Songs like Amanda's Disguise by Bill Champlin
Based on a tempo of (+/- 10%) and a similar genre
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Brian Elliot
Room to Grow
104 bpm • A# min • 03:27 • -9.7db
17% Popularity • 63% Danceability • 63% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 63% Danceability • 63% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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Dwayne Ford
Lovin' And Losin' You
104 bpm • D min • 03:27 • -8.26db
40% Popularity • 72% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 72% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Andy Gibb
I Go For You
104 bpm • C Maj • 04:19 • -10.33db
24% Popularity • 61% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 61% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
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Joey Scarbury
Love Me Like the Last Time
105 bpm • C min • 03:35 • -13.4db
19% Popularity • 59% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 59% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Lee Ritenour
If I'm Dreamin' (Don't Wake Me)
103 bpm • E Maj • 05:11 • -5.27db
14% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Marc Jordan
Generalities
104 bpm • C# Maj • 04:24 • -17.33db
16% Popularity • 67% Danceability • 36% Energy • 3% Liveness
6% Instrumentalness • 54% Positiveness
16% Popularity • 67% Danceability • 36% Energy • 3% Liveness
6% Instrumentalness • 54% Positiveness
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Pages
O.C.O.E. (Official Cat Of The Eighties)
105 bpm • C# Maj • 05:00 • -8.26db
40% Popularity • 78% Danceability • 60% Energy • 15% Liveness
1% Instrumentalness • 75% Positiveness
40% Popularity • 78% Danceability • 60% Energy • 15% Liveness
1% Instrumentalness • 75% Positiveness
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Koinonia
We Know the Way by Heart
105 bpm • C# Maj • 03:55 • -14.05db
17% Popularity • 68% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 68% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Maurice White
Adventures Of The Heart - Demo
103 bpm • A min • 02:30 • -10db
14% Popularity • 73% Danceability • 60% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
14% Popularity • 73% Danceability • 60% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
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Bill LaBounty
Dancin' Tonight
105 bpm • D Maj • 04:39 • -14.98db
15% Popularity • 52% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 52% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Viktor Jakob-Jonsson
Monotony
105 bpm • D Maj • 06:03 • -5.7db
2% Popularity • 62% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
2% Popularity • 62% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Quincy Jones
Something Special
103 bpm • E min • 03:57 • -17.06db
43% Popularity • 74% Danceability • 47% Energy • 7% Liveness
29% Instrumentalness • 75% Positiveness
43% Popularity • 74% Danceability • 47% Energy • 7% Liveness
29% Instrumentalness • 75% Positiveness
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Chunky, Novi & Ernie
Didn't Wanna Hurt Cha for Another Guy - ...
103 bpm • C min • 03:37 • -6.54db
13% Popularity • 73% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 73% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Carole King
Lookin' Out for Number One
102 bpm • G Maj • 03:15 • -10.11db
9% Popularity • 70% Danceability • 85% Energy • 13% Liveness
11% Instrumentalness • 95% Positiveness
9% Popularity • 70% Danceability • 85% Energy • 13% Liveness
11% Instrumentalness • 95% Positiveness
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Jay Graydon
Show Me The Magic
106 bpm • G# Maj • 03:56 • -11.51db
11% Popularity • 73% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 73% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Bill LaBounty
This Night Won't Last Forever
103 bpm • D# Maj • 04:25 • -15db
40% Popularity • 65% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
40% Popularity • 65% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Joe Sample
Somehow Our Love Survives
102 bpm • D min • 04:35 • -14db
31% Popularity • 68% Danceability • 64% Energy • 5% Liveness
1% Instrumentalness • 88% Positiveness
31% Popularity • 68% Danceability • 64% Energy • 5% Liveness
1% Instrumentalness • 88% Positiveness
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Peter Allen
Pass This Time
102 bpm • A Maj • 04:00 • -6.11db
12% Popularity • 74% Danceability • 75% Energy • 6% Liveness
10% Instrumentalness • 75% Positiveness
12% Popularity • 74% Danceability • 75% Energy • 6% Liveness
10% Instrumentalness • 75% Positiveness
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Niteflyte
I Wonder
106 bpm • A Maj • 03:20 • -6.25db
25% Popularity • 59% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 59% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Maurice White
Life
106 bpm • C# Maj • 03:56 • -8.53db
9% Popularity • 71% Danceability • 83% Energy • 47% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 71% Danceability • 83% Energy • 47% Liveness
0% Instrumentalness • 87% Positiveness
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Erik Tagg
Living of the Love
102 bpm • E min • 04:45 • -8.41db
22% Popularity • 53% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 53% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Roger Voudouris
She's Too Cold - Original
102 bpm • C min • 05:06 • -10.48db
10% Popularity • 74% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 74% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Carly Simon
Tranquillo (Melt My Heart)
106 bpm • A min • 04:03 • -8db
