Songs like AM Gold by Train
Based on a tempo of (+/- 10%) and a similar genre
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Night Swimmer
Into the Wild
140 bpm • A min • 02:43 • -6.29db
31% Popularity • 62% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 62% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Joe Jonas
Go It Alone
140 bpm • C Maj • 02:13 • -5.18db
32% Popularity • 70% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 70% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Alfie Templeman
Colour Me Blue
140 bpm • F# Maj • 03:16 • -5.14db
43% Popularity • 68% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
43% Popularity • 68% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Train
Fake Flowers
140 bpm • C# Maj • 04:06 • -5.34db
19% Popularity • 41% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 41% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Five For Fighting
Story Of Your Life
140 bpm • F Maj • 03:29 • -4.9db
36% Popularity • 50% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 50% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Dayglow
Then It All Goes Away
140 bpm • D Maj • 03:03 • -3db
57% Popularity • 68% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
57% Popularity • 68% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Phillip Phillips
Before I Loved You
140 bpm • D Maj • 03:28 • -11.68db
41% Popularity • 70% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 70% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Portugal. The Man
What, Me Worry?
140 bpm • D# min • 02:57 • -2.56db
55% Popularity • 72% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
55% Popularity • 72% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Matchbox Twenty
Don't Get Me Wrong
140 bpm • E Maj • 02:53 • -6.13db
51% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Train
50 Ways to Say Goodbye
140 bpm • F# Maj • 04:07 • -2.66db
69% Popularity • 59% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
69% Popularity • 59% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Tom Morello
The Maze
140 bpm • A# Maj • 04:09 • -6.16db
21% Popularity • 48% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 48% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Rob Thomas
This Is How a Heart Breaks
140 bpm • C Maj • 03:50 • -4.35db
48% Popularity • 60% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
48% Popularity • 60% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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NEIKED
I Just Called - Acoustic
139 bpm • G Maj • 02:29 • -5.92db
27% Popularity • 61% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 61% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
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George Ezra
Gold Rush Kid
139 bpm • A Maj • 02:42 • -4db
54% Popularity • 74% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
54% Popularity • 74% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Strike
Overtime
141 bpm • F Maj • 04:33 • -5.43db
43% Popularity • 52% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 52% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Train
AM Gold
140 bpm • C# min • 02:49 • -2.41db
32% Popularity • 54% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 54% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Nicotine Dolls
Should Have Danced
141 bpm • E Maj • 04:18 • -5.2db
42% Popularity • 47% Danceability • 80% Energy • 8% Liveness
25% Instrumentalness • 38% Positiveness
42% Popularity • 47% Danceability • 80% Energy • 8% Liveness
25% Instrumentalness • 38% Positiveness
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Rob Thomas
Mockingbird
142 bpm • C Maj • 04:00 • -5.5db
43% Popularity • 57% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 57% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Gabe Dixon
Find My Way
138 bpm • E Maj • 03:13 • -5.88db
40% Popularity • 59% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 59% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Mabel
Overthinking
142 bpm • G min • 02:54 • -4.42db
36% Popularity • 60% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 60% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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The Strike
The World Keeps Turning
141 bpm • G Maj • 04:00 • -5.96db
32% Popularity • 58% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 58% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Five For Fighting
Born to Win
142 bpm • D Maj • 04:13 • -6db
36% Popularity • 56% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 56% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Tyler Shaw
North Star
138 bpm • G# min • 03:32 • -4.74db
36% Popularity • 72% Danceability • 73% Energy • 8% Liveness
1% Instrumentalness • 78% Positiveness
36% Popularity • 72% Danceability • 73% Energy • 8% Liveness
1% Instrumentalness • 78% Positiveness
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Andy Grammer
I Found You
138 bpm • C# Maj • 02:31 • -6.58db
38% Popularity • 73% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 73% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Sam Ryder
Deep Blue Doubt
137 bpm • D Maj • 03:55 • -4.03db
32% Popularity • 61% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 61% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Train
Sharks
137 bpm • D Maj • 03:34 • -11.26db
12% Popularity • 59% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 59% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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The Strike
Faint of Heart
142 bpm • F# Maj • 04:05 • -5.15db
42% Popularity • 55% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 55% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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P!nk
Irrelevant
144 bpm • G# Maj • 03:58 • -4.73db
47% Popularity • 69% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 69% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Neon Trees
animal - revisited version
144 bpm • F Maj • 03:37 • -7.72db
23% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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The Band CAMINO
Know It All
144 bpm • B Maj • 03:01 • -5.17db
47% Popularity • 62% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
47% Popularity • 62% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Five For Fighting
Your Man
136 bpm • G# Maj • 03:28 • -6db
31% Popularity • 56% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 56% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Group Project
alma mater
136 bpm • A# Maj • 04:01 • -6.72db
21% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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The Strike
Looking for Love
144 bpm • C Maj • 04:58 • -6.76db
39% Popularity • 51% Danceability • 84% Energy • 37% Liveness
1% Instrumentalness • 33% Positiveness
39% Popularity • 51% Danceability • 84% Energy • 37% Liveness
1% Instrumentalness • 33% Positiveness
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Caleb Blair
Tropicana
144 bpm • D# Maj • 03:49 • -5db
33% Popularity • 58% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 58% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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The Head And The Heart
Virginia (Wind In The Night)
136 bpm • G Maj • 03:25 • -3.7db
47% Popularity • 26% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 26% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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Train
Wonder What You're Doing for the Rest of...
