% Liveness
67% Instrumentalness • 32% Positiveness
26% Popularity • 51% Danceability • 81% Energy • 10% Liveness
67% Instrumentalness • 32% Positiveness
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Frank Gambale
Little Charmer
132 bpm • G Maj • 05:38 • -10.35db
24% Popularity • 60% Danceability • 74% Energy • 14% Liveness
89% Instrumentalness • 76% Positiveness
24% Popularity • 60% Danceability • 74% Energy • 14% Liveness
89% Instrumentalness • 76% Positiveness
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Michael Angelo Batio
Tribute To Randy
138 bpm • G# Maj • 06:07 • -5.27db
27% Popularity • 25% Danceability • 98% Energy • 36% Liveness
65% Instrumentalness • 23% Positiveness
27% Popularity • 25% Danceability • 98% Energy • 36% Liveness
65% Instrumentalness • 23% Positiveness
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Ayreon
Get Out! Now!
132 bpm • B min • 05:02 • -8.51db
22% Popularity • 60% Danceability • 85% Energy • 62% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 60% Danceability • 85% Energy • 62% Liveness
0% Instrumentalness • 43% Positiveness
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Blues Saraceno
A Lighter Sgade Of Plaid
131 bpm • G Maj • 04:07 • -7db
14% Popularity • 38% Danceability • 93% Energy • 7% Liveness
1% Instrumentalness • 54% Positiveness
14% Popularity • 38% Danceability • 93% Energy • 7% Liveness
1% Instrumentalness • 54% Positiveness
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Liquid Tension Experiment
Liquid Evolution
139 bpm • B min • 03:22 • -10.8db
32% Popularity • 55% Danceability • 59% Energy • 9% Liveness
79% Instrumentalness • 39% Positiveness
32% Popularity • 55% Danceability • 59% Energy • 9% Liveness
79% Instrumentalness • 39% Positiveness
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Carmine Appice
Where You Belong
131 bpm • D Maj • 06:23 • -7.87db
11% Popularity • 27% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 27% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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John 5
Beat It
139 bpm • D# min • 04:14 • -6.24db
34% Popularity • 52% Danceability • 73% Energy • 5% Liveness
90% Instrumentalness • 48% Positiveness
34% Popularity • 52% Danceability • 73% Energy • 5% Liveness
90% Instrumentalness • 48% Positiveness
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Steve Porcaro (Toto)
Any Colour You Like
131 bpm • C Maj • 04:11 • -9.36db
12% Popularity • 46% Danceability • 82% Energy • 35% Liveness
90% Instrumentalness • 46% Positiveness
12% Popularity • 46% Danceability • 82% Energy • 35% Liveness
90% Instrumentalness • 46% Positiveness
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George Lynch
Love Power from the Mama Head
131 bpm • C# min • 05:29 • -7.58db
19% Popularity • 45% Danceability • 94% Energy • 5% Liveness
92% Instrumentalness • 83% Positiveness
19% Popularity • 45% Danceability • 94% Energy • 5% Liveness
92% Instrumentalness • 83% Positiveness
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David Lee Roth
Tobacco Road (La Calle del Tabaco)
139 bpm • A min • 02:29 • -12.39db
42% Popularity • 44% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
42% Popularity • 44% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Joe Satriani
Secret Prayer
131 bpm • G# min • 04:27 • -6.95db
25% Popularity • 52% Danceability • 74% Energy • 11% Liveness
82% Instrumentalness • 45% Positiveness
25% Popularity • 52% Danceability • 74% Energy • 11% Liveness
82% Instrumentalness • 45% Positiveness
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Eric Johnson
S.R.V.
131 bpm • E Maj • 03:03 • -12db
40% Popularity • 60% Danceability • 64% Energy • 9% Liveness
50% Instrumentalness • 63% Positiveness
40% Popularity • 60% Danceability • 64% Energy • 9% Liveness
50% Instrumentalness • 63% Positiveness
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Marco Sfogli
Still Hurts
130 bpm • F# min • 05:02 • -3db
28% Popularity • 19% Danceability • 88% Energy • 31% Liveness
17% Instrumentalness • 49% Positiveness
28% Popularity • 19% Danceability • 88% Energy • 31% Liveness
17% Instrumentalness • 49% Positiveness
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Nick Johnston
Silver Tongued Devil
130 bpm • C# min • 08:14 • -5db
20% Popularity • 39% Danceability • 90% Energy • 26% Liveness
80% Instrumentalness • 38% Positiveness
20% Popularity • 39% Danceability • 90% Energy • 26% Liveness
80% Instrumentalness • 38% Positiveness
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Buckethead
Sail on Soothsayer (In Memory of Aunt Su...
