Songs like Améfrica, Op. 30: I. — by Eugenio Toussaint
Based on a tempo of (+/- 10%) and a similar genre
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Sinus Iridum
Rondo
135 bpm • D min • 02:36 • -34.94db
10% Popularity • 60% Danceability • 1% Energy • 32% Liveness
88% Instrumentalness • 18% Positiveness
10% Popularity • 60% Danceability • 1% Energy • 32% Liveness
88% Instrumentalness • 18% Positiveness
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Brad Hatfield
Breezy Bossa - Trio
135 bpm • G Maj • 03:12 • -17.25db
18% Popularity • 69% Danceability • 37% Energy • 11% Liveness
90% Instrumentalness • 78% Positiveness
18% Popularity • 69% Danceability • 37% Energy • 11% Liveness
90% Instrumentalness • 78% Positiveness
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Jorge Luján
Cerezas en la Boca
135 bpm • C Maj • 03:11 • -10.16db
0% Popularity • 60% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 60% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Relaxing Jazz Music
Boogie Woogie for Edward
135 bpm • A# Maj • 03:02 • -25.48db
15% Popularity • 33% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
15% Popularity • 33% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
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Lili Boulanger
Trois Morceaux Pour Piano: II. D'un Jard...
135 bpm • B Maj • 02:18 • -29.33db
10% Popularity • 44% Danceability • 1% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
10% Popularity • 44% Danceability • 1% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Easley Blackwood
12 Microtonal Etudes, Op. 28 (Arr. for O...
135 bpm • E Maj • 03:51 • -16.51db
8% Popularity • 16% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Massimo Colombo
To McCoy
135 bpm • A# min • 00:58 • -14.44db
9% Popularity • 51% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
9% Popularity • 51% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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JazzCat
Nocturne Op.9-2_smooth Jazz (녹턴 작�...
136 bpm • D# Maj • 03:01 • -14.85db
16% Popularity • 65% Danceability • 30% Energy • 11% Liveness
93% Instrumentalness • 55% Positiveness
16% Popularity • 65% Danceability • 30% Energy • 11% Liveness
93% Instrumentalness • 55% Positiveness
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Empirical
Saha World
136 bpm • D# Maj • 06:06 • -15.11db
8% Popularity • 32% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
8% Popularity • 32% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Karl Jansson
Längtan
136 bpm • G Maj • 03:12 • -22.58db
26% Popularity • 56% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 50% Positiveness
26% Popularity • 56% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 50% Positiveness
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Chelsea's Swing
In The Rhythm
136 bpm • F Maj • 03:00 • -10.51db
14% Popularity • 67% Danceability • 40% Energy • 35% Liveness
94% Instrumentalness • 31% Positiveness
14% Popularity • 67% Danceability • 40% Energy • 35% Liveness
94% Instrumentalness • 31% Positiveness
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Pilanghi
Heavy Uptempo
134 bpm • G min • 02:48 • -28.83db
12% Popularity • 52% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 27% Positiveness
12% Popularity • 52% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 27% Positiveness
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Malo Mazurié
Candlelights
136 bpm • A min • 04:25 • -17.14db
11% Popularity • 46% Danceability • 9% Energy • 15% Liveness
36% Instrumentalness • 19% Positiveness
11% Popularity • 46% Danceability • 9% Energy • 15% Liveness
36% Instrumentalness • 19% Positiveness
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Kaori Sawada
春になったら
134 bpm • D# Maj • 03:08 • -19.52db
16% Popularity • 49% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 24% Positiveness
16% Popularity • 49% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 24% Positiveness
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Geweldig Pianomuziek
Succesvol (Weekenden)
136 bpm • C Maj • 01:53 • -21.96db
8% Popularity • 65% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
8% Popularity • 65% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Sonia Cugini
Melody 2
136 bpm • E Maj • 02:14 • -19.69db
9% Popularity • 50% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
9% Popularity • 50% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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Jasper Somsen
Leap of Faith
137 bpm • D min • 05:05 • -18.65db
10% Popularity • 46% Danceability • 9% Energy • 16% Liveness
91% Instrumentalness • 16% Positiveness
10% Popularity • 46% Danceability • 9% Energy • 16% Liveness
91% Instrumentalness • 16% Positiveness
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Jacques Loussier
Nocturne No. 2 In E-Flat Major, Op. 9 No...