136 bpm • A Maj • 03:23 • -4db
36% Popularity • 79% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 79% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
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Jack Savoretti
Dancing Through The Rain
136 bpm • C Maj • 04:05 • -5.77db
35% Popularity • 68% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 68% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Michael Bublé
I'll Never Not Love You
144 bpm • B Maj • 03:38 • -5.05db
45% Popularity • 49% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 49% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Rob Thomas
Someday
136 bpm • A# Maj • 04:07 • -6db
51% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Neon Trees
everybody talks - revisited version
144 bpm • D# Maj • 03:09 • -6.3db
34% Popularity • 42% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 42% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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fun.
Carry On
145 bpm • F Maj • 04:38 • -5.77db
57% Popularity • 39% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
57% Popularity • 39% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Train
Singing Alone
136 bpm • F min • 03:35 • -3.28db
18% Popularity • 70% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 70% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Wilderado
Head Right
145 bpm • F Maj • 03:17 • -3.52db
43% Popularity • 54% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
43% Popularity • 54% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Wild Youth
Seventeen
146 bpm • G Maj • 03:09 • -6.95db
19% Popularity • 46% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 46% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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Pacific
all about you!
146 bpm • F# Maj • 04:26 • -7.45db
11% Popularity • 61% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 61% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Olivia Holt
Next
134 bpm • C Maj • 02:55 • -6.06db
36% Popularity • 76% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 76% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Rob Thomas
I Think We'd Feel Good Together
134 bpm • F# min • 03:00 • -4.68db
36% Popularity • 66% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 66% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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joan
right back
134 bpm • B Maj • 03:32 • -4.69db
21% Popularity • 86% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 86% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Camino
Fiddle
134 bpm • B min • 03:30 • -7db
10% Popularity • 71% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 71% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
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Noble Heart
Make Our Own Luck
134 bpm • F min • 03:22 • -7db
15% Popularity • 59% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 59% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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5 Seconds of Summer
Bad Omens
134 bpm • C# Maj • 03:35 • -6.32db
62% Popularity • 49% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
62% Popularity • 49% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Blu DeTiger
Hot Crush Lover
134 bpm • D# Maj • 03:13 • -3.71db
39% Popularity • 62% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
39% Popularity • 62% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Patrick Droney
Good Die Young
133 bpm • D Maj • 03:05 • -6.05db
31% Popularity • 59% Danceability • 71% Energy • 40% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 59% Danceability • 71% Energy • 40% Liveness
0% Instrumentalness • 31% Positiveness
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Panic! At The Disco
Local God
147 bpm • C Maj • 03:00 • -5.75db
46% Popularity • 38% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 38% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Oh Honey
Sugar, You
133 bpm • A Maj • 03:32 • -7db
47% Popularity • 52% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 52% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Nicotine Dolls
Upset the Neighbors
133 bpm • E Maj • 03:28 • -5.44db
39% Popularity • 56% Danceability • 86% Energy • 78% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 56% Danceability • 86% Energy • 78% Liveness
0% Instrumentalness • 58% Positiveness
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Lennon Stella
Hey Beautiful
133 bpm • A Maj • 03:43 • -8.48db
29% Popularity • 62% Danceability • 73% Energy • 11% Liveness
3% Instrumentalness • 58% Positiveness
29% Popularity • 62% Danceability • 73% Energy • 11% Liveness
3% Instrumentalness • 58% Positiveness
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Oh The Larceny
The Future Is Golden (Acoustic)
148 bpm • C min • 03:08 • -6.43db
24% Popularity • 64% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 64% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Bazzi
Miss America
148 bpm • G# Maj • 02:52 • -6db
43% Popularity • 66% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
43% Popularity • 66% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Panic! At The Disco
Middle Of A Breakup
148 bpm • A# Maj • 03:20 • -5db
48% Popularity • 44% Danceability • 80% Energy • 11% Liveness
2% Instrumentalness • 74% Positiveness
48% Popularity • 44% Danceability • 80% Energy • 11% Liveness
2% Instrumentalness • 74% Positiveness
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The Summer Set
Street Lightning
148 bpm • C# Maj • 03:36 • -5db
43% Popularity • 57% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 57% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Diane Warren
Sweet
148 bpm • G Maj • 02:17 • -5.94db
26% Popularity • 63% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 63% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Jon Batiste
Sweet (Single Edit)
148 bpm • G Maj • 02:38 • -4.93db
39% Popularity • 60% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 60% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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The Strumbellas
Greatest Enemy
132 bpm • C Maj • 03:09 • -5.65db
36% Popularity • 51% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 51% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Maroon 5
Remedy
132 bpm • F# min • 02:29 • -7.26db
49% Popularity • 75% Danceability • 63% Energy • 39% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 75% Danceability • 63% Energy • 39% Liveness
0% Instrumentalness • 71% Positiveness
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Tom Grennan
Remind Me
132 bpm • B Maj • 03:31 • -4.19db
53% Popularity • 60% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