140 bpm • E min • 06:28 • -8.56db
34% Popularity • 58% Danceability • 43% Energy • 16% Liveness
89% Instrumentalness • 10% Positiveness
34% Popularity • 58% Danceability • 43% Energy • 16% Liveness
89% Instrumentalness • 10% Positiveness
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Patrick Rondat
Amphibia, Pt. 4
140 bpm • A Maj • 06:34 • -6.87db
9% Popularity • 24% Danceability • 99% Energy • 27% Liveness
80% Instrumentalness • 7% Positiveness
9% Popularity • 24% Danceability • 99% Energy • 27% Liveness
80% Instrumentalness • 7% Positiveness
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Joe Satriani
A Cool New Way
140 bpm • D Maj • 06:13 • -7.54db
25% Popularity • 44% Danceability • 72% Energy • 18% Liveness
80% Instrumentalness • 16% Positiveness
25% Popularity • 44% Danceability • 72% Energy • 18% Liveness
80% Instrumentalness • 16% Positiveness
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Tony MacAlpine
Cab
130 bpm • C# min • 07:16 • -11db
16% Popularity • 40% Danceability • 70% Energy • 34% Liveness
89% Instrumentalness • 76% Positiveness
16% Popularity • 40% Danceability • 70% Energy • 34% Liveness
89% Instrumentalness • 76% Positiveness
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Jack Thammarat
Never Again
140 bpm • D Maj • 04:20 • -6.24db
32% Popularity • 24% Danceability • 66% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
32% Popularity • 24% Danceability • 66% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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Pete Thorn
Perplexed
140 bpm • A Maj • 03:33 • -5.02db
18% Popularity • 43% Danceability • 97% Energy • 33% Liveness
93% Instrumentalness • 57% Positiveness
18% Popularity • 43% Danceability • 97% Energy • 33% Liveness
93% Instrumentalness • 57% Positiveness
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Jan Cyrka
Dirt and Dust
140 bpm • F# Maj • 02:49 • -6.66db
26% Popularity • 47% Danceability • 90% Energy • 5% Liveness
63% Instrumentalness • 53% Positiveness
26% Popularity • 47% Danceability • 90% Energy • 5% Liveness
63% Instrumentalness • 53% Positiveness
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Marco Sfogli
Dawn
130 bpm • D Maj • 04:29 • -6db
36% Popularity • 44% Danceability • 66% Energy • 11% Liveness
83% Instrumentalness • 27% Positiveness
36% Popularity • 44% Danceability • 66% Energy • 11% Liveness
83% Instrumentalness • 27% Positiveness
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Marty Friedman
Miracle
140 bpm • B Maj • 03:53 • -5.66db
21% Popularity • 31% Danceability • 73% Energy • 14% Liveness
93% Instrumentalness • 49% Positiveness
21% Popularity • 31% Danceability • 73% Energy • 14% Liveness
93% Instrumentalness • 49% Positiveness
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Greg Giordano
Please Help
130 bpm • G Maj • 07:15 • -12.36db
38% Popularity • 23% Danceability • 44% Energy • 11% Liveness
64% Instrumentalness • 23% Positiveness
38% Popularity • 23% Danceability • 44% Energy • 11% Liveness
64% Instrumentalness • 23% Positiveness
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Dave Lockwood
Celtic Heartbeat
130 bpm • B min • 04:55 • -8db
21% Popularity • 60% Danceability • 51% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
21% Popularity • 60% Danceability • 51% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
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Steve Vai
Tender Surrender
130 bpm • E min • 05:01 • -7.16db
50% Popularity • 56% Danceability • 57% Energy • 12% Liveness
10% Instrumentalness • 23% Positiveness
50% Popularity • 56% Danceability • 57% Energy • 12% Liveness
10% Instrumentalness • 23% Positiveness
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Torben Enevoldsen
Indian Summer
130 bpm • A Maj • 04:48 • -6db
10% Popularity • 42% Danceability • 71% Energy • 4% Liveness
62% Instrumentalness • 21% Positiveness
10% Popularity • 42% Danceability • 71% Energy • 4% Liveness
62% Instrumentalness • 21% Positiveness
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Lari Basilio