133 bpm • D# Maj • 04:16 • -24.93db
12% Popularity • 36% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 10% Positiveness
12% Popularity • 36% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 10% Positiveness
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Rachel Z
Black Swan in Memory in Portland
137 bpm • G# min • 02:16 • -21.44db
13% Popularity • 57% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
13% Popularity • 57% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
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Mathias Atkinsley
Legends of May
133 bpm • E min • 01:32 • -21.02db
17% Popularity • 59% Danceability • 7% Energy • 7% Liveness
81% Instrumentalness • 26% Positiveness
17% Popularity • 59% Danceability • 7% Energy • 7% Liveness
81% Instrumentalness • 26% Positiveness
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Rachel Silver
Oh, What a Beautiful Mornin'
137 bpm • D# Maj • 03:01 • -14.51db
13% Popularity • 45% Danceability • 32% Energy • 13% Liveness
78% Instrumentalness • 32% Positiveness
13% Popularity • 45% Danceability • 32% Energy • 13% Liveness
78% Instrumentalness • 32% Positiveness
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Tobin Mueller
Ghostly Bells (Of Independence)
133 bpm • D Maj • 06:14 • -17.59db
8% Popularity • 43% Danceability • 17% Energy • 14% Liveness
91% Instrumentalness • 22% Positiveness
8% Popularity • 43% Danceability • 17% Energy • 14% Liveness
91% Instrumentalness • 22% Positiveness
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Alfonso de Vilallonga
Taxi to the Beach - Bonus
138 bpm • C min • 01:55 • -13.65db
21% Popularity • 58% Danceability • 45% Energy • 7% Liveness
82% Instrumentalness • 84% Positiveness
21% Popularity • 58% Danceability • 45% Energy • 7% Liveness
82% Instrumentalness • 84% Positiveness
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Sam Renoir
Chuckles and Chords
133 bpm • C# Maj • 01:35 • -19.56db
20% Popularity • 45% Danceability • 12% Energy • 19% Liveness
93% Instrumentalness • 19% Positiveness
20% Popularity • 45% Danceability • 12% Energy • 19% Liveness
93% Instrumentalness • 19% Positiveness
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Pérez Prado
Mambo No. 8 (arr. E. Toussaint for wind ...
132 bpm • C Maj • 01:46 • -13.8db
3% Popularity • 51% Danceability • 44% Energy • 33% Liveness
9% Instrumentalness • 60% Positiveness
3% Popularity • 51% Danceability • 44% Energy • 33% Liveness
9% Instrumentalness • 60% Positiveness
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松田真人
ひまわり
138 bpm • F min • 04:07 • -19.77db
9% Popularity • 56% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
9% Popularity • 56% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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Easy Camel Trio
ゆかいな鍛冶屋
138 bpm • F Maj • 02:32 • -15.9db
22% Popularity • 46% Danceability • 41% Energy • 10% Liveness
96% Instrumentalness • 81% Positiveness
22% Popularity • 46% Danceability • 41% Energy • 10% Liveness
96% Instrumentalness • 81% Positiveness
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Mick Foster
Five Contemporary Dances - For Astor
132 bpm • G min • 02:28 • -19.56db
14% Popularity • 36% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 41% Positiveness
14% Popularity • 36% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 41% Positiveness
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おしゃれな カフェミュージック
ささやく-カフェ
138 bpm • A min • 02:57 • -20.29db
11% Popularity • 79% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
11% Popularity • 79% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
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和泉宏隆
Three Swallows
138 bpm • A# Maj • 04:27 • -10db
8% Popularity • 43% Danceability • 40% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
8% Popularity • 43% Danceability • 40% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Arthur Honegger
Marthe Richard au service de la France, ...