45% Popularity • 58% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
45% Popularity • 58% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Rupert Holmes
So Beautiful It Hurts
102 bpm • E min • 05:20 • -10.84db
14% Popularity • 64% Danceability • 58% Energy • 10% Liveness
17% Instrumentalness • 74% Positiveness
14% Popularity • 64% Danceability • 58% Energy • 10% Liveness
17% Instrumentalness • 74% Positiveness
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Bill Champlin
Stop Knockin' on My Door
106 bpm • E Maj • 04:16 • -12.11db
5% Popularity • 42% Danceability • 86% Energy • 21% Liveness
6% Instrumentalness • 75% Positiveness
5% Popularity • 42% Danceability • 86% Energy • 21% Liveness
6% Instrumentalness • 75% Positiveness
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Brian Elliot
Summer Nights in Hollywood
102 bpm • C# Maj • 03:10 • -9.6db
38% Popularity • 78% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 78% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Erik Tagg
Tell-Tale Eyes - Remastered
106 bpm • D min • 02:55 • -10.17db
14% Popularity • 58% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 58% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Larsen/Feiten Band
Twilight Moon
106 bpm • F min • 03:56 • -18.06db
12% Popularity • 62% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 62% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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David Gates
Silky
101 bpm • C min • 02:43 • -14db
22% Popularity • 63% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 63% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Jay Graydon
Holdin' on to Love
107 bpm • E min • 03:48 • -8.85db
9% Popularity • 63% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 63% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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The Brecker Brothers
Not Tonight
101 bpm • G Maj • 03:56 • -7.61db
39% Popularity • 90% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 90% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Eddie Anders
You Reign
107 bpm • G Maj • 07:34 • -7.08db
0% Popularity • 61% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 61% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Tower Of Power
You Can't Fall Up (You Just Fall Down)
101 bpm • A# Maj • 04:55 • -14.54db
28% Popularity • 56% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 56% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Bill Champlin
Satisfaction
101 bpm • G# Maj • 03:42 • -12db
25% Popularity • 58% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 58% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Sérgio Mendes
Alibis
107 bpm • A Maj • 04:02 • -13db
42% Popularity • 84% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 84% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Jay Graydon
Holdin' On To Love
107 bpm • G Maj • 03:47 • -11.66db
19% Popularity • 62% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 62% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
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Valerie Carter
Da Doo Rendezvous
101 bpm • E min • 04:35 • -15.93db
11% Popularity • 78% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 76% Positiveness
11% Popularity • 78% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 76% Positiveness
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Byrne & Barnes
Making Love for the First Time
107 bpm • G Maj • 02:57 • -15.55db
10% Popularity • 62% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 62% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Crackin'
Double Love
108 bpm • B min • 03:25 • -15.62db
10% Popularity • 74% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 74% Positiveness
10% Popularity • 74% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 74% Positiveness
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Bill Champlin
First and Last
101 bpm • G Maj • 04:43 • -8.22db
1% Popularity • 72% Danceability • 88% Energy • 69% Liveness
0% Instrumentalness • 81% Positiveness
1% Popularity • 72% Danceability • 88% Energy • 69% Liveness
0% Instrumentalness • 81% Positiveness
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Robbie Dupree
Smoke and Mirrors
100 bpm • C min • 04:40 • -11db
15% Popularity • 83% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 83% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Marc Jordan
I'm a Camera
108 bpm • A Maj • 03:47 • -15.68db
39% Popularity • 68% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
39% Popularity • 68% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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David Roberts
Wrong Side of the Tracks
100 bpm • B min • 03:55 • -8.11db
17% Popularity • 55% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 55% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Daryl Hall
Fools Rush In
100 bpm • D Maj • 04:22 • -8.4db
16% Popularity • 61% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 61% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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The Norwegian Fords
Surfing on the Sun
100 bpm • F# min • 04:34 • -11db
16% Popularity • 72% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 72% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Sidemen
You're Gonna Let It Happen
100 bpm • C Maj • 04:28 • -7.68db
1% Popularity • 69% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
1% Popularity • 69% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Robbie Dupree
Missin' You
108 bpm • F Maj • 03:01 • -8.19db
16% Popularity • 74% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 74% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Stephen Bishop