Fearless
130 bpm • D Maj • 03:42 • -4.05db
28% Popularity • 57% Danceability • 90% Energy • 22% Liveness
90% Instrumentalness • 36% Positiveness
28% Popularity • 57% Danceability • 90% Energy • 22% Liveness
90% Instrumentalness • 36% Positiveness
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Marty Friedman
Corazon De Santiago
130 bpm • A Maj • 03:50 • -6.51db
18% Popularity • 24% Danceability • 48% Energy • 40% Liveness
92% Instrumentalness • 12% Positiveness
18% Popularity • 24% Danceability • 48% Energy • 40% Liveness
92% Instrumentalness • 12% Positiveness
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Neal Schon
Blue Passion
130 bpm • D min • 04:16 • -7.95db
13% Popularity • 39% Danceability • 80% Energy • 20% Liveness
68% Instrumentalness • 35% Positiveness
13% Popularity • 39% Danceability • 80% Energy • 20% Liveness
68% Instrumentalness • 35% Positiveness
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Joe Satriani
If I Could Fly
130 bpm • D Maj • 06:31 • -3.65db
45% Popularity • 55% Danceability • 95% Energy • 12% Liveness
93% Instrumentalness • 36% Positiveness
45% Popularity • 55% Danceability • 95% Energy • 12% Liveness
93% Instrumentalness • 36% Positiveness
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Jan Cyrka
Hell and High Water
130 bpm • A Maj • 01:01 • -6db
36% Popularity • 48% Danceability • 90% Energy • 59% Liveness
92% Instrumentalness • 57% Positiveness
36% Popularity • 48% Danceability • 90% Energy • 59% Liveness
92% Instrumentalness • 57% Positiveness
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UFO
Love to Love - 2008 Remaster
130 bpm • E min • 07:16 • -8db
41% Popularity • 36% Danceability • 65% Energy • 12% Liveness
2% Instrumentalness • 6% Positiveness
41% Popularity • 36% Danceability • 65% Energy • 12% Liveness
2% Instrumentalness • 6% Positiveness
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Greg Howe
Bad Racket
141 bpm • C# Maj • 03:43 • -8.57db
12% Popularity • 27% Danceability • 95% Energy • 6% Liveness
92% Instrumentalness • 22% Positiveness
12% Popularity • 27% Danceability • 95% Energy • 6% Liveness
92% Instrumentalness • 22% Positiveness
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Pete Thorn
Revenge Of The Nerd
141 bpm • F# Maj • 04:34 • -4.07db
24% Popularity • 52% Danceability • 92% Energy • 10% Liveness
86% Instrumentalness • 54% Positiveness
24% Popularity • 52% Danceability • 92% Energy • 10% Liveness
86% Instrumentalness • 54% Positiveness
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Mattias IA Eklundh
The Road Less Traveled
129 bpm • G min • 02:48 • -4.38db
20% Popularity • 51% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 51% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Liquid Tension Experiment
Kindred Spirits
129 bpm • A Maj • 06:29 • -3.14db
31% Popularity • 28% Danceability • 96% Energy • 69% Liveness
75% Instrumentalness • 48% Positiveness
31% Popularity • 28% Danceability • 96% Energy • 69% Liveness
75% Instrumentalness • 48% Positiveness
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Steve Vai
Sisters
129 bpm • A min • 04:08 • -11.9db
35% Popularity • 66% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
35% Popularity • 66% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
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Frank Gambale
Up In Beachwood
142 bpm • D Maj • 06:55 • -10db
23% Popularity • 58% Danceability • 55% Energy • 27% Liveness
27% Instrumentalness • 65% Positiveness
23% Popularity • 58% Danceability • 55% Energy • 27% Liveness
27% Instrumentalness • 65% Positiveness
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Jack Thammarat
Lonesome Night
142 bpm • A min • 04:36 • -8db
20% Popularity • 50% Danceability • 62% Energy • 10% Liveness
88% Instrumentalness • 31% Positiveness
20% Popularity • 50% Danceability • 62% Energy • 10% Liveness
88% Instrumentalness • 31% Positiveness
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Blues Saraceno
Never Look Back
128 bpm • F Maj • 03:00 • -9.65db
15% Popularity • 36% Danceability • 88% Energy • 12% Liveness