139 bpm • D Maj • 01:40 • -31.24db
23% Popularity • 37% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 38% Positiveness
23% Popularity • 37% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 38% Positiveness
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Jorge Luján
Corazón-Papaya (Versión Spanglish)
131 bpm • C Maj • 03:32 • -6.68db
0% Popularity • 68% Danceability • 50% Energy • 44% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 68% Danceability • 50% Energy • 44% Liveness
0% Instrumentalness • 54% Positiveness
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Double Bass Jazz
Summertime Blues
139 bpm • A# Maj • 02:00 • -26.31db
15% Popularity • 67% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 57% Positiveness
15% Popularity • 67% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 57% Positiveness
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Eugenio Toussaint
Tropicalia
131 bpm • A# min • 04:34 • -20.75db
3% Popularity • 57% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 16% Positiveness
3% Popularity • 57% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 16% Positiveness
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Alberto de Paz
Tendu 3 - Alberportianos
140 bpm • C Maj • 01:01 • -9.73db
8% Popularity • 72% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 57% Positiveness
8% Popularity • 72% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 57% Positiveness
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Ichiro Masuda
セント・トーマス
140 bpm • G Maj • 04:40 • -21.86db
8% Popularity • 45% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 63% Positiveness
8% Popularity • 45% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 63% Positiveness
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Massimo Colombo
Brasiliando
130 bpm • D# Maj • 01:15 • -21.17db
7% Popularity • 73% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 39% Positiveness
7% Popularity • 73% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 39% Positiveness
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Jorge Luján
Corazón-Papaya
131 bpm • C Maj • 03:35 • -6.86db
0% Popularity • 62% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 62% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Julio Remersaro
Principe En La Colina - Instrumental
140 bpm • F min • 01:46 • -15.74db
14% Popularity • 40% Danceability • 13% Energy • 12% Liveness
58% Instrumentalness • 11% Positiveness
14% Popularity • 40% Danceability • 13% Energy • 12% Liveness
58% Instrumentalness • 11% Positiveness
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Moritz Schäfer
Main Theme
140 bpm • C# Maj • 02:56 • -31.73db
12% Popularity • 36% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
12% Popularity • 36% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Eugenio Toussaint
El Pez Dorado
140 bpm • C Maj • 04:01 • -23.4db
6% Popularity • 56% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
6% Popularity • 56% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Summer Camargo
Tenderness Within
130 bpm • B min • 07:06 • -13.7db
13% Popularity • 41% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 32% Positiveness
13% Popularity • 41% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 32% Positiveness
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Moy Natenzon
Silence
140 bpm • F min • 05:41 • -9.87db
0% Popularity • 72% Danceability • 41% Energy • 8% Liveness
70% Instrumentalness • 19% Positiveness
0% Popularity • 72% Danceability • 41% Energy • 8% Liveness
70% Instrumentalness • 19% Positiveness
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EmmaGG
Paxanimi
130 bpm • F Maj • 01:07 • -16db
17% Popularity • 56% Danceability • 18% Energy • 8% Liveness
1% Instrumentalness • 36% Positiveness
17% Popularity • 56% Danceability • 18% Energy • 8% Liveness
1% Instrumentalness • 36% Positiveness
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Adrien Varachaud Quartet
Brother Rudolph
130 bpm • F Maj • 07:16 • -11.57db
8% Popularity • 50% Danceability • 28% Energy • 12% Liveness
86% Instrumentalness • 28% Positiveness
8% Popularity • 50% Danceability • 28% Energy • 12% Liveness
86% Instrumentalness • 28% Positiveness
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Damian Boulere
Have You Met Miss Jones
130 bpm • D min • 02:06 • -22.32db
13% Popularity • 69% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 21% Positiveness
13% Popularity • 69% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 21% Positiveness
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Rubio Faviere
Chapter One, He Adored Maui
130 bpm • G min • 05:56 • -14.58db
12% Popularity • 32% Danceability • 14% Energy • 10% Liveness
58% Instrumentalness • 8% Positiveness
12% Popularity • 32% Danceability • 14% Energy • 10% Liveness
58% Instrumentalness • 8% Positiveness
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モーニングジャズ
雰囲気(睡眠)
141 bpm • D# Maj • 02:09 • -18.89db
12% Popularity • 61% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
12% Popularity • 61% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Jorge Luján
Amor de Soledad
141 bpm • A Maj • 03:15 • -9.03db
0% Popularity • 56% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 56% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Denis Beganovic
Il Suo Ultimo Silenzio
130 bpm • C min • 03:12 • -16.67db
10% Popularity • 26% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
10% Popularity • 26% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Tomasz Trzcinski
Visions, Pt. 4 "Peregrination": Picture ...