Unfaithfully Yours (One Love)
108 bpm • D Maj • 03:35 • -13.21db
31% Popularity • 84% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 84% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Marc Jordan
Twilight
100 bpm • G Maj • 03:42 • -17.17db
9% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Paul Davis
Do Right
109 bpm • C Maj • 04:01 • -7db
15% Popularity • 55% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 55% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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David Gates
Can I Call You
109 bpm • B min • 03:46 • -13.29db
16% Popularity • 60% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 60% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Jeffrey Osborne
New Love
99 bpm • G# Maj • 04:11 • -11.04db
23% Popularity • 78% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 78% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 95% Positiveness
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Paulinho Da Costa
Seeing Is Believing
109 bpm • C min • 03:59 • -11.42db
42% Popularity • 60% Danceability • 66% Energy • 29% Liveness
19% Instrumentalness • 89% Positiveness
42% Popularity • 60% Danceability • 66% Energy • 29% Liveness
19% Instrumentalness • 89% Positiveness
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TOTO
Waiting for Your Love
100 bpm • G# Maj • 04:12 • -17.27db
46% Popularity • 73% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
46% Popularity • 73% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Larsen/Feiten Band
The Visitor
109 bpm • F min • 04:38 • -13.26db
13% Popularity • 67% Danceability • 75% Energy • 19% Liveness
93% Instrumentalness • 97% Positiveness
13% Popularity • 67% Danceability • 75% Energy • 19% Liveness
93% Instrumentalness • 97% Positiveness
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Paul Davis
Do Right
109 bpm • C Maj • 04:00 • -7.58db
27% Popularity • 56% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 56% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Marc Jordan
Survival
109 bpm • B Maj • 03:41 • -15.18db
16% Popularity • 71% Danceability • 41% Energy • 9% Liveness
21% Instrumentalness • 76% Positiveness
16% Popularity • 71% Danceability • 41% Energy • 9% Liveness
21% Instrumentalness • 76% Positiveness
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Rhythm Heritage
Float On By
99 bpm • G# Maj • 03:31 • -8.48db
37% Popularity • 66% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 66% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Robbie Dupree
Are You Ready for Love
99 bpm • E min • 03:26 • -8.89db
15% Popularity • 55% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 55% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Eye To Eye
Falling for a Funny One
109 bpm • A min • 05:15 • -8.33db
10% Popularity • 75% Danceability • 52% Energy • 8% Liveness
2% Instrumentalness • 57% Positiveness
10% Popularity • 75% Danceability • 52% Energy • 8% Liveness
2% Instrumentalness • 57% Positiveness
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Bill LaBounty
Lie To Me
110 bpm • G min • 03:25 • -15db
25% Popularity • 67% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 67% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Bill Champlin
Fly With Me
99 bpm • C Maj • 04:00 • -10.94db
9% Popularity • 66% Danceability • 73% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
9% Popularity • 66% Danceability • 73% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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Terence Boylan
Tell Me
99 bpm • D# min • 03:53 • -11.77db
11% Popularity • 69% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 69% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Larry John McNally
Just Like Paradise
110 bpm • B min • 03:26 • -5.81db
11% Popularity • 71% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 71% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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David Roberts
Too Good to Last
99 bpm • C min • 03:51 • -7.13db
37% Popularity • 66% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 66% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Stephen Bishop
I've Never Known A Nite Like This
110 bpm • C# min • 04:22 • -7.78db
11% Popularity • 44% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 44% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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MFSB
Tell Me Why
110 bpm • D Maj • 03:56 • -13.36db
30% Popularity • 56% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 56% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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LAVA
Late At Night
110 bpm • F Maj • 03:01 • -9.56db
13% Popularity • 67% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 67% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
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Randy Goodrum
Red Eye
110 bpm • G# Maj • 03:27 • -11.08db
24% Popularity • 60% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 60% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Brenda Russell
Lucky
98 bpm • F Maj • 02:50 • -6.34db
39% Popularity • 67% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
39% Popularity • 67% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
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Lee Ritenour
(Just) Tell Me Pretty Lies
110 bpm • F Maj • 04:14 • -13.57db
22% Popularity • 84% Danceability • 66% Energy • 9% Liveness
2% Instrumentalness • 84% Positiveness
22% Popularity • 84% Danceability • 66% Energy • 9% Liveness
2% Instrumentalness • 84% Positiveness