60% Instrumentalness • 58% Positiveness
15% Popularity • 36% Danceability • 88% Energy • 12% Liveness
60% Instrumentalness • 58% Positiveness
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Guthrie Govan
Erotic Cakes
142 bpm • A Maj • 03:50 • -5.07db
36% Popularity • 42% Danceability • 89% Energy • 43% Liveness
54% Instrumentalness • 35% Positiveness
36% Popularity • 42% Danceability • 89% Energy • 43% Liveness
54% Instrumentalness • 35% Positiveness
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Alex Hutchings
And Then She Was Gone
128 bpm • A# min • 05:38 • -6.21db
22% Popularity • 41% Danceability • 70% Energy • 10% Liveness
83% Instrumentalness • 17% Positiveness
22% Popularity • 41% Danceability • 70% Energy • 10% Liveness
83% Instrumentalness • 17% Positiveness
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Steve Vai
Die To Live
128 bpm • D Maj • 03:53 • -7.39db
34% Popularity • 49% Danceability • 80% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
34% Popularity • 49% Danceability • 80% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
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Andrew Gatenby
Lighthouse
128 bpm • A min • 05:12 • -11.98db
8% Popularity • 66% Danceability • 48% Energy • 9% Liveness
22% Instrumentalness • 10% Positiveness
8% Popularity • 66% Danceability • 48% Energy • 9% Liveness
22% Instrumentalness • 10% Positiveness
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Neal Schon
Late Nite
128 bpm • D min • 06:37 • -13.51db
15% Popularity • 42% Danceability • 46% Energy • 7% Liveness
76% Instrumentalness • 20% Positiveness
15% Popularity • 42% Danceability • 46% Energy • 7% Liveness
76% Instrumentalness • 20% Positiveness
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King's X
Summerland
143 bpm • D Maj • 03:15 • -8.52db
32% Popularity • 42% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 42% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Michael Angelo Batio
Dreamin' of 1986
128 bpm • G min • 01:47 • -18.91db
28% Popularity • 38% Danceability • 16% Energy • 15% Liveness
88% Instrumentalness • 19% Positiveness
28% Popularity • 38% Danceability • 16% Energy • 15% Liveness
88% Instrumentalness • 19% Positiveness
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Racer X
Scarified
143 bpm • G min • 02:40 • -14.43db
39% Popularity • 28% Danceability • 88% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
39% Popularity • 28% Danceability • 88% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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John Petrucci
Gemini
127 bpm • G Maj • 06:05 • -5.25db
33% Popularity • 28% Danceability • 96% Energy • 33% Liveness
80% Instrumentalness • 38% Positiveness
33% Popularity • 28% Danceability • 96% Energy • 33% Liveness
80% Instrumentalness • 38% Positiveness
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Jan Cyrka
Stomp and Roll
127 bpm • B Maj • 01:17 • -7db
34% Popularity • 60% Danceability • 73% Energy • 39% Liveness
57% Instrumentalness • 94% Positiveness
34% Popularity • 60% Danceability • 73% Energy • 39% Liveness
57% Instrumentalness • 94% Positiveness
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The Aristocrats
ZZ Top
127 bpm • A Maj • 05:14 • -8db
22% Popularity • 43% Danceability • 70% Energy • 16% Liveness
83% Instrumentalness • 49% Positiveness
22% Popularity • 43% Danceability • 70% Energy • 16% Liveness
83% Instrumentalness • 49% Positiveness
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Marty Friedman
Angel
127 bpm • E Maj • 03:39 • -10.64db
26% Popularity • 34% Danceability • 68% Energy • 67% Liveness
69% Instrumentalness • 17% Positiveness
26% Popularity • 34% Danceability • 68% Energy • 67% Liveness
69% Instrumentalness • 17% Positiveness
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Steve Vai
Bad Horsie
127 bpm • F Maj • 05:50 • -8.86db
44% Popularity • 54% Danceability • 77% Energy • 80% Liveness
78% Instrumentalness • 64% Positiveness
44% Popularity • 54% Danceability • 77% Energy • 80% Liveness