141 bpm • G min • 01:52 • -17.84db
16% Popularity • 31% Danceability • 28% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
16% Popularity • 31% Danceability • 28% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
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Eugenio Toussaint
A Praia
129 bpm • F# min • 04:21 • -18.64db
1% Popularity • 72% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
1% Popularity • 72% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Carlo Francesco Defranceschi
Métamorphose d'une feuille
129 bpm • B min • 01:59 • -28.65db
8% Popularity • 52% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 52% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Jan Gerdes
Empty Waltz
129 bpm • G Maj • 04:07 • -20.45db
15% Popularity • 49% Danceability • 4% Energy • 19% Liveness
93% Instrumentalness • 10% Positiveness
15% Popularity • 49% Danceability • 4% Energy • 19% Liveness
93% Instrumentalness • 10% Positiveness
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Jochen Baldes
Noam
129 bpm • C# Maj • 05:48 • -13.17db
10% Popularity • 44% Danceability • 32% Energy • 11% Liveness
85% Instrumentalness • 15% Positiveness
10% Popularity • 44% Danceability • 32% Energy • 11% Liveness
85% Instrumentalness • 15% Positiveness
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Alexander Borodin
Petite Suite: VII. Nocturne
141 bpm • F# Maj • 02:55 • -23.69db
14% Popularity • 44% Danceability • 12% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 44% Danceability • 12% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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Kaori Sawada
瞳という人
141 bpm • A# Maj • 02:39 • -17.15db
12% Popularity • 47% Danceability • 6% Energy • 10% Liveness
74% Instrumentalness • 48% Positiveness
12% Popularity • 47% Danceability • 6% Energy • 10% Liveness
74% Instrumentalness • 48% Positiveness
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Eugenio Toussaint
A Mi Guitarra
129 bpm • A min • 06:54 • -21.83db
1% Popularity • 49% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 13% Positiveness
1% Popularity • 49% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 13% Positiveness
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Jasper Somsen
Twin Flames
141 bpm • G Maj • 02:44 • -17.24db
13% Popularity • 45% Danceability • 14% Energy • 9% Liveness
82% Instrumentalness • 24% Positiveness
13% Popularity • 45% Danceability • 14% Energy • 9% Liveness
82% Instrumentalness • 24% Positiveness
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Klaviermusik Wellness
Happy Ambience for Staying Home
142 bpm • G min • 01:54 • -20.78db
10% Popularity • 63% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 16% Positiveness
10% Popularity • 63% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 16% Positiveness
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Dan Alexandru
Signal Flags
142 bpm • F Maj • 04:11 • -28.35db
15% Popularity • 45% Danceability • 2% Energy • 11% Liveness
77% Instrumentalness • 27% Positiveness
15% Popularity • 45% Danceability • 2% Energy • 11% Liveness
77% Instrumentalness • 27% Positiveness
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Steve Nelson
Quartet Piece
129 bpm • G# Maj • 08:03 • -25.5db
11% Popularity • 37% Danceability • 8% Energy • 65% Liveness
82% Instrumentalness • 11% Positiveness
11% Popularity • 37% Danceability • 8% Energy • 65% Liveness
82% Instrumentalness • 11% Positiveness
► Preview
Erlend Skomsvoll Trio
Her står jeg og der står du
128 bpm • F# Maj • 05:01 • -25.38db
13% Popularity • 41% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
13% Popularity • 41% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
► Preview
Eugenio Toussaint
String Quartet No. 1: III. Finale
141 bpm • D# Maj • 02:08 • -18.7db
0% Popularity • 38% Danceability • 3% Energy • 5% Liveness
1% Instrumentalness • 7% Positiveness
0% Popularity • 38% Danceability • 3% Energy • 5% Liveness
1% Instrumentalness • 7% Positiveness
► Preview
Saphena Trio
Judicious
128 bpm • C Maj • 02:14 • -17.51db
25% Popularity • 70% Danceability • 19% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
25% Popularity • 70% Danceability • 19% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
► Preview
Leszek Możdżer
Złudzenie
128 bpm • C# Maj • 01:57 • -21.28db
8% Popularity • 37% Danceability • 14% Energy • 15% Liveness
89% Instrumentalness • 24% Positiveness
8% Popularity • 37% Danceability • 14% Energy • 15% Liveness
89% Instrumentalness • 24% Positiveness