53% Popularity • 60% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Meghan Trainor
Don't I Make It Look Easy
149 bpm • C Maj • 02:34 • -4.51db
56% Popularity • 63% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
56% Popularity • 63% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
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Nicky Youre
Sunroof
131 bpm • A# Maj • 02:43 • -5.11db
83% Popularity • 77% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
83% Popularity • 77% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Grizfolk
Now That I Know
131 bpm • A# Maj • 02:43 • -6.96db
27% Popularity • 74% Danceability • 85% Energy • 17% Liveness
1% Instrumentalness • 54% Positiveness
27% Popularity • 74% Danceability • 85% Energy • 17% Liveness
1% Instrumentalness • 54% Positiveness
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Jonas Brothers
Montana Sky
131 bpm • D Maj • 02:49 • -5.03db
59% Popularity • 75% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
59% Popularity • 75% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Train
Easy On The Eyes
150 bpm • D Maj • 03:43 • -4.34db
18% Popularity • 54% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 54% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Seth Power
Going Somewhere
131 bpm • E min • 02:46 • -8db
28% Popularity • 74% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 74% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Five For Fighting
What If
150 bpm • C Maj • 03:27 • -5.35db
44% Popularity • 56% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 56% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Nicky Youre
Sunroof
131 bpm • A# Maj • 02:43 • -4.3db
50% Popularity • 73% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
50% Popularity • 73% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Ben Platt
imagine
130 bpm • C# Maj • 02:44 • -7db
47% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Michael Franti & Spearhead
Brighter Day
150 bpm • D Maj • 03:13 • -7db
40% Popularity • 54% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 54% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Train
AM Gold - Acoustic
131 bpm • C# min • 03:00 • -4.63db
13% Popularity • 63% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 63% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Indio Downey
Headspace
130 bpm • C# Maj • 03:16 • -3.37db
25% Popularity • 53% Danceability • 81% Energy • 55% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 53% Danceability • 81% Energy • 55% Liveness
0% Instrumentalness • 51% Positiveness
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The Wandering Hearts
Fire And Water
130 bpm • C# Maj • 03:11 • -9.7db
34% Popularity • 67% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 67% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Olly Murs
I Found Her
130 bpm • G min • 03:08 • -3.68db
36% Popularity • 64% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 64% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Cian Ducrot
Chewing Gum
130 bpm • C# Maj • 03:15 • -8db
24% Popularity • 72% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 72% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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The Wanted
Rule The World
130 bpm • G min • 03:18 • -6.52db
32% Popularity • 59% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 59% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Blake Rose
Rollerblades
130 bpm • E Maj • 03:34 • -6db
37% Popularity • 50% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 50% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Aly & AJ
Chemicals React (A&A Version)
129 bpm • B Maj • 02:53 • -3.59db
34% Popularity • 53% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 53% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Andy Grammer
85
130 bpm • F Maj • 03:21 • -6.11db
50% Popularity • 76% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 76% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Train
I Know
152 bpm • C# Maj • 03:03 • -5.8db
51% Popularity • 68% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
51% Popularity • 68% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
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Phangs
Product of the 90S
129 bpm • F min • 03:10 • -4.08db
27% Popularity • 75% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 75% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Michigander
Let Down
129 bpm • A# Maj • 02:56 • -3.12db
44% Popularity • 47% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 47% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Zedd
Make You Say
128 bpm • G# min • 03:26 • -4.71db
58% Popularity • 69% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
58% Popularity • 69% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Josh Ramsay
Like There's Nobody Watching
128 bpm • C# min • 03:41 • -7.75db
15% Popularity • 71% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 71% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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The Midnight
Brooklyn. Friday. Love.
128 bpm • F Maj • 03:52 • -6.53db
39% Popularity • 81% Danceability • 53% Energy • 69% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 81% Danceability • 53% Energy • 69% Liveness
0% Instrumentalness • 63% Positiveness
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Train
Cadillac, Cadillac
128 bpm • G# Maj • 03:23 • -3.56db
27% Popularity • 72% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 72% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Saint Motel
It's All Happening
128 bpm • C Maj • 03:00 • -4.8db
45% Popularity • 62% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 62% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Killers
boy
128 bpm • A# Maj • 03:18 • -5db
58% Popularity • 63% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
58% Popularity • 63% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Five For Fighting
Slice
128 bpm • B Maj • 03:34 • -6db
44% Popularity • 59% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 59% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Lawrence
Don't Lose Sight
154 bpm • G min • 03:28 • -5.08db
54% Popularity • 54% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
54% Popularity • 54% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Panic! At The Disco
Viva Las Vengeance
154 bpm • A min • 03:27 • -5.46db
56% Popularity • 21% Danceability • 83% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
56% Popularity • 21% Danceability • 83% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
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Train
Amber Light
128 bpm • D Maj • 03:56 • -4.17db
20% Popularity • 65% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 65% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