78% Instrumentalness • 64% Positiveness
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Joe Satriani
Flying in a Blue Dream
127 bpm • C Maj • 05:23 • -5.4db
48% Popularity • 50% Danceability • 78% Energy • 15% Liveness
81% Instrumentalness • 8% Positiveness
48% Popularity • 50% Danceability • 78% Energy • 15% Liveness
81% Instrumentalness • 8% Positiveness
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Rob Balducci
821 Monroe Drive
127 bpm • A Maj • 06:03 • -8db
10% Popularity • 49% Danceability • 60% Energy • 11% Liveness
87% Instrumentalness • 30% Positiveness
10% Popularity • 49% Danceability • 60% Energy • 11% Liveness
87% Instrumentalness • 30% Positiveness
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Sebastian Bach
Jacob's Ladder
144 bpm • G Maj • 07:38 • -10.17db
12% Popularity • 36% Danceability • 60% Energy • 11% Liveness
10% Instrumentalness • 8% Positiveness
12% Popularity • 36% Danceability • 60% Energy • 11% Liveness
10% Instrumentalness • 8% Positiveness
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Guthrie Govan
Ner Ner
127 bpm • G min • 08:04 • -5db
36% Popularity • 31% Danceability • 92% Energy • 11% Liveness
16% Instrumentalness • 39% Positiveness
36% Popularity • 31% Danceability • 92% Energy • 11% Liveness
16% Instrumentalness • 39% Positiveness
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Marty Friedman
Tibet
127 bpm • E Maj • 02:35 • -11.74db
29% Popularity • 51% Danceability • 28% Energy • 13% Liveness
69% Instrumentalness • 6% Positiveness
29% Popularity • 51% Danceability • 28% Energy • 13% Liveness
69% Instrumentalness • 6% Positiveness
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The Aristocrats
Flatlands
127 bpm • A min • 07:13 • -7.71db
33% Popularity • 68% Danceability • 54% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
33% Popularity • 68% Danceability • 54% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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Jan Cyrka
Heart of Mine
144 bpm • G Maj • 01:56 • -7db
35% Popularity • 60% Danceability • 50% Energy • 10% Liveness
71% Instrumentalness • 61% Positiveness
35% Popularity • 60% Danceability • 50% Energy • 10% Liveness
71% Instrumentalness • 61% Positiveness
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Joe Satriani
Starry Night
144 bpm • C Maj • 03:53 • -4.16db
37% Popularity • 64% Danceability • 80% Energy • 10% Liveness
64% Instrumentalness • 84% Positiveness
37% Popularity • 64% Danceability • 80% Energy • 10% Liveness
64% Instrumentalness • 84% Positiveness
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Michael Lee Firkins
Space Crickets
144 bpm • C# min • 03:44 • -13.32db
14% Popularity • 44% Danceability • 95% Energy • 55% Liveness
84% Instrumentalness • 34% Positiveness
14% Popularity • 44% Danceability • 95% Energy • 55% Liveness
84% Instrumentalness • 34% Positiveness
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Extreme
It ('s A Monster)
126 bpm • B Maj • 04:24 • -7.64db
39% Popularity • 54% Danceability • 94% Energy • 48% Liveness
16% Instrumentalness • 68% Positiveness
39% Popularity • 54% Danceability • 94% Energy • 48% Liveness
16% Instrumentalness • 68% Positiveness
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Marty Friedman
Dragon Mistress
127 bpm • G Maj • 03:41 • -10.94db
32% Popularity • 24% Danceability • 85% Energy • 15% Liveness
84% Instrumentalness • 36% Positiveness
32% Popularity • 24% Danceability • 85% Energy • 15% Liveness
84% Instrumentalness • 36% Positiveness
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Flying Colors
Shoulda Coulda Woulda
126 bpm • G Maj • 04:29 • -4.32db
23% Popularity • 48% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 48% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Tony MacAlpine
Empire in the Sky
126 bpm • B Maj • 04:57 • -10.79db
20% Popularity • 34% Danceability • 87% Energy • 27% Liveness
84% Instrumentalness • 42% Positiveness
20% Popularity • 34% Danceability • 87% Energy • 27% Liveness
84% Instrumentalness • 42% Positiveness