► Preview
Sacha Perry
Low Tide
143 bpm • C Maj • 05:01 • -20.19db
9% Popularity • 38% Danceability • 25% Energy • 12% Liveness
72% Instrumentalness • 33% Positiveness
9% Popularity • 38% Danceability • 25% Energy • 12% Liveness
72% Instrumentalness • 33% Positiveness
► Preview
Mathias Atkinsley
No more Smoke
143 bpm • B Maj • 01:35 • -21.09db
17% Popularity • 55% Danceability • 7% Energy • 8% Liveness
86% Instrumentalness • 9% Positiveness
17% Popularity • 55% Danceability • 7% Energy • 8% Liveness
86% Instrumentalness • 9% Positiveness
► Preview
Easy Camel Trio
埴生の宿
143 bpm • A# Maj • 03:54 • -15.49db
18% Popularity • 71% Danceability • 27% Energy • 12% Liveness
91% Instrumentalness • 70% Positiveness
18% Popularity • 71% Danceability • 27% Energy • 12% Liveness
91% Instrumentalness • 70% Positiveness
► Preview
Eugenio Toussaint
Dia de los muertos: Act II: Danza Final
129 bpm • D# Maj • 06:41 • -27.29db
0% Popularity • 42% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 42% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Jacques Loussier
Nocturne No. 3 In B Major, Op. 9 No. 3
127 bpm • B Maj • 03:01 • -21.51db
11% Popularity • 36% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 35% Positiveness
11% Popularity • 36% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 35% Positiveness
► Preview
Petter Bergander Trio
Days To Come
127 bpm • G Maj • 05:19 • -21.21db
35% Popularity • 51% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
35% Popularity • 51% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Davide Logiri
Twirl in the Fog
144 bpm • G Maj • 01:15 • -14.48db
19% Popularity • 37% Danceability • 33% Energy • 19% Liveness
88% Instrumentalness • 13% Positiveness
19% Popularity • 37% Danceability • 33% Energy • 19% Liveness
88% Instrumentalness • 13% Positiveness
► Preview
Nikolai Kapustin
8 Concert Etudes, Op. 40 (Excerpts Arr. ...
144 bpm • G# Maj • 02:01 • -22.65db
15% Popularity • 48% Danceability • 27% Energy • 32% Liveness
90% Instrumentalness • 71% Positiveness
15% Popularity • 48% Danceability • 27% Energy • 32% Liveness
90% Instrumentalness • 71% Positiveness
► Preview
Easy Camel Trio
7つのバガテル 作品33 第3番
143 bpm • C min • 02:16 • -16.63db
21% Popularity • 56% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 73% Positiveness
21% Popularity • 56% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 73% Positiveness
► Preview
Barry Velleman
Mr. Sandman
127 bpm • G Maj • 03:31 • -22.32db
10% Popularity • 64% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 43% Positiveness
10% Popularity • 64% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 43% Positiveness
► Preview
Eugenio Toussaint
Reflejos
142 bpm • D Maj • 04:50 • -18.04db
12% Popularity • 49% Danceability • 22% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
12% Popularity • 49% Danceability • 22% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
► Preview
Clarice Assad
Constellation
127 bpm • D# min • 11:36 • -21.83db
9% Popularity • 31% Danceability • 12% Energy • 10% Liveness
6% Instrumentalness • 5% Positiveness
9% Popularity • 31% Danceability • 12% Energy • 10% Liveness
6% Instrumentalness • 5% Positiveness
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Jorge Luján
Pasa
144 bpm • C Maj • 03:55 • -9.98db
0% Popularity • 60% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 60% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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おしゃれな カフェミュージック
世界-BGM
144 bpm • D# Maj • 02:48 • -20.16db
10% Popularity • 64% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
10% Popularity • 64% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Pierre Christophe
Jaki In Mais Oui
126 bpm • G Maj • 02:18 • -12.38db
21% Popularity • 60% Danceability • 51% Energy • 23% Liveness
74% Instrumentalness • 66% Positiveness
21% Popularity • 60% Danceability • 51% Energy • 23% Liveness
74% Instrumentalness • 66% Positiveness
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Bossa Curve
Everything We Wanted
125 bpm • F min • 03:16 • -19.88db
17% Popularity • 45% Danceability • 36% Energy • 39% Liveness
94% Instrumentalness • 38% Positiveness
17% Popularity • 45% Danceability • 36% Energy • 39% Liveness
94% Instrumentalness • 38% Positiveness
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Eugenio Toussaint
String Quartet No. 1: I. Allegro
128 bpm • G Maj • 04:05 • -22.55db
0% Popularity • 32% Danceability • 3% Energy • 10% Liveness
50% Instrumentalness • 8% Positiveness