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Studio D'Lux
Slow Burn
110 bpm • B min • 04:34 • -5.17db
3% Popularity • 59% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
3% Popularity • 59% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Bill Champlin
Another Lie
98 bpm • C Maj • 04:45 • -6.95db
1% Popularity • 71% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
1% Popularity • 71% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Kere Buchanan
Never Gonna Give You Up
98 bpm • D min • 05:22 • -8.72db
9% Popularity • 72% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 72% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Bill LaBounty
Nobody's Fool
98 bpm • B min • 03:29 • -14.92db
23% Popularity • 71% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 71% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Jimmy Hall
I'm Happy That Love Has Found You
110 bpm • C# min • 03:57 • -10.79db
10% Popularity • 52% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 52% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Robbie Dupree
Lonely Runner
111 bpm • C min • 04:35 • -15.93db
21% Popularity • 69% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 69% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Michael Tomlinson
Raining Away
98 bpm • A Maj • 03:52 • -9db
13% Popularity • 70% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 70% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Frank Stallone
Love Is Like A Light ( Frank Stallone)
111 bpm • D Maj • 03:11 • -6.77db
8% Popularity • 76% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 76% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Bill Champlin
Livin' For Love
111 bpm • A Maj • 04:51 • -7.02db
1% Popularity • 79% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
1% Popularity • 79% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Erik Tagg
Got to Be Lovin' You
97 bpm • C# min • 03:28 • -6.49db
40% Popularity • 51% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 51% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Leon Ware
Lost in Love with You
111 bpm • G# Maj • 03:52 • -10db
19% Popularity • 68% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 68% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Little River Band
You're Driving Me Out Of My Mind - Remas...
111 bpm • A min • 05:14 • -7.13db
28% Popularity • 63% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 63% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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August the Band
In the Heat of the Night
97 bpm • D# Maj • 05:49 • -5.11db
1% Popularity • 60% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
1% Popularity • 60% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Frank Stallone
Love Is Like A Light
111 bpm • D Maj • 03:56 • -14.43db
13% Popularity • 77% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 77% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Tom Grant
Heaven Is Waiting - Radio Mix
97 bpm • G min • 03:52 • -14.54db
31% Popularity • 62% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 62% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Sérgio Mendes
Rainbow's End
97 bpm • E Maj • 04:05 • -11.59db
39% Popularity • 68% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 68% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Daryl Hall
Can't Stop Dreaming
97 bpm • C Maj • 04:13 • -7.79db
23% Popularity • 75% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 75% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Jay Graydon
What Good Is Love
112 bpm • F Maj • 03:21 • -12db
11% Popularity • 77% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 77% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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Lee Ritenour
Promises, Promises
112 bpm • D Maj • 04:06 • -13db
19% Popularity • 70% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 70% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Marc Jordan
WHERE DID WE GO WRONG
112 bpm • G# Maj • 03:37 • -12db
12% Popularity • 82% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 82% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Nick Vintskevich
Bad Luck
112 bpm • C Maj • 04:26 • -6.03db
0% Popularity • 40% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 40% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Jim Messina
Money Alone
97 bpm • B Maj • 03:12 • -5.32db
11% Popularity • 56% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 56% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Robbie Dupree
Free Fallin'
112 bpm • C min • 04:57 • -9db
33% Popularity • 70% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 70% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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David Gates
Took the Last Train
96 bpm • C Maj • 04:31 • -15db
31% Popularity • 74% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 74% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Ray Kennedy
Just for the Moment
112 bpm • A# Maj • 03:17 • -14db
10% Popularity • 40% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 40% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Marc Jordan
Marina Del Rey
112 bpm • E Maj • 03:11 • -14.79db
34% Popularity • 91% Danceability • 37% Energy • 10% Liveness
10% Instrumentalness • 76% Positiveness
34% Popularity • 91% Danceability • 37% Energy • 10% Liveness
10% Instrumentalness • 76% Positiveness
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Atlanta Rhythm Section
Pretty Girl
112 bpm • F# min • 03:29 • -14db
30% Popularity • 66% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 66% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