0% Popularity • 32% Danceability • 3% Energy • 10% Liveness
50% Instrumentalness • 8% Positiveness
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Thilo Wolf Jazz Quartett
They Can't Take That Away
125 bpm • F min • 04:37 • -16.26db
9% Popularity • 68% Danceability • 30% Energy • 34% Liveness
86% Instrumentalness • 31% Positiveness
9% Popularity • 68% Danceability • 30% Energy • 34% Liveness
86% Instrumentalness • 31% Positiveness
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Jacques Loussier
Minuet In G Major
146 bpm • G Maj • 03:58 • -19.28db
10% Popularity • 40% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
10% Popularity • 40% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
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Werner Mengel
II Adagio
125 bpm • F Maj • 02:45 • -16db
12% Popularity • 60% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 28% Positiveness
12% Popularity • 60% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 28% Positiveness
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UNRJ
Unlikely Tomorrow (Smooth Jazz)
125 bpm • F Maj • 03:34 • -24.57db
21% Popularity • 52% Danceability • 7% Energy • 12% Liveness
85% Instrumentalness • 5% Positiveness
21% Popularity • 52% Danceability • 7% Energy • 12% Liveness
85% Instrumentalness • 5% Positiveness
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Cecilia Toussaint
Sácalo
146 bpm • C# Maj • 04:26 • -11.83db
3% Popularity • 55% Danceability • 36% Energy • 9% Liveness
4% Instrumentalness • 55% Positiveness
3% Popularity • 55% Danceability • 36% Energy • 9% Liveness
4% Instrumentalness • 55% Positiveness
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Eugenio Toussaint
Dias de los Muertos Suite: I. Tina en el...
143 bpm • G# Maj • 05:50 • -23.67db
0% Popularity • 54% Danceability • 9% Energy • 10% Liveness
62% Instrumentalness • 14% Positiveness
0% Popularity • 54% Danceability • 9% Energy • 10% Liveness
62% Instrumentalness • 14% Positiveness
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Marco Vezzoso
Balla Balla Ballerino
125 bpm • D# Maj • 05:22 • -10.78db
14% Popularity • 68% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 40% Positiveness
14% Popularity • 68% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 40% Positiveness
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Jasper Somsen
Resonance from the Past
146 bpm • A Maj • 04:52 • -17.91db
9% Popularity • 46% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
9% Popularity • 46% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
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Ángel de Villoldo
El Choclo
125 bpm • D min • 06:40 • -12.41db
8% Popularity • 52% Danceability • 27% Energy • 8% Liveness
10% Instrumentalness • 22% Positiveness
8% Popularity • 52% Danceability • 27% Energy • 8% Liveness
10% Instrumentalness • 22% Positiveness
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Ova Wunsch
KissWorm
146 bpm • A# min • 03:21 • -14.59db
8% Popularity • 56% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 53% Positiveness
8% Popularity • 56% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 53% Positiveness
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Pierre Christophe
Night Leaves
125 bpm • C Maj • 04:09 • -19.7db
15% Popularity • 48% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
15% Popularity • 48% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Eugenio Toussaint
Pieza Corta para Cuarteto de Cuerdas
144 bpm • D# Maj • 02:46 • -18.3db
0% Popularity • 43% Danceability • 10% Energy • 27% Liveness
54% Instrumentalness • 38% Positiveness
0% Popularity • 43% Danceability • 10% Energy • 27% Liveness
54% Instrumentalness • 38% Positiveness
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The Magic Breeze
Don't Look Behind
124 bpm • A min • 01:33 • -12.02db
12% Popularity • 26% Danceability • 45% Energy • 52% Liveness
2% Instrumentalness • 45% Positiveness
12% Popularity • 26% Danceability • 45% Energy • 52% Liveness
2% Instrumentalness • 45% Positiveness
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Amos Osterhaus
Safe Haven
124 bpm • G# Maj • 04:55 • -27db
13% Popularity • 40% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
13% Popularity • 40% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Cristian Gustavo Jerez
Tribulation (Trio Version)
124 bpm • C# min • 01:37 • -31.91db
18% Popularity • 35% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
18% Popularity • 35% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
